Matthew St.Clair

Moffie Movie Review: A Dive into the Underworld of Chauvinism

Moffie, the latest effort from South African filmmaker Oliver Hermanus, isn’t a horror movie. However, it almost feels like one. ...
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SXSW 2021 Movie Review: Udo Kier is Flawless in ‘Swan Song’

Over the course of his career that spans almost six decades, German actor Udo Kier has been one of those ...
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SXSW 2021 Movie Review: ‘Language Lessons’ Reminds Us of the Value of Connection

Given how it’s been a year since the COVID-19 pandemic happened, the thought of watching an entire film involving people ...
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SXSW 2021 Movie Review: ‘See You Then’ Is a Vital and Intimate Telling of Womanhood

For a short, 74-minute movie about two old flames reuniting over the course of one night, See You Then manages ...
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SXSW 2021 Movie Review: ‘Potato Dreams of America’ Is Imaginatively Profound

Queer youth goes on a journey of self-discovery while concealing their identity out of fear. A simple story that we’ve ...
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The Vigil Review: A Minimalist Exercise in Paralyzing Grief

A limited setting, an ominous score, and a “things go bump in the night” storyline. All are three simple yet ...
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The Midnight Sky Movie Review: Astronomically Insipid

Clearly, George Clooney can’t get enough of space. After previously getting stranded with Sandra Bullock in space in Gravity, he ...
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Sundance 2020 Review: ‘I Carry You with Me’ and ‘Minari’ Handle Themes of Home and Immigration

The Sundance Film Festival is typically a strong hub for breakout indies that are U.S.-based and in the English language. ...
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Birds of Prey Movie Review: A Chaotic Breath of Fresh Air in the DCEU

Given how Margot Robbie was one of the few saving graces of Suicide Squad, it should come as no surprise ...
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Sundance 2020 Review: ‘Promising Young Woman’ Is a Promising Directorial Debut

When Promising Young Woman begins, a cover of the song “It’s Raining Men” plays in the background as Cassie (Carey ...
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