Gordon S. Miller

The extra shorts are a welcome bonus especially for DC fans who know the obscure characters.

Elle Fanning and Selena Gomez are comedic standouts among the talented cast.

It has, and don’t call me “Shirley.”

A film created with a kid’s, specifically a young boy’s, sensibilities.

You can turn back time and watch hours of Cher.

His Dark Materials has an interesting premise, but the weakness in the scripts overshadows the strong moments of the eight episodes.

Although as a longtime Superman fan I could do without yet another origin story, this iteration by screenwriter Tim Sheridan is an interesting take.

A fantastic snapshot of the band’s original line-up at their peak and it serves as a very good entry point for those new to the band.

This third installment is a worthy addition to the franchise.

It does a marvelous job demonstrating the work done by the unsung hero that is the production designer.

One of the top action movies of 2014.

Anyone can own great cartoons, but it takes a true fan of the art form to own and appreciate the worst that animation has to offer.

Although it’s a presentation of a series of sketches rather than a unified story being told, that doesn’t make it any less funny.

Scream Factory has done impressive work with this title.

Folks should use their imagination and make of the game and its accompanying paraphernalia what they will.

While the plot is predictable, Gene Hackman’s performance and the stunt work keep the viewer engaged.

The show has become TV comfort food, for good and for ill.

A stealth double feature of Keaton’s last two silent films.

In these 19 cartoons, gags fly rapidly, and the rules of physics and the medium are thrown out the window.

While it’s fun to see Snake Plissken back in action, it’s a shame his mission is so similar to the previous film.

Criterion’s inclusion of Soul Power makes this a must-own.

If one enjoys deciphering riddles, as more than a few Dylanogists do, then Masked and Anonymous is worth examining.

Not sure the reasons it’s taken so long to get John Sayles in the Criterion Collection, but Matewan is certainly a worthy title from his filmography.

Kino Lorber provides fans an opportunity to rewatch these cartoons and new audiences a chance to discover them.

For fans that grew up with the show, it’s nice to have the first season collected.

Criterion presents a crash course on the post-war movement with these classics: Rome Open City, Paisan, and Germany Year Zero.

It is the complete truth that I highly recommend Half Truth for fans of trivia games.

Although I can’t recommend the movie, if there are fans, they will be pleased by the high-definition video.

Fans will appreciate the high-definition presentations and the behind-the-scenes extras.

Even with its narrow focus, anything that shines a spotlight on The Band is well worth giving one’s attention.

Ben Mankiewicz, Pola Changnon, and Charlie Tabesh talk about what’s ahead (mostly) for the TCM brand.

An enjoyable fantasy that brings to mind Douglas Adams’s Hitchhiker’s Guide to the Galaxy

It’s so easy to fall in love with Linda Ronstadt and her music.

It is worth investigating for the film’s story and the Blu-ray’s high-def presentation.

A compelling film that asks eternal questions about society and the responsibility of the people within it.

Fans of early Pink Floyd should be very pleased.

Queen & Slim suggests the beginning of two great film careers behind the camera.

A very good introduction to the band and their music.

Fans of variety shows and of this television era should enjoy these episodes.

An impressive endeavor with so many interesting things going on.

The five nominees are…

“Every villain is a hero of his or her own story.” – Christopher Vogler, “The Writer’s Journey”

The story piqued my interest about the scientists involved, making me want to learn more about them and their projects.

Hail! Hail! tells an important, albeit incomplete, story of an American music legend.

The impressive work put into making these cartoons available in high definition should be commended and make one hopeful for future animated releases from Warner Archive.

The filmmakers made the right decision revisiting and expanding this landmark story.

This release showcases some of the medium’s great talkers.

Am sorry to see the film and this new trilogy falter as much as it did.

It’s impressive how much ground Preston Sturges’ story covers in its brief 67-minute runtime while neither feeling overstuffed nor rushed.

A delightful romp that finds the Tramp behave in a more enlightened manner as he puts others ahead of himself.