While I am always eager to point out how wretched contemporary filmmaking seems to have become, I can never dismiss the notion that bad movies have been getting cranked out by Hollywood since the beginning. In fact, as the type of feller who appreciates that certain kind of maligned movie manufacturing (see: just about any of my articles), I don't mind discovering a previously unseen Tinseltown atrocity from yesteryear in the least bit. That is, until I stumble across something as wretched as When a Feller Needs a Friend, of course. That's when I feel like gnawing my own arm
Results tagged “Comedy”
The Warner Archive Collection dusts off one of the sappiest, nerve-wracking, Depression-era family melodramas ever made. Enjoy.
From forgotten comedy duos to early travelogues to matinee cowboy pictures, the WAC has just a bit of everything for classic film collectors.
In this time where people will often sit and binge-watch an entire television series, half of the population gleefully engages in such sittings regularly, while the other half will sit and wonder why the term "binge-watch" was added to the dictionary, especially since there was already a perfectly good word selected for marathon viewings in the first place: "marathon." But no matter what side of the vernacular you're on, there truly is nothing quite like being able to sit down and get a good proper feel for a particular performer or series. Thankfully, even film history's lesser-remembered talents continue to
Olive Films releases one of Bob Hope's legendary flops, which is almost bad enough to be funny.
If there's one thing film historians and aficionados alike can agree on, it's that you can't make a good movie with a bad script. Even a comedic titan such as the late, great Bob Hope would discover he was not immune to this theory as both he and his career entered the 1960s, wherein the legendary star of stage, screen, and radio ‒ who was now fully able to make a few dumb sex jokes for an hour-and-a-half thanks to changing times ‒ found himself with nothing more to do than make a few dumb sex jokes for an hour-and-a-half.
Debbie Reynolds, Doris Day, and Julie Andrews highlight a trio of amazing rom-coms from more enjoyable, innocent times.
Romantic comedies may have been a dime a dozen back in the '50s, but ‒ as any good numismatist knows ‒ a mint condition dime from the 1950s is worth much more than a pretty penny today. And the Warner Archive has been quite busy of late bringing a venerable assortment of shiny motion pictures classics to Blu-ray for future generations to marvel over, including a grand musical from the '50s, an amazing throwback to the musical from the '80s, and another '50s flick starring one of the era's most beloved musical starlets. In the latter instance, I speak of
The seldom-seen Spaghetti Western outing starring Tony Anthony and a recently disbanded Ringo Starr finally hits DVD.
It was only 1971, but a lot had changed in the entertainment world since the '60s ended. First, and perhaps most importantly, The Beatles had disbanded. Secondly, the phenomenon of the Spaghetti Western was on the decline; the cruel victim of oversaturation and repetition on the behalf of the very countrymen who accidentally created the subgenre. One ex-Beatle in particular, Ringo Starr, attempted to launch a solo career in music, but was not experiencing much success [insert joke about Starr's drumming abilities here]. Across the Channel, American-born filmmaker Tony Anthony ‒ no "stranger" to the Euro western field, having created
One of the pulp world's first heroes makes for one of film world's worst zeroes.
Lately, Dwayne "The Rock" Johnson has been threatening all of mankind by announcing he is slated to star in one remake after another, including a short-lived, fleeting fantasy of a new version of Big Trouble in Little China and ‒ more recently ‒ the reboot of a footnote in the revised American Superhero book, the Doc Savage franchise. And though no such crimes have been perpetrated as of this writing, I almost think a re-envisioning of Doc Savage is in order. Not necessarily because I would support it (I wouldn't), but because it couldn't possibly be any worse than the
From classic tear-jerkers to vintage knee-slappers, these goodies are sure to warm the hearts and tickle the funnybones of movie buffs.
It's that time of the year once again, videophiles. And with all of the crazy mixed-up offerings 2016 has been pulling on us from the very beginning, there is some considerable comfort to be found in what Universal Studios Home Entertainment has put together for the holiday season. First and foremost is the prospect of you and yours spending a very Marxist Christmas (or perhaps Hanukkah would be more appropriate) with one of the most eagerly awaited Blu-ray box sets for classic comedy lovers everywhere. I speak, of course, of The Marx Brothers Silver Screen Collection: a three-disc High-Def item
Though the extras for this Arrow Video release are a bit on the anemic side, I can still sink my teeth in this fun '80s vampire cult classic.
While the cinematic equilibrium of horror and comedy had been teeter-totting off and on for many years prior, it really wasn't until the 1980s rolled around that people started to get the balance right (that may or may not have been a Depeche Mode reference, for those of you playing at home). Indeed, the monstrous success of Ghostbusters in 1984 (you know, the good one) all but blew the doors off of the previously sealed gateway to the otherworldly. Within the boundaries of films we weren't supposed to take very seriously, that is. In a way, this permitted the horror
From insensitive employers to less-than-sensible debates about mayonnaise, this assortment of odds and ends is sure to inspire those of you who feel like humanity has lost all common sense.
Like certain recent events in world history have proved, the elements of both sense and sensitivity are not always in full force: people don't always make the best decisions. This is particularly true ‒ to say nothing of acceptable ‒ in the less depressing field of fiction. And no matter how realistic of a course this sextet from Twilight Time may have become, these magical realms of fantasy nevertheless provide a great escape to scurry off to, particularly when the gravity of reality becomes almost too improbable to properly process ‒ especially since most of the protagonists of these six
From Peckinpah to Price and from Scott to Sinatra, this assortment of classics from Twilight Time doesn't mess around.
It's easy to get carried away sometimes, particularly when the target of your obsession is something (or someone) you love. And you won't find a single protagonist or villain afoot in this wave of new Blu-ray releases from Twilight Time incapable of agreeing with you. Featuring the unparalleled talents of many motion picture greats, these releases ‒ all but one of which make their HD home video debuts ‒ this assortment of flicks touches upon all sorts of human emotion people throughout history have fallen prey to: an unbridled love for something, be it lust, pride, glory, and/or greed. Our
Arrow Video releases the definitive box set (well two, actually) paying all respect due to one of filmdom's most unique innovators.
There will never be another Herschell Gordon Lewis in this world, ladies and gentlemen. And though some snobbier film aficionados may consider that a blessing, considering the course the motion picture industry has taken since the late independent exploitation filmmaker first succeeded in turning head whilst churning stomachs and all, there is no denying the legacy H.G. Lewis left behind. While his self-planted roots in the world cinema started with a variety of silly "nudie cuties" (which popped up in various "art houses" across the nation), Lewis didn't strike gold until he struck nerves. And arteries. And major organs. And
Breaching all boundaries of good taste, I can't decide if Denmark's award-winning black comedy is for mankind or just plain fowl.
It's been a considerable while since I last dived into a Danish picture, and my immediate thought as soon as Anders Thomas Jensen's Mænd & høns ‒ or, Men & Chicken, as the English-language translation reads ‒ was if I had been out of the loop for far too long. Or maybe I have aged considerably more in the last couple of years than the calendar would have me believe, as I found Men & Chicken was a bit of a tough shell to crack. Sure, it either won or was nominated for numerous awards in its native Denmark (as
Pregnancy has no limits in this very fun comedy adventure.
This was one movie I had little interest in seeing at the Twin Cities Film Fest. What could be so fascinating about watching a couple on a vacation in some sort of luxury hotel? The trailer made the husband out to be a certain kind of feminine hygiene product. While the wife behaved in a way that rhymes with the word "runt". Why would I care if some political rebels kidnapped the dude while the wife goes looking for him? The trailer had moments that made me laugh, but nothing about it made me excited to be spending two hours
Sean Connery ascends, George Hamilton pretends, and Don Siegel defends in this trio from the WAC.
It is oft said one must reach the top in order to succeed, and this trio of minor motion pictures from Hollywood's past can serve as a painful reminder of how much of a fall you're in for should you slip up somewhere along the line. And both of those terrible analogies certainly come into play in the 1982 Warner Bros. drama, Five Days, One Summer, for it quite literally has to do with mountain climbing. But before you get your hopes up, this is not the sort of exciting cinematic fare like you might find in The Eiger Sanction.
Yeah, a quartet of individual titles starring classic Hollywood's perennial tough guy make their DVD debuts, see?
Compared to the infinite number of indistinguishable pretty boys popping up in one forgettable flick after another today, there could only have been one Edward G. Robinson. Hailing from a time in Tinseltown when tough guys could be larger-than-life no matter how short and squatty they may have been, Robinson's noticeable lack of height (or a handsome mug) may have prevented him from landing more romantic, nice guy roles, but his natural grumpy-looking demeanor soon found him shooting up the ladder of success in 1931 when he landed the lead in the crime drama classic Little Caesar. This pivotal role
From a magnificent assembling of classic horror of the '30s, to the various sorts of silliness the whole of the '90s had to offer, these four releases will have you screaming.
While the Warner Archive mostly brings us new and previously unreleased goodies to DVD, they also bring us the odd re-release of titles which have become out of print. Or possibly new and improved versions of old catalog releases which were unfortunate enough to have been pressed to disc when DVD was still new. This lot falls under both categories, sporting two new widescreen offerings of titles which were only ever seen in early (read: unmastered) releases, as well as the reawakening of two cult gems, the first of which has been on many a classic horror movie lover's wish
A hilarious movie that delivers laugh after laugh.
After a series of unfortunate events at important family events, Mike (Adam Devine) and Dave’s (Zac Efron) parents (Stephen Root and Stephanie Faracy), along with their sister Jeanie (Sugar Lyn Beard) and her fiancé Eric (Sam Richardson), hold and intervention to convince Mike and Dave that they cannot attend Jeanie’s destination wedding, stag. The group gives the brother’s an ultimatum that they either bring dates to the wedding or stay home. And not only do they need to bring dates, but the dates need to be nice girls. Since Mike and Dave love their sister so much, they agree to
The Warner Archive Collection slips us a couple of Mickeys (with plenty of Wood) in these two rarely-seen gems.
The late Mickey Rooney made a sizeable impact on classic cinema, leaving behind a list of motion picture and television appearances tallying well over 300. With a résumé like that, it may be quite some time before all titles are present and accounted for on home video (and even then, it's unlikely we'll see everything). Nevertheless, the Warner Archive Collection and it's many Mickey Rooney fans working there have been doing their best to fill in the gaps to their abilities. Two recent releases from the WAC marked the home video debuts of MGM's Stablemates and Lord Jeff, both released
A surprisingly clever '80s movie with lots of "bite."
Usually, horror comedies are a one-in-a-million, meaning that some work (the Evil Dead trilogy, Slither), and others don't (976-Evil, Vampires Suck), but fortunately for Richard Wenk's 1986 underrated romp Vamp, the horror and comedy actually mix very well, while adding a little satire that helps elevate the film to cult-like status. With esteemed actors like Chris Makepeace, Robert Rustler, and Dedee Pfeiffer, and amazing make-up/special effects by four-time Oscar-winner Greg Cannon, this film can surely add itself to the pantheon of great comic horror. Makepeace and Rustler play Keith and AJ, two Los Angeles college roommates and best friends who
Gene Wilder, Gilda Radner, and a dragged-out Dom DeLuise star in one frighteningly unfunny feature.
I was perhaps all of ten years old when I first saw a trailer advertising the Gene Wilder/Gilda Radner comedy Haunted Honeymoon. It was in the (singular) local movie house of the small(minded) town I grew up in, and I recall being more confused by it than intrigued. Why was Dom DeLuise dressed as a woman? And, most importantly of all, why wasn't anyone laughing at the preview ‒ my easily amused ten-year-old self included? The immediate theory my preadolescent brain formed was, based on the evidence at hand (i.e. the startlingly unfunny trailer and the lack of a reaction