Cinema Sentries

The discussion continues.

If you’re expecting Drive 2, you’re in for serious disappointment.

MST3K star Kevin Murphy talks Rifftrax’s Night of the Living Dead live show.

It’s nice to see some improvement.

While the end is definitely in sight, the audience is still being strung-along for the sake of padding this story out as much as possible.

“The stories are okay, and the Marvel Comics references are fun to catch, but I haven’t connected to the characters yet.” – Gordon S. Miller

“I wish I could say the show was growing on me, but it’s really not.” – Todd Karella

The main thrust of the fourth season involves Neal looking into his father’s past.

“The day Charlie rules the world, I’ll blow myself.” – Dennis Reynolds

Harry Dean Stanton: Partly Fiction isn’t that meaty, but there is enough to keep the audience’s interest most of the time.

Three writers give a postmortem on the Summer of 2013.

The indie film you should see this weekend.

If nothing else, you will probably pick up a few new insults to hurl at people when the time comes.

Ernst Lubitsch and the Criterion Collection are a match made in comedic heaven.

A quite, methodical exploration of man’s ability to connect with each other.

A fun read, but I wouldn’t consider it a worthy collection of reviews.

A true stand-out in the genre.

The Criterion Collection adds a bevy of compelling bonus content on top of a fantastic adaptation of William Golding’s novel.

I cannot recommend Orphan Black highly enough.

President Elmo. Our long national nightmare is over.

Take my advice and avoid having it sneak up on you.

Brosnan did the best he could getting the chance to step out of the role of James Bond. Unfortunately, it wasn’t enough.

There is enough done well to make The Guard a decent watch.

Someone in Hollywood has Polaroids of these people. Of this I am convinced.

lt is not a well-made movie.

It suffers from being dull in its reenactment.

An engaging documentary about a man with huge dreams and all the things that conspired to destroy them.

As the movie played, it became more and more evident that it wasn’t my memory that had failed me, but rather Downey, who was less of a cultural icon and more of a one-hit wonder.

A piece of Americana that questions and condemns the media.

A good movie, provided you are cool with watching a movie about the end of human life.

A fantastic resource as well as an enjoyable examination of the inimitable Bard of Avon.

The stories that unfold this season are all about some very real and drastic changes for many main characters.

A well-executed, slow-burning film about family, commitment, betrayal, and consequences, and it is anchored by Riseborough, whose performance is mesmerizing.

“Being only human, one thing leads to another.” – Peachy Carnehan

It’s more interesting in concept than in execution.

All that’s left to know about Hollywood’s Golden Age of dames, detectives, and danger.

Speaking of boring, as characters go, John is like so many other Keanu Kreations – completely devoid of emotion to the point that you want to hold a mirror under his nose when he’s not moving.

An engaging plot and interesting characters elevates this about standard teen films.

A fine thriller, but there’s nothing special about it.

A harsh story told in the sweetest way possible.

A link to the past, a link to the time in magic’s history before craft became crass, is alive and well and mesmerizing.

Corruption in NYC goes deeper than you think.

Silver Linings Playbook overcame its somewhat odd name to get a lot of award recognition, and it deserved it.

And although the film recognizes the difference between 2286 and 1986, it doesn’t play too much into the superficial trappings of the decade.

While there are fine performances by the other two leads, McKellen stands out with a sparkling, well-measured performance that could easily slip into caricature but never does.

Hey man, it’s me, Bruno. I got some new stuff.

Good, but it doesn’t really rise above the trappings of your run-of-the-mill sports movie.

A sweet comedy/drama from director George Seaton is marred by a flawed DVD print.

A middling attempt at screwball comedy falls flat despite a typically winning performance from star Loretta Young.