The 2025 GRAMMYs, officially known as the 67th GRAMMY Awards, will be held at Los Angeles’ Crypto.com Arena on Sunday, Feb. 2, 2025, and will broadcast live on the CBS Television Network and stream live and on-demand on Paramount+ at 8 p.m. ET/5 p.m. PT. Links to films reviewed next to first mention of the title.

Buy The Color Purple Music From And Inspired By CD

Music for Visual Media

Best Compilation Soundtrack For Visual Media

Award to the principal artist(s) and/or ‘in studio’ producer(s) of a majority of the tracks on the album. Award also goes to appropriately credited music supervisor(s).

• The Color Purple — (Various Artists)
• Deadpool & Wolverine — (Various Artists) (review)
• Maestro: Music By Leonard Bernstein — London Symphony Orchestra, Yannick Nézet-Séguin, Bradley Cooper
• Saltburn — (Various Artists)
• Twisters: The Album — (Various Artists)

Best Score Soundtrack For Visual Media (Includes Film And Television)

Award to Composer(s) for an original score created specifically for a current motion picture, television show, or series.

• American Fiction — Laura Karpman, composer (review)
• Challengers — Trent Reznor & Atticus Ross, composers (review)
• The Color Purple — Kris Bowers, composer
• Dune: Part Two — Hans Zimmer, composer (review)
• Shōgun — Nick Chuba, Atticus Ross & Leopold Ross, composers

Best Song Written For Visual Media

A Songwriter(s) award. For a song (melody & lyrics) written specifically for a motion picture, television, video game or other visual media. Singles or Tracks only.

• Ain’t No Love In Oklahoma [From “Twisters: The Album”] — Jessi Alexander, Luke Combs & Jonathan Singleton, songwriters (Luke Combs)
• Better Place [From “TROLLS Band Together”] — Amy Allen, Shellback & Justin Timberlake, songwriters (*NSYNC & Justin Timberlake)
• Can’t Catch Me Now [From “The Hunger Games: The Ballad of Songbirds & Snakes”] — Daniel Nigro & Olivia Rodrigo, songwriters (Olivia Rodrigo)
• It Never Went Away [From “American Symphony”] — Jon Batiste & Dan Wilson, songwriters (Jon Batiste)
• Love Will Survive [From “The Tattooist of Auschwitz”] — Walter Afanasieff, Charlie Midnight, Kara Talve & Hans Zimmer, songwriters (Barbra Streisand)

Music Video/Film

Best Music Video

Award to the artist, video director, and video producer.

• “Tailor Swif” — A$AP Rocky
  Vania Heymann & Gal Muggia, video directors
• “360” — Charli xcx
  Aidan Zamiri, video director; Jami Arceo & Evan Thicke, video producers
• “Houdini” — Eminem
  Rich Lee, video director; Kathy Angstadt, Lisa Arianna & Justin Diener, video producers
• “Not Like Us” — Kendrick Lamar
  Dave Free & Kendrick Lamar, video directors; Jack Begert, Sam Canter & Jamie Rabineau, video producers
• “Fortnight” — Taylor Swift Featuring Post Malone
  Taylor Swift, video director; Jil Hardin, video producer

Best Music Film

For concert/performance films or music documentaries. Award to the artist, video director, and video producer.

• “American Symphony” — Jon Batiste
  Matthew Heineman, video director; Lauren Domino, Matthew Heineman & Joedan Okun, video producers
• “June” — (June Carter Cash)
  Kristen Vaurio, video director; Josh Matas, Sarah Olson, Jason Owen, Mary Robertson & Kristen Vaurio, video producers
• “Kings From Queens” — Run DMC
  Kirk Fraser, video director; William H. Masterson III, video producer
• “Stevie Van Zandt: Disciple” — Steven Van Zandt
  Bill Teck, video director; Robert Cotto, David Fisher & Bill Teck, video producers
• “The Greatest Night in Pop” — (Various Artists)
  Bao Nguyen, video director; Bruce Eskowitz, George Hencken, Larry Klein, Julia Nottingham, Lionel Richie & Harriet Sternberg, video producers

Which nominees would you vote for? Which artists that were overlooked would you nominate?