Matthew St.Clair

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Late Night Movie Review: Emma Thompson Is Incredibly Pitch Perfect

Emma Thompson easily carries this smartly written workplace satire.

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Cinema Sentries

TIFF 2021 Movie Review: ‘As in Heaven’ Both Distresses and Visually Captivates

An unsettling telling of religious dogma with horror elements and a vivid visual aesthetic.

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TIFF 2021 Movie Review: Odessa Young and Josh O’Connor Dazzle in Sensual ‘Mothering Sunday’

Odessa Young and Josh O’Connor are a fabulous pair in this erotically charged yet disjointed period romance.

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Cinema Sentries

Nine Days Movie Review: A Soul-Stirring Piece of Minimalist Science Fiction

Edson Oda’s feature directorial debut is a wonderfully minimalist sci-fi picture on the nature of finding purpose.

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Werewolves Within Movie Review: A Hair-Raising Horror-Comedy

A hair-raising horror comedy with Christie-esque mystery, a colorful acting ensemble, and Ace of Base.

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Cruella Movie Review: A Nearly Idiosyncratic Disney Retelling

Emma Stone and Emma Thompson are gloriously scene-chewy in this flawed yet refreshingly atypical live-action Disney remake.

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The Retreat (2021) Movie Review: A Purely Functional Trip-from-Hell Thriller

A functional thrill ride that expands upon its simple premise by putting queer protagonists at the center.

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Wrath of Man Movie Review: A Stock Jason Statham Action Starrer

Despite having a compelling action hero performance from Jason Statham, Wrath of Man is hardly a deviation from Guy Ritchie’s previous work.

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SXSW 2021 Movie Review: Andrea Riseborough Once Again Shines in ‘Here Before’

Andrea Riseborough easily carries this well-crafted, insidious slow burn thriller about loss.

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SXSW 2021 Movie Review: ‘Best Summer Ever’ Sings with Inclusivity

A familiar crowd pleaser that still forms a layout for representation of the disabled community going forward.

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Moffie Movie Review: A Dive into the Underworld of Chauvinism

Moffie is an unsettling yet incredibly well-shot look at how toxic masculinity breeds self-hatred and bigotry.

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SXSW 2021 Movie Review: Udo Kier is Flawless in ‘Swan Song’

Udo Kier is at a career-best level as an elderly gay man reconciling with his troubled past.

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SXSW 2021 Movie Review: ‘Language Lessons’ Reminds Us of the Value of Connection

Language Lessons is about how personal connections can transcend both languages and locations and goes in some surprising directions.

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SXSW 2021 Movie Review: ‘See You Then’ Is a Vital and Intimate Telling of Womanhood

Just like life itself, it involves humor, heartbreak, and healing and is a promising feature directorial debut from Mari Walker.

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SXSW 2021 Movie Review: ‘Potato Dreams of America’ Is Imaginatively Profound

Normally, a picture feeling like two different short films would be detrimental, but in the case of Potato Dreams of America, it works wonders.

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Cinema Sentries

The Vigil Movie Review: A Minimalist Exercise in Paralyzing Grief

An insidiously eerie yet affecting experience.

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Malcolm & Marie Movie Review: A Frustratingly Distressing Acting Showcase

A 106-minute nonsensical shouting match.

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Sundance 2021 Review: ‘Ma Belle, My Beauty’ Is a Simple and Exotic Polyamorous Romance

A breezy travelogue that creates refreshing polyamorous visibility.

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Sundance 2021 Review: ‘Censor’ Is a Perceptive Fever Dream

Prano Bailey-Bond’s feature directorial debut commendably balances audience perception of horror with genre mechanics.

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Saint Maud Movie Review: A Devilishly Terrific Directorial Debut

At 84 minutes, Saint Maud is a twisted, performance-driven look at the human psyche of Biblical proportions.

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The Midnight Sky Movie Review: Astronomically Insipid

The Midnight Sky aims for the stars, but should’ve been brought down to Earth.

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Wander Darkly Movie Review: A Decent Meditation on Love in the Afterlife

Diego Luna and Sienna Miller are an emotive dual force in this neutrally executed sci-fi romance.

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Ammonite Movie Review: Winslet and Ronan Get Lost at Sea

A slow-burn romance that’s disappointingly too measured.

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Happiest Season Movie Review: A Vital Holiday Rom-Com

A suitable comedy for this particular holiday season that’s both humorous and incredibly emotive.

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Jungleland Movie Review: Packs a Nearly Rigorous Punch

As Jungleland gets hit with convention, the three leading performers still serve as its strong emotional center.

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Dating Amber Movie Review: Well-Acted and Painfully Frank

A queer coming-of-age story as jarring as it is nonchalant.

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Kindred (2020) Movie Review: A Nearly Surface-Level Chiller

Tamara Lawrance carries this viable paranoid thriller with ease and articulacy.

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Cinema Sentries

The Forty-Year-Old Version Movie Review: A Winningly Profound Directorial Debut

A manifold crowd-pleaser from multi-hyphenate talent Radha Blank.

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TIFF 2020 Review: Get the Hell Out Is an Incredibly Bonkers Zombie Comedy

An overly stylized yet incredibly energetic feature debut from I-Fan Wang.

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TIFF 2020 Review: Violation Mixes Heavy-Handed Symbolism with Harrowing Trauma

One of this year’s TIFF Midnight Madness selections offers a searing look at sexual violence and trauma.

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The Devil All the Time Movie Review: Actors Elevate Excessively Grim Crime Drama

Sebastian Stan and Riley Keough stand out in this distended indictment of toxic masculinity and religious hypocrisy.

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Entwined Movie Review: An Ingenious yet Underdeveloped Horror Pic

An atmosphere creepy woods picture with masterful ideas that often become tangled up.

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I’m Thinking of Ending Things Movie Review: Charlie Kaufman’s Eccentric Foray into Horror

A slow-burn melancholic horror romance only someone like Charlie Kaufman can pull off.

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The Lawyer (2020) Movie Review: Builds a Solid Case

A masterful exercise in mixing tenuous political commentary with queer love.

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Summerland Movie Review: A Satisfactory Lesbian Drama

Like a bittersweet beach day. Rain clouds sometimes loom, but the Sun finds ways to shine.

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The Old Guard Movie Review: An Insightful Thrill Ride

Gina Prince-Bythewood breathes all sorts of new life into the realm of comic book cinema.

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Relic (2020) Movie Review: Gritty Familial Horror with Supernatural Elements

Natalie Erika James’ directorial debut offers a blend of lingering frights and melancholia.

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The Truth (2019) Movie Review: Truthfully Middle-Ground

Both an adequately understated family drama and a missed opportunity.

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House of Hummingbird Movie Review: A Coming-of-Age Story with Peculiar Wings

Kim Bora’s directorial debut soars to terrific heights.

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Disclosure (2020) Movie Review: Emotionally Informative

A requisite doc about on-screen trans representation told in a stirring, matter-of-fact manner.

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The Short History of the Long Road Movie Review: A Subversive Portrayal of Adolescence

A brisk road movie that offers a refreshing take on the coming-of-age narrative.

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I Will Make You Mine Movie Review: A Love Quadrangle Also About Music

Dramatic realism and genius character work make this brisk indie romance feel insightful.

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Body Cam Movie Review: Almost as Horrific as Real Life

An intricate character study with a slight horror backdrop.

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CRSHD Movie Review: A Vigorous and Earnest Directorial Debut

CRSHD overcomes familiar story beats with its zestful directorial structure and profound central performances.

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Bull (2020) Movie Review: Rob Morgan Takes the Lead

Rob Morgan and newcomer Amber Havard salvage greatness out of this undercooked friendship drama.

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15 Years Movie Review: A Plaintive Gay Relationship Drama

A poignant love story that’s as culturally specific as it is universal.

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Circus of Books Movie Review: Mom and Dad Run a Porn Shop

A sincere and simplistically topical look at an adult store that became a landmark.

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The Other Lamb Movie Review: A Surface-Level Lucid Nightmare

A flawed yet nostalgic homage to ’70s horror lore and simultaneous grim allegory for the trials of adolescence.

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Inside the Rain Movie Review: A Pretty Heartfelt Mental Illness Dramedy

A simple, empathetic ode to mental health patients that thrives on its sensibility and fine acting.

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Swallow Movie Review: Haley Bennett Carries Slow Burn Psychological Thriller

Despite some sluggish pacing and undercooked thematic material, Swallow doesn’t bite off more than it can chew.

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