Men in Black: International Movie Review: A Neuralyzing Experience
By Matthew St.Clair |
Chris Hemsworth and Tessa Thompson. That is all.
Dark Phoenix Movie Review: A Frustratingly Regressive Conclusion
By Matthew St.Clair |
When even James McAvoy can’t save this, you know it’s underwhelming.
Starfish (2019) Movie Review: A Wonderfully Ambitious Sci-Fi Pic About Grief
By Matthew St.Clair |
Starfish has a jumbled narrative yet is wonderfully jumbled due to its inventiveness and focus on human emotion.
Ma Movie Review: Octavia Spencer Elevates Campy Thriller
By Matthew St.Clair |
Despite Ma being merely serviceable, Octavia Spencer is delightfully maniacal as the titular antagonist.
Always Be My Maybe (2019) Movie Review: Charming and Incredibly Subversive
By Matthew St.Clair |
This insurgent romantic comedy thrives thanks to its hilarity and dramatic heft.
Diamantino Movie Review: A Wonderfully Bizarre Camp Thriller
By Matthew St.Clair |
This queer fantasy succeeds thanks to its unapologetically schlock nature.
Booksmart Movie Review: A Hilarious Romp with Immense Sincerity
By Matthew St.Clair |
A flawless and heartfelt directorial debut from Olivia Wilde.
Rocketman Movie Review: Incredibly Sublime with a Masterful Taron Egerton Performance
By Matthew St.Clair |
A fantastical musical biopic with a perfect mix of style and substance.
Her Smell Movie Review: Elisabeth Moss Roars with Greatness
By Matthew St.Clair |
Elisabeth Moss is next-level amazing as a troubled rock star.
Pasolini Movie Review: An Ambitious Biopic with a Brilliantly Refined Willem Dafoe Performance
By Matthew St.Clair |
An exemplary biopic that features a rather understated gusto.
The Skin of the Teeth Movie Review: A Rare Queer Horror Flick Done with Effort and Intent
By Matthew St.Clair |
A terrifically inviting and rather progressive thriller.
Tribeca 2019 Review: In Fabric Is Terrifically Sewn Together
By Matthew St.Clair |
An atmospheric horror-comedy with classic schlock value.
Tribeca 2019 Review: Julianne Nicholson is Pitch Perfect in the Wonderfully Distorted Initials S.G.
By Matthew St.Clair |
Julianne Nicholson is the bright spot of this already worthy genre bender.
Tribeca 2019 Review: Charlie Says is an Insightful Look Into a Heart of Darkness
By Matthew St.Clair |
An incredibly well-acted yet harrowing account of one of America’s most infamous crime sprees.
Tribeca 2019 Review: Sasheer Zamata Successfully Carries The Weekend, An Ingenious Rom Com
By Matthew St.Clair |
A breezy romantic comedy that features great acting and bent cliches.
Tribeca 2019 Review: Zoey Deutch is a Force of Nature in Buffaloed
By Matthew St.Clair |
Zoey Deutch is pure dynamite as a fast talking anti-heroine in this biting black comedy.
Tell It to the Bees Movie Review: Anna Paquin and Holliday Grainger Carry Uneven Romance
By Matthew St.Clair |
Despite an uneven narrative, Anna Paquin and Holliday Grainger still allow Tell It To The Bees to buzz.
Tribeca 2019 Review: Flawless Brilliantly Offers a Profound Story About Self-Acceptance
By Matthew St.Clair |
A bold yet sincere coming-of-age story about learning to love yourself.
Tribeca 2019 Review: Lucky Grandma Hits the Jackpot
By Matthew St.Clair |
A master class performance from Tsai Chin is the film’s luckiest charm.
Tribeca 2019 Review: Luce Is a Well-Acted and Necessarily Searing Racial Drama
By Matthew St.Clair |
A psychological thriller with razor-sharp political context and an incredible ensemble.
Tribeca Film Festival 2019 Review: Burning Cane Is a Visceral yet Rhythmic Directing Debut
By Matthew St.Clair |
Despite its short running time, Burning Cane offers grand, thematic impact.
Rafiki Movie Review: A Harmonious Portrayal of Queer Love
By Matthew St.Clair |
A simple yet incredibly effective demonstration of love facing adversity.
Little Movie Review: Typical yet Amusing Body-Swap Comedy
By Matthew St.Clair |
Despite the story’s grand familiarity, the laughs are anything but pint-sized.
Sauvage Movie Review: A Fiercely Unsentimental Character Study
By Matthew St.Clair |
Felix Maritaud is the strong center of this unflinching look at a queer sex worker’s life.
The Wind (2018) Movie Review: A Traditional Psychological Thriller with Unsettling Flair
By Matthew St.Clair |
A promising feature-film debut that provides effective scares despite its loose structure.
The Mustang Movie Review: Matthias Schoenaerts Carries This Poetic Gem
By Matthew St.Clair |
An incredibly moving and poignant character study.
Us Movie Review: Discomforting and Hauntingly Ambiguous
By Matthew St.Clair |
Jordan Peele’s sophomore effort is another simplistic look at the dark parts of humanity.
The Wedding Guest Movie Review: Dev Patel Brilliantly Carries This Deceptive Thriller
By Matthew St.Clair |
A solid reminder that Dev Patel is a definite leading man.
Gloria Bell Movie Review: Julianne Moore Is Utterly Captivating
By Matthew St.Clair |
A stylistically crafted acting showcase for the marvelous Julianne Moore.
Captain Marvel Movie Review: Traditional with Supernova Levels of Fun
By Matthew St.Clair |
Brie Larson goes full movie star in this familiar yet adrenaline-fueled thrill ride.
Greta (2018) Movie Review: Isabelle Huppert is Deliciously Sinister
By Matthew St.Clair |
Isabelle Huppert easily elevates this old school schlocky thriller.
Sorry Angel Movie Review: A Sensible Depiction of a Doomed Romance
By Matthew St.Clair |
A profound, well-acted love story that is a whirlwind of emotion.
Alita: Battle Angel Movie Review: A Modest Visual Spectacle
By Matthew St.Clair |
A visually ambitious stunner with an underwhelming storyline.
Isn’t It Romantic (2019) Movie Review: It Is Indeed
By Matthew St.Clair |
An amusing satirization with plenty of heart and a great Rebel Wilson performance.
What Men Want Movie Review: Taraji P. Henson Elevates Decent Rom-Com
By Matthew St.Clair |
Subpar yet still watchable thanks to Taraji P. Henson’s charismatic performance.
Sundance 2019 Review: Selah and the Spades Is Terrifically Sharp
By Matthew St.Clair |
Sharply written and features a multi-layered star turn from Lovie Simone.
Sundance 2019 Review: Untouchable Lets Weinstein’s Victims Be Heard
By Matthew St.Clair |
A harrowing watch that continues the conversation surrounding sexual misconduct.
Sundance 2019 Review: Little Monsters Is a Bloody Delight
By Matthew St.Clair |
A darkly humorous yet surprisingly heartfelt zombie comedy.
Sundance 2019 Review: Sweetheart Is a Terrific Creature Feature
By Matthew St.Clair |
A simple yet effective throwback to classic monster movie fare.
Sundance 2019 Review: Wounds Is Indeed Rather Hurtful
By Matthew St.Clair |
Wounds starts off promising before slowly going off the rails with its overly ambiguous premise.
Sundance 2019 Review: The Nightingale Is Frustratingly Gratuitous
By Matthew St.Clair |
The Nightingale has strong political undertones yet still succumbs to its ultraviolent nature.
Sundance 2019 Review: Alfre Woodard Is Oscar Worthy in Clemency
By Matthew St.Clair |
Alfre Woodard quietly delivers the best film performance of her career.
Sundance 2019 Review: Geraldine Viswanathan is the Strong Center of Hala
By Matthew St.Clair |
Geraldine Viswanathan is a revelation in this affecting coming-of-age drama.
Sundance 2019 Review: Velvet Buzzsaw Is Wonderfully Chaotic
By Matthew St.Clair |
Velvet Buzzsaw is incredibly off-kilter and grotesque yet brilliant.
Sundance 2019 Review: Awkwafina Proves Her Dramatic Range in The Farewell
By Matthew St.Clair |
Awkwafina is the strong center of the bittersweet dramedy known as The Farewell.
Glass Movie Review: An Ambitiously Uneven Thriller
By Matthew St.Clair |
Glass is admirably zealous while nearly shattering due to its overt exposition.
On the Basis of Sex Movie Review: An Effective Crowd-pleaser
By Matthew St.Clair |
On the Basis of Sex is impactful thanks to its subject matter and central performances by Felicity Jones and Armie Hammer.
Vice (2018) Movie Review: Christian Bale Saves a Self-Righteous Biopic
By Matthew St.Clair |
Adam McKay’s tonally haphazard biopic is saved by a great Christian Bale performance.
Vox Lux Movie Review: A Brilliantly Jarring Pop Epic
By Matthew St.Clair |
The anti-A Star Is Born in the best possible ways.
Once Upon a Deadpool Movie Review: An Adequate Gimmick
By Matthew St.Clair |
A censored Deadpool 2. Nothing more, nothing less.