Boy Erased Movie Review: Well-Intended yet Sufficiently Executed
By Matthew St.Clair |
Boy Erased has its heart in the right place but doesn’t have a proper voice.
The Favourite Movie Review: A Completely Brazen Ensemble Piece
By Matthew St.Clair |
The Favourite is completely innovative and easily Yorgos Lanthimos’ most actor-driven picture.
Shoplifters Movie Review: A Potent Mix of Pragmatism and Empathy
By Matthew St.Clair |
Shoplifters is a well-acted, bittersweet ode to the impoverished.
Green Book Movie Review: An Old Fashioned yet Badly Polished Look at Racism
By Matthew St.Clair |
Green Book is a safe crowd-pleaser but still badly antiquated.
Widows Movie Review: A Pitch-Perfect Heist Thriller
By Matthew St.Clair |
Widows is an incredibly thematic crime drama with a killer acting ensemble.
Can You Ever Forgive Me? Movie Review: A Dynamic Showcase for Melissa McCarthy
By Matthew St.Clair |
It’s a strong acting showcase, a biopic, and a cautionary tale all at once.
Beautiful Boy (2018) Movie Review: Timothee Chalamet Elevates Muddled Family Drama
By Matthew St.Clair |
Timothee Chalamet easily makes this cluttered drama worth watching.
Bohemian Rhapsody Movie Review: Rami Malek Electrifies As Freddie Mercury
By Matthew St.Clair |
Despite the film’s formulaic storytelling, Rami Malek’s commanding performance helps the film come alive.
1985 Movie Review: A Powerfully Meditative, Multi-Layered Gem
By Matthew St.Clair |
1985 is an understated yet powerhouse gem about small-town life and the AIDS crisis.
Bad Times at the El Royale Movie Review: A Thrilling Genre Bender
By Matthew St.Clair |
Bad Times at the El Royale is wonderfully chaotic and boasts a killer ensemble cast.
NYFF 2018 Review: Roma Is Flawlessly Transcendent
By Matthew St.Clair |
Alfonso Cuaron’s latest film Roma is heart wrenching, awe inspiring, and vital all at once.
A Star Is Born (2018) Movie Review: A Perfectly Adequate Remake
By Matthew St.Clair |
Bradley Cooper offers an effective glimpse at his potential greatness as a director with his decent remake.
Where Hands Touch Movie Review: Well-Acted and Well-Intended yet Misguided
By Matthew St.Clair |
It retains the same theme of finding your identity that director Amma Asante has demonstrated in her previous work.
Life Itself (2018) Movie Review: Dour, Sentimental Drivel
By Matthew St.Clair |
The depressing Life Itself will surely be a contender for worst movie of the year.
Colette Movie Review: Keira Knightley Successfully Anchors an Impactful Biopic
By Matthew St.Clair |
In a career-best turn, Keira Knightley amazingly brings a famed novelist’s story to life.
Tea with the Dames Movie Review: An Absolute Delight
By Matthew St.Clair |
A must-see for anyone who is a fan of these four legendary thespians.
The Land of Steady Habits Movie Review: A Compelling, Humanistic Character Drama
By Matthew St.Clair |
Ben Mendelsohn is the strong center of the naturalistic ensemble dramedy by writer/director Nicole Holofcener.
Lost Child Movie Review: Solid but Something’s Still Missing
By Matthew St.Clair |
An admirably unconventional depiction of PTSD anchored by a strong performance by Leven Rambin.
Searching Movie Review: Brilliantly Deceitful and Ingenious
By Matthew St.Clair |
Director Aneesh Chaganty delivers what is easily the most immersive and innovative film of the year.
The Wife (2017) Movie Review: Glenn Close Does Career-Best Work
By Matthew St.Clair |
Glenn Close is a quiet force of nature in a masterfully written and well-acted gem.
Crazy Rich Asians Movie Review: An Incredibly Winning Rom-Com
By Matthew St.Clair |
It succeeds thanks to its cultural significance and crowd-pleasing nature.
BlacKkKlansman Movie Review: Haunting, Hilarious, and Thought Provoking
By Matthew St.Clair |
BlacKkKlansman is a powerful and razor sharp yet timely effort from director Spike Lee.
The Spy Who Dumped Me Movie Review: Kate McKinnon Provides Non-Stop Laughs
By Matthew St.Clair |
A PSA that Kate McKinnon is a true blue comedic movie star.
Brotherly Love (2018) Movie Review: Neither Heavenly nor Unholy
By Matthew St.Clair |
Thanks to two of its supporting actors, Brotherly Love thrives on a wing and a prayer.
Nico, 1988 Movie Review: Both Simplistic and Unsentimental
By Matthew St.Clair |
A sublime biopic carried by Trine Dyrholm who excels as the late famed musician.
Mission: Impossible – Fallout Movie Review: Best Action Movie of the Summer
By Matthew St.Clair |
It is both the best action film of the summer and the franchise’s best film.
Sorry to Bother You Movie Review: Completely Zany yet Brilliant
By Matthew St.Clair |
A completely bonkers and bizarre yet thrilling directorial debut from Boots Riley.
1/1 Movie Review: Solidly Acted yet Overly Ambitious
By Matthew St.Clair |
Aside from its scattered storytelling, 1/1 still flourishes thanks to its quietly commanding, leading performance by Lindsey Shaw.
Eighth Grade Movie Review: Pitch-Perfect Portrait of Adolescence
By Matthew St.Clair |
A flawless portrayal of adolescence that features both uplifting and heart wrenching authenticity.
Path of Blood Movie Review: Harrowing and Uncomfortable
By Matthew St.Clair |
A harrowing look into the heart of war that is bound to make some viewers uncomfortable.
Ant-Man and the Wasp Movie Review: A Pint-Sized Superhero Film with Big Heart
By Matthew St.Clair |
Ant-Man and the Wasp is an improvement of its predecessor that is flawed yet still entertaining.
Sicario: Day of the Soldado Movie Review: Hollow, Sloppy, and Pointless
By Matthew St.Clair |
Not only a pointless sequel but a miserable film-watching experience on various levels.
Boundaries Review: A Solid Escapist Road Movie
By Matthew St.Clair |
Despite its predictability, Boundaries still succeeds thanks to its profound storytelling and great acting.
Director Christian Papierniak on His Feature Film Debut, Izzy Gets the F*ck Across Town
By Matthew St.Clair |
“Whatever scene you’re doing is just about trying to grab whatever the truth is in that moment whether it’s a video game or whether it’s a movie.” – Christian Papierniak
Ocean’s 8 Movie Review: A Fun Escapist Spinoff
By Matthew St.Clair |
Ocean’s 8 is entertaining popcorn fare. Nothing more, nothing less.
Hereditary Movie Review: Give Toni Collette the Best Actress Oscar
By Matthew St.Clair |
The film itself is a twisted experience that had me quivering by the time the credits rolled.
The Workers Cup Movie Review: Simplistic Almost to a Fault
By Matthew St.Clair |
Neither sentimental nor filled with heavy dramatic stakes, The Workers Cup is a simple demonstration of why people play sports.
American Animals Movie Review: A Conflicted yet Clever Heist Thriller
By Matthew St.Clair |
American Animals offers up a witty yet complex demonstration of the conflicting pursuit of the American Dream.
On Chesil Beach Movie Review: Saoirse Ronan Keeps Afloat
By Matthew St.Clair |
Saoirse Ronan easily saves what ends up being a jumbled depiction of marriage and sexuality.
Tribeca 2018: Naomi Ko and Andrew Ahn Discuss Their TV Pilot “Nice”
By Matthew St.Clair |
“We were able to find the tricky balance between comedy and drama by keeping Teddy and the world of Nice grounded.” – Naomi Ko
Tribeca 2018 Review: Untogether Is Good with a Great Jemima Kirke Performance
By Matthew St.Clair |
Untogether is a solid directing debut from Emma Forrest that possesses hints of greatness.
Tribeca 2018 Review: The Rise of Laia Costa, Star of “Maine” and “Duck Butter”
By Matthew St.Clair |
The star power of rising actress Laia Costa helps elevate two flawed showcases for her tremendous talent.
Tribeca 2018 Review: Little Woods Is a Well-Acted and Thoughtful Modern Western
By Matthew St.Clair |
Tessa Thompson and Lily James are the strong center of a modernized Western that is introspective and thought provoking.
Tribeca 2018 Review: Mary Elizabeth Winstead Is Oscar Worthy in All About Nina
By Matthew St.Clair |
Mary Elizabeth Winstead gives a career-best performance as a struggling comedienne and deserves serious Oscar recognition.
Tribeca 2018 Review: Disobedience Is a Compelling Portrait of a Defiant Romance
By Matthew St.Clair |
Rachel McAdams, Rachel Weisz, and Alessandro Nivola give three of the year’s best performances in this compelling romantic drama.
Tribeca 2018 Review: The Miseducation of Cameron Post Is an Insightful Gem
By Matthew St.Clair |
A harrowing depiction of conversion therapy that also manages to be hearty.
Tribeca 2018 Review: Dry Martina Is a Bewildering yet Engaging Star Vehicle
By Matthew St.Clair |
Antonella Costa is the strong, complicated center of a tortuous story.
Tribeca Film Festival 2018 Review: Cargo Is a Powerful Zombie Drama
By Matthew St.Clair |
Cargo puts a refreshing spin on the zombie genre and is anchored by a career-best Martin Freeman performance.
Director Leena Pendharkar on Her Latest Film “20 Weeks”
By Matthew St.Clair |
She talked about bringing the authentic relationship between the two main characters to life, the filmmaking aesthetics, and the backstory behind the screenplay as well.
A Quiet Place Movie Review: Silence Has Never Been So Scary
By Matthew St.Clair |
A Quiet Place is a simplistic yet masterful gem that is destined to become a modern horror classic.