Davy

A charming and quietly resonant film about queerness and the ambitions of women.

A mostly solid and still relevant Canadian effort.

A masterpiece of horror.

An interesting, but not entirely successful portrait of bizarre boarding school politics.

With a brilliant, Oscar-nominated score by the legendary Jerry Goldsmith, Poltergeist stands the test of time, and is one of the great films of 1980s.

An incredibly chilling early effort by the late, great George A. Romero exploring society’s ignorance towards aging and the much older generation.

A radical look at female toxicity as well as changing (and not-changing attitudes) in a typically male-dominated industry.

A manic and unbearably realistic depiction of female hysteria and the stupidity of men.

Brian De Palma’s excellent 1981 paranoia thriller is arguably his most crowning achievement.

A dated but still sensitively crafted character study of repression with a career-defining performance by the great Joanne Woodward.

A prime example of Marcel Carne’s attention to fully showcasing the depths of humanity.

A disturbing, but highly impactful experiment of toxic masculinity and sexual exploration that’s way ahead of its time.

Making its 4K UHD debut, it is stacked with a few new special features and vintage ones.

If you’re a diehard Argento fan, then this is definitely a big must-have for your collection.

I really love and respect this film.

I can see why the film remains a classic of international cinema.

If you happen to like odd films like this, then you’ll probably find something worthy about this one.

A wonderfully simple film about ordinary working-class people playing their chance at love.

Mark Rapport blows the doors wide open on the hidden and not-so-hidden side of classic Hollywood.

There’s always something about Sofia Coppola’s first feature that keeps me coming back to it.

The folks at Arrow did everyone a great service of giving it the release it so rightly deserves.

This incredible, deep, and fully fleshed-out film because it gives us fellow thirty-somethings a much-needed voice.

The short’s mixture of sci-fi and themes of family bond is definitely relevant.

The new release from Criterion is nothing short of stacked.

A minimalist but heartfelt drama of love that has seen it all but hasn’t quite given up on it.

A relatable, snarky tale of the frustrating aspects of DIY filmmaking and the longtime friendship that can be affected by it.

It tells a relatable and honest story of an ordinary man just trying to find his place to poop.

One of the best feel-weird, feel-good movies I’ve seen in quite a long time.

I found this to be quite an involving short, and I like the story it presents.

If Martin Scorsese loves something, then you know it’s good.

Despite the rather misleading title (no kinks found) and the formulaic premise, I was very impressed by the film.

Sarita Choudbury and Denzel Washington make for one of cinema’s greatest on-screen couples.

A teaching lesson for how to truthfully tell a cinematic story centering on race relations and the boundaries that unfortunately always come with them.

This release should be worth it for fans.

Every film Hitchcock made, even the lesser ones, have something to them.

If you’re a gorehound, then V/H/S 94 definitely delivers in sheer abundance.

Legendary saxophonist Dexter Gordon gives a fantastic, Oscar-nominated performance as Dale Turner, a brilliant, world-weary New York musician but troubled alcoholic living in Paris.

Director Mark Rappaport puts his trademark skills to very good use.

A small, late-’70s cult item that deserves some attention.

Alicia Malone puts her heart and focus into the book.

Another example of Almodovar’s typically extraordinary filmmaking gifts and proves that he’s still got it.

There is authenticity that gives it a documentary feel.

A really terrific lead from performance from character actor Clifton Collins Jr., who proves that he is more than capable of being a leading man.

It’s a showcase for tremendous acting.

The whole trilogy (at least parts 1 & 2) set the standard for the modern gangster/mafia genre.

They’ve gotten older, but the Kids are alright.

Mariama Diallo’s narrative logics and ideas are in the right place, even if some of them don’t always stick the landing.

An excellent study of bleak mental illness while also being a great queer film in the process.

As a portrait of today’s increasingly turbulent times, it couldn’t be more relevant, for better or worse.

If you’re a fan of uneasy comedy, then you’re bound to enjoy it.