Allure follows the story of Laura (Evan Rachel Wood), a troubled 30-year-old woman who works as a house cleaner for her father’s company. She’s someone who lives a life in solitude and has had trouble finding love. But that all changes once she meets a teenage girl named Eva (Julia Sarah Stone), a pianist who is dissatisfied with her privileged life with her overbearing mother. Once Laura persuades Eva to stay at her house and inadvertently kidnaps her, both women end up in a relationship fueled by manipulation and obsession. The best way to describe Allure is that despite its
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Allure is hard to watch at times and is rather troubled but its leading actresses, Evan Rachel Wood and Julia Sarah Stone, still give it their all.
While it reaches for the stars with its jaw-dropping visuals, it still is bogged down by its storytelling and short length.
After delivering the powerful Best Picture nominee Selma and helming the gripping, Oscar-nominated documentary 13th, director Ava DuVernay jumps into the big leagues with the $100 million blockbuster A Wrinkle in Time. However, while the film does reach for the stars with its jaw-dropping visuals mixed with emotional thematic material, it still is nearly bogged down by its predictable and hastily written story. Based on the children’s novel by Madeleine L’Engle, A Wrinkle in Time follows the story of a girl named Meg Murry (Storm Reid) whose physicist father (Chris Pine) has gone missing for four years, leaving her withdrawn.
Annihilation is a brilliant mix of sci-fi and horror that is cringe-inducing yet inviting.
After making his directorial debut with Ex Machina, writer/director Alex Garland brings us his latest opus that is Annihilation, a sci-fi gem that is destined to become a modern-day classic. Because I won't go into full detail about the story to avoid potential spoilers, the best way to describe Annihilation is that it is a web of sci-fi, horror, and intrigue that is puzzling in the best possible ways. It’s one of those movies that has you asking a handful of questions by the time it’s over yet the fact that it is so visually entrancing and features strong performances
Black Panther brings the traditional offerings of a Marvel Cinematic Universe film with its action and humor while still being a story-driven masterpiece.
When Captain America: Civil War came out in 2016, one of its major highlights was scene stealer Chadwick Boseman as Black Panther. Now, Black Panther has not only gotten his own solo movie but it is the best Marvel Cinematic Universe movie to date. It offers everything that fans want with its crowd-pleasing humor and action. Yet, it also manages to demonstrate powerful, thought-provoking storytelling. After breathing new life into the Rocky franchise with Creed and wowing critics and audiences with his powerful debut Fruitvale Station, director Ryan Coogler has done it again and gone 3 for 3. The story
Despite its unique release strategy and its committed cast that is rich in diversity, The Cloverfield Paradox is unable to escape the story's tired machinations.
The Cloverfield Paradox built a lot of hype by announcing that it would be available to stream on Netflix right after the Super Bowl. But unfortunately, the hype surrounding the super secretive and constantly delayed film turned out to be more interesting than the actual film itself. If you’ve seen Alien, Life, or even Gravity, it’s likely that you’ve seen The Cloverfield Paradox which is frustrating since it had potential to be better and a worthy addition to the Cloverfield franchise. Despite the efforts of its terrific cast, The Cloverfield Paradox ends up being an episodic imitation that gets lost
Paul Thomas Anderson's most cerebral, genre-bending effort to date with a tremendous swan song performance by Daniel Day-Lewis.
One way to describe Phantom Thread is that it is very cerebral. There’s always a lot of focus on the faces of the characters, forcing you to analyze what is going on in their heads which will be frustrating for some viewers. Yet, in spite of its nearly aimless ambiguity, Phantom Thread is still a masterpiece thanks to its Gothic atmosphere along with the mysterious and alluring performances by its main acting trio. Phantom Thread is set 1950’s post-war London and follows the story of dressmaker Reynolds Woodcock (Daniel Day-Lewis) along with his sister Cyril (Lesley Manville). Reynolds has a
Taraji P. Henson does all she can to salvage greatness out of what is a complete snoozer of an action flick.
When watching the retro opening credits of Proud Mary where our main heroine is getting prepped up with the song “Papa Was A Rolling Stone” playing the background, it seems like we’re in for an action thrill ride in the vein of '70s blaxploitation films. But then, within the first thirty seconds, our expectations immediately become squandered. It seemed like it would be an exciting John Wick-style vehicle for Taraji P. Henson but it ended up being a complete misfire that does a disservice to her talents. Proud Mary follows the story of a hit woman named Mary (Taraji P.
The Shape Of Water is a poetic and transcendent film-watching experience that captures you from the first frame.
One word can be used to describe The Shape Of Water: Poetic. The Shape Of Water is a poetic demonstration of the magic of storytelling and after the ambitious yet divisive Crimson Peak, it is a return to form for director Guillermo Del Toro who has proven himself to be a master at crafting poetic genre fare like The Devil’s Backbone and one of the best movies ever made, Pan’s Labyrinth. While those two films are classifiable horror films, The Shape Of Water offers a little something for everyone: It’s romantic, adventurous, funny, musical, and horrific, and its eclectic experience
Desert Hearts is a groundbreaking yet underrated romantic gem for the history books.
I never wanted Desert Hearts to end. I didn’t want to leave behind the breathtaking scenery of the desert and I definitely wanted to see more of the chemistry between the two leads. Desert Hearts is an intimate yet flawless gem that captures forbidden love that is apolitical yet groundbreaking during its time of release because it was the first film about a same-sex relationship between two women that isn’t tragic. While LGBTQ+ films that have a political agenda are meant to be told, Desert Hearts is proof that those aren’t the only stories that should be told. Based on
Despite following a standard Pixar formula, Coco is still entertaining and profound regardless.
Even though Coco follows a standard Disney formula with its storyline about a young child trying to find their true calling, like with Mulan and Moana, it still manages to find ways to reinvent itself. Coco is not just about listening to your inner voice and taking control of your destiny. It’s also about family, forgiveness, and remembrance and it manages to be both entertaining and poignant. Coco follows the story of a boy named Miguel Rivera (Anthony Gonzalez), who dreams of becoming a musician and idolizes the late, famed singer Ernesto De La Cruz (Benjamin Bratt). However, his family
A dark comedy that is also the film America needs right now.
Martin McDonagh may be a director from Ireland, but it is eerie how he has crafted a film about America that is so timely with Three Billboards Outside Ebbing, Missouri. It deals with a woman starting a rampage against a patriarchal society which could easily mirror how women are standing up to the male-dominated Hollywood in the midst of the Harvey Weinstein scandal. There’s a line that the main character gives about how the police are “too busy torturing black folks to solve actual crimes” which is a demonstration of the ongoing nationwide issue of police brutality against minorities. Lastly,
Lady Bird takes the tired coming-of-age genre and makes it feel refreshing and naturalistic.
Actress Greta Gerwig has proven her naturalistic acting chops in films like 20th Century Women, No Strings Attached, and Jackie. But now, she has announced herself as an exciting new filmmaking voice with Lady Bird, her solo directorial debut. Lady Bird may tread into a familiar genre: The coming-of-age dramedy. Yet, it feels distinctive because of how it hits close to home. It may be about a teenager trying to navigate high school but it also speaks to those who long to escape their small-town life and the parents who work tirelessly to make sure their children have a better
The Killing of a Sacred Deer is unsure of its genre identity which makes it an exciting watch.
When The Killing Of A Sacred Deer first starts, we get a glimpse of a beating heart being operated on with an ominous choir singing in the background. Right then and there, it becomes evident that the film will be a particular kind of experience. While Sacred Deer is a film with a traditional linear narrative, for the most part, it is more of an experience. It is an experimental nightmare that dares you to enter and piece the puzzle together. While you’re watching, you’re trying to figure out what kind of film you’re even seeing which makes The Killing
Despite a slight mismatch in tone, Thor: Ragnarok still manages to be the best film in the Thor trilogy.
The previous Thor films have proven to be quite a mixed bag. The first film by Kenneth Branagh was interesting because of how it played into Branagh’s Shakespearean sensibilities. But its sequel Thor: The Dark World was a giant black hole of mediocrity with no creative vision and is the worst film in the Marvel Cinematic Universe to date. Thank goodness for the idiosyncratic visions of director Taika Waititi who does a complete 180 on the first two films by making Thor: Ragnarok into a superhero comedy. While there are moments where Thor: Ragnarok attempts to go serious that don’t
It's like deja vu in terms of plot but the cast makes it immensely watchable.
When the film Bad Moms came out last year, it managed to become a massive summer hit towards the ends of the summer season. It made $183.9 million worldwide and became the highest-grossing film for newbie distributor STX Entertainment. But because the film did incredibly well, that meant it would get a sequel. As it turns out, A Bad Moms Christmas is a slight retread of the original but it is still a slight improvement in terms of laughs. A Bad Moms Christmas continues the story of Amy Mitchell (Mila Kunis), Kiki (Kristen Bell), and Carla (Kathryn Hahn) who are