Press release: This holiday season, every Universal Pictures film from the most popular comedy duo of all time comes home when Abbott and Costello: The Complete Universal Pictures Collection hits Blu-ray for the first time as a complete collection on November 19, 2019 from Shout! Factory. The Complete Universal Pictures Collection comes loaded with bonus features, including 10 new audio commentaries, a collectible book, and a bonus disc with more than eight hours of content. Celebrating the 80th anniversary of Abbott and Costello’s first film One Night in the Tropics, the massive 15-disc set is the ultimate tribute to two
Results tagged “Comedy”
Abbott & Costello: The Complete Universal Pictures Collection on Blu-ray November 19 from Shout! Factory
Get ready to laugh out loud as this collection comes packed with all 28 of Bud Abbott and Lou Costello's iconic films at Universal.
Filled with blood and betrayal, Harpoon is sometimes tough to swallow, but easy to love.
The first 15 minutes of Rob Grant’s Harpoon are slow. Grant is methodical in the way he introduces each character, using archival footage and flashbacks to give all the exposition one needs for a good story. We understand each of our three protagonists, or antagonists by the end of the film, and can plainly see where they fit within the interlocking friendships. The roles are set. The pecking order is established. And with that, Harpoon doesn’t just walk or run to the next conflicts, it sprints at breakneck speed, shattering everything in its path. The film centers around three friends,
Dying over and over shouldn't be fun, but Koko-di Koko-da sure is a creepy joyride.
I’ve never been a huge fan of horror movies. Jump scares, bloody creatures, and demonic possessions aren’t really my cup of tea. I see them all as one movie: a predictable, harrowing couple of hours that never ceases to keep me up at night. Johannes Nyholm’s Swedish drama Koko-di Koko-da just changed my mind. Slapping together Groundhog Day with Cabin in the Woods, Nyholm produces a low-budget, comedy-horror-drama of sorts that extends the boundaries of genre. You won’t be falling out of your seat or covering your eyes with your hands while watching the film, you will be chuckling at
The Major and the Minor may have been the first Hollywood film directed by Wilder, but it is also one of his best.
Susan Applegate (Ginger Rogers) has had it up to here with New York City, with fighting off men making passes at her on her job, with just about everything. She's packing it in and heading back to her hometown of Stevenson, Iowa. There's just one problem. She's broke and doesn't have enough for the one-way fare. That is, an adult fare. She could manage the cost of a child's fare ticket. After a quick trip to the ladies' room, she scrubs off her sophisticated New York city-girl face, changes her fancy hair-do to pigtails, and pushes her hat on the
Redemption Films brings Jess Franco's campy cult Eurospy spoof to Blu-ray, including an uncredited aural contribution by yours truly.
Crafted in the wake of Jean-Luc Godard's immortal Alphaville ‒ a deadpan French New Wave satire of contemporary espionage and sci-fi films ‒ Jess Franco's Cartes sur table ‒ better known to English-speaking audiences as Attack of the Robots ‒ is a campy tale of tricks and traps. In fact, Franco's French/Spanish co-production even casts the same lead from Godard's cult classic: the one and only Eddie Constantine (a personal favorite film idol of mine), who sets out to discover just who is turning people with the rare "Rhesus Zero" (presumably a variation of the extremely rare Rhnull blood type)
Stockard Channing is great in her first starring role as an ugly ducking in this dark, funny comedy from Joan Rivers.
They sure knew how to make TV-movies back in the day. In The Girl Most Likely To… Stockard Channing (Grease, Six Degrees of Separation) appears in her first major role as Miriam Knight, an awkward "ugly duckling" bullied and excluded by her college peers. No matter how many times Miriam has switched schools, she just can't get a date. She is brilliant and funny, but that doesn't seem to matter to anyone who meets her, as they only superficially react to her outward appearance. Despite the constant put-downs, Miriam is ever hopeful of finding her true love. After a wellness
Garagehouse Pictures releases a pair of awful horror obscurities which may either induce vomiting, blindness, or death, depending on how lucky you are.
Just when I thought the world was starting to get over its nasty habit of not making a whole heck of a lot of sense, Garagehouse Pictures dropped a major bomb on me. Sure, on the surface, the HD offerings of two Los Angeles-made minor indie horror flicks from the late '80s may seem like good cause to rejoice. Alas, both 1987's Monstrosity and 1989's The Weirdo (or, Weirdo: The Beginning, as it is also called) stem from the sadistic and unimaginative world of the late Andy Milligan, so any and all signs of something amazing being found in these
Kino Lorber places Russell Mulcahy's heist stinker starring Kim Basinger and Val Kilmer on display for you to give or take.
Like Kino Lorber's recent release of 1974's The Midnight Man, 1993's The Real McCoy is another Universal production filmed in the South about an ex-con who finds it isn't easy to change their stripes (so to speak). Of course, comparing The Midnight Man to The Real McCoy is like juxtaposing Highlander with Highlander 2: The Quickening. The subtle film reference joke there being that the latter three titles were all manufactured by a filmmaker one either loves or hates (or both, if they're a Highlander fan): one-time pop music video director Russell Mulcahy. Here, former Vicki Vale Kim Basinger stars
A boy befriends a mermaid, and director Masaaki Yuasa reigns in his anarchic animation style...for a little while.
Masaaki Yuasa is something of a wild card anime director. In an industry that can be chided for a certain uniformity of design and technique, he makes movies that look like nobody else's. To paint with a broad but not inaccurate brush, anime tends to go for contrasts of motion - energetic motion punctuated by stillness. Detailed backgrounds with simplified characters. Yuasa can do that, then wildly shift into incredible kineticism, with characters and backgrounds shifting with no concern for realism, detail, or anything other than the effect of the shot. Lu Over the Wall was conceived, as Yuasa explains
Kino Lorber bravely launches a Special Edition release for one of the most hated films of the mid '90s.
Though I never saw the film in its entirety until much later in life, I was nevertheless present when Adam Resnick's Cabin Boy briefly flickered onto silver screens near and far in 1994. I was also there when word began to spread (and quickly, at that) regarding just how popular of a title it was at the time. But my personal favorite Cabin Boy story hailed from a secondhand account, wherein a former acquaintance of mine enjoyed the movie's many, many flaws so much, that he exited the cineplex in tears, resulting in one very confused usher walking up to
Although Tag seemed to get overlooked in this summer’s box office competition, it’s well worth chasing down on Blu-ray this fall.
Tag is based on the remarkably true story of a group of men who have kept their same childhood game of tag going for decades, risking their safety and careers in pursuit of pulling one over on their friends. It’s a ridiculous concept for a feature film that could have resulted in a real dud, but thanks to some solid casting and a hilarious script, it works so well that it’s easily my favorite comedy of the year. Each year for a month, the men play tag wherever they are, resorting to costumes and tomfoolery to track down their targets
A PSA that Kate McKinnon is a true blue comedic movie star.
Not only is The Spy Who Dumped Me a fun movie-going experience but it is proof that we should put any potential talk of introducing “Jane Bond” to rest. I mean, why build off an already established property when we have original female-centered spy films like The Spy Who Dumped Me that can become their own franchises? Even if this film isn’t perfect or anything groundbreaking, I’d still gladly watch a sequel should one get made. The Spy Who Dumped Me follows the story of Audrey (Mila Kunis), a retail clerk who’s been dumped by her boyfriend Drew (Justin Theroux)
The Warner Archive Collection dusts off two pre-Code Ronald Colman classics featuring Ann Harding, Loretta Young, Myrna Loy, and a familiar-looking terrier.
Once again, the Warner Archive Collection has unveiled a couple of forgotten titles starring Ronald Colman, the British-born talent who transcended from stage to silents to talkies with the greatest of ease, resulting in three Oscar-nominations during his 40+ career in the world of entertainment. Here, the WAC presents us with two pre-Code rarities ‒ a serious drama and a madcap comedy ‒ both of which are well worth the cost of admission. Condemned! (1929, United Artists) Set on the isle of Cayenne ‒ the infamous French penal colony better known as "Devil's Island", from whence Humphrey Bogart would repeatedly
The Warner Archive Collection brings us the first all-talking motion picture ever, which deserves a look-see for that very reason alone.
Given that even the cheapest films produced today can be presented in faux widescreen with 7-channel surround sound and special effects manufactured entirely via computer software, it's extremely easy to take some of cinema's most important milestones for granted. Much like the very first motion pictures to be shot digitally as far back as the early 2000s have already faded from the memory of the general public, the movies which introduced the world to surround (let alone stereo) sound and the phenomenon once known as CinemaScope have become little more than mere footnotes in cinematic history. One such milestone ‒
Joe E. Brown strikes out in a tired pre-Code baseball comedy now available from the Warner Archive Collection.
Admittedly, a movie from the early '30s is bound to feel more than just a tad bit outdated when viewed today. That said, Lloyd Bacon's Fireman, Save My Child ‒ a First National Pictures comedy starring the mouth himself, Joe E. Brown ‒ was already old hat (or old fire helmet, as it were) when it was released by Warner Bros. in late February of 1932, as it had already been made twice before during the Silent Era. The first film to carry the title was Hal Roach's one-reel short from 1918 with the great Harold Lloyd in the lead,
Carole Lombard and Chester Morris unite for a well-aged gangster screwball comedy, now available from the Warner Archive Collection.
Some marriages just need a little time to get things right. Crafted at the tail-end of Hollywood's golden age of gangster pictures, MGM's classic screwball comedy The Gay Bride failed to wed audiences upon its initial release in 1934. But when I first witnessed this union betwixt Carole Lombard (My Man Godfrey, To Be or Not to Be) and future Boston Blackie star Chester Morris (Five Came Back, The She-Creature) 84 years later in 2018, I found this once-dejected Bride to be quite worthy of a suitor ‒ Gayor otherwise. Set in New York (but clearly filmed in Los Angeles),
John Landis' campy homage to classic monster movies surfaces in High-Definition for a limited time from Turbine Media Group.
The first feature film of cult filmmaker John Landis (An American Werewolf in London, Innocent Blood) Schlock serves as a exemplary reminder we all have to start somewhere. Shot over the course of 12 days on a measly $60,000 budget in one of the many suburbs of Los Angeles, Schlock is a campy homage to horror and science fiction movies of the past, as seen through the eyes of one very eager 21-year-old filmmaker. A small community is besieged by a wave of baffling, unsolved murders, committed by an entity whom authorities and the media alike have dubbed "The Banana
For whatever reason, the Warner Archive Collection releases Robert Youngson's effortless cut-and-paste documentary to DVD-R.
One would expect a collection of clips featuring some of cinema's greatest comedians and comediennes to be a laugh-a-minute mini-fest; a cinematic party tape devoted entirely to some of the biggest names in comedy during their best moments on-screen. And, while such compilation movies surely exist somewhere, you will not find anything remotely resembling such in MGM's The Big Parade of Comedy ‒ a dreadful cut-and-paste wonder from the once-respected mind of documentary filmmaker Robert Youngson. Beginning his career at Warner Bros. in the late 1940s as the director of documentary shorts ‒ two of which won Academy Awards ‒
Tony Curtis and Monica Vitti are more than a bit rusty in this appallingly unfunny Italian sex comedy from the Warner Archive Collection.
Every once in a while, a film critic encounters a difficult obstacle to overcome. The late '60s, Italian-made sex comedy The Chastity Belt ‒ originally given the very late '60s title of On My Way to the Crusades, I Met a Girl Who… ‒ proved to be one such challenge. Starring Tony Curtis and Italian bombshell Monica Vitti, this 1967 medieval "farce" incredibly credits A Funny Thing Happened on the Way to the Forum writer Larry Gelbart, the same man who would later turn Robert Altman's hit M*A*S*H into an even bigger television sensation. After making it into the film
Killer Klowns From Outer Space Blu-ray Review: Because Killer Klowns Not From Outer Space Simply Wouldn't Sell
Thirty years later, I still get excited by how absurd it is.
Cream pies that melt the flesh off a person. Balloon animal hunting dogs. Locust popcorn. Cotton candy cocoons. Monster marionettes. A circus tent spaceship. Ludicrous inflatable balloon boobs. Killer Klowns From Outer Space is as creative as it is ridiculous. It's not a parody or a satire and everyone in the film takes the events very seriously, making it that much funnier. Mike (Grant Cramer) and Debbie (Suzanne Snyder) are visiting a remote make-out spot when they see what appears to be a shooting star passing nearby overhead. They chase after it and find a circus tent oddly erected in