When Rush was preparing and touring for R40, their 40th anniversary tour, it was frequently suggested in the press that it might be their last. The band members didn't come out and say so directly, but they responded to the possibility in interviews. It turns out they knew more than they let on as made clear in Time Stand Still, a documentary about what is now revealed to be their final tour. The film was screened in theaters in conjunction with Fathom Events, a second date was added because of the huge demand, and is available in different home-video formats.
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Rush says a farewell to fans.
Documentary filmmaker Robert Mugge chronicles the devastation leveled on New Orleans and its musical community after Hurricane Katrina.
Unless you live in New Orleans or know someone who does, you might not have paid much attention to its reconstruction after Hurricane Katrina. Robert Mugge’s documentary, New Orleans Music in Exile, focuses on the lives of the city’s musicians in the aftermath of the hurricane, and how they dealt with the destruction of their homes, clubs, and livelihoods. Filmed by Mugge in 2005 and 2006, in the aftermath of Hurricane Katrina, Music in Exile chronicles the devastation leveled on New Orleans and its musical community firsthand. Musicians give the filmmaker a tour of their ravaged homes and businesses. Irma
An often fascinating, but equally frustrating study of the guitarist and songwriter, once spoken of in the same breath as guitar-Gods like Clapton, Page, and Hendrix.
If you know your rock history, you know that before there was the soft-rock hit machine of Rumours-era Fleetwood Mac, there was "the other Fleetwood Mac," a much different sounding animal (and then some) than the one you most likely remember now. During a brief, three-year stretch that ran from roughly 1968 through about 1970, the British blues-rock band known first as Peter Green's Fleetwood Mac (before dropping the Green name at his own request), recorded three well-received albums, including the classic Then Play On. But then, just as they seemed on the threshold of a Led Zeppelin sized breakthrough
If you’re a fan of Jennifer Lopez, then this is a DVD worth having.
In 2012 Jennifer Lopez set off on her first ever world tour. For six months, she traveled across five continents and performed in 65 cities, starting in South America and finishing in Puerto Rico. While you might expect this to be a concert DVD, it was really a documentary about all the behind-the-scenes interactions that happened during the tour. There was some concert footage, but only to illustrate what was being discussed during the interviews and to show the different venues and crowds that they encountered. Even then, none of the songs were performed in their entirety or without considerable
Documentary about the Roland TR-808 drum machine explores its indelible contributions to modern music.
The singular defining aspect of all modern popular music is its deep, thumping bass. This new documentary explores the principal electronic architect of that bass, the Roland TR-808 drum machine. No other piece of musical equipment in history is known so globally by its model number, and that 808 moniker continues to receive frequent shoutouts and respect in all genres with a beat, including electronic, pop, R&B, and hip hop. The filmmakers take a historical approach to the subject, tracing the 808’s emergence as a powerful music tool in the 1970s through to its continued current use. While they don’t
It's fitting the show concludes with "Success" because that's a completely accurate description of what this concert is.
In March of 2016, Iggy Pop and Josh Homme of Queens of the Stone Age revealed they had secretly collaborated on an album together, Post Pop Depression. Joined by QOTSA's Dean Fertita and Arctic Monkeys drummer Matt Helders in the studio, PPD was released to good reviews followed soon after by 21 dates across North America and Europe in support of the album. Rounding out the touring band were QOTSA's Troy Van Leeuwen and guitarist Matt Sweeney. Their performance at the Royal Albert Hall on May 13 was the second to last night of the tour. It's an impressive, raucous
This riveting documentary chronicles the history of the Mississippi juke joint and the ongoing struggle to preserve remaining clubs.
Actor Morgan Freeman, who co-owns Mississippi juke joint Ground Zero, describes Delta Blues as “American classical music.” The documentary Last of the Mississippi Jukes—originally released in 2003 and now available on DVD—chronicles one state’s fight to preserve not only Delta Blues but the juke joints that introduced the blues. This loving tribute spotlights two venues, one older and the other a recreation of traditional juke joints. While the fate of these two places diverge, they share one common interest: fostering local talent and maintaining the tight community that the blues formed. Juke joints first appeared on southern plantations after the
Can't Stop The Show: The Return Of KIX Review: The Band Is Back Sounding As Good As They Always Have
KIX and '80s heavy metal fans will not be disappointed with this new release.
Formed in 1977, the hard rock band from Hagerstown, Maryland broke into the mainstream music scene with their fourth album, the platinum selling Blow My Fuse in 1988. After releasing two more albums that did not have the same success, KIX wouldn’t release another album for almost 20 years. In 2014, they released Rock Your Face Off. Following up that release, the band put together a documentary detailing all the time and hard work they put into creating new music. The biggest challenge was writing the music itself. Former bass player and author of most of the band’s previous songs,
This remastered 1986 performance reveals the singer/songwriter's allegiance to the rhythm and blues tradition.
As the title of a 1994 box set declared, the Who proved themselves as masters of “maximum R&B.” That phrase accurately describes Pete Townshend’s Deep End: Face the Face, a CD/DVD that captures a 1986 TV performance of selections from Townshend’s 1985 album White City: A Novel as well as solo and Who tracks. Featuring an unusually giddy Townshend leading a band including Pink Floyd’s Dave Gilmour, it demonstrates the singer/songwriter’s charisma as a solo artist. Filmed for the German TV series Rockpalast at MIDEM in Cannes on January 29, 1986, the performance includes tracks from White City as well
Any true Beach Boys fan will eventually own this. It’s a must.
When the discussion of the greatest album of all times breaks out a party, many people will chime in, some people will walk away, and at least one guy will ask, “what’s an album?” Inevitably, The Beach Boys' Pet Sounds will be brought up in the discussion. If it’s not, you’re at the wrong party. With Pet Sounds celebrating its 50th anniversary this year, it seems appropriate that Eagle Rock Entertainment would release the definitive authorized story of the album on September 23rd as part of its Classic Albums collection on Blu-ray and DVD. Containing an additional 30 minutes of
The Everly Brothers: Harmonies from Heaven DVD Review: An Appreciation of the Duo's Impact on Early Rock 'n' Roll
The rock pioneers set the standard for impeccable harmonies, and wowed audiences with their special blend of rock, country, and R&B.
Early rock pioneers the Everly Brothers set the standard for impeccable harmonies, and wowed audiences with their special blend of rock, country, and R&B. The duo gets their just due in the BBC documentary The Everly Brothers: Harmonies from Heaven, newly released on DVD and Blu-ray. Featuring interviews with surviving Everly brother Don, Keith Richards, Art Garfunkel, Albert Lee, Dave Edmunds, and Graham Nash, the film is a thoroughly fascinating look at an underrated family act. Harmonies from Heaven follows Don and Phil from their early years as singers with the Everly Family, a group comprised of the brothers and
Styx: Live at the Orleans Arena Las Vegas Blu-ray Review: A Quality Performance Even Without the Band's Biggest Songs
Instead of having someone else singing some of the songs Dennis DeYoung sang, Styx just completely leaves them out of the rotation.
Filmed while on tour in July of 2014, the Blu-ray shows off some of the band’s well-known hits. Interspersed between the eight-song concert are interviews with the band and crew members detailing their adventures and lifestyle on the road. Topics covered range from what they do during their off hours to the inner workings of the business and how the technology has changed their experience of being away from home and their family. The line-up for the concert is Tommy Shaw (vocals, guitar); James “JY” Young (vocals, guitar, keyboards); Todd Sucherman (drums); Lawrence Gowan (vocals/keyboards); Ricky Phillips (bass, backing vocals);
This 1991 performance showcases the band's versatility and captures one of their last performances as an original quartet.
By 1991, Toto was at a crossroads. Only four original members remained: guitarist/lead vocalist Steve Lukather, keyboardist/lead vocalist David Paich, drummer Jeff Porcaro, and bassist Mike Porcaro. They were in the midst of recording the album Kingdom of Desire, a harder-charging work featuring Lukather on all lead vocals. Sadly, shortly after completing the album, Jeff Porcaro unexpectedly passed away; his brother Mike would succumb to ALS in 2015. The new release Toto: Live at Montreux 1991, a new release in the DVD/CD, Blu-ray/CD, and digital video formats allows fans one more glimpse at the legendary lineup. While not well filmed,
Trust us: "You oughta try it, you really oughta try it...".
Thank the fates Sean Lennon's Ghost of a Saber Tooth Tiger opened for Les Claypool's Primus last summer because it led to a bonding that resulted in The Claypool Lennon Delirium. Their outstanding debut album, Monolith of Phobos, takes listeners on a marvelous psychedelic-rock trip, simultaneously back to the '60s while traversing the present. The duo begins by setting a course for "The Monolith of Phobos" with sounds of futuristic machinery preparing for the journey as they tinker with their instruments. Main character Buzz is affected by the Monolith, making him ponder life, which only brings more questions as will
It was such a treat to see musicians so filled with joy playing together.
In the same vein as his 2014 co-headlining tour with Paul Simon, Sting teamed up with his former Amnesty International touring mate Peter Gabriel for “Rock, Paper, Scissors,” which found them playing concerts across North America in June and July. They combined their talented bands and in addition to Gabriel on keys and Sting on bass, the blended ensemble was comprised of two guitarists, another bassist, two more keyboardists, two drummers, three back-ups singers, an electric fiddle player, and a percussionist. The night began with Gabriel coming out first and performing “Rhythm of the Heat” with powerful percussion highlighting the
Live from 1995, it's the Rolling Stones.
During 1994/1995, the Rolling Stones (Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood) toured the world behind Voodoo Lounge, which not only found them playing stadiums, but also three small European venues: The Paradiso in Amsterdam in May 1995, and L’Olympia in Paris and Brixton Academy in London in July 1995. Performances from those intimate concerts along with acoustic studio sessions recorded in Tokyo and Lisbon resulted in Stripped, a different type of live album from the band. Twenty-one years later, Totally Stripped revisits Stripped in updated and expanded versions. The CD delivers 14 tracks, with only one performance,
A key player in the birth of rock and roll as we know it, you just didn't know about it until now.
When most people think of live music in the late '60s, they probably think of Haight-Ashbury, The Fillmore East and West, "Summer of Love"-type things. The new documentary Louder Than Love tells the story of The Grande Ballroom in Detroit and the musical revolution that happened in its hallowed halls. In the midst of economic and racial struggles that led to riots, fires, and other unrest, there was a haven of peace downtown where local bands were blossoming and the top British acts were making their debuts. The venue may have been peaceful but the music was anything but. The
The long-awaited sophomore release from Mudcrutch doesn't disappoint.
In 2007, Tom Petty decided to reform Mudcrutch, his pre-Heartbreakers band, to record their long-overdue self-titled debut. Mudcrutch of course is the band that eventually became the Heartbreakers, with Petty retaining keyboardist Benmont Tench and lead guitarist Mike Campbell. While the original Mudcrutch had other members come and go, the trio of Petty, Tench and Campbell, along with guitarist Tom Leadon (brother of Bernie) and drummer Randall Marsh round out the current incarnation of the band. The group played a handful of shows before Petty reconvened the Heartbreakers for a pair of albums, 2010’s Mojo and 2014’s Hypnotic Eye. Mudcrutch
Classic rockers Bad Company finally release a live album and it's well worth the wait.
In 1979, an 11-year-old me took a major step in my musical appreciation evolution. It was the year I embraced the vinyl album and moved from radio listening to purchasing records. Some were older, Revolver, Hot Rocks and some were new - Breakfast in America and Bad Company's Desolation Angels. Bad Company is one of those bands that I've always liked and while that was my first purchase of their music, over the next few years I assembled the full collection. Fast forward more than 30 years, and while I still like and appreciate them, I rarely if ever dig
This movie should have more rocking and less talking.
When you hear the words "punk music," the first names that pop up are usually The Sex Pistols, The Clash, or The Ramones. In recent years, there were bands like My Chemical Romance, Good Charlotte, and Fall Out Boy joining the ranks. I’m sorry, but it’s hard to consider these bands as punk. There are way better bands that don’t get any exposure but should, groups like Catbath, Fuzzy Machete, Rapedoor, Breed, and TsuShiMaMiRe. One band that helped start the punk movement and the one that recorded the very first album was The Dammed. However, they never got much credit
The only issue in regards to the concert is that every time they perform they give the exact same performance.
Fathom Events is known for bringing one-time events into movie theatres throughout the country. These presentations can range from plays and ballets to full-scale rock ‘n' roll concerts like the one KISS filmed during their residency in Las Vegas at the Hard Rock Casino. Before the film started, there was some KISS trivia flashed on the screen. The best two were how on December 31, 1972, Gene Simmons debuted his fire-breathing trick and managed to set fire to his hair at the same time. And the other was that during KISS’s first photo shoot the photographer did not realize they
Oft bootlegged festival footage finally gets an official release.
Rainbow Monsters of Rock is a DVD / CD combo that will be accepted differently based on your expectations. The DVD is standard stadium / festival-rock fare. Lots of sparks and flashing lights, stage theatrics and post set fireworks. The setting is Donington Park Race Track in England at the first Monsters of Rock Festival in August of 1980. It's quite a bill and Rainbow is the headlining act. The video is a time capsule, a bridge between '70s jammers and '80s hair bands and also the time when Rainbow was moving towards a more radio-friendly sound. The star here
It was so good I am already anticipating next year's event.
Hosted by Fathom Events and Rhino Entertainment at theaters across the country, the sixth annual Grateful Dead Meet-Up at the Movies presented the band's performance at Sullivan Stadium, MA on July 2, 1989, which happened 17 days before the Alpine Valley concert shown at the 2015 Meet Up. While the line-up was the same (guitarist Jerry Garcia, drummers Mickey Hart and Bill Kreutzmann, bassist Phil Lesh, keyboardist Brent Mydland, and guitarist Bob Weir), the setlist didn't repeat one song. After a promo piece for the new Grateful Dead July 1978: The Complete Recordings, which presents five complete shows on 12
A history of the electric guitar and the people who love them.
I was sixteen years old, standing in a pawn / jewelry shop owned by family friends. I looked up at the wall and there it was, a beautiful mahogany wood grained Gibson SG Electric Guitar. I had always loved the look of that particular guitar, the double-cut design, the deep brown color, the Gibson logo on the headstock. Besides, a Gibson SG was what Pete Townshend played at Woodstock. Frank Zappa, Angus Young, Tony Iommi, and Frank Marino had all played similar guitars. I had to have it so $300 later it was mine. This wasn't when I started to
PBS salutes the legendary singer/songwriter with a fond look back at her career.
Over the last few years, singer/songwriter Carole King has enjoyed a career resurgence. Her bestselling memoir, A Natural Woman, bowed to positive reviews in 2012 Beautiful, the musical based on King’s life, debuted on Broadway in 2014 and is still going strong. Last year, she was feted at the Kennedy Center Honors, with Aretha Franklin bringing King to tears with her passionate rendition of “(You Make Me Feel Like) A Natural Woman.” The celebration continues with the American Masters salute borrowed from that song title, a program which airs this week on PBS stations. Through King’s words, rare photos, archival
The documentary examines the blues legend's life and music.
The latest installment of the PBS series, American Masters, documents the life and music of blues maestro Riley “B.B.” King. A sharecropper’s son who first played guitar in church, he also worked as a DJ before becoming the undisputed king of American blues (and an inspiration to countless rock musicians). This documentary features interviews with Bonnie Raitt, Carlos Santana, Ringo Starr, John Mayer, and other musicians. There are plenty of original and archival interviews with B.B., including one conducted on a trip back to his birthplace in Mississippi. It follows King’s story from his early life working in the cotton
This thoughtful history of the evolution of The Jam is heavy on band anecdotes, fan praise and a chipper Paul Weller enjoying the stroll down Stanley Road.
The late John Weller, Paul Weller’s father and perhaps The Jam’s biggest fan, would ring in shows by shouting, “Put your hands together for the greatest band in the f@%king world!” And to legions of fans in the late ’70s and early ’80s, they absolutely were. The band not only echoed youth’s frustrations with politically poetic lyrics and riffs drawing from earlier periods of unrest, but they also taught their peers on the floor a thing or two about literature, autonomy—being someone intelligent enough to form and express an opinion boldly. With a heavy emphasis on fan lore, About The
This entertaining performance proves all the naysayers wrong.
The Steel Wheels/Urban Jungle stadium tour ran for nearly a year. The North American leg started in Philadelphia on Aug 31, 1989, and the European leg ended in London on Aug 25, 1990. The tour is notable for many reasons. The 10 nights they played at the Tokyo Dome in February 1990, from which the material on this live album comes, was the first time they ever performed in Japan. It was the band's first tour since their 1982 European Tour. It was their first tour without touring pianist Ian Stewart. It would be bassist Bill Wyman's last tour before
Jaco is a balanced and compassionate look at the legendary jazz bassist.
“It’s not about bass playing, it’s about being a storyteller.” The documentary Jaco traces the life of iconic jazz bassist Jaco Pastorius, from his childhood in Florida and first gigs as a teenager to his innovative style of bass playing, work with Weather Report, and his untimely death at age 35. Metallica bassist Robert Trujillo, the documentary’s producer, saw Weather Report in 1979, and the experience helped mould his own musical journey. Jaco compiles archival footage, home movies, personal photos and interviews to form a balanced and compassionate look at the groundbreaking musician’s life. Directed by Paul Marchand and Stephen
Station to Station is special on its own, and the Special Edition is well worth owning for the live album.
Station to Station is Bowie’s tenth album. Considered a transitional album as its title indicates, it blends his musical past and future as elements of funk and soul from Young Americans commingle with the synthesizers and electronic sounds that would soon appear on his Berlin Trilogy. In 2010, it was re-released in expanded formats. The album opens with a brief audio prologue as a train moves across the speakers on the title track. Bowie sings of “The return of the Thin White Duke/ Throwing darts in lovers’ eyes,” reflecting the coldness the persona would traffic in during its existence. The