Immigration. Russians. No, it has nothing to do with current (controversial) topics, kids ‒ rather, said subjects are at the very heart of Paul Mazursky's Moscow on the Hudson. In fact, the word "heart" could not be any more appropriate in this particular instance, as the 1984 classic from Columbia Pictures ‒ recently added to the Twilight Time catalogue ‒ sets out to prove a point which many naysayers today seem to have missed: namely, the perfectly sound notion that them there foreigners are human beings, too. Here, the late great Robin Williams portrays Vladimir Ivanoff ‒ a circus saxophonist
Results tagged “Twilight Time”
Robin Williams turns in an exceptionally fine dramatic performance in this must-see classic from Paul Mazursky, now available in High-Definition from Twilight Time.
Susan Hayward, Anthony Perkins, Tony Curtis, and Shelley Winters commit killer performances in this assortment of murderous movies.
As it has been stated time and time again, the only two things we can be certain of in life are death and taxes. Onscreen, however, within the magical realms of cinematic art (where applicable), the subject of taxation ‒ with the notable exception of various legends hailing from Loxley and perhaps a song by The Beatles ‒ is one of the dullest subjects to spend your money on. Death, on the other hand, is a timeless and bankable topic. Few people would take note of a newspaper headline reading "Taxes Paid" (unless it's a politician or religious leader), but
Twilight Time brings us the most famous filmic Melville adaptation of all, lovingly restored to match the original theatrical presentation.
Obsession seems to abound every aspect of Herman Melville's Moby-Dick, from its initial published parable right down to its most famous film adaptation, right down to John Huston's 1956 cinematic version, wherein most of the obsession was to be found on the other side of the camera. With as feverish of a desire to capture the legendary white whale as was Melville's main antagonist, Mr. Huston tried (unsuccessfully) to acquire financial backing for his little pet project over the course of several years before finally finding a source of salvation in Pink Panther producer Walter Mirisch and his brothers. Thus,
The Warner Archive Collection brings us both a legendary man and a man of legend in these two High-Def offerings.
Some things simply go well together, hands down. Things like chocolate and peanut butter, Burt and Loni, and ‒ of course ‒ the fine art of combining totally true stories with complete and utter bullshit. And apart from politics and people on social media who should not be permitted to access the Internet, there is no great force behind blending fact with fiction than Hollywood. And for those of you who can't handle a little truth without a bit of falsehoods being thrown into the fray, these two "true stories" ‒ recently released to Blu-ray from the Warner Archive Collection
Runaway locomotives, trainspotting hoboes, rail-hopping escapees, and deep-rooted Deep South prides and prejudices highlight this delivery of Blu-ray goods.
Generally, my attempts at finding a common link between Twilight Time's monthly releases leaves me a lot of room to improvise. In the instance of the label's October 2016 releases, however, I didn't have to delve in too terribly far beneath the surface, especially with titles like Runaway Train, The Train, and Boxcar Bertha staring me right in the face. Combine that with the fact there is an awful lot of Southern drama involved in a large portion of the mix ‒ specifically in The Chase and Hush… Hush, Sweet Charlotte ‒ and, well, I'm sure you get the idea
From insensitive employers to less-than-sensible debates about mayonnaise, this assortment of odds and ends is sure to inspire those of you who feel like humanity has lost all common sense.
Like certain recent events in world history have proved, the elements of both sense and sensitivity are not always in full force: people don't always make the best decisions. This is particularly true ‒ to say nothing of acceptable ‒ in the less depressing field of fiction. And no matter how realistic of a course this sextet from Twilight Time may have become, these magical realms of fantasy nevertheless provide a great escape to scurry off to, particularly when the gravity of reality becomes almost too improbable to properly process ‒ especially since most of the protagonists of these six
From Peckinpah to Price and from Scott to Sinatra, this assortment of classics from Twilight Time doesn't mess around.
It's easy to get carried away sometimes, particularly when the target of your obsession is something (or someone) you love. And you won't find a single protagonist or villain afoot in this wave of new Blu-ray releases from Twilight Time incapable of agreeing with you. Featuring the unparalleled talents of many motion picture greats, these releases ‒ all but one of which make their HD home video debuts ‒ this assortment of flicks touches upon all sorts of human emotion people throughout history have fallen prey to: an unbridled love for something, be it lust, pride, glory, and/or greed. Our
From pubescent tweens and nightmarish games to pornographers and people who love to shoot things up, there's an awful lot of foul play afoot here.
Despite all of society's best attempts at grooming us to be normal, well-behaved, completely functional human beings, there are just some people who, as Linda Ronstadt once repeatedly declared, are no good. And this wave of releases from Twilight Time ‒ initially unleashed unto collectors in June ‒ certainly highlights many peculiar elements from various walks of life, who all seem to fit the bill(s) for party poopers, poor sports, sorry losers, and bad romances. We begin with one of the grandest party poopers of all, Frankie Addams: a socially inept and unfetteringly awkward twelve-year-old tomboy in the Deep South,
From the unconditional (or unwanted) affection of one's parental unit, to the ever-classic pursuit of maximum financial units, these five flicks have more to offer than just a nude Ornella Muti (although that's just fine on its own!).
At one point or another in life, we have experienced the passion, turmoil, and frustration that comes from not being able to possess something ‒ sometimes, anything ‒ we wanted more than life itself. For some, it is a material obsession; the desire to acquire great wealth to control others with, or to even take charge of an individual. For others, it is simply the allure of being able to step out of the proverbial limelight for once and lead what they perceive to be a life of normality. And it is in this marvelous line-up of May 2016 releases
From bitter one-armed, one-legged, one-eyed veteran vigilantes in Santa Barbara to faithful female Jewish writers smuggling money into Nazi Germany, this lot of features proves all is indeed fair in love and war.
In a previously penned piece, I published my admiration of Michael Winner's Chato's Land (1972), which saw a recent Blu-ray debut via Twilight Time. It was just one of six titles from the label released in April of 2016, along with five more motion pictures, each sporting their own similar feelings towards not only love and war, but the rules we break in order to win one or the other. In Chato's Land ‒ an allegory to the Vietnam War ‒ Charles Bronson's halfbreed huntsman only takes to killing once his adversaries take their little cat and mouse game off
Twilight Time delivers another solid spate of titles in July
A trio of amazing Twilight Time releases arrive, worthy of your hard-earned money. Romeo is Bleeding(1993) When they say "love is blind," I doubt it extends to the utter blindness exhibited by small-time crooked cop Jack Grimaldi (Gary Oldman) in Peter Medak's 1993 neo-noir. The story of a cop's attempt to kill a vicious Russian assassin, Mona Demarkov, (played by a scantily clad Lena Olin) has an ironic sensibility to it in today's day and age. Upon first glance Olin's sexually aggressive assassin isn't the best depiction of femininity, especially when coupled with the camera's need to showcase her backside,
Charles Bronson is turned loose for the first time in a marvelously bleak western now available from Twilight Time.
By the time 1972 rolled in, Charles Bronson was already 51-years-old and had been making moving pictures for 21 years. And yet, it wasn't until Charles Bronson made a splash in Sergio Leone's 1968 epic Once Upon a Time in the West that he finally became a truly "bankable" name in the US. Here, in the dusty wake of his westerns shot in Spain, Bronson finally made his "official" domestic starring role debut in a western ‒ shot in Spain ‒ which took perhaps just a tad bit of inspiration from his Italian cinema phase. Cast as a half-Apache character
Five films from both film and real life history alike make their High-Definition debuts.
From the rise and fall of great lands to the genesis of new ones, and a few odd points in-between, Twilight Time has all bases of great storytelling covered in this assortment of features from their March 2016 lineup. Here, we pay our respects to filmic adaptations of true historical accounts of the lives (and sometimes deaths) of the grandiose, the humble, and the downright dangerous. We being in a time and place far removed from contemporary society (though the political situation hasn't changed all that much, when you think about it), with a tale of some minor footnote of
What do two film noirs, three westerns, one failed Charlton Heston adventure epic, and one of the worst giallo movies have in common? They've all seen the light of Blu-ray.
A timeless, tiresome proverb tells us it is darkest before the dawn, and we have all surely met that one idiot who is always more than happy to impose some form of such an idiom upon you whenever things aren't looking overly bright for you. Fortunately, there is no lack of lighting in this sextet of moving picture offerings from Twilight Time. In the instance of the two film noir titles included in this lot ‒ Where the Sidewalk Ends (1950) and a re-issue of The Big Heat (1953) ‒ the lighting is always perfect. When we're in the great
An infinite number of stars. Six movies. Positively no refunds.
Whether you attended only one week of high school or an entire day in the food and beverage industry, you're more than highly likely to be aware of something called "drama." Generally, it's a toxic element of life, which many of us tend to ignore (or at least pretend to when you really, matter-of-factly thrive on it). But when it comes to the moving pictures, the drama has a tendency to be much more fulfilling. Not because it's healthier (though technically, it is, since we don't actually have to live it), but because there's a darn fine chance it has
A quintet of moving pictures that are guaranteed to hear your prayers (or at least be your friends when you're feeling unknown and all alone).
Everyone strives for a little more room to breathe in this world. Some seek solace far away from others on islands previously unexplored by man. Others, beget into dystopian lies, defy omnipresent eyes around them in order to discover the truth. Still more are simply born with their own freedom, albeit one that is easily taken away with the mere flick of a trigger. To further illustrate this endeavor, I submit to you this collection of Twilight Time offerings (initially released in December of 2015), which take us into all of the aforementioned mysteries of personal freedoms ‒ and then
Two transitionary tales from the West make their HD debut from Twilight Time.
Transitioning into a new environment is never an easy task, as is evident in two entirely different European motion pictures now available on Blu-ray from Twilight Time (and which were originally released as part of their November 2015 lineup). In fact, diving into each film proved just as intimidating for yours truly, who had spent so much time reviewing classic B westerns whilst reveling in the unartistic works of Z-grade hacks such as Jerry Warren in his spare time, that neither title seemed to "call out" to be viewed. But such are the perils and pitfalls of being an aging
Even with an unmistakable style and fine supporting cast, Woody Allen's final Orion Pictures production is a bittersweet one indeed.
In several respects, the release of Woody Allen's A Midsummer Night's Sex Comedy in 1982 marked the beginning of two pivotal points in the career of Woody Allen. Not only was it the year he began releasing a new motion picture each and every year ‒ a tradition (or obsession, perhaps) that continues to this day ‒ but it was also his first film with Orion Pictures, a company with which he would find backing and distribution for his next eleven projects. It was during his Orion constellation that Allen made a number of homages to classic film genres (and
Burt Lancaster and Alain Delon shoot the breeze ‒ and just about everything else in sight ‒ in Michael Winner's oft-criticized (but still enjoyable) espionage flick.
Following on the heels of his previous action film, 1972's The Mechanic with Charles Bronson and Jan-Michael Vincent, British filmmaker Michael (Death Wish) Winner reunited with the star of his first American project ‒ the one and only Burt Lancaster ‒ for a similarly-themed tale of espionage, double-crossin' secret agents, paid assassins, and looped dialogue. The result was 1973's Scorpio: a title that may have been carefully chosen to subtly associate audiences with yet another action film ‒ 1971's Dirty Harry, wherein Clint Eastwood matched wits (and barrel sizes) with a Zodiac-patterned serial killer named "Scorpio." And while Scorpio's limitations
Twilight Time presents the Oscar-winning western remake that inspired even more movies.
While it isn't entirely uncommon for a contemporary film to be remade into a western (it's much more common to see a western remade into something modern, or sometimes, even futuristic), it's extremely rare to see different filmed versions of the same story from the same screenwriter. The second of four adaptations (three being cinematic, the other made for TV) based on Pulitzer Prize winner Jerome Weidman's I'll Never Go Home Any More (1949), 1954's Broken Lance was the second time the original story had been transformed for the silver screen by Philip Yordan (King of Kings, El Cid) ‒