Columbia Pictures' The New Centurions was filmed and released during a particularly interesting era: a time when the lives and actions of police officers was present in just about every form of media, be they negative, positive, or somewhere in-between. In the instance of this 1972 cop drama, we find ourselves planted directly in the epicenter of the two, where moments of lighthearted comedy can give way to heartbreaking tragedy at any moment. The film was adapted for the screen by the prolific Stirling Silliphant (Village of the Damned, The Killer Elite), as taken from former law enforcement officer and
Results tagged “Twilight Time”
Twilight Time books a classic, slow burning cop drama starring George C. Scott and Stacy Keach.
Twilight Time proudly unleashes the intense, unofficial sequel to "The French Connection". And it's nothing short of awesome.
Off the record, there were two sequels to William Friedkin's 1971 action-packed Oscar-winning cop thriller The French Connection. Officially, only John Frankenheimer's 1975 follow-up French Connection II ‒ a film which has always failed to live up to its predecessor in my opinion ‒ falls into that category. From a decidedly less official point of view, however, Philip D'Antoni's 1973 action classic The Seven-Ups is a motion picture that many feel is entirely more deserving of the honor. Though neither film shares the same director, the late Mr. D'Antoni was nevertheless one of the most significant denominators (or, "connections", if
Twilight Time releases the forgotten, award-winning "kitchen sink" drama from Bryan Forbes, which all fans of Morrissey and The Smiths should probably see.
Long before Hollywood tried to appeal to everyone by adding various "token" characters from all walks of life, postwar British filmmakers were trying something much more subtle and less transparent. One stellar example is the 1962 domestic drama The L-Shaped Room from director Bryan Forbes (The Stepford Wives). Adapted for the screen by Forbes from the best-selling novel by Lynne Reid Banks (The Indian in the Cupboard), this solid little "kitchen sink" drama finds former musical icon Leslie Caron (An American in Paris, Gigi, Lili) as one of many tenants in a boarding house full of characters who would be
By hook or crook, Linda Darnell climbs her way to the top in the once-controversial drama, now available from Twilight Time.
A full decade before its hugely successful Peyton Place managed to poke a few holes in the brick walls of alleged decency, 20th Century Fox was already turning a controversial bestseller into a major ‒ however sanitized ‒ motion picture. Previously in history, Kathleen Winsor's 1944 novel Forever Amber had been condemned by the Hays Office, but that hardly stopped top Fox man Darryl F. Zanuck from securing the movie rights for the book immediately after its publication and turning something racy into a big-budgeted epic. Three years later, Fox's Forever Amber premiered. It would prove to be the biggest
Twilight Time releases the odd real-time film noir cult classic starring Richard Widmark, Marilyn Monroe, and Anne Bancroft.
Though modest in budget and undoubtedly filmed in a relatively short period of time, 20th Century Fox's Don't Bother to Knock from 1952 is the sort of movie which just about any variety of film aficionado should take a look at. Based on Mischief from the previous year by mystery novelist Charlotte Armstrong, this cult film noir piece from Julian Blaustein (The Day the Earth Stood Still, Khartoum), Don't Bother to Knock features many significant firsts in the fabulous history of film. The first American movie by famed British director Roy Ward Baker (A Night to Remember), the production also
There's a killer on the loose and someone has to foot the bill in this obscured, Oscar-winning satire now available from Twilight Time.
What happens when you combine the talents of actors George C. Scott (Patton, Hardcore), and Diana Rigg (The Avengers, Theatre of Blood) with director Arthur Hiller (The In-Laws) and writer Paddy Chayefsky (Network)? Well, from a historical perspective, 1971's The Hospital resulted in an Oscar win in 1972 for Best Original Screenplay. Alas ‒ as is frequently the case with most Academy Award winners ‒ the film quickly faded from the general public's memory, despite the still-relevant social commentary hidden immediately below the surface of Chayefsky's extremely cynical and darkly comical story. Set in bustling Manhattan, The Hospital takes place
Twilight Time unholsters Walter Hill's wildly uneven western starring Jeff Bridges as the iconic gunman.
Although it was never a title I saw when it was initially released, Walter (The Warriors) Hill's Wild Bill has always lingered in the back of my mind for an utterly absurd reason. Following an extremely limited release in cinemas (spoiler alert: it bombed), the film hit the shelves of a video rental outlet I was managing at the time. It was a decidedly rural area, where just about anything western was considered a keeper by the locals, the majority of whom were about as "hick" as could be. One memorable afternoon, a middle-aged gentleman came in to return the
Twilight Time raises Caine ‒ Michael Caine, that is ‒ with this forgotten anti-war flick from 007 producer Harry Saltzman.
No doubt inspired by the success of 1967's trendsetter The Dirty Dozen ‒ the film that all-but brought us the suicide mission subgenre of war movies ‒ André de Toth's Play Dirty is, unsurprisingly enough, a similarly themed picture. Released in the midst of the Vietnam War, this (purely) British production from James Bond producer Harry Saltzman ‒ inspired by real life events experienced by British Army units stationed in North Africa during World War II ‒ takes a decidedly fatalistic tone. And while presenting an outside commentary towards the then-current war abroad was their prerogative, it certainly didn't help
AIP's only Gothic romance is just as weird as you'd expect, and can now be seen in High-Definition thanks to Twilight Time.
Even if you don't include the many television adaptations, the number of times Emily Brontë's one and only novel has been transformed into a movie for the big screen alone is not only staggering, it's Wuthering. And since there are so many superior versions of Wuthering Heights ranging from the likes of Samuel Goldwyn to Luis Buñuel flying high within those ne'erending winds above us, there's bound to be the occasional oddity plummeting down to the frozen English tundra below. In this case, a strange account of the timeless tale has fallen into our laps thanks to the folks at
Twilight Time brings us the maligned crime caper comedy with James Caan, Elliott Gould, Michael Caine, and Diane Keaton.
On December 5, 1872, the Mary Celeste was discovered adrift off of the Azores Islands, berift of its captain and crew, but still loaded with personal possessions and cargo. Not a single soul from the voyage was ever seen or heard from again, and no explanation has ever been discovered behind the mysterious, mass disappearance. But it wasn't until Columbia Pictures' Harry and Walter Go to New York debuted in American cinemas nearly 104 years later that those who dared board it had the misfortune of discovering what it was truly like being onboard a ghost ship lost at sea.
From screwball spoofs to serious dramas, this quintet of features from the one and only comedian/filmmaker offers a variety of stylings.
Whether you are a collector, purist, enthusiast, or just someone who is trying to get through the work day, there is nothing as gratifying as being able to mark something off of a checklist. And every time Twilight Time issues a classic Woody Allen film on Blu-ray, it gives his fans a chance to experience something just as gratifying. Fortunately for all parties involved, Allen's extensive (and still-expanding, as he has rarely skipped a year without making a movie since 1965) library can come that much closer to being "complete" thanks to Twilight Time's regular releases of the filmmaker's work,
The Warner Archive and Twilight Time give us some old song and dance routines, available in High-Definition (and in one case, widescreen) for the first time.
You know the feeling. You're sitting there, minding your own business, enjoying the sights and sounds of a classic motion picture. Suddenly, the gears seem to shift: orchestral accompaniment appears out of nowhere as characters begin to step in pace with one another, speaking in lyrical rhymes before breaking out in full-out song and dance routines. "Oh God, they're singing!," you cry out, realizing you have been sucked in once more by a movie musical. But don't worry, I won't judge ye. In fact, after witnessing all of the toe-tapping antics found in these three titles ‒ all of which
All is fair (great, in fact!) in love, war, and on the road in this trio of classics from Twilight Time.
American and Japanese. Remakes and originals. Love and war. Though they may all appear to be starkly different on the outside, this trio of Twilight Time releases from (or at least filmed in) Japan evinces we're only human on the inside. The Emperor in August (2015, Shochiku Company) Remaking a classic historical war film is never an easy task. Especially when the story focuses on internal political strife as opposed to the always bankable sight of what SCTV's Farm Film Report would likely refer to as "stuff gettin' blowed up real good." It's an ever harder chore to pull off
Twilight Time unsheathes an enjoyable Hammer Films outing with ex-Sinbad Kerwin Mathews and a smoothly sinister Christopher Lee.
Your friends might argue a pirate movie won't float without water. Or an actual pirate ship. Heck, even an award-winning 2005 pornographic cash-in of Disney's Pirates of the Carribean had a boat, for porn's sake! But then again, so did Renny Harlin's Cutthroat Island and Roman Polanski's Pirates ‒ a pair of box office failures regularly cited as two of the worst pirate films ever made today. And, while forcing your friends to watch those two flicks may provide an easy win to such a foreseeable argument. Ultimately, however, the best way to succeed in winning a disagreement over whether
Young Robert Wagner sinks to new depths ‒ literally ‒ in this early CinemaScope effort, now available in a beautiful, uncut, widescreen HD transfer from Twilight Time.
The advent of CinemaScope in the 1950s brought with it many changes to Hollywood. Sadly, in the case of 20th Century Fox's 1953 Technicolor adventure film Beneath the 12-Mile Reef ‒ the third movie to be filmed in the studio's lavish new way of luring moviegoers back in theaters ‒ director Robert D. Webb seemingly forgot to include enough subject material to fill up the width of the widened screen. The story ‒ a pivoting, bore-a-minute tale pitting sponge divers against fishermen ‒ finds young Robert Wagner as the son of aged Mexican-American actor Gilbert Roland. Naturally, they're cast as
Twilight Time foils foes with a splendid classic Hollywood adventure tale starring Tyrone Power.
Even at 141 minutes in length, Henry King's lavish big-budgeted adaptation of Samuel Shellabarger's 1945 novel Captain from Castile only covers the first half of its source material. Not that that's a bad thing, mind you ‒ the 1947 swashbuckler epic from 20th Century Fox still captures the grace and beauty of classic historical adventures. It also serves as a great reminder of how outrageously preposterous Hollywood's old-school casting agents could get back then, as evidenced by co-star Lee J. Cobb (The Exorcist, Lawman) as a roaming adventurer named Juan García. One wonders if it didn't inspire Russell Mulcahy's casting
Twilight Time heats things up with Martin Ritt's Southern Gothic tale starring Paul Newman, Joanne Woodward, Tony Franciosa, and an inarticulate Orson Welles.
Though the notion of someone ‒ anyone ‒ being labeled as a "barn burner" in this day and age may give you an inkling as to how outdated The Long, Hot Summer may be, the various tawdry emotions and tempers depicted in this mish-mash of several William Faulkner works sprinkled with a dash of Tennessee Williams is just as fresh as ever. Especially to anyone who may have lived in a small town. Beating Cat on a Hot Tin Roof to screens by just five months, The Long, Hot Summer finds acting legend Paul Newman as a vaguely regular rogue
Twilight Time and the Warner Archive present us with a gunslingin' good time.
The ageless allure of life in the Old West is just as timely as ever with these six classics, now available on Blu-ray courtesy the efforts of Twilight Time and the Warner Archive Collection. Boasting many common themes (including a few connections between home media distributors!) and ranging from early cinematic 3D productions to the earliest revisionist westerns by genre rule-breaker Sam Peckinpah, there's an awful lot of reason to shoot up the joint over here. Gun Fury 3D (1953, Twilight Time, Limited Edition of 3,000) One of several movies conceived and released during the early '50s 3D phenomenon (and
Odd, compelling, and strangely satisfying, this unique and controversial film returns to shock contemporary audiences for entirely different reasons.
Hailing from that time before the Southern Gothic tale somehow transformed into hicksploitation, Suddenly, Last Summer extends from the creative talents of both Tennessee Williams and Gore Vidal and co-stars Montgomery Clift. That right there should indicate to most out-ward viewers there will be a certain subject matter hidden in the story's proverbial closet. In the hands of The Barefoot Contessa writer/director Joseph L. Mankiewicz, however, the subdued element of homosexuality is about as subtle as, well, Liberace. And yet, somehow, they got away with it in 1959, mainly thanks to an element many exploitation filmmakers of the time would
Twilight Time brings us the only film in history to feature Elvis Presley and Charles Bronson, which automatically makes it awesome by default.
Despite having appeared in several dozen movies, there are relatively few things you can actually see Elvis do on-screen. One of them is actually get a chance to act. The other is something even more amazing: Elvis Presley training under Charles Bronson. And that right there is good enough reason for me to recommend Twilight Time's new Blu-ray offering of Kid Galahad. A musical remake (uh-oh) of the 1937 original starring Edward G. Robinson, Bette Davis, and Humphrey Bogart, this 1962 color dramedy finds The King himself as a young lad fresh who journeys to the remote countryside community he