Whether you are a collector, purist, enthusiast, or just someone who is trying to get through the work day, there is nothing as gratifying as being able to mark something off of a checklist. And every time Twilight Time issues a classic Woody Allen film on Blu-ray, it gives his fans a chance to experience something just as gratifying. Fortunately for all parties involved, Allen's extensive (and still-expanding, as he has rarely skipped a year without making a movie since 1965) library can come that much closer to being "complete" thanks to Twilight Time's regular releases of the filmmaker's work,
Results tagged “Twilight Time”
From screwball spoofs to serious dramas, this quintet of features from the one and only comedian/filmmaker offers a variety of stylings.
The Warner Archive and Twilight Time give us some old song and dance routines, available in High-Definition (and in one case, widescreen) for the first time.
You know the feeling. You're sitting there, minding your own business, enjoying the sights and sounds of a classic motion picture. Suddenly, the gears seem to shift: orchestral accompaniment appears out of nowhere as characters begin to step in pace with one another, speaking in lyrical rhymes before breaking out in full-out song and dance routines. "Oh God, they're singing!," you cry out, realizing you have been sucked in once more by a movie musical. But don't worry, I won't judge ye. In fact, after witnessing all of the toe-tapping antics found in these three titles ‒ all of which
All is fair (great, in fact!) in love, war, and on the road in this trio of classics from Twilight Time.
American and Japanese. Remakes and originals. Love and war. Though they may all appear to be starkly different on the outside, this trio of Twilight Time releases from (or at least filmed in) Japan evinces we're only human on the inside. The Emperor in August (2015, Shochiku Company) Remaking a classic historical war film is never an easy task. Especially when the story focuses on internal political strife as opposed to the always bankable sight of what SCTV's Farm Film Report would likely refer to as "stuff gettin' blowed up real good." It's an ever harder chore to pull off
Twilight Time unsheathes an enjoyable Hammer Films outing with ex-Sinbad Kerwin Mathews and a smoothly sinister Christopher Lee.
Your friends might argue a pirate movie won't float without water. Or an actual pirate ship. Heck, even an award-winning 2005 pornographic cash-in of Disney's Pirates of the Carribean had a boat, for porn's sake! But then again, so did Renny Harlin's Cutthroat Island and Roman Polanski's Pirates ‒ a pair of box office failures regularly cited as two of the worst pirate films ever made today. And, while forcing your friends to watch those two flicks may provide an easy win to such a foreseeable argument. Ultimately, however, the best way to succeed in winning a disagreement over whether
Young Robert Wagner sinks to new depths ‒ literally ‒ in this early CinemaScope effort, now available in a beautiful, uncut, widescreen HD transfer from Twilight Time.
The advent of CinemaScope in the 1950s brought with it many changes to Hollywood. Sadly, in the case of 20th Century Fox's 1953 Technicolor adventure film Beneath the 12-Mile Reef ‒ the third movie to be filmed in the studio's lavish new way of luring moviegoers back in theaters ‒ director Robert D. Webb seemingly forgot to include enough subject material to fill up the width of the widened screen. The story ‒ a pivoting, bore-a-minute tale pitting sponge divers against fishermen ‒ finds young Robert Wagner as the son of aged Mexican-American actor Gilbert Roland. Naturally, they're cast as
Twilight Time foils foes with a splendid classic Hollywood adventure tale starring Tyrone Power.
Even at 141 minutes in length, Henry King's lavish big-budgeted adaptation of Samuel Shellabarger's 1945 novel Captain from Castile only covers the first half of its source material. Not that that's a bad thing, mind you ‒ the 1947 swashbuckler epic from 20th Century Fox still captures the grace and beauty of classic historical adventures. It also serves as a great reminder of how outrageously preposterous Hollywood's old-school casting agents could get back then, as evidenced by co-star Lee J. Cobb (The Exorcist, Lawman) as a roaming adventurer named Juan García. One wonders if it didn't inspire Russell Mulcahy's casting
Twilight Time heats things up with Martin Ritt's Southern Gothic tale starring Paul Newman, Joanne Woodward, Tony Franciosa, and an inarticulate Orson Welles.
Though the notion of someone ‒ anyone ‒ being labeled as a "barn burner" in this day and age may give you an inkling as to how outdated The Long, Hot Summer may be, the various tawdry emotions and tempers depicted in this mish-mash of several William Faulkner works sprinkled with a dash of Tennessee Williams is just as fresh as ever. Especially to anyone who may have lived in a small town. Beating Cat on a Hot Tin Roof to screens by just five months, The Long, Hot Summer finds acting legend Paul Newman as a vaguely regular rogue
Twilight Time and the Warner Archive present us with a gunslingin' good time.
The ageless allure of life in the Old West is just as timely as ever with these six classics, now available on Blu-ray courtesy the efforts of Twilight Time and the Warner Archive Collection. Boasting many common themes (including a few connections between home media distributors!) and ranging from early cinematic 3D productions to the earliest revisionist westerns by genre rule-breaker Sam Peckinpah, there's an awful lot of reason to shoot up the joint over here. Gun Fury 3D (1953, Twilight Time, Limited Edition of 3,000) One of several movies conceived and released during the early '50s 3D phenomenon (and
Odd, compelling, and strangely satisfying, this unique and controversial film returns to shock contemporary audiences for entirely different reasons.
Hailing from that time before the Southern Gothic tale somehow transformed into hicksploitation, Suddenly, Last Summer extends from the creative talents of both Tennessee Williams and Gore Vidal and co-stars Montgomery Clift. That right there should indicate to most out-ward viewers there will be a certain subject matter hidden in the story's proverbial closet. In the hands of The Barefoot Contessa writer/director Joseph L. Mankiewicz, however, the subdued element of homosexuality is about as subtle as, well, Liberace. And yet, somehow, they got away with it in 1959, mainly thanks to an element many exploitation filmmakers of the time would
Twilight Time brings us the only film in history to feature Elvis Presley and Charles Bronson, which automatically makes it awesome by default.
Despite having appeared in several dozen movies, there are relatively few things you can actually see Elvis do on-screen. One of them is actually get a chance to act. The other is something even more amazing: Elvis Presley training under Charles Bronson. And that right there is good enough reason for me to recommend Twilight Time's new Blu-ray offering of Kid Galahad. A musical remake (uh-oh) of the 1937 original starring Edward G. Robinson, Bette Davis, and Humphrey Bogart, this 1962 color dramedy finds The King himself as a young lad fresh who journeys to the remote countryside community he
Joe Pesci's waning career gets ahead of itself in this delightfully dumb film now available in HD from Twilight Time.
Though it may not be something I'm particularly proud of, movies from the late '90s are a source of bittersweet wisdom for me, having spent the entire duration of said era as a very devoted video store manager. It was there I discovered it was one of the few professions where you could actually benefit from being your own best customer, but I didn't necessarily watch everything that went out on the shelves. Not that we received everything released (not unless there was some sort of bulk discount involved), but I did watch an awful lot of the moving pictures
Samuel Fuller's powerful (and still topical) look at racism gets a beautiful HD release from Sony Pictures and Twilight Time.
As someone whose entire adolescence coincided with the late '80s and early '90s, I was able to witness firsthand a remarkable movement in Hollywood during that time. It was a period on the calendar when the term "political correctness" first started to become an actual thing. Sure, it would eventually culminate in some really ridiculous casting as the years rolled by (to say nothing of what it did for a serial womanizer such as the character of James Bond), but, all in all, there was one really fascination thread in particular to emerge out of the period. For you see,
Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask) Blu-ray Review: Who's Afraid?
Twilight Time brings us Woody Allen's legendary farce, highlighted by appearances from such greats as Gene Wilder and John Carradine.
In the late '60s, physician David Reuben started to turn repressed and undereducated Americans near and far with a breakthrough manual about something most people weren't comfortable talking about at the time: sex. Originally published in '69 (because, well, yeah...!), Reuben's Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask) soon became a Number 1 best-seller the world over, going on to enlighten more than just prudes in the States. Now, with the subject literally staring them all in the face, it was finally time for some long overdue sex education; a movement which, in turn,
Jose Ferrer directs Pat Boone, Bobby Darin, and Ann-Margret in an awkward musical remake of a musical remake.
Were Twilight Time's double-bill of the Reader's Digest-produced early '70s musical adaptations of Mark Twain's Tom Sawyer and Huckleberry Finn just not enough to satisfy the song-and-dance movie lover in you, don't worry. Because now they've added another musical remake of a classic tale to their lineup with Rodgers and Hammerstein's State Fair. But this isn't the famous 1945 musical remake of the original non-musical 1933 pre-Code film State Fair, boys and girls. Rather, this particular version is the (hold onto your straw hats, kids) musical remake of the musical remake of the original non-musical movie. You may take a
Twilight Time proudly proclaims "I'll be your Huckleberry" with these '70s Mark Twain musicals from Arthur P. Jacobs and Reader's Digest.
Years before they preyed upon lonely elderly folks with unfulfilled promises of winning phony lotteries even Ed McMahon wouldn't stamp his name on, the folks at Reader's Digest set out to lure entire families into theaters for motion pictures they produced. Thus begins one ‒ or rather, two, as it were ‒ of the strangest incarnations of Mark Twain ever to appear on any screen, big or small: the Reader's Digest Musical Adaptation. Appearing on the worn-out heels of a now-forgotten cinematic fad ‒ that of MGM's Children Matinees, wherein classic features were re-released and targeted at kids with nothing
Cigar-chomping George Segal and Ben Gazzara act against Nazi Robert Vaughn in this WWII action flick, now available in beautiful High-Definition from Twilight Time.
From John Guillerman, the late visionary of The Blue Max, The Towering Inferno, The Day They Robbed the Bank of England, and that one version of King Kong everyone suddenly began to like after Peter Jackson's remake came out (though they still ignore that sequel) comes one of the first American productions to be filmed behind the Iron Curtain. While based on real life people and events, 1969's World War II action picture The Bridge at Remagen takes hold of its story with a decidedly loose grip, giving director Guillerman the opportunity to let exercise a different kind of liberty.
The one and only Ken Takakura shows those young upstarts how to do it in this early yakuza offering from Toei and Twilight Time.
Much like Francis Ford Coppola's The Godfather would someday pave the way for jaw-droppingly violent cult classics like Massacre Mafia Style, Kiyoshi Saeki's 1965 yakuza gangster drama Shôwa zankyô-den (Showa Era Resistence) is essentially the less-exploitative precursor to Kinji Fukasaku's Battles Without Honor and Humanity. Shôwa zankyô-den ‒ hence referred to by its better-recognized English-language alias, Brutal Tales of Chivalry ‒ even stars the same amazing actor: the inimitable Ken Takakura. Here, Takakura-san plays Seiji, a World War II veteran who returns from the battle abroad only to find a new one brewing up at home. With the whole of
Twilight Time brings us Robert Mulligan's famous final film, featuring a dynamic debut from young Reese Witherspoon.
At the beginning of the 1960s, a fairly new motion picture director by the name of Robert Mulligan accepted a project very few people in Hollywood had an interest in touching. It was a story about a small Southern community, where people were simple and problems were complicated. There was nary a trace of action or romance, and the only violence that happened occurred in-between the pages of its source material, as penned by a one-hit writer. The result, 1962's To Kill a Mockingbird, would go on to become an Oscar-winning American classic, thanks to Mulligan's ability to focus on
Michael Winner's overlooked third collaboration with the iconic stone-faced action hero gets the HD treatment from Twilight Time.
Imagine a movie produced in the wake of both recently-beget Dirty Harry and The Godfather franchises, only constructed like a big-screen two-parter of a classic police procedural show like Hawaii Five-O. Now add United Artists' recently-crowned action movie king, Charles Bronson, place him in-between a venerable assortment of established and future TV veterans alike, and then drizzle the whole project with a funky score from Roy Budd. Et voilà, ladies and gentlemen ‒ the perfect recipe for Michael Winner and Dino De Laurentiis' early '70s action vehicle The Stone Killer! One of six memorable collaborations betwixt Bronson and his future
The line between film noir and technicolor melodrama is finely drawn in the sand, as this must-see Twilight Time offering proves.
While the title may have been used several hundred times over since then, 1953's Inferno is a rare, one-of-a-kind contribution to the film noir genre. And that's mostly because it was filmed in both Technicolor and 3D. Maintaining a delicate balance between noir and melodrama (because that's what happens when you shoot noir in color), this scorching flick from English filmmaker Roy Ward Baker (who would later helm the highly rated Titanic classic A Night to Remember as well as several iconic Hammer horror titles) also sports the unusual distinction of being a survival adventure atop of it all. With