Tread is more of a cinematic recreation of real events than a documentary. It's so cinematic that if it wasn't a true story it would have been a perfect revenge thriller. It's what I would call the marriage of tragedy and a vigilante revenge thriller. Marvin Heemeyer, the subject, is treated as the tragic hero with a proper hero's arc. All he wants is a peaceful life free of hurdles but when the world throws hindrances at him and keeps doing that for over 13 years, it's time for the working-class hero to pick up his weapon and fight back.
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Although it feels like it takes sides, Tread is a moderately neutral documentary.
A mother's confession letter that is sure to resonate with the entire world.
If For Sama is a painting, pain is the brush. If it is a book, anguish is the pen. If it's metamorphosized into a human, a mother's love suffuses its heart while the fear and anger fill the mind. For Sama is beyond a personal film. Beneath the evident horrors intimately captured by the Waad Al-Kateab, the subject, narrator, and co-director of the film, lies a mother's confession letter to her daughter. "Heart-wrenching" is a milder word to describe the horrors, while befittingly construes a mother's agony. The agony is personal, but it resonates with the world, being the profoundly
This Guatemalan drama is a delicate observation of an episode in the life of its titular character.
Conflict defines the structure of a story. Mightier the conflict, the intriguing the story gets. But what if a story lacks conflict, or persuades you into accepting something invisible as its core conflict? José answers it, or may I say, lets you figure it out. Incompleteness resonates with José, the titular character, the people around him, and even the film itself. A character even says that he paid half the amount to purchase a house. The film tries to replicate José's life, considering his life isn't complete yet, incompleteness doesn't come with a negative connotation but befittingly describes one of
A brilliant exercise of inducing anxiety.
A Sister is a film that relies heavily on the atmosphere. It's a dark film, literally. A moving car on a freeway at midnight is the vehicle for the film. The story begins and ends in approximately 17 minutes. There's isn't anything like a narrative or story here. A woman in possible danger calls emergency services where the employee, another woman, has to help her. What sets the stakes high is that the caller is not in a situation that could have catastrophic results, but the call she makes could be her only chance in preventing the disastrous consequences, which
A barely effective war drama that never finds it foot.
The Forgotten Army has its creator's signature all over it. And that doesn't quite work in its favor. Kabir Khan brings on his documentary heritage to all of his feature films. Beginning with his debut, Kabul Express, followed by New York, Ek Tha Tiger, Bhajrangi Bhaijaan, Phantom, and his last release Tube light, all the films have war, and travel in common. Characters travelling in pursuit of something has been a key narrative tool. And The Forgotten Army is no different, and that's where things go haywire. The Forgotten Army just feels like yet another Bollywood movie minus the dance
A little film with a huge heart.
I love it when films tell a thing or two about life, smoothly sharing a message into our subconscious. Especially anything that makes me feel good and appreciates little things in life which we, in general, take for granted. Marshalll Curry's The Neighbor's Window is one such bitter-sweet story that's coated with multiple themes like urban loneliness, individuality, marital life, and the way we perceive other's lives. The emphasis is on the last point. Here, the leads, Alli (Maria Dizzia, terrific) and Jacob (Greg Keller, equally good), a couple on the beginning of mid-life crisis, literally peek into the window
The sorrowful story takes center stage despite the masterful cinematic craft at display.
Brotherhood could have been a minimalistic tale of a family confronting a circumstance, which although it appears to bring joy, has a severe flip side to it, both repercussions in contrariety to each other. When the eldest son of the family, Malek returns home after spending a year in Syria, should the family exult the recrudesce of their son, or bemoan the veracity and cower from the possible consequences? Without restricting to this question, which evidently facade the narrative, the film goes deeper and beyond. It's the father's internal turmoil as he thwarts being rived between his family and his
A sweet tale of ignorance where the wisdom lies beneath the silliness.
Nefta Football Club is a great case study to convey a message through the film instead of jostling it on the face. Rajinikanth, an Indian movie star with a legacy as famous as Chuck Norris, is known for mouthing dialogues about life and success. One such dialogue is "You can't achieve success without hard work, and the success that comes your way without hard work won't stay long." This quote sums up the moral of the 18-minute Nefta Football Club. Filmmaker Yves Piat treats a thin thread with the utmost respect and gives a piece of cinema that has profound
A potent work that emphatically proves the effectiveness of short-form cinema.
Bryan Buckley's Saria is based on 2017's tragedy when 41 girls orphan girls lost their lives to fire in Virgen de La Asuncion Safe Home in Guatemala, the very same orphanage they were housed in, or I may say, jailed. The first and last shots of the film have a spider crawling in the hallway of the orphanage, and the spider appears at three different junctures. First, the spider crawls into a closed room. Second, Saria, the titular character, saves the insect trapped in soap foam and lets it go out of the orphanage. Third, the spider crawls out of
Yibrán Asuad's film is suffused with simplicity and innocence.
Is it necessary that a film set in the '90s resemble a movie from the '90s? All the Freckles in the World had me asking that question over and over, scene by scene. And my answer to it, it's not an issue if done well and even better if it mirrors the time. It wouldn't take thought to strike the film off by disregarding the simplicity of proceedings to the shallowness, the light-hearted nature to the absolute lack of stakes, and self-absorption to the absence of motivation in writing. The moments aren't underlined; no musical score guides you on how
It marries the physical and mental facets of horror.
A little question strikes me every time I watch a horror movie. Do horror movies exist in the universe of other horror movies? Isn't it quite apparent that an old mansion in the woods is a set up for the upcoming horror? The person entering it should be aware of it or at the least, shed little doubt, provided he/she has seen at least one horror movie in their life. Andrew Desmond's The Sonata has a quite interesting treatment. The evident intent of horror films would be to scare the living shit out of the audience. Some choose jump scares,
Alberto Arevalo's documentary follows Carlos Cruz-Diez, Venezuelan-born artist, who at 94, sets out to achieve something unseen and unheard of in the artist community.
I've always wondered how individuals feel after reaching a peak of success in their respective fields, I mean, don't the tremendous achievements create a sense of satisfaction leading to fulfilment? If not, then I have to change the way I look at success and its fruits. It takes some time to get familiar with the vibe it creates, but after its opening moments, Free Color profoundly replicates the art form, which the film's subject and artist, Carlos Cruz-Diez, dreams to create. Now, we have only seen color being a part of an art form. In painting, color decorates, creates a
This jarring adventure has an endearing story of two individuals beneath.
There is something I'm concerned about and have to address it in this review considering its relevance with this film. With biggies like Netflix and Amazon jumping in, Over-The-Top media services are undoubtedly reshaping the way movies are consumed. But I wish I had seen this film on the big screen, but somehow I couldn't because Amazon opted for a direct streaming release in most parts of world, with an exception of some major markets, where the film received a limited theatrical release. I can certainly imagine how beautiful a giant balloon flying above the clouds would have looked stunning
A strikingly intimate portrayal of brotherhood that'll shake you from within.
Before anything, I'm craving to grasp how filmmaker Ed Perkin persuaded the subjects of Tell Me Who I Am to share their darkest secrets, not just with him, but with the entire world. For that case, I have a stronger desire to listen to their conversations before they captureded a single second of the film. It isn't a kind of concept that lets a documentary filmmaker meet the subjects, spend some time, get to know them and start filming. That doesn't apply here because Perkins set out answer questions which were weighing heavy on Alex Lewis, one of the subjects,
This documentary is an unapologetic description of the unpleasant aftermath of China's One-Child Policy.
The more brutal and tragic our world gets, the deeper and interesting the films based on it get. It is cruel of me to expect a cold and callous world, but when a filmmaker captures the chaos and catastrophe with purity, we can't help but immerse into the story. Filmmakers Zhang Lynn and Nanfu Wang tell a powerful personal story with their own voice (literally) in One Child Nation. The film studies China's One-Child Policy, which restricted Chinese citizens to have only one child. And more than the policy itself, the film throws light on the aftermath by investigating the
No amount of high-budget action can make up for what it lacks on paper.
I've always admired people who defeat their inhibitions and fully embrace what they want to achieve, provided that I like what they are trying to make piercing way through their restraints. In 6 Underground, Michael Bay explicitly lets go of his inhibitions as a filmmaker, and somehow, I had to change my opinion about his impediments. Over the years, Michael Bay set some ground rules in his films which the general movie fans are quite familiar with. So, after viewing 13 of his films, do you think critically dissecting the editing style employed, the way the film is shot, or
An efficacious and heroic story of a desk-employee dealing with the stain on a country.
When we see a film or documentary which closely observes a real person or an incident, recollecting thoughts and summoning them in words, nonchalantly turns into our personal take on the subject. I believe it's one of the attributes of a good film dealing with such subjects, and The Report is one such addition to that unseen list. Four minutes into the film, Daniel J. Jones (Adam Driver) answers the question, "Where do you see yourself in 10 years? Run for office?" with "No. No politics for me. I think I'll be more effective behinds the scenes, somewhere I can
The film raises relevant questions while documenting a preposterous person.
When a news anchor displays disbelief in his claims of sleeping less than 30 hours a month, Bikram Choudhury replies, "I'm the weirdest man you'll ever come across". This plausibly is the only accurate statement about Bikram's persona out of the myriad self-appreciating comments he makes over the 90-minute runtime of the film and most likely, his entire life. Eva Orner's documentary, Bikram: Yogi, Guru, Predator follows the standard investigative exemplar as it explores the highly public life of the bad boy of yoga, Bikram, the founder of 'Bikram Yoga', well, at least that's what he claims to. A significant