Whether you are a collector, purist, enthusiast, or just someone who is trying to get through the work day, there is nothing as gratifying as being able to mark something off of a checklist. And every time Twilight Time issues a classic Woody Allen film on Blu-ray, it gives his fans a chance to experience something just as gratifying. Fortunately for all parties involved, Allen's extensive (and still-expanding, as he has rarely skipped a year without making a movie since 1965) library can come that much closer to being "complete" thanks to Twilight Time's regular releases of the filmmaker's work,
Results tagged “Comedy”
From screwball spoofs to serious dramas, this quintet of features from the one and only comedian/filmmaker offers a variety of stylings.
The Warner Archive Collection revs up the gas for Jeff Burr's controversial buzzer.
Bridging the gap between pure psychological horror with a touch of humor and gore into something polarly opposite isn't an easy task. And there is no better example of that in the realm of scary movies than New Line Cinema's maligned 1990 slasher sequel, Leatherface: The Texas Chainsaw Massacre III. Though technically an '80s flick, Jeff Burr's 1990 contribution to the famous film franchise ‒ which still exists today via an occasional, unnecessary reboot every couple of years ‒ became an instant target for fans and foes alike. Several years before, the Cannon Group released Tobe Hooper's The Texas Chainsaw
The Warner Archive Collection brings us two excellent transfers of two contrasting tales starring the great Paul Newman.
Lew Harper is back on the case ‒ twice over ‒ in these two new Blu-ray releases from the Warner Archive Collection. Adapted from Ross Macdonald's literary adventures of Lew Archer (because who in their right mind could take a character named Archer seriously, especially now?), 1966's Harper brings us a misadventure of a modern-day Southern Californian private investigator. Seemingly inspired by every classic detective from books to film alike ‒ and every bit as cynical, to boot ‒ the role was brought to magnificent life on-screen by the one and only Paul Newman (The Hustler). Nine years later, Newman
The Warner Archive Collection brings us a beautiful restoration of Rosalind Russell's original great aunt.
Beginning as a best-selling novel by Patrick Dennis in 1955, Auntie Mame became a Broadway success starring the one and only Rosalind Russell a few years later. As was customary with just about every (even minor) stage triumph in those days, a film version wasn't too far behind. Released to theaters at the tail end of 1958, Warner Bros.' Auntie Mame became the highest-grossing film of 1959. While that may not seem like much of an accomplishment at first glance, it should be noted the films it vanquished at the box office included North by Northwest, Ben-Hur, Anatomy of a
Michael J. Fox goes country in this early '90s rom-com now available on BD from the Warner Archive Collection.
Doc Hollywood was exactly the sort of early '90s filmfare I recall going to see every weekend at the local cinema in the small hick town I grew up in. In fact, I actually did see Doc Hollywood when the nearby theater of my teen-aged youth, where nary another soul was in attendance, leading me to (falsely) concur the movie must not have made a big splash at the box office. In reality, the film was something of a box office hit, but due to prolonged exposed to something called "aging", very little of that remained in my memory banks.
The Warner Archive and Twilight Time give us some old song and dance routines, available in High-Definition (and in one case, widescreen) for the first time.
You know the feeling. You're sitting there, minding your own business, enjoying the sights and sounds of a classic motion picture. Suddenly, the gears seem to shift: orchestral accompaniment appears out of nowhere as characters begin to step in pace with one another, speaking in lyrical rhymes before breaking out in full-out song and dance routines. "Oh God, they're singing!," you cry out, realizing you have been sucked in once more by a movie musical. But don't worry, I won't judge ye. In fact, after witnessing all of the toe-tapping antics found in these three titles ‒ all of which
The Warner Archive Collection raises the roof on Joe Pesci's flop.
Epitomizing just about every bad decision made by the world of domestic entertainment in the early '90s to its fullest extent ‒ be it the questionable tastes in fashion and music or the peculiar, career-killing choice to cast movie tough guys in family-friendly comedies ‒ The Super stars the Joe Pesci no one really wanted to see. Cast as the vehemently loathsome spoiled jerk son of a racist ol' New York City real estate magnate (gee, I wonder who served as inspiration for that?), Pesci is at his squirmiest, scene-chewing best here as Louie Kritski ‒ the slumlord of a
Chris Hemsworth lets his hair down (and sleeps with one eye open) in this highly enjoyable change of pace from director Taika Waititi.
Admittedly, I am not the biggest contemporary superhero movie enthusiast. At one point in time, I would have fallen somewhere in the vicinity of such a category, but I essentially dropped out around the same time the current Marvel Cinematic Universe (MCU) as we know it came into existence in 2008. Sure, I catch the occasional superhero flick here and there (including the occasional new DC abomination, which usually only helps me appreciate Marvel's contributions all the more), but I generally remain indifferent to what I see. And then there is Thor: Ragnarok ‒ a film which proves even a
Heather Graham's debut is certainly relevant, but still feels like there is another story waiting to be told.
Honey (Heather Graham) was raised to believe that her sexuality should never be addressed. As a child, she grew up being told by her father and her priest that having sex would ruin her life and remove the hope of ever finding true love. Years later, and she is working in Hollywood as an assistant to a sleazy, sexist actor - but she has dreams of becoming a writer. Undervalued and denigrated by her boss, she turns to an all woman’s seminar that focuses on the reclamation of her body as a source of empowerment, rather than of shame. She
Steve Coogan and Rob Brydon are at it again in this feature film version of the popular UK TV series.
The third film adaptation to spawn from Michael Winterbottom's television series The Trip, The Trip to Spain reunites British comedians Steve Coogan and Rob Brydon for yet another bizarre road trip. This time, our pair of middle-aged delinquents embark off to good ol' España to indulge in the finest Spanish cuisine (and wine for the Welshman, as Steve is on the wagon here). But food and drink are the least of the viewer's concern, as our hosts' seemingly erratic behavior is the thing that keeps us coming back for more. Or "Moore," as is the case in The Trip to
The Sprocket Vault releases a two-disc set celebrating the lost talent of one very gifted comic.
While history may not regard him as highly as many of the other on-screen comics who predated or succeeded him, the world of comedy nevertheless owes a substantial debt of gratitude to Charley Chase. Born Charles Joseph Parrott in 1893, the immeasurably gifted individual worked with just about every great comedy act in the business during his tragically short lifetime. During the Silent Era, a young Chase worked at Keystone Studios for Mack Sennett, appearing in several Charlie Chaplin shorts. In later years, after sound had come to moving pictures to stay, Chase worked on the other side of the
The brilliant mockumentary from Christopher Guest and Co. gets a beautiful new High-Definition transfer from the Warner Archive Collection.
Before he gave us his unique looks at dog shows and folk groups, This Is Spinal Tap co-creator and star Christopher Guest formed his first "solo" mockumentary turned his eyes towards the stage for this hilarious mockumentary revolving around one very memorable community theater presentation by way of Samuel Beckett's immortal play Waiting for Godot. Set in the fictional small town of Blaine, Missouri, 1996's Waiting for Guffman finds Guest as an ambiguously gay theater director from New York named Corky St. Clair. Clad in some of the worst fashion violations ever conceived, Corky takes on the helming of "Red,
The WAC has more early '30s fun to offer, featuring young Loretta Young, Joan Blondell, leading man Edward Everett Horton, and a pre-wheelchair Lionel Barrymore.
While the days of their Forbidden Hollywood sets may be behind us now, the folks at the Warner Archive Collection have nevertheless kept their promise we would see more Pre-Code rarities released to DVD. In recent months, the Warner Archive has unleashed several forgotten ditties from the vaults to MOD discs, all of which feature the classic same risqué elements, lovely lassies, and ambiguously fey men of the era whom we have grown to admire in the decades that have since passed. Among the talent included in these individually released titles are the likes of Alice White, Edward Everett Horton,
Although an imperfect film, I, Tonya celebrates the imperfections of its leading lady with surprising emotional resonance.
If the year was 1994, and you were to turn on the TV, pick up a newspaper, or chat with friends and family, all discourse would be about the epic scandal known as Tonya Harding v. Nancy Kerrigan. Tonya, a lower-class figure skater from Portland, Oregon is suddenly entrenched in a social, not to mention legal battle to defend her name - a name that, until this point in time, did not really seem to matter. But after her triumph at U.S. figure skating, jettisoning her to the 1994 Olympics, she soon became a household name. Well, that and the
John Patrick Shanley's quirky fantastical romance hits Blu waves with a stellar transfer from the Warner Archive Collection.
After his Academy Award-winning screenplay for 1987's Moonstruck, playwright John Patrick Shanley launched into the '90s by taking the world into a different corner of comedy altogether. It was the first time Shanley directed a film ‒ something he wouldn't do again until crafting his own stage work for the screen in 2008 ‒ but it would go on to become a genuine American cult classic. A fairytale romance perfect for pairing with The Princess Bride, Joe Versus the Volcano was also the first time filmgoers were treated to the award-winning chemistry of Tom Hanks and Meg Ryan, who would
VCI Entertainment goes retro with two imperfect releases for two equally flawed horror flicks.
VCI Entertainment is no stranger to the world of home video. In fact, it's (quite possibly) the only label in the US to have survived all of these years without a parental company in the active motion picture business (Universal, Paramount, et al). And while their current library of classic films and forgotten flicks is anything less than impressive, certain "niche" enthusiasts such as myself will always associate the outfit with cult movies. This Fall, VCI has returned to its roots (replete with retro logo) by releasing several cult classics to Blu-ray. Both originally gracing flickering silver screens in 1977,
Kino Lorber's Studio Classics releases the quirky late '90s Canadian comedy starring Dave Foley, David Anthony Higgins, and Jennifer Tilly.
What would happen if comedians from The Kids in the Hall, SCTV, and Mike and Molly got together with a writer from The Simpsons? Well, depending on the circumstances surrounding your first viewing of The Wrong Guy, the end-result can be seen as one of two things: a silly Canadian comedy, or a subtly brilliant neglected masterpiece. Spawned from a sketch lead performer/writer Dave Foley once wrote during his days as one of the The Kids in the Hall, the quirky farce finds Mr. Foley as a meager ‒ and startlingly naïve ‒ executive at a major city high-rise office
The Warner Archive Collection revs its engines up for one of the greatest cross-country race flicks to hail from the '70s.
It never fails to amuse me how many road/race flicks spawned from the same decade now synonymous with "gas shortage." Similarly, those very motion pictures never fail to delight. And now, thanks to the ever-diligent efforts of the Warner Archive Collection, one of the first films to capitalize on Brock Yates' Cannonball Baker Sea-to-Shining-Sea Memorial Trophy Dash ‒ which Yates himself would cash-in on a few years later with The Cannonball Run, after Burt Reynolds already had in Smokey and the Bandit ‒ has hit Blu-ray for home media enthusiasts who love seeing vintage (and very expensive) automobiles darting across
The Warner Archive Collection re-releases two of Steve Martin's best films, this time in glorious High-Definition.
From his early days as a collaborator on The Smothers Brothers Comedy Hour, Steve Martin's unique brand of humor has always left an impression. Even on people who have never been able to tune in to his sense of comedy, such as my father and just about every critic who saw The Jerk upon its initial release. Fortunately, time has always been on Mr. Martin's side. Well, maybe so not so much in the case of those Pink Panther remakes, but his original classics have maintained their popularity over the years, especially these two new Warner Archive Blu-ray issues. Originally
Look out, world ‒ because James Caan and Alan Arkin are on the loose again, thanks to the Warner Archive Collection.
A classic example of "How can something so wrong feel so right?", Richard (The Stunt Man) Rush's classic 1974 action-comedy starring James Caan and Alan Arkin is a delightful politically-incorrect romp through the streets of San Francisco. The granddaddy of the buddy cop genre most of us have grown to despise today, Freebie and the Bean focuses on the outrageous antics of two rogue SFPD detectives, whom we only ever know by their eponymous nicknames: Caan plays the openly corrupt "Freebie," while Arkin ‒ an actor of Jewish heritage, mind you ‒ plays a Mexican-American everyone calls "Bean." And who