I am an unabashed detective story/crime drama/mystery fan. Whether these tales are being told via novels, comics, movies, or television series, I’m usually all aboard. I love that as a genre the basic story - a crime is committed and somebody, whether a detective, a journalist, or even a dotty old priest, sets about solving it - remains more or less the same whilst allowing for more creativity to occur within the characters and the way the story is told. There is comfort in how the skeletons of these stories are similar while still allowing for interesting things to happen
Recently by Mat Brewster
A terrifically fun murder mystery from Canada.
With these three films, Rainer Werner Fassbinder tells the history of post-war Germany through the eyes of its women.
When World War II ended, Germany was due a reckoning. As a nation, they had to come to terms not only with the atrocities of the Holocaust and Nazism but also rebuilding a country wrecked from war. They had to reconstruct the country's infrastructure and economy but its own soul. This new Germany had to decide who it was and what it would become. Of course, they were not alone in asking this question as immediately following their surrender, Germany was split into four districts each ruled by a separate country (Russia, the United States, England, and France). Within a
While Season Three wasn't as great as the previous two seasons, I'm still excited to see what happens next.
While watching Season One of The Good Place - a series in which four not-so-good humans find themselves in the heaven-like Good Place knowing full well they don't belong - I both thoroughly enjoyed myself but kept wondering how long they would be able to keep up that concept. It is a great idea for a series, but one that didn't seem sustainable. The writers seemed to agree as they created a twist at the season finale. Our four heroes learn that they are not in the Good Place, but rather the Bad Place which has been constructed to look
A solid story and great performance by the core three are hindered by some really terribly designed monsters.
The Krotons, the fourth serial from the sixth season of Classic Doctor Who has a lot going for it. It is one of the few completely intact serials from the Second Doctor portrayed by Patrick Troughton (a great many of them were copied over or completely destroyed by the BBC before they gave a thought about preserving these things for posterity); it was the first serial written by the legendary Robert Holmes (who wrote such classics as Spearhead From Space, The Talons of Weng-Chiang, and The Caves of Androzani); and it was directed by David Maloney who helmed his fair
A Pilgrim's Progress through Catholic History as seen through the satiric lens of Luis Bunuel.
About an hour into Luis Bunuel’s surrealistic drama The Milky Way, two men, a Jesuit and a Jansenist, argue over the Christian doctrine of irresistible grace. It becomes so heated that a duel is challenged and the two draw swords for a fight to the death. After a time, the camera moves onto two vagrants who are having a similar debate but in a much gentler manner. While we watch them, we see the first two men, having put down their swords, walking away as friends. One could interpret this moment as if to say that the first two men
A decisive critique of capitalism, fascism, and the Catholic Church.
After befriending Salvador Dali and finding success in the surrealist movement with films like Un Chien Andalou and L’Age d’Or, Luis Buñuel was set on the path of greatness. But the Spanish Civil War threw that off and when Franco’s fascists won, he fled to the U.S. where he worked briefly for the Museum of Modern Art in New York and as a translator for Hollywood studios. Unsatisfied, he relocated to Mexico where he was once again able to make movies. He made an astonishing 21 movies during his 18 years as a Mexican filmmaker. Most of these films were
For its tenth anniversary, Doctor Who brought all the Doctors in for a rather mishandled story, but their interactions make the whole thing worth it.
It has been said before, but having The Doctor regenerate was a stroke of genius. In the beginning of the fourth season of Doctor Who, it was clear that William Hartnell, who played the First Doctor, would not be able to continue. His declining health and inability to remember his lines was proving too much for the actor and for the series as a whole. The show was still quite popular, had become a cultural phenomenon in fact, and so the producers had a choice: discontinue the series, or put another actor into the role of the Doctor. Replacing an
Powell and Pressburger's melodrama is beautiful to look at but a bit old-fashioned to watch.
Throughout the 1940s, Michael Powell and Emeric Pressburger made a series of films that are considered some of the greatest British movies of all time. Their films, full of lush photography that blended realism and expressionistic fantasy, stood out in a country that tended to make socially conscious, terribly realistic, kitchen-sink dramas, or dry, literate, and cynical comedies. Films like A Canterbury Tale, Black Narcissus, and The Red Shoes were like fairy tales seeped in British history and their very singular culture. But by 1950, their favor amongst critics and audiences was waning. Their type of movie was going out
A nice collection of four films starring the Universal Horror icons.
The year 1931 saw the release of both Dracula and Frankenstein. Both became absolute classics of the horror genre, cornerstones for the long-lasting Universal Monsters series, and made their stars, Bela Lugosi and Boris Karloff, into cultural icons. If you’ve seen Tim Burton’s film Ed Wood, then you might be under the impression that the two stars were big rivals and rather hated each other. Certainly, the publicity departments surrounding their films gave off that impression as a means to sell more tickets. But family members of both actors have always stated that the two held no animosity towards one
A subdued Klaus Kinski stars in this krimi/giallo mashup that is never thrilling but often quite dull.
I am officially on the record (more than once as anyone who has actually followed my writing in these pages can tell you) as being an enormous fan of what are sometimes called "boutique Blu-ray labels." Companies like Arrow Video, Severin, and Kino Lorber are putting out really nice sets of odd, obscure, low-budget, and forgotten films. As someone who spent great swaths of his teenaged years staying up all night with USA’s Up All Night, and renting ridiculously bad movies from my local VHS shop, I appreciate that so many of these types of films are getting new lives
This 1980s horror comedy borrows from 1950s sci-fi to create the perfect late night cable movie.
It is fascinating to me when artists incoporate the culture of their formative years into their current work. Think about how Stephen King often sets his books in the 1950s and early 1960s, the period in which he was growing up. Steven Spielberg and George Lucas transformed their love of the serials from the 1940s into the Indiana Jones franchise. A great many of the things I loved as a kid in the 1980s and ‘90s from The Wonder Years to Stand By Me were made by artists who had a nostalgic love for things in the ‘50s and ‘60s.
A problematic but powerful look at racism in 1960s America.
I gotta tell you, dear reader, that I wasn’t real excited sitting down to watch this new Kino Lorber Blu-ray release of Mississippi Burning. I can’t remember the first time I watched it, must have been a few years after it came out in 1988 for I can’t see 12-year-old me being interested in it. Whenever it was, I quite liked it. Enough so that I bought it on VHS sometime in the mid-'90s. But I haven’t watched it in at least a decade and I was afraid it wasn’t going to hold up. I was worried that it would
Season Two has all of the fun of the first season, but the story ventures a little too far into the bushes.
Phoebe Waller-Bridge is the new It Girl. Not because she is attractive and trendy (though she is both) but because she has been creating and writing (and sometimes starring in) a collection of critically acclaimed and much talked-about television series. She won a BAFTA for Crashing, the British series about a group of twenty-somethings living together as property guardians of a disused hospital. The recently released second season of Fleabag has been getting huge buzz and acclaim. She was most recently hired to help with the script of the most recent James Bond film. I’ve not actually seen any of
No need to be quiet about this great little thriller.
An average, ordinary, unambitious bank teller who lives alone, works on chess problems by himself, and collects tropical fish discovers an opportunity to rob a robber and finds himself in a cat-and-mouse chase where the winner takes the money and the loser winds up dead. The teller is Miles (Elliott Gould), who works at small bank in a large Toronto shopping mall. One day, he spies Harry Reikle (Christopher Plummer) dressed as a Santa ringing a bell outside the bank, but he seems to be more interested in who is coming and going from the bank than the kids asking
Robert Louis Stevenson's grand adventure tale loses a lot of its adventure to get bogged down in boring political details.
Robert Louis Stevenson wrote over a dozen novels in his lifetime plus multiple short stories, poems, essays, and other works. He was wildly popular in his day and remains so today. He is the 26th most translated author in the world and his most popular works - Treasure Island, Kidnapped and the Strange Case of Dr. Jekyll and Mr. Hyde have been adapted into hundreds of plays, television series, and movies. By my count, Kidnapped has been adapted at least nine times into films. This makes sense as Stevenson wrote adventure stories full of action, romance, pirates, and treasure, all
Studio Ponoc is back with three animated shorts about modest people doing extraordinary things.
When Hayao Miyazaki announced his retirement in 2013, producer Yoshiaki Nishimura grabbed as many animators from the famed studio as he could and created his own animated film company, Studio Ponoc, Last year, they released their first feature film, Mary and the Witch’s Flower, which followed closely to the Ghibli format of vividly animated, fantastical films with a lot of heart. It didn’t surpass Ghibli at its best but it definitely felt like a successful follower. Now, Studio Ponoc has released Modest Heroes, a collection of three short films from their large roster of excellent animators. There were supposed to
Kino Lorber Studio Classics presents this forgotten gem that's given a second chance on Blu-ray
One of the great joys of being a movie nerd in these times is that we have access to so many movies. Whether it be via your streaming service of choice or one of the many excellent boutique Blu-ray labels, movie lovers have more options than ever on which to view their movie of choice. Alongside all the fantastic movies (and more than a few bad ones) are overlooked gems. Movies one might have never heard or watched were it not readily available in various formats. There is nothing like discovering a new favorite movie, especially when it wasn’t even
Henri-Georges Clouzot's final film is a visually sumptuous, but flawed masterpiece.
The 1960s were a time of enormous cultural upheaval. The aftermath of World War II found many countries with a bountiful economic boom. All that industry and workforce developed to win the war moved away from making bullets and onto inventing all sorts of gadgets designed to make life easier for a quickly developing middle class. All those babies booming were growing up so that by the 1960s those kids were teenagers who knew life not of the Great Depression or of war but of a seemingly unending prosperity. Their values began to change along with this new lifestyle. Social
Jacques Rivette's riveting portrait of convent life in the 18th century is as beautifully filmed as it is horrifying to watch.
Jacques Rivette’s 1965 adaptation of the Denis Diderot book The Nun (La Religieuse) was controversial before it was even released. The script went through several adaptations in order to gain approval for production. Even then, they had to add in a title card noting that the film is fictional and does not paint a true picture of religious institutions (which is then quickly undermined in true Rivette fashion with a short intro about how Diderot’s book was based on historical fact). Once made and approved by the censorship boards, it faced outraged protests and delays in release. Much like Martin
The reviews have been pretty mixed but everybody praises Moss's performance and I'm pretty excited to finally see it.
I have become such a fan of Elisabeth Moss. I first noticed her as the Chelsea Clinton-esque President’s daughter on The West Wing. She had a small recurring role on it, but she really made an impression. Then, of course, she was on Mad Men, which I loved and loved her in. She was great in Top of the Lake and intense on The Handmaid’s Tale and now I want to see her in everything. Looking over her filmography, I see she’s been in lots and lots of things so I’ve got some catching up to do. It is always
How about some cool things to start your weekend?
It has been a wild few days around these parts. We’ve had major storms all week - big thunderstorms, lots of flooding, and tornados from every directions. The Brewster’s and our property remained perfectly safe but it got a little harrowing for a few nights. Some people binge watch Netflix series; we binge watch the weatherman. When the weather was calm, I did get in some really cool stuff so lets talk about it. Chernobyl Consider me a Jared Harris fan. I liked him as Lance Pryce on Mad Men. I thought he made a great Moriarty in Sherlock Holmes:
While I had some misgivings watching the first three seasons, the back half of this series is as exciting as television gets.
This review discusses Seasons 4-7 of the FX series The Shield and the recent release of the complete series on DVD by Mill Creek Entertainment. To see Part 1 of this review, which discussed Seasons 1-3, click here. This review will also spoil several pertinent plot points of the series. You have been warned. For the first three seasons of The Shield, Captain David Aceveda (Benito Martinez) acted as the main antagonist to Vic Mackey (Michael Chicklis) and his Strike Team. Aceveda was always an outsider to Farmington, the crime-ridden district of Los Angeles and the police precinct he leads.
It is an interesting batch of new releases coming out this week.
I have taken several overseas flights. They are always long. They are always exhausting. The only thing that makes them bearable is being able to watch movies. The best airlines have little TVs in front of every seat, each programmed with a large selection of movies and TV shows that you can control. The worst have a few select screens that pop down at random intervals throughout the plane and only play the same films. Unless you are seated in the right spot, it is difficult to see what is happening on those screens and anytime someone gets up to
A cinematic adaptation of a Pulitzer Prize-winning play performed by award-winning actors shouldn't be this dull.
In the mid 1970s, producer Ely Landau created a subscription-based film series that attempted to recreate a theater experience at the movies. He called it "The American Film Theater." He used 500 or so movie theaters to sell subscriptions to a series of films, all of which were cinematic adaptations of renowned plays. They were to be translated to film but with a complete faithfulness to the original play script. He hired critically acclaimed directors and actors to make the films, which were only shown four times in the specific theaters. Subscriptions for each season were sold by mail-order. It
Here's all the cool things I consumed this week.
It has been a crazy week for me work-wise. I have been busy, busy, busy, most of which kept me in my truck driving from town to town all over the county. I probably put a 1,000 on the odometer while never going more than 40 miles from my house. This meant when I finally got home I was exhausted. Luckily there was TV and movies to provide their endless comfort. Here’s what I watched and enjoyed. Invasion of the Body Snatchers (1956) I watched the Phillip Kaufman remake of this science fiction classic a few weeks back and decided
The Shield was revolutionary television, but will it hold up upon a revisit?
There is a scene in the pilot episode of The Shield in which Detective Vic Mackey (Michael Chiklis) has been brought in to interrogate a pedophile who has kidnapped a very young girl for his own pleasure. Mackey comes in with a brown paper sack then proceeds to take out a bottle of liquor, an old telephone book, a lighter, and a utility knife. The smirking pedophile asks, “Your turn to play bad cop?” to which Mackey responds “Nah, 'good cop, bad cop' left for the day. I’m a different kind of cop.” If it clear right from the beginning
Here's what looks interesting in this week's Blu-ray releases.
I am not a scientist. The math was always too difficult for me. I intentionally steered away from the sciences in college for that very reason. However, I am constantly amazed at what science is able to do and to understand. This is no more true than in space travel. The vastness of the universe boggles the mind. That we have managed to send crafts and humans into space is nothing short of awesome. That we landed men on the moon with less technology that what I carry around in my pocket blows me away. Yet we did. There are
It is the weekend so let's talk about some cool things.
I follow a lot of entertainment writers on social media. Usually, this is great as I enjoy reading all the discussions about new movies and television shows. It is also a bit of a minefield as there are often posts about things I’ve not yet seen and while most writers are careful to avoid big spoilers, it's still a possibility and so I must always tread carefully. This has been especially true the last few weeks. The last season of HBO's hugely popular series Game of Thrones has been running this month and there was some other gigantic blockbuster that
This giallo/poliziotteschi has too much confusing plot and not enough style to be interesting to anyone but fans of the genres.
Following the success of Dario Argento’s The Bird with the Crystal Plumage, Italian cinema was awash in lurid crime stories with baroque titles featuring one animal or another. The Iguana with the Tongue of Fire came out about one year after Argento’s quintessential giallo, and it's clearly aping some of that films tropes while also blending in Poliziotteschi crime elements. It has a masked killer, graphic violence, and lurid sexuality, but it's told in a much more conventional way without the typical giallo camera flourishes and wild color schemes. It is much more centered on the crime, catching the killer,
May the Force be with us.
My wife and I become first-time homeowners about three years ago. Our little house isn’t perfect but it meets our needs and the price was right. As any homeowner will tell you, there is tons of maintenance involved. There are yards to mow, fences to fix, plumbing issues, and a constant stream of things that need your time, attention, and money. We’ve been mostly lucky thus far as the things we’ve needed to repair haven’t been too bad. This week that luck ran out. First, the little doohickey that lets you move the ice from the freezer and into your
Takashi Miike's sci-fi adventure on Mars should have stayed on Earth a little longer.
Japanese director Takashi Miike is probably best known for his ultra-violent splatter films like Ichi the Killer and Audition. Or perhaps for his deviant, bizarre films such as Visitor Q (featuring incest, rape, and something known as lactation sex) or MPD Psycho (about a detective with multiple-personality disorder working on a case in which the killer makes flower pots out of severed heads). But with over 100 films to his name, he’s made films in nearly every genre including westerns, samurai flicks, and even a family film or two. Not all of them are great, in fact quite a few
Salacious 1970s giallo is quite dull despite being packed full of sex and violence.
There are certain expectations that come with genre films. What is a genre except a set of criteria that help define different types of films? Once in a while, a film will come along that is so inventive, so creative that it breaks free of a genre’s expectations which then sets the standard for all films in that genre that come after it. When a film is so inventive, it sometimes creates its own subgenre. Afterwards, many subsequent films try to imitate the first film's success with diminishing returns. Eventually what was inventive becomes cliche and films can slip into
Trilogy of very silly spy films from France features one of the country's most famous characters.
Fantômas was originally first created in 1911 by Marcel Allain and Pierre Souvestre. He appeared in some 43 stories over a period of about 50 years. He is one of the most famous fictional characters in France. He’s appeared in multiple movie, television, and comic-book adaptations and has influenced countless works in the century since he first appeared on the page. In the 1960s, a trilogy of films was released starring Jean Marais as Fantômas and directed by André Hunebelle. They were France’s answer to the success of the James Bond films. Kino Lorber has just released the trilogy in
Low-budget 1980s horror flick waits until the end to get interesting, but by then it is too late.
A little free critical advice to anyone planning to make a low-budget horror film: don’t put all of your money, your scares, and inventiveness into the last twenty minutes of the movie. You might think you need to have a grand finale so that your audience leaves the theatre with a bang, but if they are bored for the first half, they might not stick around to see what crazy stuff you can throw at them in the end. Richard Friedman (the auteur behind such classics as Doom Asylum and various episodes of Silk Stalkings and Baywatch Nights) did not
Lots of interesting stuff coming out this week, I've got your info.
I’m a pretty big genre-film fan. I love the way genre films exist within a certain set or rules and then find a way to bend them in interesting ways (the good ones do anyways). S. Craig Zahler is a genre filmmaker par excellence who both revels in the the way those films are able to trigger the more sensitive members of an audience and is an actual, truly good filmmaker. His latest, Dragged Across Concrete, stars Mel Gibson (a fact all on its own that will piss some folks off) and Vince Vaughan as a couple of racist cops
S. Craig Zahler's latest film is loaded with controversy, designed to trigger pretty much everyone, but it's also really good.
Director S. Craig Zahler is a provocateur who loves both ‘70s genre conventions and pissing off at least half his intended audience. In interview after interview, he’ll tell you that isn’t true, that he just writes interesting characters and lets them say and do what they will, but with three films under his belt (Bone Tomahawk, Brawl in Cell Block 99, and this one) and everyone one of them courting controversies, it is hard to take him at his word. With Dragged Across Concrete, he’s mixing racism and misogyny with his usual brand of extreme violence. Add to that mix
Cold War spy flick from the '80s fails to excite.
Spy movies just haven’t been the same since the Berlin Wall crumbled and Russia turned to capitalism. Without the communist menace to fight against, spies just don’t know what to do. But back in the '80s, spies had game. At least in the movies they did. Some of them anyways. Others like Enigma, the 1982 movie starring Martin Sheen and Sam Neil, have been completely forgotten and with good reason. Directed by Jeannot Szwarc, the auteur behind such classics as Jaws 2, Supergirl, and Santa Claus: The Movie, Enigma finds Alex Holbeck (Sheen) an East German dissident living in Paris
Here's five cool things I discovered this week.
For most of our married life, my wife and I have intentionally not had a television in our bedroom. This was mostly her idea. The thought being that the bedroom is sort-of a special place. A place of intimacies, where we slough off the weariness of the day and rest. It is a place where we can talk and cuddle before diving off to sleep. To place a television set in it where we would inevitably sit mindlessly in those final hours of rest would be an invasion of that space. Also I’m too cheap to spend the money on
Franco Nero stars in this later-period spaghetti western that's got a lot of style, and little else.
With his Dollars trilogy, Sergio Leone revived the failing western genre, infused it with European sensibilities, and created his own subgenre, the Spaghetti Western. With their scruffy, loner heroes, off-kilter visual design, and unusual scores, Leone’s films gave the western a new and distinctive style. Their worldwide success created a numerous imitators, some more successful than others. By 1970, the genre had slipped into parody or outright slapstick. By 1976 it had all but died out. With Keomo, director Enzo G. Castellari along with star Fraco Nero gave it one last gasp, but by then we had all moved on.
Definitely not just for the birds.
While computer-generated animation moves closer and closer to photorealism, it is always nice to see an animated film that revels in its unrealistic form. When the camera was invented, some painters felt free to move away from realism and made impressionistic art. In a similar way, it is interesting to see how some animators are choosing to create painting-like films as CGI becomes more realistic. Tito and the Birds, the recent Brazilian animated film brought to Blu-ray by Shout! Factory!, looks like a thickly brushed oil painting come to life. As a young boy, Tito’s father (voiced Matheus Nachtergaele) taught
A full week of classic releases and a few new ones.
Last November (or Noirvember, as I like to call it), I set out to watch as many film noirs as I could. I watched a pretty broad selection of classics, not-so classics, and neo-noirs. I’ve always liked the genre, but watching so many in such a short period of time really made me a fan. Since then, I’ve continued to watch the genre as often as I can (Amazon Prime has a surprisingly good selection of them). Throughout the 1940s, Columbia Studios made a whole bunch of them. Most of them don’t fall into the category of classic. In fact,
Charles Laughton and Boris Karloff star in this Robert Louis Stevenson adaptation that's slight but entertaining.
Very loosely based upon the Robert Louis Stevenson story, The Sire de Maletroit's Door, The Strange Door stars Charles Laughton as Sire Alain de Maletroit, a rich aristocrat with devious plans. He sets up a drunken cad named Denis de Beaulieu (Richard Stapley) by making him believe he has murdered someone. In a bar, one of Maletroit’s men starts a fight with Beaulieu and fires his pistol at him. Beaulieu then grabs a planted gun filled with blanks from the bar and shoots back. The man pretends to be dead, forcing Beaulieu to run away from the angry mob. They
Here's five cool things I watched this week.
My daughter celebrated her eighth year of life this week. That seems an incredibly long time and yet it seems like just yesterday we were at the hospital ready for her to be born. There are other cliches I could spout, but instead I’ll just say I’m so very happy she’s in my life. The in-laws are in town for the celebrations, which always messes with my ability to consume pop-culture items, but I still managed to squeeze some cool stuff in. Cleo from 5 to 7 I hang my head in shame as an amateur film critic and cinephile
Three horror legends barely star in a ridiculously confusing early 1970s British horror.
In London, a jogger runs toward the camera and collapses. He wakes up in a hospital bed while a nurse tends to him. When she leaves, he pulls down the sheet to discover one of his legs has been amputated. In some unnamed fascist county, a soldier named Konartz (Marshall Jones) gives the old death grip to what appears to be his superior officer. Back in London, DS Bellaver (Alfred Marks) investigates a series of brutal sex murders where women are being killed and drained of their blood. One of the girls worked for Dr. Browning (Vincent Price), a mad
Seven gables, two deaths, one curse, and lots of melodrama.
Throughout the 1920s and early 1930s, Universal Studios was known for their horror films. They unleashed into cinemas a string of successful monsters such as Dracula, Frankenstein's Monster, the Mummy, and the Wolfman. Countless sequels and imitators followed. In 1935, they released The Raven with two of their biggest stars, Bela Lugosi and Boris Karloff. They expected a huge hit. They got a dud that stirred controversy for its use of torture, disfigurement, and revenge, which ultimately led to horror films being briefly banned in England and stopped all production of the genre at Universal. But within a few years,
Here's all that's interesting coming out this week in the world of Blu-ray.
With the huge success of The Sixth Sense, director M. Night Shyamalan was able to make just about any film he wanted. He followed it with a series of similarly themed films full of dark emotion, supernatural mysteries, and a twist ending. He quickly went from critical darling to critical punching bag. Apparently, his movies still make money because he’s still making them, but I tuned out after The Happening. In truth, I turned out earlier than that, but that was the last film of his I actually watched. Of the films I have seen, Unbreakable is my favorite. It
A forgotten film about lost world that really ought to be remembered.
We live in a world without mystery. We have the collective knowledge of humanity at our fingertips. We have explored every inch of the Earth’s surface, and plunged its depths. We have sent probes into the outer reaches of the solar system and mapped our own DNA. It is hard to imagine a time when we really didn’t know what was just over the horizon. When we truly thought monsters might lie in the dark places. To be sure, the 1950s were not that time. We didn’t know what we do know now, but we definitely knew there weren’t dinosaurs
Here's some cool things I saw this week.
For reasons I won’t get into here, I’ve decided to shut my little music blog down. Probably permanently. There are a lot of emotions involved with that. I’ve run The Midnight Cafe since 2004 and I’ve been talking about live music since 2008. That is more than a decade of my life. For most of that, I have writen at least one post every day. The blog had become a part of me. It was in my DNA. To walk away from it feels like losing something essential. The emotion I wasn't expecting from this was a sense of relief.
Sometimes you need to take a break from all the prestige television demanding your attention and watch something completely ridiculous.
In this world of seemingly endless must-watch, prestige TV filled with award-winning writers, directors, and actors, it is nice to see a series that is so utterly bonkers, so completely ridiculous in its plotting, and over the top in its performances that it only wants to entertain, not garner awards and stacks of internet think pieces over what it all means. Bancroft stars Sarah Parish as Detective Superintendent Elizabeth Bancroft, a hard-as-nails copper trying to take down a vicious drug syndicate which she hopes will earn her a promotion. Faye Marsay plays Elizabeth Stevens an up-and-coming detective who looks to
A future Supreme Court Justice, a Sherlock Holmes parody, erotic adventures, tiny dolls, and more come out this week.
The Supreme Court has been in the news a lot lately. Obviously, they make a lot of major decisions that affect everyday life in America and so they are watched very carefully. Donald Trump has now appointed two justices, which will have an enormous effect on the Court for decades to come. Depending on which side of the aisle you sit, this is either a great time to be an American or the signaling of end times. I hate talking politics online but I will say his choices did not meet my approval. But as always, there is a light
The movie that started a softcore franchise.
The 1970s were a fascinating time for American cinema. The studio system that dominated the Golden Age of Hollywood was dying by the end of the 1960s and with it, the Hays Code and its internal censorship. The '70s saw a new wave in movies with fresh new directors like Martin Scorsese, Francis Ford Coppola, Robert Altman, and host of others. They created films like never before seen in Hollywood. Their films often tackled themes that just a few years prior had been taboo. They were often pessimistic, dark films that didn’t hold back, graphically using violence, sex, and language
I want to celebrate things that make life better. So here we go.
It has been one rough week. My professional and personal life have been filled with much stress. I don’t want to get into the gory details except to say that even when life bogs me down, I can always turn to art to cheer me up. And on that front, it was a very good week. I watched some interesting movies and enjoyed the trailers on some movies that haven’t been released yet. That’s why I do this. I want to celebrate things that make life better. So here we go. House on Haunted Hill (1959) This isn’t exactly a
I might be late in writing about it, but there is still some good stuff coming out this week.
I turned 43 last week. Apparently, I not only got a year older but I completely lost my memory too. I woke up this morning thinking everything was fine. I thought about the stack of Blu-ray movies I received in the mail yesterday and about the dates they needed to be reviewed. For a moment, I thought one of them was coming out this week and I panicked. Then I thought about my weekly article on new Blu-ray releases. Then I tried to think about what came out this week. Then I remembered I didn’t know what came out this
Stanley Kramer's fictionalized telling of the infamous Scopes Monkey Trial is an acting tour de force, but its messaging is exhausting.
I grew up in rural Oklahoma. I attended a conservative evangelical church. I can remember preachers and teachers railing about the evils of evolution from the pulpit and in the classroom. I can remember silently freaking out in 7th grade science when the teacher would talk about evolution and feeling the utmost guilt when I answered test questions that went against my belief. It wasn’t until college, or if I’m being honest years after college, that I began to actually read the science of evolution. Removed from the anti-science rhetoric of my church, it actually made sense. I discovered that
I turned a year older this week and still managed some cool things.
I turned 43 on Monday. I took my kid ice skating on Saturday and took myself to the big used-book store afterwards. Had dinner with my extended family on Sunday (my father shares my birthday with me so we always have dinner). On the actual day, my wife made some pork egg rolls and we stayed in to watch a classic Doctor Who. It was low key, but good. I’m too old to want a big night out and young enough to appreciate being able to enjoy the things I like. It was a good rest of the week too.
The Prize could have been a bonafide classic under a different director, instead it's just ok, but mostly forgettable.
Based upon a popular novel by Irving Wallace, The Prize (1963) was written by six-time Academy Award-nominee Ernest Lehman and stars Hollywood hot-shot Paul Newman and Hollywood heavyweight Edward G. Robinson. It was shot on location in exotic Stockholm. It is a tale of intrigue, mistaken identities, spies, and murder. It should have been a bonafide classic. Were it directed by someone like Alfred Hitchcock or Orson Welles, it would have been. Instead, it was helmed by Mark Robson and we got a film that’s just okay and mostly forgettable. Newman plays Andrew Craig, a writer who is beloved by
Kino Lorber's new 4K transfer of this Leone classic is well worth your dollars.
The western as a genre had its heyday from the 1930s through the mid 1950s. By the time 1960 rolled around, it was pretty much dead, having been written off by critics years earlier and seeing a drastic decline in ticket sales. In 1964, with A Fistful of Dollars, Italian director Sergio Leone brought it back with a vengeance. He made two more films, For a Few Dollars More in 1965 and The Good, The Bad and The Ugly in 1967 which collectively are considered The Dollars Trilogy (or sometimes The Man With No Name Trilogy), though there is no
All that's fit to buy from this week's new releases.
Everybody knows that Marvel has completely destroyed DC when it comes to feature films. At this point, it really is Marvel’s world (or cinematic universe, if you will) and we’re just living in it (or at least going to the movies to watch it.). DC scored a big hit with Wonder Woman and while their other films have made lots of money, just about everybody hates them. Or at least feel they could be a thousand times better. I liked Man of Steel and Batman v. Superman a lot better than most but that was because I saw both films
It is a big week for big trailers to drop (plus some other cool things).
As someone who pretends to be an entertainment writer, I can tell you there are weeks when there just isn’t anything going on. No new big movies in the theater or on home video. No trailer drops or casting rumors. Nothing. Then there are weeks when there is so much going on you are afraid to refresh your browser for fear of yet another thing to get excited about appearing. Holy cow, this was a big week. So let's get to it. Once Upon a Time in Hollywood There have been rumors and speculation about Quentin Tarantino’s '60s Hollywood movie
Whereby I do repent of my sins and learn to love Jane Austen.
My wife has been trying to get me to like Jane Austen for the 20-some years she’s known me. It has been an uphill battle. One that she has constantly failed at. It isn’t for a lack of trying on my part. I’ve seen the Ang Lee adaptation of Sense and Sensibility and at least a couple of versions of Emma. I liked them alright, but not enough to enter me into fandom. I’ve tried reading her books on more than one occasion but can never get past the first chapter. The biggest disappointment as far as my wife is
Superheroes, Doctor Who, film noir, and black-gloved killers, this week has it all.
Since Sam Raimi introduced Spider-Man into the summer blockbuster tradition 16 years ago, there have been no fewer than seven films featuring the webslinger. Raimi’s first two entries into the Spidey Cinematic Universe were well received both critically and at the box office. His third entry, made in 2007, spun off the rails and Spidey spent the next five years cooling his heels in the comics pages. Then there were two films starring Andrew Garfield before Marvel introduced the character to the MCU in 2016 with Captain America: Civil War, and finally he got his own standalone film, Spider-Man: Homecoming
It was a very cool week.
I went to see a special showing of Tom Baker’s last story as the Doctor in the theater this week. It was lots of fun but at some point the realization hit me that I’d just spent about $40 (tickets plus drinks and popcorn for two of us) to watch an old television show that I already own on DVD. These are the times we are living in. It was totally worth it though, to see it on the big screen and be surrounded by fans. I saw some other cool stuff to so let's talk about it. The Lobster
It's a big week for Blu-ray releases and we've got your details.
I care nothing for the Oscars in any meaningful way, but I do love to watch the ceremony and listen to the chatter that comes from the various entertainment writers I follow. There is always at least one long-shot movie that my critic friends champion and another front-runner that they hate. This year there were two hated films - Bohemian Rhapsody and Green Book. It was the latter that received the most scorn. Not so much because it is a bad movie as most critics seem to agree it is a decent film, but because of its treatment of race
A '90s slasher has plenty of violence and little else.
If you’ve ever wondered what it would be like to cross MTV’s seminal reality TV series The Real World with a trapped house horror film on an extremely low budget and a totally late '90s aesthetic then look no further than Kolobos. It is all those things and more. Now with an Arrow Video release, you can see it in all its restored glory with plenty of extras to fill you in on all the behind the scenes trivia. Answering a classified ad, a group of attractive, young, obnoxious people show up at a house filled with video cameras to
Not quite a classic, this mostly forgotten Alec Guinness drama gets a much needed spotlight shined on it from Arrow Academy.
Despite starring Alec Guinness, being nominated for numerous BAFTAs, and being banned in several countries (as either being too pro-communist or too anti-communist depending on which way the country leaned), Peter Glenville’s 1965 film The Prisoner has mostly been forgotten today. With a new HD transfer and numerous extras, Arrow Academy makes a pretty good case on why we ought to start remembering it. In an unnamed European country, the communist government wants to bring down the Church. They plan to do so by having a well-respected Cardinal (Alec Guinness) confess to treason which will cause the people to lose
The Thirteenth Doctor and her new companions have found their groove.
The Daleks are one of the oldest and most popular villains on Doctor Who. They were created by Terry Nation for the second story ever made for the series. They have appeared in more stories and episodes than any other villain. They have become true icons of popular culture all over the world. Yet, and let's be honest here, they aren’t really that scary or effective characters. From a design standpoint, they are basically tin cans with a whisk and toilet plunger for hands. Depending on the story needs, they can sometimes withstand the blasts from a tank and yet
Another week, another five cool things.
It has been a weird week. Last weekend, it snowed. Monday the temperature dropped to nearly zero degrees Fahrenheit. Tomorrow, it is supposed to be sunny and the high temperature is in the 60s. We’ll probably go to the park. Last week, we were throwing snow balls. Work has been stressful too. We’ve got over a million dollars in houses either being built or recently completed. They need to be sold, and soon, or we are in a world of trouble. I didn’t watch a lot of movies either. I got in a couple and a little television, but mostly
Here's all the interesting Blu-rays coming out this week.
While I do love the cinema, I very rarely get to go to an actual theater. As a family, we often catch the big blockbusters, and now and again, the wife and I will see something more adult in nature with the young daughter at her grandparents. But even that winds up being something more mainstream as we don’t often have the time to run anywhere but to the local cinema, which doesn’t run anything that isn’t going to make hundreds of millions of dollars. So it was a real treat a few weeks back to get to go to
It is once again cold outside, but here are some cool things to keep you occupied.
We moved back to Oklahoma a few years ago, but no matter how long I am here, I will never get used to the weather. After a long winter for the last week or so, it was starting to feel like Spring. The sun is setting later. The weather has been reasonably warm. My daughter has been playing outside. Then it turned cold again. I am so ready for this to end. It isn’t that this winter has been that brutal. It has gotten below freezing quite a bit but nothing anywhere near zero degrees. We haven’t had a huge
Here's all that looks interesting in this week's new Blu-ray releases.
While watching The Oscars Sunday night, I was often rooting for The Favourite, Yorgos Lanthimos period drama about the Queen of England and her two consorts fighting for power. Yet I kept being reminded of another period drama about royal fights of power, a film I’d forgotten even existed, - Mary, Queen of Scots. That film was nominated for a few awards, didn’t win any, but the clips sure looked interesting. It stars Saoirse Ronan as the titular queen of Scotland and Margot Robbie as Queen Elizabeth. The two are locked in a battle of wits over who will reign
Here's five cool things to check out over the weekend.
Last October, I watched a bunch of horror movies because, well, Halloween. I had a lot of fun watching things I’d not seen before and decided it was an excellent idea to create a theme for each month. November became Noirvember and I caught numerous crime thrillers. December obviously led me to Christmas movies except I don’t really like Christmas movies so I didn’t really watch that many. January was intended as Oscar month, and while I did watch a few Academy Award-nominated films, it wasn’t enough to really satisfy the requirements of the theme. February is for foreign films
The story is a bit simple, but the animation really shines.
With Lu Over the Wall, GKIDS continues to prove there is a place in the animation film world beyond Hollywood and Studio Ghibli. There are so many great films being released year after year and it's amazing to find more and more companies filling in the cracks to allow American audiences a chance to view movies they'd otherwise miss. In the sleepy seaside town of Hinashi lives a shy young boy named Kai Ashimoto (Kanon Tani). He makes electronic music on his computer and posts them anonymously online. When local girl Yuho (Minako Kotobuki) recognizes his phone (and thus him)
Remakes, Nazis, Criterions, and Doctor Who all look interesting in this week's new Blu-ray releases.
It is a new era for Doctor Who. There is a new actress playing the Doctor (there is an actress playing Doctor Who!). She's got an all-new set of companions and Chris Chibnall just took over the reigns as the showrunner. As if that wasn't enough changes this past year, they moved the long-running tradition of Christmas specials to New Year's. I was pretty bummed by that idea because we typically spend Christmas with my wife's family and it's become something of a tradition for us to watch Doctor Who after a lovely Christmas Day full of good food and
Western noir is a weird blend of genres, settings, and sexuality, but never amounts to much.
The credits roll over a vast desert, much like the type you’d see in an old Western starring John Wayne. Except here a long highway stretches across the screen letting us know that this isn’t an old western but a contemporary film. To highlight this, a modern automobile (well, modern for 1947 when the film was made) comes rolling in across the highway. Inside are two strangers coming into town, again like they do in those old westerns, except these aren’t black-cladded cowboys but rather two gangsters in matching suits. They stop at a bridge and speak of it in
Guess who has some cool things to talk about this week?
We had some friends over tonight to watch a movie (more on that in a minute), which means I’m sitting down to write this relatively late in the evening Friday, which means we’re gonna get right to it. Like now. Audition I had seen a few Takashi Miike movies before Audition so I thought I was prepared for what was to come. I expected sadistic violence and perversion. I was not ready for a rather staid, emotional, romantic drama. Talk about your shocks. Then, of course, once you’ve settled in for a surprisingly normal movie from the masters of crazy
Takashi Miike's disturbing melodrama gets a nice restoration from Arrow Video.
Perhaps the most shocking thing about Takashi Miike's 1999 film Audition is that for its first half or so there is nothing shocking about it at all. Miike, a Japanese director known for films featuring perverse images, black humor and extreme violence, spends the first 50 minutes of his nearly two hours run time telling an intimate, emotional, family drama. For anyone who comes to Audition knowing Miike films such as Ichi the Killer, Visitor Q, or Izo, watching nearly an hour of cinema in which nothing weird, blood soaked, or insane happens is the craziest twist of all. This
Peter Cushing and Christopher Lee battle an alien ape on a train. What more could you want?
Christopher Lee and Peter Cushing first performed in a movie together in Laurence Olivier’s 1948 adaptation of Shakespeare’s Hamlet (Cushing played Oscric, a minor character, while Lee was an uncredited spear carrier). They were nearly inseperable after that, performing again together more than 20 more times. They made several great movies, quite a few bad ones, and became stars performing for Hammer Studios in a slew of horror films. They were the best of friends up until Cushing died in 1994. In 1972, both actors were set to make a low-budget horror movie based upon the novel Who Goes There?
It's another great week to be a Blu-ray collector, and I've got all the new releases worth talking about.
I don’t consider myself a huge Queen fan, but I dig a lot of their songs. They could write a big stadium anthem like few others. There is no denying that Freddie Mercury was incredibly charismatic and one intensely talented front man. Just watch that performance of them at Wembley Stadium and you'll see what I'm talking about. Director Bryan Singer’s biopic of the band naturally focuses on Mercury and it's garnered quite a bit of praise including Oscar noms for Best Picture and Best Actor for Rami Malek. I wish I’d seen it in the theaters as no doubt
Randal Kleiser's follow-up to Grease takes him to Greece for a film that ought to be a lot more fun than it actually is.
After the massive success of both Grease and The Blue Lagoon, director Randal Kleiser was given free reign to make pretty much any movie he wanted. Apparently what he wanted was to make a listless film featuring beautiful scenery, beautiful people and about as much casual nudity as an R-rated movie could stand in 1982. A young American couple, Michael (Peter Gallagher) and Cathy (Daryl Hannah), decide to spend the summer between finishing college and starting their careers vacationing on the Greek island of Santorini. She has always been a good girl, never getting into trouble and always behaving. He
I watched some cool movies this week and remember a great actor.
It has been cold here in Oklahoma. Like really cold. Like, well, not as cold as it's been in places like Chicago, but it's been below freezing and that’s cold enough for me. It's the kind of cold that makes me want to stay inside, light a fire, and curl up with a good book. But since we don’t have a fireplace and my daughter doesn’t let me read for more than fifteen minutes at a time, instead I cranked up the heater and watched lots of movies. Here’s five of them that I enjoyed. Phantom Boy Last fall, it
It's another big week of new releases. I have all your info.
As someone who has to regularly come up with article titles, I know names can be hard. Finding something eye catching, easy to scan that sums up your entire work of art can be a maddening process. Good titles are eternally memorable. They can lead them directly to you work. Bad ones can turn people off, keep them from watching your movie. The Sisters Brothers is a terrible freaking title. It seems clever because its about some brothers whose last name is Sisters, but it doesn’t work in any other way, and those unfamiliar with the film (which includes everyone
Two films from Luigi Bazzoni illustrate both what a great director he was and what seismic shifts Dario Argento created on Italian cinema.
There were giallo around before Dario Argento unleashed The Bird with the Crystal Plumage but that film upended, supplanted and redefined the genre creating a million copycat films in its wake and making all previous films feel like they are part of a different genre altogether. Luigi Bazzoni directed two films in the genre, The Possessed in 1965 and The Fifth Cord in 1971, which straddle both sides of Plumage, making it a fascinating double feature to see how in just a few short years the genre had completely changed. Arrow Video is releasing both films this week with new
It's the weekend so what not read about some cool things?
The sickness is finally starting to abate here in the Brewster household. I’m still coughing a bit but the head is mostly clear and (I hope) the infections are all gone. They feel like they are anyway. It was another week filled with trying to get through some television shows I’ve already mentioned (how about that Barry season finale? That’s a dark place I wasn’t expecting it to go). But there is plenty of new stuff to talk about so let's get to it. Eighth Grade Apparently, I now empathize with the fathers in teenager movies more than the actual
This oh-so very sixties comedy could have used a little more swing and little less schwing.
A man stands in a London museum admiring a collection of Russian artifacts including the Crown Jewels that were confiscated from the Royal Family during the revolution. He smiles at the fact that painting of the Royal Family rather resemble his own visage. It should as he is Nicholas Wladimirovitch Goduno (Marcello Mastroianni), Grand Duke and descendant of the Imperial Romanov family, who now owns a small boutique shop in London and mountains of debt. When he slips on a banana peel, knocking himself unconscious, he awakes to visions of his ancestor (also Mastorianni) begging him to take back what
Funny, bizarre, and strangely obsessed with underpants, this Japanese animated comedy deserves to be seen.
Two strangers have a separate, but equally long, strange night where they meet an increasingly eccentric group of people. In the end, they meet, not so coincidentally, and fall in love. The Night is Short, Walk On Girl is Masaaki Yuasa’s psychedelic, dream-like animated romantic, comedic, adventure film brought to the U.S. by way of GKIDS and Shout! Factory. The girl is known as Kohai (which translates to “junior” in English) or The Girl with Black Hair (Kana Hanazawa). She is of the Manic Pixie Dream Girl variety, beautiful and quirky. She wants to spend her night partying and drinking
Here's all the Blu-ray releases that look interesting this week.
It takes a certain audacity to remake Suspiria, Dario Argento’s 1977 supernatural horror film. The original is a vibrant, neon, phantasmagoria of sight and sound, and blood. It is a film unto itself. One that only Argento could make. How anyone could look at that film and think it needed to be remade is beyond me. And yet here we are. Luca Guadagino, a director best known for Call Me By Your Name, a lush, quiet little film about a gay love affair between a student and an older man, is apparently that audacious. When I first heard it was
Doctors, Gods, superheroes and more are all cool things happening this week.
One of the problems with having so many great television series airing on so many different services is that it's difficult to stick with one thing. I regularly find myself watching a few episodes of something, really enjoying it, but then switching over to some other show that looks awesome. The intent is to come back to the first thing but then there is not only a second show but a third and fourth one and before I know it, it's been a year since I sat down with the first show. This is especially true for me as I
The Criterion Collection, Humphrey Bogart, Neil Armstrong, and more are coming to a Blu-ray near you.
Last night, the wife, the daughter, and I sat in our car in the freezing cold at 11:30 at night looking at the Super Blood Wolf Moon. It was awesome. We are big fans of space and astronomy around here. My daughter thought it was the coolest thing ever. I kind of did, too. I am forever blown away by the fact that we’ve sent robots and real, live human beings into space and lived to tell the tale. One such tale is First Man, Damien Chazelle’s movie about Neil Armstrong, the first man to have set foot on the
I got me some HBO and found some cool things.
I cancelled Britbox this week, not because they are a bad service but because I like switching my streaming services up now and again. I wasn’t sure what I was going to subscribe to next, spent entirely too much time going through them all before making a decision, actually. Then I saw that the third season of True Detective was starting, and I immediately signed up to HBO. I caught the first two episodes (which I’ll talk more about in a minute) then started in on several other HBO shows I’ve been hearing good things about (one of which I’ll
Who knew January was such a great time for new releases?
Robert Redford is one of the all-time classic movie stars. He has the looks, the charm, and the acting chops. He starred in lots of great movies over his long career including Butch Cassidy and the Sundance Kid, All the President’s Men, Out of Africa, and The Horse Whisperer. With The Old Man & the Gun, he has declared he is retiring from film acting. At 82 years of age and a whole lot of films to his credit as actor, director, and producer, I think he’s earned it. The Old Man & the Gun is based on the true
More psycho-sexual thriller than giallo, this film nevertheless delivers the goods.
Giallo films had been around for several years before Dario Argento revolutionized and popularized the genre in The Bird with the Crystal Plumage. These early films tended to be less lurid, much less graphically violent, and had plots that actually made some sense. Such it is with Luciano Ercoli’s Forbidden Photos of a Lady Above Suspicion. But enough genre talk, the real question is does the movie work? The answer actually depends on which parts of the genre you like. It is surprisingly bloodless, has no black-gloved killer, does have some interesting camera work, and a wonderfully baroque set. The
A single date is told from four perspectives in this Mario Bava comedy. None of them really work.
A woman and a man meet at a park. They agree to go dancing later that evening. Afterwards, they go back to his flat. At some point, her dress is torn and his forehead is scratched. These are the facts of the movie. The details, well the details are a bit fuzzy. Mario Bava’s 1970 drama Four Times That Night takes Akira Kurosawa’s masterpiece Rashomon and turns it into a goofy sex comedy. We see the events of the night from three character's points of view and then a final "this is what really happened" segment. (It may not actually
This week was back to school and back to watching lots of movies.
It was back-to-school week for my daughter, which means some adjustments for everybody. Baths need to be taken every night (we let her slide a lot more often on vacation days) and bed times are earlier. The mornings go from lazy to frantic and we have to remember to pick her up in the afternoon. But the days are free, which allows for more mature lunchtime viewings and those early bedtimes mean more time for movies for me. It wound up being a week full of review material. I had initially planned January to be a month of Oscar movies
Eleven films into the franchise and Halloween is suddenly looking fresh again.
Up front I’ve got to admit that out of the eleven films in the Halloween franchise, I’ve only seen John Carpetner’s original Halloween (1978), Halloween H20: 20 Years Later, and Rob Zombie’s remake Halloween (2007). That means there are eight films in the franchise that I’m missing. I’m not an expert on the franchise. Which winds up being a good thing because this new film, Halloween (2018) - and can we talk just for a moment how there are now three films in this series simply named "Halloween"? I mean, come on guys, stop making everybody put dates behind your
Almost as good as the Beastmaster.
Come with me, my friends, for a trip down memory lane. The year is 1982 and a little fantasy film called The Beastmaster is released. It does poorly at the box office but then cable stations like HBO and TBS pick it up and run it incessantly over the next few years. The Beastmaster is not a good film. In every conceivable way, it is a bad film. Yet there is something charming about it. It stars a loincloth-wearing Marc Singer battling S&M dungeon master-looking bad guys by telepathically talking to animals. I watched that film probably a couple of
A modern, psychedelic take on the Spaghetti Western is visually stylish and exhausting.
With The Strange Color of Your Body's Tears, French directors Hélène Cattet and Bruno Forzani created a modern giallo that was a psychedelic audio/visual delight which had virtually no story or plot. With Let the Corpses Tan, they've added a touch more story and moved their Italian influences into Spaghetti Western territory but continue the sensory overload. It is a beautiful, strange, exhausting film. A group of men violently rob a stack of gold bricks from an armored truck, killing everyone aboard. They rush to their hideout but are stopped by a woman standing in the middle of the road.
Hope you have some Christmas money left because this week brings some interesting new releases.
Over the last year or so, I’ve become quite the Stephen King fan. I’d read some of his work before then and seen many of the cinematic adaptations based upon his words, but I’d never really engulfed myself into his stories. It started with the audio book of his recent novel Mr. Mercedes and blossomed from there. I’m currently in the middle of IT which, if my pace continues, I’ll finish sometime in 2021. It's a really big book, and I’m a slow reader. But I dig it. I don’t know it that behemoth will cure me of my King
I'm back and healthy and have many cool things to talk about.
A great big pile of appreciation to my fellow Sentries who helped me out while I was on vacation. I’m back now and feeling mostly better (still got a weird ear thing going on but I’m upright and working and watching films so that’s a big improvement). There were many cool things consumed this week, so lets get to it. Spider-Man When Sam Raimi’s version of Spider-Man came out, I was none too impressed. I had similar feelings about Bryan Singer’s X-Men which came out two years before. The burgeoning nerd culture on the internet had gone bonkers over both
Robert Altman's follow-up to M*A*S*H is an idiosyncratic, weird little film that only he could make.
After spending a decade or so making industrial films then directing television episodes, Robert Altman finally connected with critics and audiences on a feature film. Released in 1970, M*A*S*H, a satirical account of a medical unit in the Korean War, was a smash hit. It won awards, made big money (and spawned a hugely successful TV series), and put Altman on the map as an exciting filmmaker. With the success of M*A*S*H, the studios gave Altman a green light to make any film he wanted. He chose the hottest screenplay around, Brewster McCloud, a black comedy about a New York
The new year starts with some new titles.
Those of you who pay attention to these things might be wondering what happened to this article over the last two weeks. Never fear, faithful reader. I have answers. Two weeks ago, I was at the beginning of a week-long bout with a virus that kept me bed-bound and mostly comatose. This last week, I was on the mend but there really was nothing worth talking about. Last Tuesday, otherwise known as New Release Day was also known as Christmas. The people who make decisions, such as what new Blu-rays to release and when had spent the previous four weeks
I’m bringing in some help this week.
After a week of fighting off a nasty viral infection I’m now out of town visiting the in-laws. I’m still hacking and coughing but im on the mend. Time at my in-laws is always nice but a little dull. We will watch a movie or two and I do a lot of reading but mostly it’s a lot of sitting around and talking. Which is good for the soul but not so good for Five Cool Things. Which is why I’m bringing in some help this week. But first here are the cool things I consumed this week. Miracle on
Arrow Video brings together a collection of three early collaborations between two titans of the cinema with mixed results.
That Robert De Niro is one of the greatest film actors of all time there is no doubt. He has starred in some of the greatest films ever made, won nearly every acting award in existence including two Oscars, an AFI Life Achievement Award, and the Presidential Medal of Freedom. His work in the 1970s and '80s on films like The Godfather, Part II, The Deer Hunter, Raging Bull, Taxi Driver, and Once Upon A Time in America is nearly unparalleled. That his filmography over the last couple of decades doesn’t really hold up does not in any way take
A horrible virus will not keep me from finding cool things for you, dear reader.
I have been battling a nasty viral infection all week. My head has felt like its been hit with a sledge hammer, my throat has felt like I’m swallowing rocks and if I stood up for too long I’d get really woozy. I mostly stayed in bed and slept. When I wasn’t sleeping I watched television programs and movies. But mostly I just laid there and moaned. In fact I haven’t laid in bed moaning so much since my honeymoon. <rimshot> I think I’m finally on the mend, but it is slow going. I managed to do a little work
Tarantino knock-off from Germany is a lot of fun.
Two men, Javid (Reza Brojerdi) and Tan (Erkan Acar), sit in a kebab shop arguing over the quality of the food. They seem to have made a bet on whether or not the meat could be made to taste better by a different style of cooking. Their language is graphic and saucy. The argument causes them to lose their appetetite so they get up to leave, grabbing a gun and a chainsaw from the table. The camera pans up revealing the restaurant floor littered with bodies. Outside, they steal a car and head into the night. The narrator explains this
Kids behaving badly in a really bad movie.
What is is about kids behaving badly that makes for such delightfully creepy cinema? The genre has been around since at least Patty McCormack’s turn as a demented killer in 1956’s The Bad Seed and has turned out such classics as Children of the Corn and Village of the Damned. There is just something about children doing horrible things that is both really disturbing and really fun to watch. In 1981, cult director Ed Hunt took the killer-kids genre and spliced it onto the burgeoning slasher genre and made Bloody Birthday an ultimately silly flick that generally fails to do
I may have given up on Christmas movies but I still found some cool things this week.
I’ve pretty much given up on my whole Christmas theme for this month. I’ll probably watch another movie or two and maybe a couple of Christmas-themed episodes of something or other, but for the most part Christmas in media just isn’t going to happen. That doesn’t mean I won’t be consuming good, interesting or even cool things, but they likely aren’t going to involve the December holidays. As this week will prove out. First Reformed Ethan Hawke gives an intense, outstanding performance as a troubled minister at a historic, but declining upstate church in what is being hailed as director
Ingmar Bergman's only Hollywood production is wildly uneven, rather strange, but still worthwhile.
In January of 1976, famed Swedish director Ingmar Bergman was arrested on charges of tax evasion. The charges were later dropped, it all being a mix-up over a large transaction between two companies Bergman owned, but the damage was severe and long lasting. Bergman suffered a nervous breakdown and fled the country. He first travelled to Germany and then to California where he met famed producer Dino De Laurentis who agreed to finance his next film. The Serpent’s Egg bombed - critics hated it and it did horrible business. It is generally considered one of Bergman’s worst films. When your
Here's a few new releases to add to your Christmas stocking.
Over the years, I’ve become a pretty big Brian De Palma fan. It has been a slow process. I first came to him through the Oscar-winning, Al Capone-drama The Untouchables in 1987, then it was likely another decade before I caught him again in Mission:Impossible. I’d then catch a film here, a film there. Then the last couple of years, I’ve really started to pay attention. I’ve caught up on a lot of his older films - The Fury, Blow Out, Dressed to Kill - and while his stories are often a gloriously mess, I really dig his visual style.
This week wasn't as Christmas-y as I had hoped but I caught some cool things anyway.
It turns out I’m not really a fan of Christmas movies. In October, I watched a bunch of horror movies, but I like horror movies so that was easy. November became Noirvember, and I caught up on a bunch of film noir I’d not seen before but always meant to (plus a few I had never heard of). December is supposed to be Christmas movies but unlike horror and noir films, I’m not really drawn to holiday films. Maybe that’s because most of them are dreadful. Maybe it's because they aren’t as easy to find on streaming services. Or maybe
This pick of the week will self destruct in seven days.
I have pretty much completely given up on action movies over the last decade or so. I long ago grew tired of more car chases, more explosions, more bigger and bigger guns. I still do watch superhero movies which I suppose are kind of like action flicks, but with capes, but whatever. Straight up action is pretty much gone from my movie queues. The exceptions being the Bond films (which I can call spy films and still get away with my "no action movies" mantra) and the Mission:Impossible films (also technically spy films, but who are we trying to kid?).
I end Noirvember with a bang.
It is the last day of Noirvember. All told, I watched 12 film noirs (7 classic, 5 neo-noirs), which is pretty good, I think. Especially considering how no more than two years ago, I generally didn’t watch 10 movies a month (I watched 13 non noir this month as well). This week found me watching two noirs and a few others. I really enjoyed watching film noirs. I’m excited about coming up with themes for each month. Next month, I suppose I’ll do as many holiday-themed films as I can. That feels kind of boring to me, but appropriate. I
Christmas is coming and with it loads of new releases.
I regularly complain that there is just too much good television out these days. It's more than any one person can watch. This is especially true of me this past year as I have mostly concentrated on watching movies over television. Sometimes, I tell myself to take a week and binge-watch a few shows, but then the question becomes which one? Sharp Objects is a good place to start, I think. Based upon Gillian Flynn’s debut novel of the same name, it stars Amy Adams as an alcoholic reporter recently discharged from a psychiatric hospital after years of self-harming. She
After a week off, here's a whopping nine cool things worth checking out.
My apologies for missing last week’s Cool Things. My kid got sick and then I wasn’t feeling well and I went to bed early and no words were written. I’m doubling up this week to make up for it. We are still in the midst of Noirvember and I found several classics and new (or neo, if you prefer) noir to watch and enjoy. Plus, a bunch of other stuff, so let's get to it. Mona Lisa With FilmStruck dying at month’s end, I’ve been trying to watch as many movies on there as I can. The thing I love
Santa's gonna have a big list this year.
Ingmar Bergman was one of the great pioneers of cinema. He made films that spoke directly to the soul. He made films about the soul, about faith and doubt, about life and metaphysics. He made art about the struggles between those things, always questioning, always exploring. He often made difficult movies, never popcorn affairs. His films could sometimes feel pretentious which is why I suspect most people who don’t like foreign films think of Bergman when making their argument. This is a man who literally made one of his characters play chess with Death in what is arguably his most
Herschell Gordon Lewis's splatter classic is terrible in the best possible way.
If there’s one thing I know for sure after watching The Wizard of Gore, Herschell Gordon Lewis's splatter classic is that Lewis was no auteur. Hell, he was hardly even a director. If you are feeling generous, you might call him a filmmaker. He was, however, one heck of a salesman. After spending a few years doing various jobs - teaching at university, managing radio stations, and working in advertising - Lewis turned his sights on movies. Not because he had any artistic dreams, but because he figured he could make a few bucks at it. Teaming with notorious exploitation
This deeply flawed, yet entertaining series gets a nice release price for Christmas presents.
Rescue Me was a darkly funny, utterly crass comedy/drama about a group of New York City firefighters dealing with survivor's guilt in the years following 9/11. It was created by and stars Denis Leary, who also served as head writer. It aired on the F/X network, which had recently scored a huge hit with The Shield. It similarly pushed the envelope in terms of language, sex, and nudity for a basic-cable series. But where The Shield aimed for edge-of-your-seat thrills, Rescue Me opted for pitch-black comedy and insightful, though soapish drama. It is a difficult show to watch in light
Star Trek, Blood Island, and giant sharks are just some of the great Blu-ray releases this week.
As a non-fiction writer, Nick Hornby writes passionately and magnificently about the things he loves. I’ve utterly enjoyed his writings about music, reading, and even football. When he incorporates those passions into his fictional novels, he’s quite good. But when he leaves those things aside, his books tend to get sappy, preachy and uninteresting, at least to this reader. I was very happy to see that with Juliet, Naked he had returned to his musical roots. It tells the story of Duncan, a man obsessed with reclusive singer-songwriter Tucker Crowe, and his long-suffering girlfriend Annie. When Annie meets and develops
It's all noir all the time this Noirvember.
As mentioned last week, November is henceforth dubbed "Noirvember" and as that nomenclature implies, I’ll be trying to watch as many film noirs as possible this month. Much like last month and my horror-movie viewing, not everything will fit into this category, but it's a good excuse to watch some things I might put off otherwise. This week, I caught five noirs (two classics and three Neo-noirs). I watched three of them on FilmStruck and I will once again lament the demise of that wonderful service. But before I have to pull out the tissues, let’s get on with it.
It is a jam-packed week full of all sorts of goodness.
Pixar’s stellar reputation has taken a few hits over the last several years, mostly due to unnecessary sequels. Many of their movies are complete stories within themselves and don’t need a sequel, so when one is tacked on it doesn’t have the same Pixar charm. The Incredibles is not such a story. It is a superhero movie. It deserves a sequel. Heck, it deserves a cinematic universe. It is a movie that practically begged for a sequel. After 14 years, we finally got one. The original The Incredibles is an action-packed, super-fun superhero movie with a lot of heart, but
For this anniversary, Universal Studios has released the Coen Brothers' comedy in glorious 4K.
In the late 1990s, during my college years, I went to the movies every weekend. I saw pretty much every movie that came to my town that looked remotely interesting and even a few that didn’t. In the spring of 1998, I saw Fargo. It was a blind watch, I’d never heard of it before I entered the theater. I knew of the Coen Brothers, or at least I’d seen Raising Arizona before. Think I even had a copy of it on VHS which I bought on the cheap. But it wasn’t yet a favorite. Fargo was just another movie
I've got one more week of scary, cool things before I set my eyes on another month.
I watched 27 movies in the month of October, 20 of which one could reasonably count as horror. That’s not quite 31 days of horror as the hashtag puts it, but I’d say it's pretty good. I really enjoyed doing it as well. There is something fun about trying to see a whole bunch of one genre in a given month. It also helped me watch a bunch of horror films I’d been putting off forever. I liked it so much I think I’ll do another theme month, call it Noirvember. But first we have to get through this week's
It's a week full of great interesting releases, so let's have fun storming the castle of upcoming Blu-ray releases.
Hello. My name is Mat Brewster. I’ve picked The Princess Bride this week. Prepare to enjoy. It is a C.C.O.U.A (Criterion Collection of Usual Awesomeness) with a brand new 4K scan and loads of new and old extras. Including audio commentaries, an in-depth making-of documentary, interviews, features on the making of the film, and more. Let me explain the plot. No, there is too much. Let me sum up. The Princess Bride is Rob Reiner’s adaptation of William Goldman’s beloved novel that lovingly satirizes princess stories while remaining a wonderful comedic adventure with plenty of romance and enough great lines
Mario Bava's horror masterpiece is a feast for the eyes and the begining of a whole new genre.
Having put Italian horror on the map with Black Sunday, Mario Bava continued to redefine the genre and essentially invented giallo which became the de facto horror genre in Italy for most of the '70s and '80s and ultimately inspired the slasher genre that was so popular in the United States in that same era. Bava’s 1963 film The Girl Who Knew Too Much is often credited as the first ever giallo film, but it was filmed in black and white not in the garish colors the genre is so recognized for. A year later he made Blood and Black
This week it's more like five cool things and a really crappy one.
My in-laws were in town for part of last week and a chunk of this one which put a bit of a dent in my nightly horror marathon. They have zero interest in modern horror, but can be temped by the older stuff, especially when tempered with some comedy. When they left I managed to see a couple of giallo classics and here we go. Arsenic and Old Lace Nobody in their right mind would consider this Frank Capra comedy a horror film, but it does star a Boris Karloff look-alike (to which much humor is derived) and a couple
A movie so bad we reviewed it three times.
Made in 1971 on a minuscule budget, John Landis’ first film as a director, Schlock, is broad comedic satire of sorts about a prehistoric ape wreaking havoc in a Los Angeles suburb. It is a bad movie. I cannot recommend a single thing about it. Everything, from the writing, directing, and acting to the music and even the comedy, is bad, poorly executed, and difficult to watch. Its only distinction is that it was directed by Landis who later went on to make such comedy classics as Animal House, The Blues Brothers, and Amazon Women on the Moon and features
Not sorry to tell you this is a great week for new Blu-ray releases.
Sorry To Bother You stars Lakeith Stanfield as a telemarketer who adopts a white person’s voice at his job in order to increase his sales. His numbers do go through the roof, causing him to move up in the company and get swept up into a strange conspiracy. It was written and directed by Boots Riley of the musical group The Coup and also stars Tessa Thompson, Jermaine Fowler, Terry Crews, Patton Oswalt, David Cross, Danny Glover, Steven Yeun, and Armie Hammer. It garnered a lot of critical buzz and has been praised for its originality. In a world full
This week is should be titled "Five Spooky Things..."
My horror marathon continued this week. I made it through all the classic Universal Frankenstein films and moved on to Dracula. But first I took a pit stop to an early '80s werewolf picture and a couple of Mario Bava films I’d never seen before. Let’s get to it. The Ghost of Frankenstein / House of Frankenstein By 1942, some 11 years after James Whale’s original adaptation of Frankenstein, the wind was beginning to slip out of the monster’s sails. But like all franchises, if there is still money to be made, there will still be people willing to make
It's a big week full of releases but Marvel wins again.
I hate to continually be a Marvel fanboy but here I am picking a movie from the MCU once again. I really do like most of the films they’ve put out over the last decade or so but I also have to admit consideration is paid to the fact that millions of people watch Marvel movies and picking them over and over isn’t going to hurt the old Cinema Sentries hit counter. Ant-Man and the Wasp was something of a palette cleanser after Avengers: Infinity War. That film was an enormous, expensive, expansive, high-stakes event in which literally the universe
It's all horror all the time for this week's five things.
Another week in October, another week of horror. I never quite manage a full 31 days of Horror, but this year, I’m not doing to shabby. The plan this year is to watch several batches of horror films and their many sequels. I typically only watch the first one or two films in a franchise before backing out before they turn bad. But this time I figured it might be fun to dig deep into a few series. Initially, I had planned to hit up some '80s movies like Nightmare on Elm Street or the Halloween films, but after watching
Some pretty cool Blu-rays are coming out this week, I've got your scoop.
In riot-torn Los Angeles in the year 2028, criminals of a discerning nature get their wounds patched up at the Hotel Artemis, a fortified hospital that will fix up whatever ails ya and not ask any questions about how you got hurt. It is run by Jodie Foster with muscle provided by Dave Bautista. There are lots of rules, including no killing on the premises all of which makes it sound like an extended version of that scene in John Wick in which Keanu Reeves shows up at a similar hospital. If you saw that scene and thought that concept
It might not feel like October but these cool things will get you in the mood for Halloween.
Though the temperatures in Oklahoma have remained in the 90s all week, it is technically Autumn and it is technically October, traditionally two of my favorite times of the year. I love the cool, crisp air. I adore the changing colors, and the potpourri of smells. I always enjoy October when we throw our traditional pumpkin carving party, dress the daughter in a silly costume and I get to watch lots and lots of horror movies. This week has been hot and humid, the leaves haven’t changed, and I’ve not had a single bit of anything that tastes like pumpkin,
The first week in October starts us off with a bang.
Three Identical Strangers tells the real life story of David, Bobby, and Eddy, three identical triplets who were separated at birth not knowing of each other's existence. One day, when they were 19, they randomly discovered each other and became instant friends. They became a media sensation in the '80s, being interviewed by everyone from Tom Brokaw and Phil Donahue. But there was a dark side. The reasons why they were separated bordered on the nefarious. The media used them for ratings then tossed them aside. There were physical and mental issues. I don’t know all the details as I’ve
I might be a bit sleepy but there's still plenty of cool things to talk about.
I tend to stay up too late on work nights. I put the kid to bed, play on the Internet, then watch a movie or TV show. I hit the sack about midnight and then am back at it at six the next morning. At some point later in the week, the lack of sleep punches me in the back of the head as if to say, “Hey, dummy. You need more rest.” Friday afternoon was that point. I was sitting around flipping through various streaming services looking for something to watch when I nearly fell asleep in my chair.
This series keeps getting better and better.
Warner Bros. Home Entertainment provided the writer with a free copy of the Blu-ray reviewed in this Blog Post. The opinions shared are his own. I almost didn’t make it through the first season of Legends of Tomorrow. The main characters weren’t interesting and it didn’t do anything that any of the other superhero shows weren’t already doing. Most of the heroes--er, legends seemed like b-grade characters or worse. But over time, I’ve grown to love both the series and those rejects. Much like the show itself, I’ve learned to embrace their lack of a slick sheen. They aren't heroes.
Ted Post's odd ball 70s horror film has all the trappings of a camp classic but the execution left me bored out of my skull.
The 1970s must have been an amazing time to make movies. The studio system was breaking down, allowing more independent cinema to get made. The censorship inherent within the Hays Code was destroyed, allowing for more freedom of expression. Money was pouring in from all corners. Grindhouse cinemas were willing to play any kind of movie at all hours of the day and night with willing patrons flowing through their doors. This allowed all sorts of imaginative, wonderful, and terrible films to be made and find an audience. Made in 1973, The Baby is a film so bizarre it defies
It was a tough choice to make this week, but I always gotta go with Star Wars.
Back in 2012 when George Lucas sold Star Wars to Disney, the fandom went completely bonkers. The realization that there would be new Star Wars movies was incredibly exciting. Then a few years later, J.J. Abrams brought us The Force Awakens. It was an enormous success. Critics liked it, fans loved it. All was well with the world. Not long after Rogue One, the first anthology series came out and it too was a smashing success. Disney was promising new movies every year until the end of time. Then came The Last Jedi. Director Rian Johnson took the Star Wars
John Boorman's sequel to one of the scariest movies of all time is a psychedelic, visually stunning, totally camp, incomprehensible mess, and also kind of awesome.
Based upon the best-selling novel by William Peter Blatty, The Exorcist was a huge success. It earned over $66 million when it was released in 1973 and went on to become one of the biggest horror movies ever made. Adjusted for inflation, it is the top-grossing R-rated film of all time. Of course, there was going to be a sequel. But man, is it a hard movie to make a sequel from. I mean what can you do? The easiest thing would be to let poor little Regan get possessed again, but that seems boring. You could follow another possession
A sickness cancelled our movie night with friends but I still enjoyed some cool things.
Several years ago, before we moved, the wife and I had a regular foreign-film night. Every second Saturday of the month, we’d put on a foreign-language film and watch it with whoever stopped by. It was an open invitation to all our friends so we never knew who would show up. It was tons of fun. Since moving, we’ve continually talked about doing that again but never got around to actually setting it up. I finally started talking to some friends about it and promised we’d do the first one in September. For the first couple of weeks, I kept
Put your PJs on, this giallo will put you to sleep.
In 1934, the corpse of a woman clad in exotic silk pajamas was found lying in a culvert in New South Wales, Australia. She had been beaten, shot, and partially burned, leaving her identity a mystery. Police were perplexed. The media made it a sensation and the crime enthralled the country. Especially after the body became a public spectacle when she was laid in a formaldehyde bath for display in Sydney. In 1977, Flavio Mogherini turned the story into a movie. It is an odd, often-salacious, rather-dull police procedural that for some reason gets lumped into the giallo genre (Arrow
Season Three loses some of its melodramatic tendencies, adds in more action and adventure, and improves in almost every way.
Disclaimer: Warner Bros. Home Entertainment provided Cinema Sentries with a free copy of the Blu-ray reviewed in this post. The opinions shared are those solely of the writer. In last season’s finale in order to stop the Daxamites from destroying Earth, Supergirl had to flood the atmosphere with lead (which works like Kryptonite on Daxamites). Before doing this, she had to put her Daxamite boyfriend Mon-El onto a ship and launch him into space not knowing if he’d ever return. Season Three opens with a lot of moping around the house to sad songs. Supergirl knows she made the right
Superheroes, dinosaurs, aliens and more are all in this week's new Blu-ray releases.
I cut the cord many years ago. For the most part, I haven’t missed cable at all. I don’t watch sports or any live events really. I’m happy to wait for whatever movie or TV show I want to watch comes to one streaming service or another. The one thing I do miss is Turner Classic Movies. They show all sorts of great movies, many of which would not have been on my radar otherwise. They put together interesting line-ups featuring particular directors or actors, or any other number of themes. Their hosts are informative and interesting. It was always
The county fair is tonight in my fair land. I personally find it rather obnoxious what with its filthy smells, loud noises, annoying crowds, overpriced fatty foods (seriously how many things can you deep fry?), and expensive rides. But the daughter loves it and I love her so in a few minutes we are off. So I’ll make this quick. Here are five things that I enjoyed this week. The Sound of Music TCM and Fathom Events put on a showing of this Rogers and Hammerstein classic staring Julie Andrews and Christopher Plummer this week. As it is my mother's
Here's what's interesting in the new Blu-ray releases this week.
With reboots, re-imaginings, remakes, sequels, prequels, etc. and so forth, it's hard to keep up with all the ways Hollywood takes an existing property and changes it just enough to get us back into theaters (or at least attempt to do that). I get why they do it. You’ve got an established property with a built in fan base, but it's a few years (or decades) past its expiration date so you bring in fresh faces and start over. But it's hard not to be cynical about these things. Ocean’s 8 is an interesting twist in this ever-expanding and changing
Everyone must have felt the same con fatigue as me for Tulsa's Wizard World was half empty this year.
This weekend’s Wizard World in Tulsa was my third and possibly last con. Judging by the crowd this Saturday afternoon, it may be Tulsa’s last one as well. Tulsa is a mid-sized city deep in the heart of fly-over country. It's never gonna get the big-named celebrities that a San Diego or London Con will get. J.J. Abrams is never gonna fly out to show us a never-before-seen clip of his new Star Wars movie. We’re small potatoes. Always will be. What we do get is some interesting, decently famous celebrities giving talks, answering fan questions, and posing for photos
Hey, it is Friday so here's the cool things I watched this week.
This was a good week, all in all. I saw some classic films, caught one in the theater for the first time in ages, and caught up with the Doctor. Here are the details. Kin It's been awhile since I stepped inside a movie theater so I was excited to learn that my wife would be taking my child somewhere this past weekend giving me a chance to catch a new movie. Unfortunately, there wasn’t a whole lot showing that looked remotely interesting. I took a chance on Kin, knowing nothing about it. I should have stayed home and watched
Here's all that you need to know about this week's new Blu-ray releases.
I loved watching Mister Rogers’ Neighborhood growing up. I have only the vaguest memories of actually watching the show, but what is there is very warm. Later in life, my mother used to be bewildered by this fact. She always figured kids should prefer the more lively kids shows like Sesame Street and didn’t get the appeal of Mr. Rogers who seemed, well, kind of boring. But millions of kids like me completely get that his gentle demeanor and warm kindness wasn’t boring, it was comforting. In the years since, I’ve come to see Fred Rogers a radical cultural rebel.
It is Friday so here's another five things I discovered this week.
For the first time in a while, I feel back in the swing of things. I’ve been relatively healthy. Our schedule is back on track from the chaos that comes from the kid going back to school. I’ve watched all the TV collections I needed to review. So this week was all about me. Trouble is, I got a little over zealous and tried to watch multiple movies almost at once, meaning I didn’t finish them. I’d start one, take a break for whatever reason, then start another one having not finished the first. I suspect you’ll hear about those
It's a big week full of interesting releases. We've got your details.
The Supreme Court of the United State is shrouded in mystery. The decisions they make have far-reaching and long-running impacts on all aspects of our society. Yet cameras are not allowed into their proceedings, and rarely do they give open interviews or stand for intimate profile pieces. In recent years, this has begun to change and we now see some Justices having a more public profile but much of what goes on inside the court remains a mystery. Ruth Bader Ginsburg was the second woman to be appointed to the court. RBG profiles her rise to that position and her
You don't have to be a speedster to enjoy this series in a flash.
Disclaimer: Warner Bros. Home Entertainment provided Cinema Sentries with a free copy of the Blu-ray reviewed in this post. The opinions shared are those solely of the writer. Season Three of The Flash ended on a pretty dark note. Barry West/The Flash (Grant Gustin) was stuck inside the Speed Force. H.R. Wells (Tom Cavanagh) sacrificed himself to save the world from Savitar. Caitlin Snow (Danielle Panabaker) has disappeared for fear that she’ll remain Killer Frost forever. There were some really great moments that season and The Flash remains my favorite series in The Arrowverse, but there is no doubt what
Hey look, I found another five cool things to talk about this week.
School is back. which should mean that I’m watching a lot more cool stuff as I’m putting my daughter to bed earlier. thus giving me more time to consume the things too mature for her to watch. As I should have learned by now, there is a big difference in what should happen and what actually does. The daughter fought off her early bed time as best she could. Each night, there was a barrage of needs - for a glass of water, for another pillow - all designed to get her to stay up later. Once tucked in with
The final chapter in this inventive science fiction strip faced a lot of changes.
Star Hawks was a science fiction/fantasy daily newspaper comic strip that ran from 1977 to 1981. It tried to ride the coattails of movies like Star Wars and Star Trek, capturing their popularity and moving it to the daily papers. It was creatively drawn by Gil Kane and contained many a swashbuckling, alien-fighting, action-packed story. However, it always struggled to find an audience and once Star Wars and Star Trek moved into the daily papers themselves, it never stood a chance. Popular strips at this time were carried in hundreds of newspapers while Star Hawks could count the number of
It's a week full of big movies, big TV, shows and big reviews from our staff.
The question we are faced with, dear reader, is whether to go with the new release that we have seen and loved, or the one we have not watched but really want to. The answer, it seems is to go with what we know. At least for this week. The Terror is a new anthology series from AMC. Season One fictionalizes the true story of the crew members of two British ships, the HMS Erebus and the HMS Terror, that set sail in the 1800s to find the fabled Northwest Passage to Asia and were never seen alive again. Based
An entertaining series that isn't quite the classic it wants to be gets a very reasonable boxed set.
Showtime’s Masters of Sex is the very epitome of Prestige Television. It is almost as if show creator Michelle Ashford took the Guidebook of Prestige TV and adapted every single bullet point. It is a period drama (it begins in 1956 and concludes in 1969) so it has loads of period details to get exactly perfect and it can stand at a distance judging the conservative morals of the day while shining a light on our modern imperfections. Its lead is an ahead-of-his-time genius with a dark past and emotional difficulties. His wife is a (more or less) atypical housewife
AMC's new horror anthology is relentlessly scary and impeccably made.
In 1845, the British Empire was at the top of its game with colonies and territories all over the world. For decades they had been looking for a route to Asia through the northern Canadian archipelago. This so-called Northwest Passage would cut out enormous amounts of time and resources from the normal route across land or around Africa. Led by Captain John Franklin, two ships, HMS Erebus and HMS Terror, departed that year to try and find it. They made it to King William Island in the Nanavut territory September of 1866 and became iced in. They would never sail
It was a week of binge-watching TV shows I'll write about later and catching up with a few cool things I'm writing about now.
I’ve been binge-watching both Masters of Sex and The Terror all week, which I thought would mean I’d have nothing to cool to talk about now. However, I still managed to squeeze in a couple of movies, a classic Doctor Who, and some other cool stuff. So let’s get to it. The Bourne Identity I started reading The Bourne Identity on a plane to Strasbourg, France. It was my first trip overseas and I wanted something exciting and easy to read on the long journey. I finished it in the little flat we lived in over there. At first, we
Here's all that's worth buying in this week's new Blu-ray releases.
Oh snap, Avengers: Infinity War comes out this week. It's been twenty years since Iron Man began the Marvel Cinematic Universe. In that time, Marvel has changed the landscape of film, television, and how far reaching franchises can get. These days, everybody is trying to get into the cinematic-universe game and pretty much everybody else is failing at it. Marvel has made billions of dollars from their films, television series, and other tie-ins. They’ve proven you can make individual films that maintain their own style and yet are able to be brought into a larger cinematic fold. In some ways,
The second part of Massimo Dallamano's "schoolgirl's in peril" trilogy gets an excellent release from Arrow Video.
Two years after he directed the excellent giallo What Have You Done to Solange?, Massimo Dallamano helmed this giallo/poliziotteschi hybrid. It has some interesting moments but definitely feels like a step down in quality. It contains many of characteristics of a giallo - gruesome murders by a black clad; knife-wielding (or in this case, butcher’s-cleaver-wielding) killer; odd, off-kilter camera angles; a unique score; and a bold use of color - but in many ways the plot is closer to a poliziotteschi. It spends most of its run time following the police, detailing their procedures as they try to solve the
Here's five cool things I discovered this week.
I have really lousy allergies. I’ve never gotten any specific testing done on my body but whenever I’m around freshly cut grass or dust or any fine particles of any sort, my throat swells, my head gets full, I cough without ceasing, and I generally feel miserable for a day or two. I happen to work in construction, which means I’m regularly around great piles of sawdust and freshly mowed grass. These things combined do not make the best life choices. I’ve worked it out so that I’m not the one doing most of the wood cutting and I can
It's a full week of new releases, and I've got the details.
Superman died in 1993. Or at least DC Comics briefly killed him in Superman #75. It was a huge media event. I wasn’t much for comic books in 1993 but I totally remember the hype. Of course, they brought him back to life sometime later but the idea that the indestructible Man of Steel could be killed was a pretty big deal back then. It was also one of the earliest major cross-over events. DC chose this story for their first DC Universe Animated Original Movie back in 2007. They’ve now remade it with Jerry O’Connell starring as Superman with
Here's all the cool stuff I consumed this week.
My wife made an observation last night that I tend to have more energy on Thursdays than any other day of the work week. I hadn't thought of it before but it is true. Wednesdays and Fridays are my busiest days at work. Mondays are spent catching up on all the stuff I didn't get done on Friday, and Tuesdays play catch up on the things I missed on Monday. I have to complete everything on my desk on Wednesdays on that day, which makes for some late nights and early bedtimes. Thursdays wind up being relatively light days and
Here's all that's interesting coming to Blu-ray this week.
Last week, I complained that there wasn’t much of interest coming out. At least it had a big Steven Spielberg movie hitting the shelves. This week doesn’t even have that. It's the sort of week that I’d skip if I were just a regular schlub looking for something to buy at my local Blu-ray store. Instead, I’m just a schlub who writes a weekly column about new home-video releases so I’d better say something. Tully is a dramatic comedy from Diablo Cody and Jason Reitman. It stars Charlize Theron as a soon-to-be mother of three struggling with the craziness that
It's more like five kind of okay, not really great things this week, but there's plenty to talk about.
As a reviewer, I find that it's much easier to talk about things that I either love or really dislike. When I love something, I can go on and on about all the things I found interesting about it, and when I hate something, it's fun to diss all the terrible things it has going on. What’s difficult to do is review something that was just kind of meh. When something isn’t audaciously terrible or really fantastic, when I just kind of enjoyed a film, show, or what have you, it is really difficult to find something to say about
The long, hot summer may never end, but at least there are still a few movies to watch.
We are officially into the Dog Days of Summer. Actually, that may not be true. Is there an official start to the Dog Days of Summer? Do they put that on calendars? Maybe it's in August, I don’t know. What I do know is that it feels like summer has been here forever and it feels like it will never end. I’ve grown really tired of having nothing but blockbusters at the movie theater. I’m ready for cooler weather, leaves changing colors, the end of mowing my yard, and some new Oscar contenders to watch. There is no relief coming
Not even a bad case of poison ivy can stop me from finding cool things for you.
For the first time in several years, I've managed to get poison ivy. I’m really quite allergic to it and I remember getting it numerous times as a kid. When I was maybe 10 or 11, I can remember waking up one morning barely able to open my eyes because they had become so swollen, my face covered in the stuff. Luckily as an adult, I generally stay indoors and away from wooded areas in which the stuff grows. Not so lucky this week. We built a house out in a very rural, wooded area. I’ve been watering the new
It's a big week for new releases. Come inside to see the best of the bunch.
One of the hardest things to do with Wes Anderson films is waiting for the eventual Criterion release. Every film of his up to The Grand Budapest Hotel has gotten one (and Anderson has promised it will get a Criterion release eventually). Too impatient to wait on that one, I already have a Blu-ray copy sitting on my shelf. This will no doubt get replaced once the Criterion comes out. There has been no announcement that Anderson’s latest film, Isle of Dogs will get a Criterion release, but safe money is that it will. Eventually. The difficulty will be waiting
Sergio Martino's horror film ticks off all the giallo boxes but never rises above them.
When Lisa Baumer’s (Ida Galli) husband dies in a plane explosion (via a very obvious model getting blown to bits in a special effect that will make Classic Doctor Who fans proud), she must rush to Athens in order to collect on the $1,000,000 insurance money. That she was dallying with a man who was decidedly not her husband when the plane exploded and that despite the insurance’s protests she takes her money in cash creates an all-too-familiar suspicion amongst fans of Italian horror. The Case of the Scorpion’s Tail follows the stereotypical hallmarks of the Italian giallo to near
Arrow Video has done their usual magnificent job releasing this ridiculously bad, yet somehow entertaining horror film.
When a hotshot palimony attorney (Michael Rogen) wins a big case, he takes his girlfriend (Patty Mullen) for a ride in his convertible. He pays a little too much attention to the girl and too little on the road and winds up wrapping the car around a tree, killing the girl, and maiming himself. In the next scene, he finds himself on the autopsy table of a nearby asylum where a medical examiner (Harvey Keith) and his assistant (Steve Menkin) prepare to cut him open (why he’s taken to the asylum and not a morgue is never explained). Ah! But
Kick back and enjoy the thins I enjoyed this week.
It has been another crazy hot week here in Oklahoma. This week I’ve not been able to just stay inside and watch movie; I’ve had to be out in it. My family has a couple of houses that we just built and are trying to sell. They are right next to each other and sit on about 2.5 acres each. Their lawns just got seeded, which in Oklahoma in July means they have to be watered every day. We have these cool little watering devices that look like mini tractors and spray water a great distance. They also propel themselves
A huge twist made big changes in Season Two, but The Good Place remains one of the best comedies on TV.
The Season One finale of The Good Place ended with a massive twist, one that is impossible to avoid while talking about Season Two. So if you have not seen all of Season One and do not want to be spoiled, now is the time to go away (and watch the darn thing). But be sure to come back after. You have been warned. So, The Good Place is really The Bad Place. Michael (Ted Danson) the Architect created an entire Good Place neighborhood, populated it with demons pretending to be good people, all so that he could torture our
Stephen Soderbergh getting experimental with television leads off a pretty cool week in new releases.
I’m on record as being a recovering Steven Soderbergh fan. Or maybe I was a recovering fan who has fallen off the wagon. This metaphor has already gotten out of hand and I just started. I loved Soderbergh early in his career then drifted away for awhile but I’m now very much back into finding him to be a very interesting director. He briefly quit filmmaking a few years back and kept himself busy with TV work on shows like The Knick, then came back to film with Logan Lucky, and now he seems to be splitting his time between
Here's five cool things to take you into the weekend.
Another week, another five cool things. Conversations with Scorsese Film critic and historian Richard Schickel sat down with Martin Scorsese over the course of several weeks and spoke with him at length. Those conversations were turned into this book and what a treasure it is. They discuss the director’s films from his first one, Who’s That Knocking At My Door up until Shutter Island (which was the last film he had made when the book was written). If you’ve ever seen an interview with Scorsese, you know he has an encyclopedic knowledge of film, and Schickel is able to keep
Surprisingly effect horror film from that goofy guy in The Office.
To make a film filled with long silences and almost entirely free of audible dialogue is a bold choice. To then make it a genre picture - a horror film no less - is pretty close to insane. To then have it become one of the most critically and commercially successful films of the year is about as close to a miracle as Hollywood gets. A Quiet Place is a horror movie filled with monsters that quickly devour you the moment you make any sound. It focuses on one family (the credits list them as the Abbotts, but I don’t
This week is packed full of interesting releases I've never heard of.
I write a weekly column discussing all the cool things I’ve discovered in a given week. I typically spend time on IMDB in preparation for that column watching new trailers, looking at new posters, and generally trying to stay abreast of what new movies are coming out. Even so, nearly every week I am surprised when writing this column over various new Blu-ray releases that I’ve never heard of, especially ones with big names attached to them. This week includes several releases star people like Shia LaBeouf, Rosamund Pike, Ellen Page, Jon Hamm, and others that somehow slipped right past
Wes Craven's first film gets an excellent new set from Arrow Video.
A few weeks ago I called a dirt-bike drama from Paul Verhoeven a vile piece of work. It was sexist, homophobic, and all around brutish in his depiction of teenagers in Holland. Yet here I am about to give a much more positive review to Wes Craven’s The Last House on the Left, a film that depicts brutal violence, torture, rape, and murder. The natural question is why do I find one film’s depiction of deplorable things vile and the other’s depiction of the same and worse somewhat entertaining? The answer lies both in genre and directorial intent. Spetters is
It's too hot in Oklahoma to do anything but sit inside and watch movies.
It is officially summer here in Oklahoma, which means it is hot. Damn hot. Too hot to do anything but sit inside and watch movies. Too bad it is so hot that my little ai- conditioning unit can’t keep up. Our little house has two stories, but they added rooms to the second story some time after the original build. I don’t think they upgraded the HVAC system and anytime the temperatures move towards the extreme ends of the thermometer (which in Oklahoma is pretty much the months between June and August, and December through February), it becomes either uncomfortably
Bad reviews be damned, Terminal sounds like fun to me.
Do you ever find yourself really liking an actor or actress even though there isn’t a film of theirs that really thrills you? Margot Robbie is like that to me. I’ve liked her ever since I first saw her in Wolf of Wall Street (even though she wasn’t much more than a pretty face in that one). I’ve only only seen her in a few other things and most of those have been bad (I’m looking straight at you, Suicide Squad) and the things I haven’t seen have not been well reviewed. I did really enjoy her performance in I,
See what cool things I discovered this week.
This is what I like to call "recovery week." After vacation, I always come home to a large stack of papers and assorted check stubs on my desk that I have to sort through and try to make sense out of. It is always stressful and this week was no exception. This was also the first full week of which my daughter has been out of school and not with either her grandparents or on vacation. I mostly work from home and so it's always a challenge to balance spending time with her and actually getting my work accomplished. Despite
Kino Lorber does a decent job restoring one of Hitchcock's lesser films.
In his interviews with Francois Truffaut (which is included in this set via audio format), Alfred Hitchcock admits that Under Capricorn was a bit of a failure. He believed this was due to his over-excitement over Ingrid Bergman (then one of the world’s biggest stars) agreeing to be in the picture. He paid so much attention to her and the media fawning over her that he didn’t give the script the good working over it needed. Based upon a book by Helen Simpson, it was adapted by Hithcock’s friend Hume Cronyn (an actor with little writing experience) and written by
See what's new in the world of Blu-rays.
In 1978, the first four seasons of Tom Baker’s Doctor Who episodes were sold to PBS stations across the United States. This was not the first time The Doctor had come to America. Several years prior, Time Life bought up some of Jon Pertwee’s episodes and syndicated it to commercial stations in the U.S. However, none of the stations seemed to understand the nature of the serialized show and were constantly shuffling it about in their schedule keeping audiences from getting it. PBS hired Howard Da Silva to read voiceover recaps before each episode and teasers at the end, allowing
After a week off, I'm talking about Stephen King, Doctor Who, Humphrey Bogart, and independent film.
A big thanks to Gordon and Shawn for filling in for me last week. As noted, I spent the week in Wyoming visiting both the Grand Teton National Park and Yellowstone. Both were extraordinarily gorgeous. For those of you playing along, the man in the photo posted last week was fly fishing. I didn’t get word on whether he caught anything or not. During that week I did not consume much pop culture as that’s just not what you do while standing in some of the most beautiful parts of the world. However, the week before (and my vacation really
Fritz Lang's classic noir is nearly ruined by a terrible ending, but what comes before it is quite good.
Fritz Lang’s 1944 crime drama The Woman in the Window is one of a handful of films that became the basis for what the Cahiers du Cinema called "film noir." These films (which include The Maltese Falcon, Murder My Sweet, Double Indemnity, and others) were beloved by French critics and filmmakers in the 1950s and '60s and helped usher in the French New Wave. The Woman in the Window was named as the best film noir of all time by Paste magazine. I wouldn’t go quite that far, especially as it is marred by a tacked on happy ending that
Paul Verhoeven's dirt bike drama is a vile, sexist, homophobic piece of work that just might tell the truth of teenaged boys' life in Holland during the 1980s.
Paul Verhoeven’s 1980 dirt-bike drama Spetters is a vile piece of work. It's the sort of film that finds sexual assault hilarious and believes a closeted gay man only needs a brutal gang raping to figure out who he is. Yet for all its disgusting brutishness, it has moments of surprising tenderness and has the feeling of truth in terms of Dutch youth culture in the 1980s. It's about three young men, Rien (Hans van Tongeren) and Hans (Maarten Spanjer,) both dirt-biker racers, and their mechanic Eef (Toon Agterberg), who dreams of fame, fortune, and beautiful women. Their lives are
A devastating portrait of abuse.
Black Venus tells the true life story of Sarah “Saartjie” Baartman, a South African woman who was mistreated her entire life due to her large buttocks and genitals. Though not technically a slave, she lived like one for several years in Captetown serving as a washwoman and nursemaid to the Caezar family. Eventually, Hendrik Caezar and his friend William Dunlop took Sarah to England and France where they exhibited her in a freak show like a wild animal. She was put into a cage, dressed like a stereotypical native, laughed and scoffed at by the rabble who poked and prodded
Here's all that's interesting in the world of new Blu-ray releases this week.
Thoroughbreds is about two upper-class teenage girls (Olivia Cooke and Anya Taylor-Joy) who rekindle a friendship after growing apart over many years. One of them is completely aloof, feeling virtually nothing for anybody. The other is over emotional. They hatch a plan to murder the oppressive step-father and hire Anton Yelchin to do the deed. The trailer looks hilarious. They had me the moment they called it a cross between Heathers and American Psycho. I cannot wait to see it. Also out this week that looks interesting: A Wrinkle In Time: Madeline L’Engle’s classic book gets a big-budget adaptation starring
Joe D'Amato's first horror film is a strange mixture of weird, gore, and boredom.
In 1973, Joe D’Amato, the Italian auteur behind such masterpieces as Anthropophagus, Emmanuelle and the Last Cannibals, and Anal Strippers X-posed, directed his first horror movie, Death Smiles on a Murderer. He thought it was so good he put his real name, Aristide Massaccesi, in the credits. He should have kept the pseudonym and directed Anal Strippers 2 instead. In a movie that stars Klaus Kinski as a mad doctor, who uses ancient Incan magic to re-animate the dead, and includes scenes in which a shotgun blows the skin off a person’s face, a cat that scratches the eyes out
Come see the cool stuff I discovered this week.
My in-laws came to town again this week. Diligent readers will remember they were here not very long ago and perhaps wonder why the return trip. As it so happens, they are celebrating their 50th anniversary by taking a long vacation through various western parts of the country. They took my wife and daughter with them to Arizona and Utah. Next week, I’l be joining them in Wyoming. I miss them terribly but it is nice to have a few days all on my own. It's too hot to do anything but sit in the air conditioning and I’ve seen
William Wyler's classic western gets a gorgeous new Blu-ray release for its 60th anniversary.
The Big Country is an epic (or should I say “big”) movie on every scale. It was directed by William Wyler, one of the biggest directors ever. It stars Gregory Peck, Jean Simmons, Charlton Heston, and Burl Ives, some of the biggest actors of the 1950s. Opening titles were by Saul Bass, the best in the business. It was shot in the wide open spaces of the Western United States in the beautiful widescreen format. Everything about it is huge. Except the story. It can’t quite live up to the epic scale of the rest of the film. Gregory Peck
A beautifully designed book that discusses Alfred Hitcock's tumultuous relationships with his leading ladies.
While talking to fellow filmmaker Francois Truffaut, director Alfred Hitchcock noted that he made his films with women in mind. He felt that women were the ones generally going to the movies and that when they brought a man along, it was still the women who made the decisions of which film to see. He certainly spent a lot of time fussing over his leading ladies. He was very much involved in not only choosing the right actress for the part but in choosing what clothes they should wear, hairstyles they should have, and every other aspect of how they’d
See what's new in the world of Blu-ray this week.
One of my favorite podcasts is The Next Picture Show. On it, four film critics discuss a classic movie and how it has inspired and informed a new film. They have a deep discussion about both films and talk about how they are interrelated. It's informative and fun. They do two episodes per pairing. In the first, they discuss the classic film and then in the second they bring in the new one and discuss how the two match up. Awhile back they paired Andrei Tarkovsky’s Stalker with Alex Garland’s latest film Annihilation. After listening to the first episode, I
This week's five things include some classic rewatches and a few new things as well.
I gave up Filmstruck to order Hulu so that I could watch the new season of The Handmaid’s Tale. I like Hulu. They’ve got some great TV shows. Their movie selection however is mostly crap. Netflix has been slack of late in their movie selection as well. Let’s not even talk about Amazon for the moment. They all have movies, good ones even, but you have to wade through a lot of junk to get to them, and I’ve now seen most of the ones I want to see. Or at least the ones I want to see right now.
See what's coming out on Blu-ray this week.
I have to start this week with an apology. Last week, somehow or another I completely and utterly missed talking about Black Panther. For some reason I thought that it was coming out this week. It wasn’t until I had already posted my pick of the week and actually had gone to the store on Tuesday that I realized Black Panther was out. Obviously, I would have mentioned, if not outright picked, one of the biggest releases of the year were I not a complete idiot and missed the release date. Hopefully I’m not missing something quite as colossal as
It was a cool week that was almost ruined by obnoxious people in the theater.
For a long time, I stopped going to the movies. It was too expensive, I didn’t live close to any sort of theatre that played something besides giant blockbusters, I had a small child, my home theatre system was good enough, and the average movie crowd is really obnoxious. Over the last couple of years, that has changed. I still don’t go to a ton of movies but I hit the theaters probably twice a month. Turns out, I like the experience. There is something really nice about the big screen, the comfy chairs, and the surround speakers. With Movie
Get ready for your close-up.
A down-on-his-luck screenwriter (William Holden) goes on the run from some pretty nasty creditors. He flees in the very car they are trying to repossess. When it blows a tire, the screenwriter, Joe Gillis, stashes the vehicle inside the garage of a large, dilapidated mansion on Sunset Boulevard. Mistaken for a man bringing a coffin for a pet monkey, he is called inside the mansion by Norma Desmond (Gloria Swanson), an old, silent-film star who was swept aside by the movie industry when sound entered the pictures and nearly forgotten by her once adoring public. She is now accompanied only
Here's what's coming to Blu-ray this week.
There are so many different options in terms of what one can watch these days that I often feel overwhelmed. My wife makes fun of me because I’ll often spend half my evening scanning through the various streaming services trying to make a decision on what to watch. What I choose often seems random but whenever I step back and analyze my choices, patterns tend to arise. Over the course of several weeks and months, I tend to watch movies from specific genres or that deal with certain themes, or more often than not, ones by the same director or
An impeccably made, sometimes difficult and now entirely emotionally satisfying film.
Sometimes a film comes along that just knocks me out with its filmmaking, but never quite comes across on an emotional level. Paul Thomas Anderson films have that way about them and his latest, Phantom Thread, falls directly into that category. It is a meticulously made film in every possible way. It is gorgeously designed and stunning to look at. The script is a puzzle where every piece falls into place exactly when Anderson wants them to and the acting is exquisite. But there is something about the story and the characters that just didn’t quite connect with me. Yet,
Come catch up with all the cool things I consumed this week.
I keep track of all the movies I watch every month and have various mental goals to keep up with. Sometimes I get a little panicked in the middle if I haven’t watched enough. Though we aren’t even halfway through this month, at the beginning of this week that panic set in real good. So I kicked my watching habits up a few notches and watched a few movies from last year that got a lot of love and a couple of much older ones that had been on my radar. Lady Bird Greta Gerwig’s semi-autobiographical movie stars Saoirse Ronan
Tarkovsky's last film is a gorgeous meditation on life, God and what we are willing to give up.
In literature classes, you learn that in short stories every paragraph, every sentence, every comma counts. Because of the short length, you cannot have any fluff. You have to weed out everything that isn’t important. Whereas in a novel you can sometimes let a sentence or two (or if you are Stephen King, entire chapters) slide. In a similar way with slow cinema - films that are more contemplative in nature and that utilize long shots with fewer cuts that normal cinema - one has to make each shot really count. Andrei Tarkovsky was a master of slow cinema. Though
If you are looking for sex and nudity in your new releases, then this week is for you.
Sex sells, or so they say. I suppose they are right as sexy things seem to abound in advertisements and the media. Lord knows I am not immune. This week’s new releases are filled with sex in a variety of forms, but not my pick of the week. Well not as far as I can tell anyways. I haven't seen any of it so maybe it's filled with sex and I'm just not aware. The Sinner stars Jessica Biel (who also executive produced) as a young mother who, in an inexplicable fit of rage, commits a great act of very
Here's five cool things I discovered this week.
In order to watch the new season of The Handmaid's Tale, I once again ordered a subscription to Hulu. They are doling that series out one episode per week so I have plenty of time to find other interesting shows on the service. So sit back and enjoy the five cool things I found this week. The Wrong Mans The Wrong Mans is a British crime comedy that is being co-produced by Hulu. In its opening moments, low-level government employee Sam (Matthew Baynton) witnesses a automobile accident. After the ambulance takes the victim away, a phone lying on the ground
Bill & Ted's Excellent Adventure 30th Anniversary Steelbook Edition Blu-ray Review: Party On, Dudes!
Shout! Factory repackages an excellent movie in a mostly excellent Steelbook package.
When I bought my first computer with my own money, one of the first things I did was change the normal Windows shut-down WAV file for one of Bill saying, “This has been a most unusual day." Though she doesn’t get the reference, I often call my daughter Lydia Brewster, Esquire. While there is no longer a Circle K anywhere near me, I will often note that strange things are afoot at whatever oddball place I happen to be in. If someone asks me for a number, my answer is always “69, dude!” And whenever I meet someone named Missy,
Here's the best of this week's Blu-ray releases.
There are a number of directors whose work I follow closely. I watch all of their films even if the story doesn’t look that interesting. There are some actors who I like a lot and whose work I’ll usually check out regardless of whether the film looks good. There's maybe a handful of screenwriters whose name I know and whose films I’ll usually see. For all other films, it depends on the story, the trailer, and the buzz. I don’t really follow studios at all. Except for Pixar and Studio Ghibli. Two animation studios that consistently put out great movies.
I'm a little late posting it, but these things are still cool.
Sorry I’m a little late with the Five Cool Things this week. I have plenty of stuff to talk about, so it wasn’t a lack of things that kept me from it. I started writing about them yesterday afternoon, got a few entries in, and took a little break. Various things happened and that break became a long one. The local TV station plays classic Tom Baker Doctor Who stories every Friday night and me and the family have made that a thing we do together. We fix a big bowl of popcorn and watch it upstairs in my bedroom.
Never underestimate the power of a bear.
Truly great family films are hard to come by. They are either too sappy or silly or both to be enjoyed by adults or otherwise too busy trying to be clever to keep a kid’s attention. Every once in awhile, the balance comes out just right and the whole family finds themselves enthralled. From the sound of it, Paddington 2 is one such movie. Based on the children’s series by Michael Bond, the film follows the adventures of a Peruvian bear who has been adopted by a family in London. It stars Ben Whishaw, Hugh Bonneville, Sally Hawkins, Hugh Grant,
Studio Ghibli Fest continues.
A quiet and shy schoolgirl named Haru (Anne Hathaway) is having a bad day. She overslept and has to skip breakfast; she loses her shoe on the way to school. She is caught by her teacher sneaking into class, which makes all her classmates laugh at her, including the boy she likes who otherwise barely knows she’s alive. While walking home with her friend Hiromi (Kristen Bell), she saves a cat from getting run over by a truck and is nearly killed herself. Much to her surprise, the cat stands on two legs, thanks her, and mentions he’ll be back
Ken Russell's controversial adaptation of D.H. Lawrence's controversial novel gets a maginficent release from Criterion.
It's difficult not to compare the time in which Ken Russell adapted Women in Love (1969) to the time in which D.H. Lawrence wrote the novel and the film are set (1920). Both periods were times in which Britain’s social norms were changing. The film’s setting, just after World War I, finds the Victorian-era moral codes along with the staunch upper classes crumbling. The film was made at the height of the sexual revolution when young people were once again throwing off the chains of their parents' moralizing for newfound freedom. It is impossible then to view the film’s story
This week's cool things include a couple of Humphrey Bogart films, another Stephen King novel, Bob Dylan, and more.
As mentioned last week, my in-laws were in town this week, also as mentioned they put a damper on my pop-culture consumption. In the early evening hours, we tend to play games or chat or do some activity other than sit in front of the TV. After I put my daughter to bed, some times we'd throw a movie on but usually there was this awkward space in which we’re all sitting around not knowing what to do. Then, of course, there is the fact that they are older and more conservative and many of the things I want to
Didn't I write this already?
Do you ever have one of those days where you thought you did something, are absolutely sure of it, are so sure there really isn’t any need of double checking that you did it, only to later realize you didn’t do it at all? Yea, that was me, today, with my Pick of the Week. This weekend I think I must have looked through this week’s new releases thought about what I would pick, what I would say about that pick, and then promptly killed my web browser without actually writing anything. Somewhere in the fogginess of my brain I
This week's cool things mostly include things I reviewed for this site.
Last week, I noted that I had started several things and not finished them. My hope was to talk about them this week. As it turns out, I still haven’t finished some of them (damn, Andrei Tarkovsky movies are long) and the ones I did finish weren’t very good (I’m looking at you Lizard in a Woman’s Skin and Sacha Guitry). Next week, my in-laws will be in town which will further much with my ability to watch the things I want to watch. Unexpectedly, I still managed to watch and read some cool stuff this week. And away we
A newly restored print makes this classic silent film even better.
As still-photography technology developed and exposure times dropped, the idea of taking a series of photographs and piecing them together to form a moving picture began to percolate in the brains of some of the world’s greatest minds. In May of 1887, a Frenchman, Louis Le Prince, created the first motion-picture film, Roundhay Garden Scene, which consists of a few seconds of people walking in a garden. Others tinkered with similar devices but they were all bulky and unreliable, and the images came out poorly. In 1891, Thomas Edison created the Kinetograph, which took a series of instantaneous photographs on
It's a big week full of interesting new releases.
The first words out of my mouth--er, keyboard, this week was going to be that I’m a huge Paul Thomas Anderson fan. Then I looked at his filmography and realize I’ve not seen his last three films. I am very much a fan of his first five films (Hard Eight, Boogie Nights, Magnolia, Punch Drunk Love, and There Will Be Blood). But somewhere along the way I seem to have stopped watching him. It started with The Master, his sort-of take on Scientology with Phillip Seymour Hoffman playing the charismatic leader of a crazy cult. When it came out, it
Grease is still the word.
Every month, Fathom Events and TCM present a classic movie for the big screen. Nearly every month, my wife and I go. Normally, I grab my passes without even asking her. When Grease was announced, I asked her if she wanted to see it. I was reluctant about it. She was excited. Passes were secured. On the day of, neither of us were particularly thrilled. We kept coming up with excuses to not go. I first caught Grease sometime in the mid 1980s as a junior high kid. I was flipping through the channels on the little TV in my
A forgettable silent comedy is made watchable by the great Gloria Swanson, and worth buying by a terrific scene on a subway.
As the working day ends, we see tired feet marching down steps, and a pair of worn-out hands clock out. A shopgirl tries to buy her ticket for the subway but is pushed this way and that way by the hordes coming in and out of the station. Once on the train, she is jostled and pushed, pried and prodded. She spills the contents of her purse. Two men reach for the handle bars when the train moves, accidentally lifting the girl off her feet when they do. Her hat is knocked to the floor, stepped on, and smooshed. When
A nice boxed set from Arrow Academy presents four films from the popular French director.
You could say Sacha Guitry was born into the theater. His father, Lucien Guitry, was a very famous French actor who was friends with such luminaries as Tchaikovsky (Guitry convinced the great composer to write his works for Shakespeare’s Hamlet). As a teenager, Sacha began writing for the stage. He was quite prolific at it, having penned more than 120 plays in his lifetime. As movies began taking cultural prominence over the stage, Guitry stayed in the theatre feeling that silent pictures without the use of dialogue were not as dramatically satisfying. By the 1930s, he had changed his mind
It was a weird week determined to distract me, but I still found some cool stuff.
Last weekend, we went to Tennessee to visit some old friends for Easter. This week, Oklahoma teachers staged a walk-out in an attempt to get decent wages and more money for their classrooms. I don’t want to get to far into either of those things because I never want to write about religion or politics. I really don’t want to belittle the teachers and what they are doing in terms of how it has negatively affected my ability to consume pop culture. I do support the teachers and their important cause, but darn, if it hasn’t messed up my ability
What can I say? It is a slow week.
I’ve been writing this column for several years now and I still have no idea how the people who make decisions on when Blu-rays are going to be released decide on when a Blu-ray is going to be released. Last week, we had loads of great stuff coming out. This week we’ve a bunch of junk. Well, that’s not quite true; there are several semi-interesting things coming out just nothing really big and exciting. I have no idea why that is. Do people buy a lot of movies for Easter? Are chocolate bunnies out and Blu-rays in? Next week finds
Here's the cool things I consumed this week.
My birthday was last Sunday. My wife made me a nice breakfast, we went to a couple of books stores, and let the daughter play at a park. We had planned to go to a movie but that fell through and instead we went home and watched some James Bond. I’ve never been the sort of person who wants to have a big party so this was pretty much perfect. Other than that, this week has been pretty standard. I watched some good movies, read some good comic books. and here we are. Jumanji: Welcome to the Jungle Much like
And so the Studio Ghibli Fest 2018 begins.
There is nothing like a Hayao Miyazaki movie. Released in 2008, Ponyo was the tenth film Miyazaki directed (his eighth for Studio Ghibli). To celebrate its tenth anniversary, GKIDS and Fathom Events gave it a limited theatrical run. A small goldfish wanders off from her four-flippered home, narrowly escapes a fishing trawler dredging up piles of garbage from the bottom of the sea, and gets stuck inside a glass jar. She is rescued by Sosuke, a five-year-old boy who places her in a bucket and shows her off to his mom and the old ladies at the retirement home where
See what's new in Blu-ray this week.
It's a great time to be a Star Wars fan. I’m not quite old enough to have seen either A New Hope or The Empire Strikes Back in the theaters but I have distinct memories of seeing Return of the Jedi at least three times at the local cinema. I used to rent the entire trilogy over and over on VHS as a youngster and my mother says I saw them on HBO dozens of times in those early years. The space between the original trilogy and the prequels were filled with countless hours discussing what was then only rumors
Come read about all the cool stuff I watched this week.
It is the start of my birthday weekend (I turn 42 on Sunday). My mother just picked up my daughter for a sleepover. I should be out celebrating. Instead, I’m here writing this. Later, I’ll watch TV. Honestly, I’m pretty okay with that. We were going to go see a movie, but we’re still in the post-Christmas / pre-Spring blockbuster lull for movies at theatres. Good stuff is coming soon, but there really isn’t much I want to see and nothing the wife and I could agree on. Luckily, I have access to all sorts of cool stuff on the
This week's new releases include a couple of Criterions, Matt Damon getting shrunk, a Robert Altman horror film, and more.
The biggest gap in my cinematic education has to be silent films. I’ve only seen a few of them and they were mostly a struggle. With no audible dialogue, my attention tends to wane. I start thinking about my day or things I need to do. I look outside or at the messiness of my room. I watch the cat and inevitably reach for my phone, and *poof* the movie slips by without hardly a thought from me. The one silent film I’ve ever loved was The Passion of Joan of Arc. Carl Theodor Dreyer’s telling of the trial and
Don't miss your chance to see this Alfred Hitchcock classic on the big screen.
I started collecting movies sometime in college. Initially, I swore to only purchase really interesting movies - stone-cold classics and interesting arthouse films - but soon enough I was buying all sorts of horrible things if they were cheap enough (somewhere I still have a copy of To Gillian on Her 37th Birthday, bought unseen from the used Blockbuster bin for less money than it would have cost to rent it). Whenever I had some extra money, I’d head to the mall to browse the aisles at the Suncoast Motion Picture Company. On one of those visits, I came across
This week's cool things are strange and wonderful.
After a long, dreary winter, spring is finally here. Our backyard tree is blooming, the temperatures are warming up, and the sun is shining. The daughter is out of school next week, which will likely curb my pop-culture consuming, but this week was full of interesting things. I can’t wait to start talking about them. Tiny Desk Concert: John Prine John Price is a national treasure. He is one of the greatest songwriters of our age. He’s an old man now, but he’s always written songs beyond his years. He just released a new album, The Tree of Forgiveness, and
A surrealistic horror film that feels more like Ingmar Bergman than Robert Altman.
Made in the middle of his incredible 1970s run of films that includes M*A*S*H, McCabe & Mrs. Miller, The Long Goodbye ,and Nashville, Robert Altman’s Images is unlike any of those films and in fact is different from pretty much anything in his long, storied career. There is none of the overlapping dialogue that Altman pioneered and his camera, which he typically inserts into a scene letting it rummage around for a story, is more beautiful, constructed, and poetic. Made in 1972, Images premiered at the Cannes film festival where it won Susannah York the award for Best Actress. It
Animated film from Spain tells a dark, sad tale that retains a hint of hope.
In a post-apocalyptic landscape, three friends, a mouse, a piglet, and a little fox, dream of escaping their horrible little island and moving to the city where they might breath the clean air, drink the clean water, and live their lives out prosperously. But they neither have the ability or the means to leave. Dinky the mouse steals “happy pills” from her fundamentalist parents, who constantly berate her and use a baby Jesus doll that literally cries blood to fill her with guilt. Zachariah the piglet lives with his drug-addicted mother who turns into a giant spider when she gets
Hope you have some leftover Christmas money because there is a lot of interesting stuff coming out this week.
I hope you have some leftover Christmas money because it's gonna be an expensive week, Blu-ray fans. We’ve got blockbusters, Oscar winners, cult classics and more. Guillermo del Toro’s other-wordly, weird fantasy film The Shape of Water took home four Oscars including Best Picture and Best Director. It's about a girl kissing an underwater sea monster during the Cold War. Or something. I really haven’t been paying attention and his films are best seen without having preconceived notions. Luckily, Matthew St. Clair wrote us a review. Honestly, there are at least four other releases this week that I could have
Well Go USA's new 4K transfer of Takashi Miike's splatter classic gives you all the gore you can handle in pristine high definition.
While watching Well Go USA’s new 4K transfer of Takashi Miike’s classic splatter flick Ichi the Killer, you may ask yourself whether or not one needs to see all that gore in super high-definition. Is it necessary, you may ponder, to see the insides of a man cut straight down the middle, or the viscera of a dozen nameless foes sloshed across the floor, blood dripping from the ceiling, or even the title cards rising from a puddle of semen in all its digitally restored, detailed resolution? For fans of the highly influential, totally disgusting, and surprisingly funny film, the
This week's cool things include Tom Cruise, George Clooney directing the Coens, and more Stephen King.
I have a tendency to be watching, reading and listening to multiple things at once. My wife laughs and scoffs at this as she doesn’t understand how I can keep things straight in my head. I’m not entirely sure that I do keep things straight, but this is the way I’ve always consumed pop culture. Right now I’m watching two movies (Salem’s Lot and Robert Altman’s Images) reading at least three books (A Christmas Carol, Freedomland, Pet Sematary) and probably have a few more laying around that I started and have forgotten about. I’m in the middle of more TV
Two movies battled it out for this week's pick, but ultimately, the superhero won.
The 90th Academy Awards aired last night. I have to admit I wasn’t all that excited about it this year. No idea why. I’d actually seen more of the films this year than I usually have at this point and it's the one awards ceremony I usually love to sit through. I skipped all the pre-awards stuff but did turn the TV on for the actual show. As per usual, I clicked on Twitter to see what the people were saying about it. Usually, Twitter is a pretty fun place to hang out while watching the Oscars with plenty of
See what's cool this week.
In my continual playing of roulette with the many streaming services one can subscribe to, I landed on HBO this week. It is part of the Amazon system now which makes it super convenient. I can easily subscribe and unsubscribe to it via my Amazon Fire so there is no messing around with internet sites and new apps and credit cards. It's a great service, too. It has all the HBO shows plus lots of movies and they even let you watch the various HBO channels streaming live. Its a little pricier than I like (just under $15) but they
Just in time for the Oscars, this week's releases include a lot of films that will no doubt win awards.
Watching Mary and the Witch’s Flower this weekend made me reflect on animated films and the studios that create them. Mary was made by Studio Ponoc, which was formed when Studio Ghibli looked like it was going to stop making films after the “retirement” of founder Hayao Miyazaki (scare quotes get added as Miyazaki has once again announced his un-retirement to make one more film). Ghibli, of course, has been one of the great animated studios of the last few decades. I’d argue their closest rival is Pixar and that’s not really a rivalry at all since Pixar’s John Lasseter
Studio Ponoc, heir apparent to Studio Ghibli, proves they have taken the animated torch and ran with it.
In September 2013, famed director and Studio Ghibli founder Hayao Miyazaki announced his retirement. He had made such proclamations before but this time he promised he was serious. A few months later, the studio announced there would be a brief pause in production in order to re-evaluate where the company would go without their founder and creative leader. Speculation was that they would never produce a new movie but might venture into releasing films made by other companies. Amongst all of this, Yoshiaki Nishimura, a lead producer for Ghibli, started a new company, Studio Ponoc. Soon after, many animators from
This week's cool things include a couple of comics, some old movies, and a new trailer.
I shouldn’t write these things on Friday. It seems like every week I’m saying how long and exhausting the week has been. Maybe if I wrote them on Monday I’d be all refreshed and collected from the weekend. Nah, I’d just be frazzled to have to write something else with a case of the Mondays. It was a long week. My wife and daughter are finally getting over the sickness but then the kid had to play catch-up from missing school and there have been loads of extra activities. Luckily, work has been slow so I’m not a total zombie.
A movie star reflects on his life and the compromises he made to get there.
Arindam Mukherjee (Uttam Kumar), an enormously famous movie star, boards an overnight train from Calcutta to Delhi to receive a national award. There, he meets an interesting cast of characters including Aditi Sengupta (Sharmila Tagore), a young journalist who edits a modern women’s magazine. She is contemptuous towards egotistical movie stars like him, but decides to secretly interview him as an expose to draw in readers. She wanders over to him in the dining car pretending to want an autograph for her niece and because she’s pretty and the journey is long, he begins talking to her freely. Over the
This week brings us a couple of foreign language films from the Criterion Collection, a silly horror from Arrow Video, Doctor Who, an Oscar-buzzing indie, and more.
Sean Baker has been making movies for nearly twenty years, but only recently has been given the kind of buzz that moves out of the festival circuit and to places like Oklahoma (where I live). In 2015. he made Tangerine, a movie about a couple of transgendered sex workers that was shot on iPhones and garnered a lot of critical attention. Last year. he made The Florida Project which has garnered some significant Oscar buzz. It's about life in and around a run-down motel somewhere near the vicinity of Disney World in Orlando, Florida. It shows the kids running around,
You've got one more chance to see this classic on the big screen.
Playwright Phillip Barry wrote a play called The Philadelphia Story specifically for Katharine Hepburn to star in. After it was a success, Hepburn bought the movie rights to the play and sold it to MGM for the relatively small sum of $250,000 in return for her being able to pick the producer, screenwriter, and costars. She chose Joseph Mankeiwicz to produce (and many decades later his great-nephew Ben Mankeiwicz would inform me of all this trivia in his introduction to this Fathom Events showing), George Cukor (with whom she had worked with in A Bill of Divorcement and Little Women
Distinctive animation elevates a simple story into the sublime.
Based upon an old German fairy tale as collected by the Brothers Grimm, The Girl Without Hands is a French animated film with a lot of heart and a unique sense of style. The devil (Phillippe Laudenbach) appears to a poor miller (Olivier Broche) and makes him a deal. For the small price of what’s behind his mill, the devil will make him rich. Knowing that only an old tree lies behind his mill, the miller agrees. Soon liquid gold begins flowing through his mill, making him richer than his wildest dreams. When the devil comes to collect, the miller
This weeks cool things include some (not so) Classic Doctor Who, a Stephen King sequel, a Neil Gaiman book, and more.
Sickness has come to house Brewster again. My wife caught a nasty cold late last week and it's stayed with her even unto today. My daughter caught something nastier but shorter a couple of nights ago, which left her dazed and confused (and puking her poor little guts out) for about 24 hours. I've managed to mostly stay healthy (although my back is about to give out due to sleeping on the couch trying to avoid my wife's bug). As such, there has been a lot of stayng in and watching TV. Here's five things we enjoyed. The Trial of
Anthology collection starring Silvana Mangano as a variety of witches fails to bewitch.
The concept of an anthology film in which you make one long movie consisting of several short films seems like a good one. Presumably, it is easier to wrangle big name directors and stars as the time commitment will be shorter than a full-length feature. You can have a variety of different genres and styles and if one film is a dud, then you’ve got several others that can compensate. And yet it is rare thing in which I’ve ever enjoyed an anthology film. It's a bit like short-story collections to me. It's difficult to tell an engaging story in
David Simon's new series is about the sex trade in '70s New York, it is as difficult to watch as it is good.
These days, New York City's Times Square is clean, shiny, and safe. It's a Mecca for tourists and families and a fun stop for anyone looking to see the sites of The Big Apple. It wasn’t always like that. In the 1970s and '80s, it was a hot bed of sex, drugs, and crime. HBO’s new series The Deuce tells the story of that Times Square. Created by David Simon and George Pelecanos, The Duece has a lot in common with another of their shows, The Wire. That series, arguably the greatest show ever, used various institutions (the drug trade,
This week's new releases include some great and not-so-great horror films, Dan Gilroy's follow-up to Nightcrawler, Julia Roberts trying to make a comeback, and more.
David Simon started out as a reporter for The Baltimore Sun where he worked the crime beat. In 1991, he took a year off to follow the Baltimore Homicide squad around and wrote the excellent Homicide: A Year on the Killing Streets about it. A few years later he took another year-long sabbatical with former cop Ed Burns to spend time on an inner-city street corner and wrote about the lives of the junkies, dealers, and helpers who live, work, and play there in the book The Corner: A Year in the Life of an Inner-City Neighborhood. Homicide was turned
This week's cool things are trailers, trailers, and more trailers.
The Super Bowl aired this last Sunday. I didn’t watch a single second of it. Not even for the commercials or Justin Timberlake’s halftime show (though I did watch some of both a few days later on YouTube). The only exciting part for me was that Super Bowl Sunday is now apparently the official start of Hollywood trying to get us pumped for their summer roll out. There were several cool trailers that dropped during the game (and several more have come out in the week since). Call this week’s post "Five Cool Trailers." Solo: A Star Wars Story This
George Clooney's take on a Coen Brothers' script leads this week's new releases.
The Coen Brothers have been some of my favorite filmmakers for a long time. I first saw their work with Raising Arizona but it wasn’t until Fargo that I actually knew who they were. That film blew me away. It remains a favorite. I love the Coens' directorial style and their quirky, dark sense of humor. George Clooney is one of my favorite actors. He is incredibly handsome and utterly charming. He’s a movie star in the old Hollywood sense. He isn’t the greatest of actors, in fact he has a pretty limited range, but he seems to understand this
This week's cool things include lots of award winners and some that should have been.
I’m always late to the party when it comes to awards season. I simply don’t make it to the theaters enough to see all the big movies let alone the small ones. I eventually catch most of the buzzy, acclaimed films but not usually until long after all the golden statues have been handed out. This time I’ve managed to see 28 films released in 2017 many of which have been nominated for big awards. That’s still a long ways from all of them (and miles away from the 12,000 films released last year (according to Letterboxd anyways) but for
This week brings us a biopic about the creator of Wonder Woman, some Pink Panther cartoons, a new Richard Linklater flick and more.
After watching Wonder Woman last year, I became a little obsessed with the character. I read loads of articles online about her and eventually picked up Jill Lepore’s excellent book, The Secret History of Wonder Woman. It details the characters birth in 1941 in Action Comics and the many changes made to her throughout the years. It also serves as a fascinating biography of Wonder Woman’s creator, William Moulton Marston. He graduated from Harvard, became a psychiatrist, a professor at various universities, invented the lie-detector test, worked as an advisor to Hollywood studios, was a bondage fetishist, and secretly lived
Step right up and come see the cool things I discovered this week.
It's always a challenge for me to balance between the movies I want to see and the television shows I want to make it through. This year I seem to be hitting the sweet spot finding ways to watch plenty of both. That’s a very satisfying feeling. The Greatest Showman I initially had no interest in seeing The Greatest Showman. I’m not an enormous musical fan, don’t really like biopics, am not particularly interested in P.T. Barnum and the trailer didn’t do it for me. But then it started getting a lot of buzz on my social-media feeds. At first,
It is a light week for new releases, but there's a few titles coming out I think you might like.
It;s been a weird couple of weeks. Usually, the week after Christmas sees a huge drop off in the number and quality of new releases. This lull typically lasts until sometime in mid-February when things slowly start to pick up again. But this year thus far we’ve seen a pretty good collection of stuff coming out in this normally dry period. This week is pretty weak in terms of overall numbers, but there’s still some interesting selections to choose from. Not that I’m complaining, mind you, it's just weird. The Killing of a Sacred Deer, reviewed by Matt St. Clair,
Cool things this week include a Hitchock from the Criterion Collection, a French animated film, a Rogue Cut, and lots of gods.
I try to write little pieces of this article as I watch, read, and listen to cool things throughout the week. If I do it right, then on Friday morning all I have to do is assemble the pieces and write an intro. Sometimes that actually works, other times no so much. Last week was one of those times that I was scrambling to put all my thoughts together about all the five things before my deadline. In that rush I forgot to write an intro. Then I got sick. It was a weird sickness. One moment I felt fine
The sequel to a sci-fi classic leads this week's new Blu-ray releases.
One of my pop-culture admissions is that I’ve never been a huge fan of Blade Runner. I’ve only seen the director’s cut, but it's generally considered the best version of the film, and I’ve seen it twice, but it's never really done it for me. I like Ridley Scott, I love sci-fi, and I appreciate a lot of the things the film does, but for whatever reason, I’ve just never particularly cared for it. All the same, I was pretty excited to hear they were finally making a sequel. I really do think the concept of Blade Runner is interesting
Go see it on the big screen while you can.
Based upon the book by B. Traven, The Treasure of the Sierra Madre is generally considered one of the greatest movies ever made. Interestingly, Traven was such a recluse, he would only make notes on the script via letter. Eventually, he did send his representative, a man named Hal Croves, to the set as technical advisor. It was greatly suspected Croves was in fact Traven, but never proven. Mostly shot in Mexico over six months, it was one of the first American films to be shot on location, much to the chagrin of Jack Warner who was footing the bill.
This week's cool things include a classic Doctor Who, two new adaptations of old books and lots of violence.
Mat was felled by a stomach bug before he could finish writing his article, which is not a cool thing, so dive in without his traditional introduction. Make sure to wash your hands when you are done reading. - The Management Brawl in Cell Block 99 I’d been hearing really good things about Brawl in Cell Block 99 for a few weeks. So much so that I made it my Pick of the Week awhile back. It is streaming on Amazon so I gave it a shot. It is a really interesting mix of the art house with the grindhouse.
This week's new releases include a killer clown, a Deep Throat, a Supreme Court Justice, and more.
Miniseries have been around since the birth of television but it was the 1980s that really defined what they are and cemented them in our collective consciousness. Or at least that’s how I remember it. As a kid, I can remember grabbing the television guide from the Sunday paper and very carefully mapping out my primetime viewing for the week. I had certain shows on most nights that I watched every week, but some times there was a special - the Olympics, an awards show, or Circus of the Stars - that would take precedence over my normal TV watching.
This week found me reading some cool comics, watching some non Doctor Who-related Peter Capaldi TV, and more.
As noted in last week’s entry, I spent the week between Christmas and New Year's at my in-laws spending time with my wife’s family. They are lovely people but not very pop-cultural savvy. We tend to spend our time playing board games and chatting with each other rather than watching movies and television. Luckily, I always get a few comic books for Christmas and as you’ll see I’ve already read a few of them. The Avengers: Age of Ultron(comic book) In the comics, Ultron has existed since the late '60s and appeared as one of the great Avengers' villains periodically
Seminal punk documentary finally gets a digital release.
A few years back, maybe ten come to think of it, I was getting to know a girl, Pamela, who eventually became a good friend. I asked her, like I always ask people I’m getting to know, what kind of music she liked. She said she was a big punk fan. Intrigued, as she didn’t look like your typical punk rocker, I asked for details. “Who do you like,” I asked. “The Dead Kennedys? The Minutemen?” “Who?” she replied. Pushing further, I asked “The Misfits? Black Flag?” I got blank stares. “How about the Ramones or Green Day?” Nothing. “Well,
This week brings us John Hughes getting his first Criterion plus a tennis match, an Italian murder, Tom Cruise running drugs, and more.
If you are a child of the '80s, if you are a movie fan of a certain age, then John Hughes films have a special place in your heart. Throughout the 1980s, he made movies about teenagers that felt real. His characters spoke like real teenagers spoke, they cared about things real teenagers cared about. They were funny and sad, romantic and heartbroken. They felt like they were made for…well, me. And a million other me’s. It is hard to pick a favorite John Hughes film because so many of them are so good. As a teenager, I likely would
Peter Capaldi and Steven Moffat get a nice send-off while paving the way for a new generation.
Having the Doctor regenerate when he "dies" was nothing short of a genius idea. In other television programs, replacing a main character with a different actor is a doomed idea, but in Doctor Who, it's just another day at the office. Regeneration has allowed the series to run (almost) uninterrupted for over 50 years, periodically injecting new life blood into it as new actors take on the role. That isn't to say regeneration isn't without its challenges or controversies. Whenever a new Doctor appears, there is much outcry from fans. When Jodie Whitaker (the first female Doctor ever) was announced,
Cool things this week include a Stephen King detective novel, a new Netflix show, and more.
Hope everybody had an excellent Christmas. I kind of hope it was a little dull pop-culturewise or I’m about to look a little silly. We are visiting my wife’s family this week and like a good little Sentry, I got my posts in ahead of time (I wrote them last Wednesday). So if anything amazing dropped in the last few days don’t expect any commentary from me about it. But if it's been as boring as the week between Christmas and New Year's usually is then pretend you didn’t read this paragraph and imagine these are the things I discovered
Michael Caine returns with his Get Carter filmmakers to make a movie that is completely different.
In 1971, three guys named Mike (Hodges the director, Klinger the producer, and Caine the star) made Get Carter, what is now considered the seminal British gangster movie. In 1972, they teamed up together again for Pulp, something completely different. At its heart, Pulp is also a crime thriller but its tone, its writing, and its performances are something altogether weirder, funnier, and so completely out there as to defy expectations. Caine plays Mickey King, a writer of pulp novels (with titles such as My Gun is Long and The Organ Grinder) whose in it for the writer’s lifestyle more
This post-Christmas week brings us a surprising amount of interesting new releases.
I love it when an actor is able to reinvent himself. I love it when you think you’ve seen everything you’re gonna see with an artist and then they create something so totally new, so completely beyond what they did before that you can only just stand and gape. I haven’t seen Brawl in Cell Block 99 so I can’t say whether or not I’ll be gaping at Vince Vaughn’s performance or not, but from the early reviews that’s exactly what I’ll be doing. I’ve never exactly been a fan of Vaughn’s work. I don’t dislike him, but I’ve never
A remake that need not have bothered.
The Isle of Todday off the coast of Scotland has largely been unaffected by World War II. They are too small, too remote to be bothered with. Until the whiskey runs out at least. Rationing only allows them a few bottles a month. After the last drop has been drunk, the locals got a bit crazy. One man literally dies. They can’t even have a proper Scottish wake for him without the whiskey. Things look completely bleak until one foggy night a ship runs smashes into some rocks. Locals investigate, thrilled to discover some 50,000 cases of whiskey are the
This week's cool things include one of Martin Scorsese's favorite films, The Last Jedi and lots of stuff I found on Acorn TV.
Apologies for the absence of Five Cool Things last week. I usually try to write them on Thursday night and last week I got a bit sick then. Slept until 11 in the AM Friday morning and woke up feeling better. But by then my day was so thrown off with work stuff that I had no time to play catch up with my writing. Then we were invited to some friends that evening for food and games and the Cool Things got lost in the shuffle. But here we are with a new week and I’ve still got cool
It does a great job making the audience feel the absolute horror of this racially motivated instance but falters when putting that moment into a greater context.
Detroit is a docudrama about the Algiers Motel incident during the 1967 Detroit riot in which a group of white cops bullied and tortured several black men and two white women, murdering at least two of them. It was written by Mark Boal, a white man, produced by Megan Ellison a white woman, and directed by Kathryn Bigelow a white woman. There has been much controversy over a group of rich white people making a film about the black experience against police brutality. As a middle-aged, middle-class white man myself, I’ll let that (perfectly legitimate) debate carry on elsewhere. What
Acting legends Bette Davis and Lillian Gish together for the first (and last) time.
Two old sisters spend every summer at a little cottage off the coast of Maine. They love each other, but they are also very different and quarrel constantly. Libby (Bette Davis) is the youngest, but is in worse health and has gone blind. She has turned bitter and spiteful. Sarah (Lillian Gish) is full of life and is kind but can hold her own in verbal sparring with her sister. Though it is not outwardly stated (and there are a lot of things not outwardly stated), this summer will likely be their last on the island. It is based on
Maigret Sets a Trap / Maigret and the St. Fiacre Case Blu-ray Reviews: America's Introduction to the Great French Detective
Jean Gabin plays the French detective in two of the earliest adaptations of Georges Simenon's stories to reach the States.
Georges Simenon created Commissaire Maigret in 1931. The character starred in 76 of the author’s novels and 28 short stories. They have been translated into dozens of languages and adapted into numerous films and television series. Like Sherlock Holmes and Hercule Poirot before him, Maigret has become one of the world’s most famous fictional detectives. I’ve never read a single word of the stories but have previously watched and reviewed two other adaptations (one with Bruno Cremer as the great detective, the other with Michael Gambon) and now with Maigret Sets a Trap and Maigret and the St.Fiacre Case that
This final week before Christmas brings us a big war movie from Christopher Nolan, a smaller drama from Darren Aronofsky, plus Legos, Judi Dench as the Queen and more.
I love the last few weeks before Christmas, at least from a new Blu-ray release point of view. To get every last penny out of shoppers, movie companies put out their best, shiniest and most interesting films. This is also the last good week we’ll see for awhile as January and usually February our typically lousy in the new release department. I had to debate a little this week on what I’d pick but ultimately decided on what I’m most excited to see. Darren Aronofsky is one of the most interesting filmmakers around. His films (which include Pi, Requiem for
A lively historical romp that loses steam in its back half.
Judi Dench has played the Queen of England three times in her career. She played Queen Elizabeth I in Shakespeare in Love, Queen Victoria in Mrs. Brown and again in Victoria & Abdul. She is acting royalty having won nearly every award available to her including one Oscar, ten BAFTAs, two Golden Globes, a Tony, and a host of others. She’s actual royalty, too, becoming Dame Judi Dench in 1988. She is magnificent in Victoria & Abdul. At the time of her Golden Jubilee, Queen Victoria has grown lonely and tired of her fawning courtiers, the countless celebrations, and official
This week's new releases include a trio of Criterions, a couple of Reese Witherspoons, plus Colin Firth as an action star.
If you read the words I put onto this little website, then you know that I am a Game of Thrones fan. It was about the time my daughter was born that the HBO series came out. I watched a few episodes then decided the story was so dense I really needed to read the books. I put the show on pause and read the first couple of books then returned to the series. I managed to read ahead of the show, but now things have reversed and the show has caught up to the books and then some. Season
This week's cool things include John Denver singing with the Muppets, a classic James Bond film, Wilco, samurai, and more.
Winter is no longer coming, but is here, and with a vengeance. I woke up to temperatures in the teens this morning. Oklahoma always has wonky weather. We get broiling hot in the summer and freezing cold in the winter and the wind always blows. Which makes it perfect for staying inside and enjoying some cool pop culture, so here’s five cool things I consumed this week. John Denver & The Muppets - A Christmas Together In 1979, John Denver joined the Muppets for a Christmas special on ABC. As far as I can tell, it only aired once and
They were some of the earliest looks American audiences had at Maigret, and I, for one, am excited to give them a chance.
I have reviewed two different series (one English, the other French) based upon the Georges Simenon character of Maigret. I have never read any of the books, nor do I have a real affinity for the character. Why then do I keep watching and reviewing these things? You can blame my wife. She is a great francophile - a lover of all things French - and she turned me on to Maigret. Honestly, I don’t think she’s ever read one of the books either, but as he is one of the great detectives to come out of France (or Belgium,
Cool things this week include The Punisher, two films by Werner Herzog, an animated moving castle and more.
I cut the cord many years ago. Netflix and my DVD collection do me just fine, thank you very much. Until it doesn’t and I start looking for other means to get the videos I want, morally solid or not. I had an Amazon Prime account before I ever used their streaming services, but after purchasing an Amazon Fire box, I use that aspect of the service regularly. Recently, I’ve also started using a third service, but I like switching those around. I started with Filmstruck, which is run by Turner Classic Movies and the Criterion people, and offers up
It will please the younger set of Disney fans more than your average comic book geek.
In my family, Tangled is one of the better movies to come out of Disney’s classic animation studios in a long while. Released in 2010, it was the studio's 50th animated feature film and as such it nicely combines a bit of the old with the more modern. Like the vast majority of animated films coming out of the House of Mouse, Tangled takes an old fairy tale (in this case Rapunzel from the Brothers Grimm) adds in a few contemporary flourishes (and more than a few songs), gives it a happy ending, and calls it all good. It features
A rougher, dumber, more redneck Ocean's 11 that's better in almost every way.
When Steven Soderbergh declared he was retiring from feature filmmaking in 2013, nobody really took him seriously. Technically, he did take a sabbatical from “feature filmmaking” but he stayed very busy. He produced and directed two seasons of the Cinemax drama The Knick, directed the off-Broadway play The Library, helped Spike Jonze edit Her, he executive produced the Starz series The Girlfriend Experience (which was based on his film of the same name), and executive produced the Amazon series Red Oaks, and began working on the HBO series Mosaic. That’s a lot of work for a guy who was retired.
This week brings a bounty of new releases.
Steve Buscemi is one of those guys. Or should I say he’s one of those “oh, that guy” in that nearly everybody who watches TV and movies knows his face but may not know his name. He’s an actor who when you see him you might smile, nod, and go something like, “Hey, it’s that guy, the one from the thing.” I’ve loved him since the '90s when I watched him in films like Resevoir Dogs, Living in Oblivion, and Fargo. Dude has been in everything. He’s like Samuel L. Jackson, who will take about any role just to keep
It is a testament to the wonder of the film that I caught Howl's Moving Castle on Blu-ray a few weeks ago but was still enthralled to watch it again.
Hayao Miyazaki is one of the greatest animators to have ever held a pencil. His films are magic in celluloid. He makes films that are at once fantastic, bizarre, awe inspiring, and grotesque. His style is both realistic and alien. His characters are often out of proportion and oversized, organic, and fluid. It can be off putting at first. The first film of his I ever saw, Princess Mononoke, was so strange to me initially I couldn’t quite figure out why it was receiving such praise. Its creatures were so unusual I couldn’t quite comprehend what was happening. But once
A nice set of a classic comedian's best films.
I wonder if you approached someone under the age of 25 and asked them about Bob Hope if they’d even know who he was. I’m 41 and I mostly know him as the guy who used to do TV specials for the USO. It's a shame that he seems to be mostly forgotten except by those who grew up with him on television and the movies or for lovers of old cinema and historians of humor. For in truth, he was a pioneer in the field of comedy, a huge movie star in the '40s, a staple of light night
Cool things this week include Thor: Ragnarok, Logan Lucky, a Samurai comic, a couple of good TV shows.
Thursday was Thanksgiving here in the United States. It has always been one of my favorite days of the year. There is a great feast of delicious food, and I get to see family members I don’t get to see all that often. It is a joyous time, yet as I get older it brings on nostalgia and a little bit of sadness. This year was especially melancholy as it was the first year without my Uncle Mike and Aunt Linda, both who succumbed to cancer in the last year. Thanksgiving is also very different now than it was when
A big box of Hitchcock's greatest films (and a few of his lesser ones, too).
Alfred Hitchcock began his movie career in 1919 as a title card designer for silent films. He quickly moved up through the ranks at Paramount Pictures in Islington, England and became a scriptwriter, art director, and assistant director. In 1922, he was given his first job as director but after shooting just a few scenes, the finances were lost and filming was shut down. In 1925, he was given another directing opportunity and this one, The Pleasure Garden actually saw theatrical release. It flopped. As did The Mountain Eagle, made in 1926, a film which is now lost to history
I just called, to say, your film's not that good.
Teddy Pierce (Gene Wilder) has a good life. He’s got a good job in advertising. He lives in a nice suburban house. He’s got a pretty wife and a couple of good kids. His life might be a little on the dull side, but he’s happy. He doesn’t need anything else. Then one day while parking in his office’s underground garage, he spies Charlotte (Kelly LeBrock), a gorgeous model passing by. As she walks over a grate, a gust of wind pushes her skirt over her head. Embarrassed, she quickly jumps off and walks away. But then she turns around,
This week's new releases include a a sci-fi epic from Luc Besson, an animated film from France, a slew of silent films, most of Monty Python, and more.
It's funny how time messes with your mind the older you get. My mind is filled with all of these wonderful little snippets of memories. I can wrap them up in short story form and tell you all about them. But if you were to ask me to place them inside my own timeline precisely, I’d be at a loss. That time from high school to just post college - a time that was so important to me back then - has all become a blur. This is especially true when remembering the movie I saw back then, movies that
A grown woman grows a tail, but what does it all mean?
A lonely, dowdy, middle-aged woman lives in a small seaside village in rural Russia. She has no friends, her coworkers are excessively cruel, and she lives with her religious and superstitious mother. Life for her, in a word, is depressing. Then she grows a tail. A large, long, fleshy rat-like tail. Zoology, the second film from writer director Ivan I. Tverdovsky, is in search of a metaphor. Its fable-like structure and the fact that it's a movie about a woman growing a flipping tail makes us search for allegory, to find some meaning in its story. But the film never
This week's pop culture consumption includes some classic films, some modern films, more Doctor Who, and a video game from my youth.
Last week, I feared I was going to get sick like the rest of my family, which put me to bed earlier than usual and kept me from consuming as much pop culture as I normally do. That sickness never came to pass (keeping fingers crossed, continuously knocking on wood) and this week saw me watching a slew of movies, some great, some not so much. So lets get started. Casablanca I cannot remember the first time I watched Casablanca. It seems to have always existed in my memories. It's not that I watched it at a really early age
Three of Romero's earliest films get a nice boxed set.
Made on a minuscule budget and featuring no-name local Pittsburgh actors George A. Romero’s Night of the Living Dead became a huge worldwide success, essentially invented the modern zombie craze, influenced countless horror films, and is now in the National Film Registry by the Library of Congress. Not wanting to be pigeonholed as just a horror/zombie director, Romero branched out making a variety of films before returning to the zombie well in 1978 with Dawn of the Dead. Three of those films (There’s Always Vanilla, Season of the Witch, and The Crazies) are included in a new boxed set from
This week brings us a surprising number of horror films plus some cool concert videos, Doctor Who, and some cute cats.
I’ve loved movies for as long as I can remember. My mother tells the story of the first time I went to the cinema. I was maybe five or six years old at the time. I saw in the front row with my brother and cousins, but I kept walking back to where my mom was exclaiming how excited I was and how magical being at the moves felt. I no longer sit in the front row but movies are still magic. I’ve written plenty of times in these pages about how I’m also a big fan of horror films.
Round up the usual suspects and come watch the greatest movie ever made on the big screen.
At lunch when I told a friend of mine that I was going to go see Casablanca on the big screen, I could barely contain my excitement. When I told him it was my favorite movie, he, in all sincerity, asked why. He liked the movie, sure, but it was a long ways from his favorite movie so he wondered why it was mine. Genuinely confused as to how anyone could not love Casablanca as much as I do, the only answer I could come up with was, “because it's awesome”. And it is. But now having watched it again,
I've never watched a movie so long and so dull in which so very little happens.
After the enormous success of Gone With The Wind producer extraordinaire David O. Selznick was looking for another epic melodrama to make. This was 1944. The world was at war and Hollywood loved to make movies about it just as much as audiences loved watching them. But war movies with their big sets and action sequences were expensive. Selznick came upon an idea - everybody was making movies about the boys overseas fighting, why not make a movie about those they left behind? He found a book by Margaret Buell Wilder in which a wife writes a series of letters
I'm enlisting a little help this week, and away we go.
Sickness has been passing through my family. Both my parents got crazy sick a couple of weeks ago. Then my wife got a bad cold earlier this week and now my daughter has been running a fever the last couple of days. I fear I am next. Every little cough or sniffle I get freaks me out. I’m guzzling orange juice and eating zinc tablets like they were candy. It's also put me in bed earlier than normal in the belief that more rest might keep me from getting really sick. This in turn has meant less late-night movie-watching, but
Never trust a movie by its poster, Nightkill is neither sexy nor scary.
Intended to be Jaclyn Smith’s break-out role into movies (this was was right in the middle of Charlie’s Angels mania), Nightkill instead went almost straight to TV (after a very, very limited theatrical run) where it died a quick death. One look at its lurid poster featuring Jaclyn Smith naked in a shower while a sinister-looking shadow comes in behind her or the cast list featuring Robert Mitchum and Mike Connors (fresh in the middle of his popular Mannix role) and you might wonder why its taken so long for it to come to home video. After watching, I have
This week's new releases include animated anthropomorphic autos, a boxed set of DC animated movies, a boxed set inside a plastic head, and more.
I've been obsessed with golems since I first read about them in Michael Chabon's novel The Amazing Adventures of Kavalier and Clay. I don't remember much about what that story but the idea of a golem, a creature made of clay who comes to life, stuck with me. Golems are a part of Jewish folklore. They are made of any inanimate object but usually it's mud or clay. They are not sculpted well, more like clumped together as made by a child and given life. They can be creatures of good, but in the best stories they turn evil and
It's a good movie, just not Pixar good, which disappoints.
In discussions about the best Pixar movies, Cars always comes up short. It's not that its a bad film, but it simply doesn’t compare to the very best of what Pixar can do. It has none of the heart of the Toy Story films, or the inventive storytelling of Wall-E, nor the thoroughly compelling genius of Inside Out. It's got some great visuals and its a lot of fun to watch. It's a good, solid family entertainment. But when it comes to Pixar good just isn’t enough for some people. I like it more than most but it's definitely second-tier
This week's cool things include replicants, man-eating plants, mind hunters, and more.
My wife and I are not party people. We are much more comfortable sitting at home, watching movies, playing games, or reading. But once a year we throw a great big pumpkin-carving party. We invite all of our friends over. We make big batches of soup and chili. I make a special Halloween playlist. We decorate the house. We go all out. Except for this year. I don’t know if it was the unseasonably warm weather we’ve been having all this Autumn or that I’ve been really busy at work or what, but this year I just wasn’t feeling it.
A fun space adventure comic that looks like Star Trek but doesn't exactly stay true to its roots.
I have no doubt that when he created Star Trek: The Original Series Gene Roddenberry was hoping for a smash success. But there is no way he could have known it would have spawned the enormous multimedia empire that continues to this day, some 51 years later. While The Original Series didn’t even manage to finish its “five-year mission,” it did spawn an animated series, five other live-action TV series, six films starring the original cast, four films from The Next Generation, and three films in the rebooted series plus books, comics, magazines, games, and a cultural phenomena. The Original
This week's new releases include more horror films for Halloween, some packaged TV for Christmas, and a flopped Stephen King adaptation.
I’d call myself a casual Stephen King fan. I’ve read maybe half a dozen of his books and seen about as many of his movie adaptations. I’ve always liked him but considering how prolific he is as a writer, I cannot even began to call myself a true believer. Actual fans could argue all day over which of his many books are the best but the general consensus seems to be that his Dark Tower series is up towards the top. To call it an epic is to not understand who Stephen King is as an author. He’s written single
The best movie musical about a flesh-eating plant from outer space hits the big screen again for a limited engagement.
When I was in college, I worked for the university dinner theater. It was a small university and a small dinner theater with a very small storage space. Sometime before my time, they had launched a production of Little Shop of Horrors. They still had the giant foam-rubber man-eating plant from outer space. Because there was no place to store it during normal days, we just kept it in the auditorium, but when we were putting on a show, we had to carry its large, awkward-tohandle, and very heavy bulk through a small door and into one of the classrooms.
This week's cool things include Wonder Woman's creator, a Hitchcock comedy, and even stranger things.
Last week, I noted that I somehow managed to watch quite a few movies even though my in-laws were in town. Well, this week they left and I didn’t watch very many films at all. I spent a little too much time binge-watching a Netflix show to refresh my memory before watching Season Two. I did watch a couple of movies and read a couple of books so let;s get started. Stranger Things If I might be a hipster for a moment, I liked Stranger Things before Stranger Things was cool. Netflix, as is there way, just kind of put
Documenting the Newport Folk Festival at the height of the folk revival, Festival is a feast for music fans.
In the early part of the 20th Century, various folklorists, including John Lomax, wandered about the country documenting the songs of the people - folk music. They sought out cowboys and prisoners, former slaves and sharecroppers, and recorded them. In 1952, Harry Smith compiled his favorite songs from these recordings and created The Anthology of American Folk Music. This album reached the ears of folks like Woody Guthrie and Pete Seeger who recorded some of those songs and started the Great American Folk Revival which hit its peak in the early 1960s. In 1959, music promoter George Wein, who’d had
A fun read for the whole family.
When I last checked in with Little Orphan Annie (in Volume 10), she was busy fighting the war (World War II that is for those of you who don’t keep up with timelines of little red-haired girls in comic strips). With the war over, Annie spends the bulk of Volume 14 pursuing various business ventures, sparring with little mafia hoodlums, befriending a gypsy, taking on book burners, and having lots of other adventures. Created in 1924 by Harold Gray, Little Orphan Annie ran as a daily newspaper strip until its cancellation in 2010. At its height, it was one of
This week's new blu-ray releases include some really terrible (and terribly awesome) looking horror, the last of the Planet of the Apes trilogy, and more.
I've often wondered why I like bad movies. Not even bad movies, but bad horror movies, which are set apart on the bad-movie scale. Why do I enjoy watching people be torn apart in the most violent, gore-filled way? What makes a bloody decapitation or a close-up on a knife slicing the skin so much fun to watch? I abhor violence in real life but show me a man getting hacked to death on the big or little screen and I'm in my happy place. I don't have a good answer for that. Part of it is an appreciation of
Cool things this week include two remakes, Grateful Deed members covering the Beatles, Italian horror, and more.
My in-laws came in for a visit this week. They are lovely people and I always enjoy their time here, but it definitely changes the way I consume my pop culture. Normally, that means that I wind up watching a lot less movies as we tend to do activities or visit instead of turning on the TV. This week we kept ourselves pretty busy in the afternoons/early evenings but were wore out by the time I put the daughter to bed. Which meant we watched a movie pretty much every late evening. Let’s get to it, shall we? The Breaking
This week brings us a web-crawling superhero, a couple of Criterions, some raunchy ladies, and several nice boxed sets.
Towards the end of Captain America: Civil War, there is a sweeping scene in which Captain America and Black Widow prepare to train War Machine, Vision, Falcon, and Scarlet Witch to be new Avengers. It was a "passing of the torch" moment. Truth is, over the last decade and dozens of films. the old Avengers are getting, well, old. The actors are all getting tired of playing the same characters and I suspect many fans are ready to move on as well. Marvel has constantly been expanding their cinematic universe and it seems they are preparing to allow some of
An oddball mix of crime drama and horror (with heavy doses of slapsstick thrown in) make for an interesting mix.
As I have been watching and reviewing more and more Italian films, I have come to realize that I tend to lump a couple of genres in together. Certainly, I use "giallo" and "Italian horror" interchangeably even though they aren’t always the same thing. "Giallo" literally means “yellow” in Italian and comes from a type of cheap mystery novel published in Italy that came in a yellow cover. Many of those stories were made into cheap Italian films, which started as fairly straight forward crime thrillers but over time became more lurid and graphically violent with increasing horror elements. It's
This week's cool things include Italian horror, Brian De Palma horror, feminist horror, and a Jedi.
Hi, remember me? I’m your local writer who talks about new releases and cool things each week. Except for the last couple of weeks when I’ve been absent. A big thanks to Gordon for filling in. I won’t bore you with the details except to say it's been crazy in my real life with work, a busted computer and, well, memory lapses. Let's just say this Tuesday came and I actually thought I’d written a Pick of the Week until I realized that Baby Driver was out and I hadn’t mentioned it. Then I looked it up and I hadn’t
A loving, informative reading on the films of a Japanese icon.
You first notice the long, straight black hair. Then you see her body: thin, straight, erect. You look past the blade in her hand and gaze into those eyes. Those haunting, cold, beautiful, deadly eyes. This is Meiko Kaji, she’s a fanboy fantasy. A cult Japanese film star beloved by genre fans everywhere and muse to Quentin Tarantino. She starred in nearly 100 films in her long career but she’s best known for her role as the assassin in Lady Snowblood, the murderious Sasori from the Female Convict 701: Scorpion series and a rebel in the Stray Cat Rock films.
Almost nothing happens at a languid pace, but Rutger Hauer's performance is captivating.
An elderly, well-dressed, well-kept man (Anthony Quayle) walks down some steps to the banks of the Seine. There, he meets Andreas (Rutger Hauer), a younger, well-dressed but decidedly less-kept man who has clearly seen better days. The older man tells the younger about how he is wealthy but that upon reading about Saint Thérèse, he has decided to live a life of poverty and charity. He can see that Andreas has fallen on hard times and offers him 200 francs. At first, Andreas refuses, but then is persuaded. He is a man of honor and only takes the money as
Gore meister makes a film with an actual plot and social commentary, results are mixed.
If Mario Bava is the grandfather of Italian horror and Dario Argento artsy-fartsy daddy figure who brought giallo to the mainstream, then Lucio Fulci is the creepy uncle doing strange things in the basement and making all the ladies feel uncomfortable at the dinner table. I’ve only seen a couple of his films but they, and his reputation, declare that as a director he was more interested in bloodletting than story, he loved gore more than any pretense of depth. That might have changed in 1972 with his film Don’t Torture a Duckling. In it, he smooths the edges off
Italian crime series has grown more serious since the last time I checked it out, but it's still entertaining.
Detective Montalbano (Il commissario Montalbano) is an Italian crime drama set in the fictional town of Vigàta, Sicily. It is based upon a series of novels and short stories by Andrea Camilleri. Started in 1999 it has ran for eleven seasons. Each season normally consists of two episodes with a run time close to two hours making them more like individual movies than what you might consider a normal television episode length. Season 11 consists of Episodes 29 (“A Nest of Vipers”) and 30 (“According to Protocol”). It is brought to the United States by MHZ. The series protagonist is
October is here and with it comes a slew of new horror releases.
I love October. The long, sweltering days of summer are gone. The air is crisp and cool. Sweatshirts go back into the closet to be worn once again. The leaves start turning. The smell of burning wood in fireplaces and fire pits fill the air. It is a glorious time. It is the month of Halloween and with it scary movies. As you’ll see from the list of movies coming out this week, October means horror. For a genre fan like me, October is like Christmas. Surprisingly, my Pick of the Week isn’t supposed to be all that scary, violent,
An in-depth look into the Ghost in the Shell franchise.
Ghost in the Shell began life as a manga series that lasted from 1989 to 1997. In 1995, Marmoru Oshii directed the cult film of the same name based on the manga. From there came a video game, a sequel to the movie, a TV series, a movie (and more games) based on the TV series, another different TV series, then games and a move based on that series, and recently an American live action film. And now we have a new book that tries to understand this massive franchise by anime expert Andrew Osmond. It mostly covers the 1995
This week's cool things include Body Double, Cafe Society, Wilco, and more.
My wife had a birthday this week. I don’t want to complain that my wife’s birthday screws up my ability to consume pop culture, but it kind of does. Don’t get me wrong, if given the choice between spending quality time with my family and watching a show or movie, I’ll always choose the family (though if possible I try to enjoy the two things together) but when you are trying to write a weekly article on the pop-culture things you enjoyed this week, it's hard not to wish (just a little bit) that there was less cake and more
This week's new releases bring us a couple of Criterions, a couple of live albums, Texas football, and something scripted by Ed Wood.
David Lynch is one of the most fascinating directors working today. His films aren’t always good but they are always interesting. He creates nightmarish, surreal landscapes in which plot doesn’t always make sense and which leave themselves up for various interpretations. His career has taken all sorts of strange detours and loops. He’s made very personal, very experimental films; he’s worked on broadcast television; adapted popular science fiction novels; and made several things that were initially only released on his website. It's the sort of career that’s ripe for a good documentary. With any luck David Lynch: The Art Life
French crime series is enjoyable but never quite enthralls.
By my count there are at least 825,732.5 crime series currently running on television. In order to distinguish themselves, these shows need a hook, something to make them stand out. About half of them go with a brooding, sarcastic, and downright mean lead character, which doesn’t make them stand out at all. If your main character is going to be obnoxious, then I’ve got two rules. First, he (or she, but inevitably it's a he) needs to be a genius. He needs to be able to solve impossible cases using just his brain power. That gives the show a reason
Cool Things I (re)discovered this week include Swiss Family Robinson, E.T., Hawkeye, Lost at Sea, and Blow-Up.
I don't know about you but I spend inordinate amounts of time searching for something to watch. You will regularly find me standing in front of my movie shelves trying to decide which one I should put in. Or, as is the case more often these days, you’ll find me scrolling through Netflix or Amazon Prime trying to make that same decision. The perpetual question I must ask myself is whether I want to watch something new or that I have previously viewed. There is comfort in watching something again. Knowing what happens enables you to either catch things you
This week's new releases include a couple of DC superheroes, a really old Marvel one, plus Ken Burns in Vietnam, and more.
I like to think I was something of a feminist before I had a daughter. Certainly, I was for equal rights, equal opportunity, and equal pay before she was born, but now it's like all of that is in sharp relief. It's shocking to watch films and shows with my daughter and see how often women are either objectified on screen or have nothing more to do than be the love interest. Together, we’ve become huge fans of superhero movies but it's always been disappointing that the female characters in those movies are constantly relegated to the sidelines. Many others
See it again on the big screen, bring your family.
In the encyclopedia of 1980s movies, Steven Spielberg gets his own volume. No other filmmaker so fully exhibits what cinema was doing in that decade than Spielberg. He directed some of the most entertaining and popular films of the decade including E.T. The Extra-Terrestrial and the Indiana Jones movies. As a producer he was, perhaps, more influential, putting his distinctive aesthetic on such films as Gremlins, Goonies, Poltergeist, Back to the Future and more. Films he had his hands on are quite simply the movies of the 1980s. He helped create and shape blockbuster cinema. HIs films would influence countless
Cool things I discovered this week include a new season of Top of the Lake, an old Doctor Who, and a red band Guillermo del Toro trailer.
I watched one movie every day in the month of August. This is quite unusual for me as I usually average about 15 movies a month. I’m back in my normal track this month as there is just too much good TV out there to only watch movies. So much TV that I made a pact with myself awhile back that I would not watch any new shows until I’d caught up with all the ones I’m currently watching. As you’ll see I’ve already broken that pact. Top of the Lake: China Girl Top of the Lake was originally intended
Mike Figgis' directorial debut is an effective stylish néo-noir (as long as you don't watch Body Heat right after).
Stop me if this sounds familiar. A regular, working-class schlub takes a job working for a guy with connections to gangsters. He meets a girl who works as an escort for a guy with connections to gangsters. They fall in love and hatch a plan to get from under the thumbs of guys with gangster connections. Mike Figgis debut film, Stormy Monday, owes a lot of debt to the countless noirs that came before it. But like the Godfather of Noir, Raymond Chandler, once said, “it aint the story you tell, but how you tell it.” Figgis tells his tale
This week's new releases include a superhero in his underpants, a bunch of classic Universal monsters, a not-so classic updating of the Mummy, and more.
One of the best, and most difficult things to do as a movie lover is to come to a movie clean, with no preconceived notions. To be able to watch a movie knowing nothing coming in is kind of marvelous. It is also a very rare occurrence. There is simply too much promotion for movies (at least the kind of movies that get shown around here) to go completely unnoticed. I subscribe to way too many entertainment sites and podcasts for me to not know anything going into a movie. Or I should say in order for me to watch
You haven't lived until you've seen Kirk scream "Khaaaaaan!" on the big screen.
Star Trek: The Original Series ran on television from 1966 to 1969. It was cancelled after its third season due to dismal ratings. Surprisingly after a few years in syndication, the show became a cult hit and then a cultural phenomenon. So much so that by 1979 Paramount Pictures was willing to spend $46 million on a movie based on the series. Star Trek: The Motion Picture was a hit taking in $139 million, but because the high cost of making and promoting it, plus the expectations it would be a Star Wars-like blockbuster Paramount considered it a failure. It
Cool things this week include two neo-noirs, a classic Doctor Who, Close Encounters, and a Handmaid's Tale.
Just jumping right in... Close Encounters of the Third Time There is a scene relatively early in Close Encounters where an alien ship has landed outside a farmhouse in rural Indiana. The mother, panicked, is rushing about the house closing all the windows and locking the doors. Her son, just a toddler, opens the front door. We see nothing outside the door, just dazzling bright lights and then it cuts to a shot of the boy's face bathed in light, full of wonder. In a sense, that one moment exemplifies the entire film, maybe even Steven Spielberg’s entire career. His
Season Three had some growing pains and is overloaded with characters but is still the shining star on The CW.
Disclaimer: Warner Bros. Home Entertainment provided Cinema Sentries with a free copy of the DVD reviewed in this post. The opinions shared are those solely of the writer. The Flash is by far my favorite of the CW superhero shows. I’m not alone in this as it routinely beats all the other super shows in ratings. For good reason too, it's action packed, has a great cast of characters, it generally nails its tone of lighthearted action adventure with a dash of romance, and is a joy to watch. Grant Gustin brings an innocence to Barry Allen/the Flash, along with
Collecting the entire franchise together for the first time in one cheaply made box.
Take a moment and conjure up some images of horror-movie icons. Likely you’re picturing Jason’s hockey mask, or Freddy Kreuger’s knife fingers. If you are a little older, you might envision Frankenstein’s Monster or Count Dracula. Younger, and you’re imagining the Scream mask or that creepy little puppet from the Saw movies. Think a little harder and eventually you’ll remember a shiny metal ball drilling into someone’s skull. Phantasm’s little ball of death might not be as iconic as some of the above monster’s but it's pretty close. Call it second-tier horror iconography. Made in 1979, Phantasm never drew the
This week's new releases include a new season of The Flash, an old Hitchock plus Scarlet Johansson getting raunchy, and Pablo Escobar being bad.
The more films I watch by Alfred Hitchock the more I’m convinced of his genius. He might have called himself the Master of Suspense but really he was the true master of pure cinema. He used all the tools of his trade - lighting, music, editing, etc. to tell his stories as only can be told in the movies. Francis of Assisi is supposed to have once said “Preach Jesus, and if necessary use words.” I don’t know how Hitch felt about Jesus but he made great movies and only used dialogue when necessary. I first watched Rebecca at a
Five cool things this week include seeing Castle in the Sky on the big screen, the entire Phantasm series on the little screen plus Arrow Video's release of Re-Animator, and the comics Paper Girls and The Boys.
As a semi-professional movie reviewer (meaning I get some free perks, but not an actual pay check), I try to find a balance between the things I agree to write about and the things I simply want to enjoy. Sometimes, those things are one and the same. Other times, I find myself carefully watching some god-awful thing pencil in hand, taking notes because, well, that’s what semi-professionals do. This week provided me with a little of both. Castle in the Sky One of those perks is getting press passes to various Fathom Events. Recently they’ve been showing Studio Ghibli films
Arrow Video's remastered version of this cult classic is loaded with extras, making it a must-have for fans.
Anxious people pound on a door at the Institute of Medicine in Switzerland shouting for Dr. Gruber. When they hear manic screaming on the other side, two armed guards break the door down. They find Gruber lying on the floor, head bloated and discolored as Herbert West (Jeffrey Combs) desperately holds on to him, shouting that he cannot leave but must make notes about his experiment. When accused of killing Gruber, West counters with “I gave him life.” Much later a re-animated, decapitated corpse holds its own head between the legs of a tied-down, completely naked, and very much alive
This week brings us two series from DC, plus pirates, rippers, and spies with flowered underwear.
It is easy to think that Marvel beats DC when it comes to the whole cinematic universe thing. Certainly, they have created a more cohesive landscape for which to play. Their theatrical releases pretty seamlessly come together to form one larger mosaic. The Netflix series do the same and while they don’t really interact with the movies, they’ve done a nice job of keeping them in the same universe. DC however is a bit of a mess in this regard. The movies have done a decent job of blending together the various characters (we’ll see how well they really put
The first Studio Ghibli film is a delight for all ages.
Made in 1986, Castle in the Sky was the first Hayao Miyazaki film released under the Studo Ghibli label. It contains his signature style and themes including man’s relationship to technology and nature, and the bond of childhood. Fathom Events in conjunction with GKids presented the film in theaters across the nation on August 27 and is replaying it on August 28 & 30. Unlike a lot of his later films, Castle in the Sky starts off with a big action sequence. Muska (Mark Hamill), a government agent, has abducted Sheeta (Anna Paquin) in order to steal a magic crystal.
Cool things this week include new trailers for Suburbicon and The Punisher, plus Hopscotch, Married to the Mob, and The Love of a Woman.
Another week, another five cool things. The eclipse dominated the headlines this week. I didn't have any special glasses but my wife made one of those homemade viewers out of a cereal box. Then my neighbor let me borrow his welding shield. Not sure if that's an approved way of viewing or not. I guess you'll find out next week if I call out sick due to blindness. Until then here's five cool things I consumed this week. Hopscotch I had never heard of this spy caper until last week when I caught sight of it in my Pick of
A simple story told really well.
Marie Prieur (Micheline Presle) is young, pretty, and ambitious. After many years of hard work in school, she secures a position as the doctor of a small island village of the coast of France. She befriends Germaine Leblanc (Gaby Morlay), the local school teacher, but struggles connect to anyone else. At first, most of the other villages bristle against a new doctor who is so young and a woman, but they slowly warm to her kindness, knowledge, and skill. Eventually she meets André (Massimo Girotti), a handsome construction foreman, temporarily on the island building a fog horn. It takes him
Obscure '80s horror has more in common with European films than your typical slasher flick, but never quite manages to terrify.
Two overworked and over-stressed couples take off for a weekend retreat on a secluded island for a little rest, relaxation, and maybe a little fishing too. There’s Kay (Sarah Kendall), a surrealist artist who has been having nightmares about a sadistic killer, and her husband David, a doctor who tries to be supportive but is growing increasingly tired of her hysterical paranoia. Her brother Eric (Frederick Flynn) was the one who thought a vacation might do Kay some good. He brought along Brooke (Carol Kottenbrook), who can’t seem to do anything but complain. At first, nobody takes Kay’s delirium’s seriously,
A very full week brings us superhero galore, zombies, Deadites, punks, and much more.
Almost a year ago to the day, I made Ash vs Evil Dead: The Complete First Season my Pick of the Week. I noted then my great fondness for the Evil Dead movies and my great excitement over the new series. I also noted that by the time the Blu-ray was hitting the store shelves I’d not yet seen the entire series. Well, Season 2 has now hit the shelves and while I’ve watched a few more episodes of Season 1, I’ve still not made it all the way through. I like the show, I really do. It is a
No matter what they paid "Screaming" Mad George for the practical horror effects, they got their money's worth.
A quick look at our recent history will show plenty of animosity towards the wealthy, the upper classes, and high society. From the Occupy Wall Street movement to Bernie Sanders-style socialism, thousands of people are lining up to protest with cries of “Eat the Rich!” But what if the rich weren't just greedy bastards taking from the poor to make themselves unfathomably more wealthy? What if they truly were evil. What if the rich ate us? Director Brian Yuzna’s 1989 film Society has something to say about that. Young, pretty Bill (Billy Warlock) comes from a wealthy, elite family but
This week's cool things include Star Wars, the 50th anniversary of a classic, a Norwegian crime novel, and more.
After a long day of work, I typically want to do nothing but lay on the couch, watch a movie, and relax. Last week with the wife and child away, that’s pretty much what I did. It was kind of awesome. And yet there is a realization that this is not the healthiest way to live. It is certainly not the best way to raise a child. With the family back this week and with school starting up again, the wife and I created little nightly schedule that attempts to limit the amount of television in our lives. We have
Similar to The Wire, but with terrorists.
The Bureau is a French geopolitical thriller from Canal+ brought to the U.S. by the SundanceTV. It concerns the inner workings of the DGSE (which is France’s equivalent to the CIA). It is a densely plotted show that weaves multiple storylines together with over a dozen regular characters. It is probably easiest to compare it to Homeland, but I’d argue it shares more DNA with The Wire. Like Homeland, it deals with escalating terror threats from the Middle East but where Homeland tended to jump the rails (and eventually the shark) in its never-ceasing need to raise the stakes (and
This week's new Blu-ray releases include the new Alien film, an update on old Archie, a couple of Criterions, and more.
In 1979, Ridley Scott directed Alien a near perfect blend of science fiction and horror and one of the greatest films ever made. Seven years later, James Cameron’s sequel Aliens amped up the action and defined that genre. Two more sequels found diminishing returns. The lesser said about the Alien vs Predator franchise the better. In 2012, Scott returned to the series with Prometheus a sort-of prequel. While I enjoyed it more than most, it is still a very flawed film. I can’t say that Alien: Covenant was a return to form, because it's riddled with problems, but definitely goes
Don't miss your chance to see this classic film on its 50th anniversary on the big screen.
As the 1960s began to close so did the Hollywood studio system. The days when studio heads like Jack Warner could make or break its stars and dictate how they behaved and what movies they made were coming to an end. So too was the Hayes Code with its old-fashioned moral rules about sex and violence dying out. Warren Beatty, who was already a star in 1967, foresaw the dying of the old studio system, produced and starred in Bonnie and Clyde which helped usher in New Hollywood with its new European style and an excess of on-screen sex and
This week's five cool things include an atomic Charlize Theron, Christopher Nolan's war film, a haunted house, and more.
My wife took my daughter to Kentucky to visit her family this week. As anyone who has been in a long-term relationship can tell you, sometimes it's nice to be left alone. I love my family dearly and now that I’m at the tail end of their absence, I miss them madly, but it's been kind of cool to relive my bachelor years. For me, this has mostly meant watching lots of movies and TV shows. In the nine days they’ve been gone, I’ve watched 11 movies and caught up on about half a dozen shows. Here's five of them.
A pretty light week brings us an Ernest Hemingway adaptation, an Arthurian legend from Guy Ritchie, and more.
Ernest Hemingway is one of my all-time favorite writers. He had a way of cutting out all the flab from his stories, getting right down to the bone. Yet for all his spare masculinity, there is a tenderness to his stories, an emotional quality that you rarely find anywhere else. That style also lends itself well to the movies. Unlike a lot of writers, Hemingway never spent a lot of time with his characters inward thoughts, his stories are full of action verbs, of people doing things. It's easy to see why nearly all of his novels and short stories
After a nice vacation, I'm back with five cool things.
A big thanks to Gordon for handling some of my duties while I was gone. The family and I took a vacation in Glacier National Park. It is an astoundingly beautiful place and I highly recommend it to anyone who is able to go. It is also a really long ways from my Oklahoma home. It is roughly 1,700 miles one way from my house. That’s about 25 hours of drive time, not counting pit stops for gas, lunch and the occasional - my ass is hurting so bad I just have to get out and stand up for awhile.
Japanese horror doesn't so much scare, but fills you with unnamed dread.
Horror in the 1980s was all about the slasher - mindless monsters mutilating teenagers in desolate places. With Scream, released in 1996, director Wes Craven and screenwriter Kevin Williamson stabbed the slasher in its cold, dead heart. Scream (and its numerous sequels and countless inspired-bys) satirized slasher films with a self-aware sarcastic mocking. Around this same time, Americans first began discovering (and then remaking) Asian horror in general and Japanese horror in specific. These films neither relied on blood-filled violence (though certainly Japan has its fair share of gore maestros - the films of Takashi Miike come immediately to mind)
This week's new releases include some fun looking SteelBooks plus a Tom Hanks thriller, a couple of interesting documentaries and more.
I bought a house a year ago. It is the first house I ever purchased. I’ve always been a renter. Never really stayed in one rental for very long either. In the twenty years since my first apartment, the longest I’ve ever stayed in one abode is about two years. The thing about regularly moving to a new place is that you are constantly rearranging your furniture. What fits well in one rental house may not fit at all in an apartment. There is constant flux - expanding and contracting - from place to place. But now that I own
This week brings us another King Kong story, a couple of interesting looking TV shows, a weird-looking Tarkovsky film, and more.
What is it about a giant ape wreaking havoc that enthralls us so? Since his inception in 1933, King Kong has become one of the most iconic movie monsters of all time. That original film was a huge success and remains a paragon of early special-effects movies. It was rebooted by Dino De Laurentis in 1976 and again by Peter Jackson in 2005 and now he’s come to the big screen again with Kong: Skull Island. It gets props for at least not telling the exact same story as the original did, though its not exactly a fount of originality.
This week's cool things include Search Party, Castlevania, Stranger Things, and more.
As I’m desperately searching for cool things to write about each week, I’ve come to realize that while I’m discovering a lot of new TV shows I’m rarely completing them. Scroll through the archives and you’ll find me talking about starting a new show or a new season of an old show, but ask me if I made it through the season and likely I’ll be answering in the negative. Once I’ve written about something, I have to move on and find something else. This article would be boring if I just wrote about one show every week. Maybe someday
A very full week includes releases of a cool looking jungle movie, a Doctor Who spin-off, a Prime Suspect prequel, plus films from Arrow, Criterion and much more.
I’ve always loved jungle-adventure movies. There’s just something really exciting and mysterious about the jungle. It's exotic and foreign, beautiful and terrifying. It's teeming with life and can kill you in a heartbeat. There remain to this day parts of jungles that have never been fully explored. Think about that - we've had people on the moon and sent ships to the outer edges of the solar system, but never documented parts of our own planet. Setting a film inside that madness is thrilling. The best part of Raiders of the Lost Ark takes place in a jungle. King Kong
Ben Kingsley, Alfred Molina, a creepy Giger alien design, and Natasha Henstridge's breasts fail to make this sci-fi horror flick interesting.
Species hit theaters the summer after my freshman year at college. It was the only summer I came home for the entire break. It looked like a fun little sci-fi flick, so one random Sunday I decided to catch it at a matinee. My 16-year-old sister begged to come, so I let her and her friend Andrea tag along. I remember very little about the film except it was terrible and I felt very awkward sitting next to two teenaged girls while staring at Natasha Henstridge’s naked breasts. Shout! Factory is putting out a nice looking Blu-ray of the film
Cool things I consumed this week include the Cornetto Trilogy, Baby Driver, and Agents of S.H.I.E.L.D.
Edgar Wright’s Baby Driver came out last week. I made plans with my cousin to see it on Tuesday afternoon. So of course I spent all day Monday watching the Cornetto Trilogy. What else is a guy supposed to do on a long weekend? I didn’t actually plan it that way, but after finishing up a little work Monday morning, I thought it would be fun to throw on Shaun of the Dead as a way to hype myself up for Baby Driver. When I finished it, the wife was happily sewing something and the daughter was busy upstairs playing
This week's new releases include Terrence Malick's latest, an obscure Japanese trilogy, a WWII drama, and more.
It is a grand July 4th weekend and everybody is out cooking burgers, drinking beer, soaking up radiation at the beach, and watching overly priced explosives light up the night. We might be going to the movies but nobody is interested in buying them to sit at home in our darkened living rooms. Or at least that’s the theory anyway. Not mine, mind you, as I’ve already watched a few DVDs this weekend and hope to watch a couple more before going back to work on Wednesday, but those who officially release Blu-rays to the chosen stores seem to think
Cool things this week include a Jumanji sequel, classic Doctor Who, a Death Note movie and more.
Another week, another five cool things. GLOW I spoke a couple of weeks back about the trailer to the new Netflix series GLOW and now it's finally dropped. I’ve only made it one episode in, but so far I’m digging it. They definitely get the look and feel of the early '80s just exactly perfect. Marc Maron is great as the down-on-his-luck producer trying to throw some misfit ladies together and make them wrestle for ratings. I’m not quite as sold on Alison Brie’s performance yet, but I’m rooting for her. It's not quite figured out its tone just yet.
New releases this week include a Trainspotting sequel, Alfred Hitchock's second film, some Power Rangers, and more.
The mid-'90s were a great time to be a burgeoning cinephile. Independent films were becoming mainstream, which meant you could catch really interesting, off-beat, non-studio films at the mall. Guys like Steven Soderbergh, Kevin Smith, and Quentin Tarantino were blowing up cinemas with films not like anything this young college student had ever seen before. Danny Boyle’s Trainspotting was a great shot of adrenaline (er, heroin?) right to the center of this movie lover’s heart. It was so stylish and entertaining. It used music to huge effect. And despite the dead, crawling babies and the diving into the worst toilet
My Neighbor Totoro kicks off Studio Ghibli Fest and it's as delightful as I remember.
There are no villains in My Neighbor Totoro. No violence either. There are monsters of a kind, but when Mei the precocious four-year-old meets the largest and scariest looking one, King Totoro, she laughs then bounces on his belly and takes a nap. The adults are all generous and good. The father is neither a bumbling fool, nor hateful and sarcastic like so many fathers in feature films these days, but rather thoughtful and kind. When his children tell him they saw strange little black things crawling around his house or a giant owl-like magical creature in the forest, he
More than just marching band.
Drum Corps International (or DCI as they are commonly called) was formed in 1972 as the non-profit governing body for drum and bugle corps in the U.S. and Canada (DCI is international much like how Major League Baseball's championship is the World Series though it only ever includes a tiny percentage of the planet). Every summer DCI hosts competitions throughout the United States, which concludes in August with the week-long DCI World Championship. For many years now the start of the season has begun in Indianapolis. Fathom Events hosted a live viewing of this competition last night in movie theaters
Cool things I discovered this week include La La Land, Catwoman comics, and a new Game of Thrones trailer.
I work from home which has all kinds of advantages. One being that I don't have a boss with prying eyes constantly checking out what I've got pulled up on my screen. Nerd that I am what I've got pulled up on one of my screens is usually a comic book. Whenever I need a short break I pull one up and read a few pages. Day after day, week after week I've been able to read quite a few comics. Got two read this week which is nice because the movie watching took a bit of a hit. But
This week brings us a whole bunch of horror, a poignant love trilogy and a lawnmower man.
Memory is a funny thing. I can remember very clearly the first time I watched Dario Argento’s The Bird with the Crystal Plumage. I remember the apartment we were living in, which dates the viewing to around 2006-2007. I remember that small living room. I remember watching it on the floor. I remember my wife sitting on the couch doing something else - probably grading papers or studying for an exam so she wasn’t paying close attention to the movie. It was the weekend, either Saturday night or Sunday afternoon. I remember all that but hardly anything about the movie
This Arrow Video set is the Blu-ray with excellent packaging.
While walking down the street late one night, Sam (Tony Musante), an American freelance writer living in Rome, spies a man and a woman struggling inside a modern art gallery. The woman is stabbed and the man, dressed in a black trench coat, black hat, and black leather gloves slips out the back. Sam rushes in to help her but is trapped between two automated sliding doors and is thus forced to watch helplessly as the woman, bloody and dying, screams for help. A passerby calls the police and they are able to resuscitate the woman before she dies. Sam
Cool things this week include Sherlock, Legends of Tomorrow, Black Panther, Shotgun Stories, David Sedaris, and the Rolling Stones.
Summer has come to Oklahoma which means it's hot. Damn hot. Too hot to do anything but sit inside and watch movies and TV, which is exactly what I did this week. So let's get to it. Sherlock: "The Six Thatchers" The newest season of Sherlock has been out a little while but I’m just now getting to it. It comes out so sporadically (its been on since 2010 but is only in its fourth season) that my memory of what happened last time is always fuzzy. This episode focuses on Mary, John’s wife, who I barely remember as a
This week brings us Keanu Reeves kicking butt once again, plus vampires, LEGO Batman, fairy tales, and more.
I mostly outgrew action films a couple of decades ago. I came of age during the late '80s/early '90s, which I’d argue created some of the very best and very worst action films. Schwarzenegger, Stallone, Van Damme, Seagal - if those names don’t mean anything to you, then you missed out on some kick-ass, utterly ridiculous action flicks. During those years, I watched nearly every action movie I could get my hands on. I loved every explosion, every increasingly gigantic gun, every dumb one-liner. But, as noted, at some point I got tired of them. Explosions became boring, car chases
Cool things this week also include Bruce Springsteen, The Godfather, American Gods, and Alfred Hitchcock.
I spent much of last week catching up on all the DC films to prepare myself for the release of Wonder Woman. We had planned to see it on Saturday, but we all got ourselves too excited and wound up catching it Friday night. More on that in a moment. The rest of the week was brimming with lots of cool things. So many in fact, I had to spend a little time narrowing down exactly what I wanted to talk about. Which is my definition of a great week. So let's get to it. Wonder Woman This is the
Georges Franju's follow-up to Eyes Without a Face is more atmospheric than actually scary.
Count Hervé de Kerloquen (Pierre Brasseur) is told he won’t live through the night. Before he expires, he slips into a hidden room deep within his castle. The next day, his seven cousins show up at the estate to claim their inheritance only to be told they will have to wait five years. While the doctors are sure he died during the night, no one can find his body so the law considers him only missing. The cousins cannot afford the upkeep on the castle and its many lands for that long so they launch a desperate search for the
The Godfather on the big screen - an offer you shouldn't refuse.
Some movies become so iconic they become transcendent. How many people have quoted lines like “Leave the gun. Take the cannoli,” or “…sleeps with the fishes,” or “I’m gonna make him an offer he can’t refuse,” and have never even seen the movie? Marlon Brando in his tuxedo, or with an orange in his mouth. A horse head in the bed and the gun behind the toilet. There are so many lines, so many scenes and images in The Godfather that everyone knows it regardless of whether or not they’ve seen the film. It's a movie that has seeped into
It's a packed week of new releases featuring a beauty, a beast, a cure for wellness, a young Pope, and much, much more.
Listen closely and you can hear a million voices suddenly cry out in anger that I did not choose Beauty and the Beast as my pick this week. I did consider it, but ultimately decided that I am simply not the fan it deserves. Were my wife writing this article, she’d be all over it, but as it's me and not her, I decided to go in a different direction. A Cure For Wellness is a psychological thriller from Gore Verbinski. An ambitious executive is sent to a mysterious “wellness center” in the Swiss Alps to rescue his company’s CEO
Still looking for that beaver-rape scene.
Similar to the Hays Code in the United States but officially state-sponsored, Sweden created a censorship board in 1911. Designed to keep anything offensive from perverting the young minds of moviegoers, it banned movies as diverse as Battleship Potemkin, Nosferatu, The Texas Chainsaw Massacre, and Mad Max from being played in Swedish theaters. With the rise of home video, an influx of illegal bootleg VHS tapes began finding its way to film fans across the country. By the 1990s, a growing number of filmmakers and movie lovers began protesting this censorship by demanding that the law be thrown out. Writer
Cool things I consumed this week include Xenomorphs, superheroes, and Tatiana Maslany dancing in her undies.
I try to go into movies cold, knowing as little as possible about them. I might watch a trailer and read the blurb, but there is something really nice about letting a film unfold before you without expectation. That’s really hard to do in this age of anticipation. We are pummeled with so much information about a movie long before it opens I sometimes feel like I’ve seen it before I walk into the theater. This is especially true with big summer blockbusters and comic-book movies. This week I caught a couple of movies I’d been avoiding because the culture
A great release week includes, Martin Scorsese picking some world cinema, two silent films, a Christian movie, action, horror, and more.
It seems like a lifetime ago, but it was really less than two decades when me and my soon-to-be-wife were living in Bloomington, Indiana. Bloomington would normally be a small town in the middle of farm country were it not for the university. But getting an influx of 30,000 students every year plus all the professors, administration, and people needed to keep such a large institution running (not to mention all the various shops, restaurants, bars, etc. that feed off of it) turned what would have been a one-horse town into a rather metropolitan oasis. It wasn’t big enough (nor
A bizarre genre mashup gives plenty of '70s exploitation awesomeness, but very little werewolf.
I’ve said it before, and I’ll say it on a continuous loop until it stops being true: we live in a golden age of home-video releases - a veritable utopia for film nerds and collectors. It seems like every other week a new company pops up willing to release high-class editions of seemingly every film in every genre imaginable. Here at Cinema Sentries, our hearts just gush at the amazing bounty made available every Tuesday. Let us turn our thoughts over to one of our very favorite production companies - Arrow Video. They consistently do top-shelf releases of some of
Cool things this week include Alfred Hitchock's Sabotage, a new X-Men series, Gorgeous Ladies of Wrestling, Bloom County, and more.
Its been a tough week around here. Last weekend, the cat we’ve had for 12 years went into kidney failure, and we had to put her down. It was like losing a family member. My heart still aches. To clear my head and move away from those thoughts, I watched a lot of movies, read some funny books, and generally tried to be excited about pop culture. Here's the coolest five things I discovered this week. Sabotage I have this weird fear of early Hitchcock films. Mostly, this is due to my mother purchasing me one of those cheap-o boxed
Experimental French films are interesting conceptually, but hard sailing to watch.
Inspired by Jean Cocteau to become a filmmaker, Jacques Rivette moved to Paris in the 1950s began making short films and writing for the influential French film magazine Cahiers du Cinéma. It was there he met Jean-Luc Godard, François Truffaut, Éric Rohmer, and Claude Chabrol. Together, they revived the critical consensus of American genre filmmakers such as Alfred Hitchock and John Ford and started the French New Wave (Rivette directed Le Coup de Berger, which is considered the first film in that movement). In early 1975, Rivette conceived of a film cycle consisting of four films using a made-up mythology
Grab a beer, jump in your vintage Trans-Am, and get ready for a hell of a ride.
When TCM host Ben Mankiewicz introduced Smokey and the Bandit, there was both a gleam in his eye and a smirk on his mouth. The gleam comes from his admission that as a 10-year-old boy in 1977 it was the first film that made him fall in love with movies. Moreso than even Star Wars, which also came out that year, it was the movie he watched over and over again, making him desperate to both be the Bandit and to see more movies just like it. The smirk comes from the knowledge that even on its 40th anniversary Smokey
This week brings us a new Wolverine, a great wall, a socially conscious horror film, a weird French boxed set, werewolves, thugs, midwives, and more.
I’ve written in these pages on several occasions about how I’ve evolved in my opinions of comic-book movies several times over the years. You can track my feelings pretty well with each X-Men movie. When the first X-Men film came out in 2000, I knew hardly anything about the characters. I was not yet into comic books in any real way, nor interested in the movies based upon them. But there was a lot of fanboy excitement about it (and it's interesting to think about how fanboy excitement has changed in the last 17 years - now you get non-stop
Ladies and gentlemen, the Grateful Dead...
Like America itself, the Grateful Dead were a great melting pot of cultures, genres, and styles. Take a close look at the songs they chose to cover in their 30 years of existence and you’ll see nearly every brand of American music of the last century. From Bob Dylan, Johnny Cash, Loretta Lynn, Cannon’s Jug Stompers, the Reverend Gary Davis to Howlin’ Wolf, Bob Marley, Blind Willie Johnson, Leiber and Stoller, Martha and the Vadellas, the Dead played jazz, folk, blues, rock and roll, Appalachian folk music, reggae, and everything in between. They took all those styles and more, blended
Cool things this week include Arrival, Burden of Dreams, Foreign Correspondent, Bob Dylan, and Blow Out.
It was a good week for movies in the Brewster house. I watched a couple of things I’ve been wanting to see for a long while and a couple of others I didn’t know I wanted to see until I sat down and watched them. There was a good comic book, too, and some really good music. I’ll hash it down to five cool things so let's get to it. Arrival Ever since I heard there was an alien-invasion movie whose hero was a linguist (played by the always wonderful Amy Adams), I knew this was a movie I wanted
A pretty slow week brings us zombies, mummys, Martians, Ozu and the return of Xander Cage.
When I was a boy, I was what they would nowadays call a gamer. It started with a little Texas Instruments device my father bought when I was maybe six years old. It had a little keyboard and a place to insert cartridges to play some very rudimentary games. A year or two later, we got an Atari 2600 and I was completely hooked. In 1985, the first Nintendo Entertainment System came out and I played it nearly every waking hour. My brother used to taunt me about it calling me a “Nintendo Nerd” or “NN” for short. He was
Cool things this week include the Hulk, Blade Runner, Midnight Special, a new Wolverine, more aliens, and the Grateful Dead.
My wife came down with something nasty last week. I’m sure I've complained in these pages about the numerous times my entire family was passing around The Crud a few months back. For awhile, it felt like we were experiencing the plague around here. We’ve had a few glorious weeks of good health of late so it was crushing to see her sick again. For awhile, it seemed like I was going to escape this round. Last Thursday, I started writing this article rejoicing that I had not gotten sick. Then I got sick. My lymph nodes swelled, the muscles
This week brings us Michael Mann's heist classic, girls in prison, serial killers, mutants and much more.
Though they’ve both delved into self parody over the last decade or two, Al Pacino and Robert De Niro will go down in history as two of the greatest actors to ever be filmed. Surprisingly, they’ve only appeared together on screen once (The Godfather, Part II doesn’t count as they don’t share any screen time) in Michael Mann’s 1995 thriller Heat. It's a great film with great performances all around. De Niro plays the mastermind of a professional heist crew that stick to a strict moral code. Pacino is the cop chasing him down. Though it has some nice action
A lesser known detective comic from the 1930s gets a fine new release.
I adored newspaper comic strips as I was growing up. My parents took in the Tulsa World, which was a morning paper, and the Claremore Progress, which ran in the afternoon. There was a lot of overlap in the two paper’s comics pages, but the Progress had a few strips that the World did not. My sister and I would fight over who got to read the World over breakfast and then again over who could get home the fastest and grab the Progress. I read almost all of the strips but my favorites were Calvin & Hobbes, The Far
Innovative science-fiction newspaper strip suffers from poor writing, but Gil Kane's art really shines.
In early 1977, right at the start of the cultural science-fiction boom of the late '70s, the newspaper syndicate NEA hired Ron Goulart and Gil Kane to do a daily Star Trek-like strip. They came up with Star Hawks about a couple of interplanetary peacekeepers policing the universe from the space station Hoosegow. Inventive for its use of a two-tiered format which made it twice as tall as the usual newspaper strip allowing Kane to create some really interesting artwork. Goulart is probably best known today for his histories of comic books and pulp fiction, but Kane is a legend
This week's new releases include a Studio Ghibli-esque animated film, the director's cut of Gene Siskel's favorite movie, a big boxed set of some cult classics and much more.
I’ve been writing this column for almost three years now. That’s roughly 156 picks of the week. Yet, I’m still not entirely sure why I pick some films. Or rather what is it that makes me (or anyone) think I’ll like certain films over others? Some weeks include films that I’ve seen and love. Some weeks have films released in special packages. But I’d say the majority of my picks are films that I’ve not seen but are very much interested in. The question becomes what makes me want to see one film more than another? What makes me pick
It will steal your valuable time.
Elio Petri’s 1973 film Property is No Longer a Theft is a political film (barely) disguised as a comedic thriller. Its messaging is so heavy-handed it nearly pummels you with ideology while neglecting to tell an interesting story. Total (Flavio Bucci) is a bank clerk who is (and the symbolism will escape no one) literally allergic to money - he has to wear gloves and is constantly scratching himself. Though he sees customers, such as the rich butcher (Ugo Tognazzi), come into the bank every day with loads of cash, he, himself, has none. Obsessed with the idea that property
Miike's wild, wooly action trilogy gets a disappointing release from Arrow Video.
Takashi Miike is an insanely prolific (and possibly just straight up insane) Japanese director. He has 102 directorial credits on IMDB since 1991. That’s nearly four film/TV credits per year. While he is mostly known for his extreme horror in the U.S. with secondary acclaim for his Yakuza films, he’s actually an incredibly diverse filmmaker having made comedies, dramas, science fiction, historical epics, and even a family film or two. His best films are both widely loved and criticized for their use of graphic violence and perverse, often extraordinarily sexual sense of humor. Just to demonstrate how many films Miike
Cool things this week include new episodes of Fargo and Doctor Who plus The Graduate, a Stephen King adaptation and more.
Let’s just get to it, shall we? Here’s five cool things I discovered this week. Fargo: Season 3 I’ve not yet seen any of Season 3 of this FX show from Noah Hawley, but I absolutely adored the first two seasons so I’m pretty excited about it. This season is set in 2010, in and around St. Cloud, Minnesota. It stars Ewan McGregor (as twins!), Mary Elizabeth Winstead, Carrie Coon, and David Thewilis. I know nothing more about it, not do I want to. The great pleasure of Fargo is watching it unfold in unexpected ways. The Graduate The Graduate
A couple of not-so-classic comedy-horror films from the 80s get a magnificent release from Arrow Video.
Picture me: a pubescent boy, somewhere in the late '80s, wandering about the local video store aisles. A burgeoning horror fan, I’m checking out the cover art for all the films in the genre section. My mother was much more strict than my father when it came to renting films, so if I’m with her, I’m liking gonna have to move over to the comedies soon, but if it's just me and dad, I can talk him into the scary stuff. One weekend, me and the old man grabbed House, a movie whose cover features a totally rad-looking severed hand
This week brings us a new musical, an immortal monster, several Valerian Borowczyk films, a Japanese film about noodles, and more.
Every few years, it seems, Hollywood will make a new musical. It will catch on like gangbusters and a slew of think pieces will come out raving about how audiences are finally, once again, ready to enjoy musicals like they did in the old days. Then just as quickly it all dies down and we go back to watching another reboot, another sequel, another damn Transformers movie. La La Land is the latest musical in this feeble attempt to revive the genre. It stars Emma Stone as an aspiring actress and Ryan Gosling as a struggling jazz pianist. They fall
Here's to yo,u Mrs. Robinson.
Some movies are so iconic, so ingrained in the consciousness of culture that it feels like you’ve seen it even when you haven’t. The Graduate is one such film. I’d never seen it before this afternoon’s theatrical showing thanks to TCM and Fathom Events, but I could tell you what it was about, quote you some lines, and describe several scenes. Surely, everyone who cares about movies is familiar with that view of Dustin Hoffman between Anne Bancroft’s legs, can hum that memorable Simon & Garfunkel soundtrack, and remembers the "did I just see what I think I saw?" quick
Beautiful, but dull film by a director more noted for his controversies than his staid adaptation of classic novels.
For a film with “Sin” in its title that includes a nude woman on its cover and was directed by a man who once made a film featuring a giant phallus exuding copious amounts of seminal fluid, The Story of Sin is surprisingly chaste. That isn’t to say there isn’t plenty of nudity and sex in it, but that when those things occur, they seem so high-brow, so arty-farty that one can hardly be aroused by it. Whereas in some of director Valerian Borowczyk’s other films, he uses sexuality as a means to offend, here it's central to a much
Cool things this week include a book about film noir, Doctor Thorne, Blue Ruin, Robert Hunter and a new Star Wars Trailer.
If I spent most of last week preparing for my daughter’s birthday and the visitation of her grandparents, then this week was filled with the actual party and the actual grandparents. It was several parties, actually. Her birthday fell on Monday so we’d planned to do the partying on Saturday. Sunday was Easter so there was a lot of time spent negotiating with various parental units of her friends finding a time to party between egg-hunts, religious ceremonies, and other various goings-on. Eventually we settled on a time, a party was had, the friends who could make it came, and
A wonderful resource to understanding one of cinemas greatest genres.
Much like the Supreme Court with pornography, I find "film noir" difficult to define, but I know it when I see it. The term was coined by French film critic Niko Frank in 1946 and literally means “black cinema” but might more correctly be translated as “dark cinema”. It was used to describe the type of crime dramas that were popular during the '40s and '50s with its stark use of shadows and its bleak, dark themes. But exactly what "film noir" is can be as problematic to pin down as so many of the femme fatales that appear in
This week brings us a film about McDonalds, a Studio Ghibli TV movie, James McAvoy playing a bunch of different characters in one film and much more.
It is not exactly controversial for me to say I hate McDonald's. I’d go as far to say I loathe them. Their burgers are small and unappetizing. Their chicken is bland; their fish is gross. Even their fries - supposedly the one thing they do really well - I find rather boring, and too salty. Yet, I still occasionally eat there. When I’m on the Interstate, and hungry, sometimes I’ll stop at a McDonald's if there is nothing else at the exit. Or if one of their restaurants sit next to the hotel I’m staying at, I’ll walk over rather
This week's cool things include a couple of Criterions, a visit to Narnia, X-Men, and a great new podcast.
This week I spent a lot of time preparing for both my daughter’s birthday and the arrival of my in-laws for the same. This means there was a lot of house cleaning, party preparations and attempts at finishing some projects I started the last time they were here (finally got that kitchen mirror hung!) I still managed to find time to watch some movies, read some books and discover some cool things. L’Avventura Michelangelo Antonioni’s drama from 1960 is the sort of film where very little happens, but it's still enthralling. A group of rich, bored Italians take a boat
This week brings us NASA's untold history, a mad king, some nice-looking horror collections, and much more.
If you aren’t utterly amazed by space travel, then you aren’t paying attention - especially in the early days of NASA. They worked out ridiculously complicated math problems using a pencil and a slide rule. My phone has more computing power than their big mainframes did. Some of the people doing those calculations were young African American women. Hidden Figures tell their story. It stars Taraji P. Henson, Octavia Spencer, and Janelle Monae as the mathematicians. It's received some good review and has done well at the box office. I’m a sucker for heart-warming historical stories and this one looks
This weeks cool things include The X-Men, the New Pornographers, italian horror, a classic movie festival, and more.
Last week, I had a lot of fun with my new Amazon Fire TV, streaming shows I’d previously not been able to access with my old Apple TV. I did the same this week which was great, except when it comes to write a column about the new things I discovered this week and then I realize I probably shouldn’t talk about the same shows I talked about last time. Dear old Gordon is here to help with a great movie and a film festival he attends every year (which makes me insanely jealous each time). Here’s some cool things
This week brings us the latest Star Wars, a new Jim Jarmusch film, and a raunchy comedy.
I first saw Star Wars…well, I don’t actually remember the first time I saw Star Wars. That’s A New Hope I’m talking about. I was only one when it hit theaters so it wasn’t until it started showing on cable or home video that I first saw it. I do remember watching Return of the Jedi in theaters on several occasions and playing with all the action figures so by 1983, I was certainly a fan. My mother says that A New Hope used to run all the time on HBO way back when and that me and my brother
An extraordinary release of an extraordinarily weird movie.
In 2001, writer-director Richard Kelly created Donnie Darko, a film that is (among many other things) a nostalgic trip back to 1988. Now 15 years later, the film is itself viewed through its own sort of nostalgic lens. Released just over a month after 9/11, its specific brand of dark weirdness didn’t sit well with viewers at first. It bombed at the box office to put it mildly. It did well with critics and grew a cult following on VHS and DVD. It is now considered one of the better movies released that year. Donnie Darko (Jake Gyllenhaal) is a
This week's cool things include the Filmstruck app, a Kurosawa film, a couple of shows I'm catching up on, and a new teaser trailer.
For my birthday last week, my wife bought me an Amazon Fire TV. We’ve had an Apple TV for several years and enjoyed it but it needed an upgrade and I decided to give Amazon a try. For obvious reasons, the Apple TV doesn’t support Amazon streams and since I’ve been an Amazon Prime member for awhile we were losing out on lots of interesting stuff. I could actually stream Amazon content from my iPad to the Apple TV but that's an extra couple of steps to take and my lazy self rarely went to the trouble. Here's five cool
Juvenile delinquency has never been this boring.
After directing some 65 industrial films and short documentaries for the Calvin Company, Robert Altman got his first real break from Elmer Rhoden Jr., a film exhibitor who wanted to break into producing them. In 1956, he hired Altman to make a juvenile-delinquency picture which he figured could make him some fast money. Altman wrote The Delinquents in five days, then scouted it, produced it, and filmed it in a matter of weeks. It cost about $63,000 to make and was shot in Altman’s home town of Kansas City. It looks, feels, and acts like an After-school Special written by
This week brings us a Martin Scorsese film about faith, some fantastic beasts, our own planet in HD, and much more.
In my very first Five Cool Things article, I was excited about the trailer for Martin Scorsese's Silence. I also noted that I had really enjoyed the book. What I didn’t mention was that my copy of the book had a bunch of pages missing. For the last 20 pages or so, every other pages was blank. It was a horrible way to finish what was really a very good novel right at its conclusion. I learned what happened at the end in my class and always meant to buy another copy, but never did. As I’ve surely mentioned numerous
Cool things this week include Legion, Alfred Hitchock, Better Call Saul, Cinema Paradiso, and Van Morrison.
I’m running out of interesting things to say in the intro to these things so lets just get to it. Here’s five cool things I consumed this week. Van Morrison - Moondance I’m very much a fan of Van Morrison’s music. I’d easily put him in my top 10 artists of all time list. Earlier this week, I realized that I’ve actually spend a lot more time with his bootlegs than I have with this actual studio work. This needs to be remedied so I’ve spent the last few days working my way through his discography. Released in January of
Supernatural mystery looks beautiful but loses itself in an unimaginative script.
Standing on a cliff above an old quarry two men, Proctor (Gabriel Cain) and Waterhouse (Ted Levine), pull two corpses out of their car and throw them over the edge. When the deed is done, Waterhouse points a gun at Proctor and tells him he’s no longer sheriff. Thirty years later, Sean (Ben Schneider) and sister Jake (Samantha Isler) stand on the same cliff daring each other to jump into the lake below. They agree to do it together but at the last moment Jake chickens out letting Sean fall alone. He never comes back up. Dig Two Graves links
The violent rise and horrible fall of an Italian crime family.
Contrary to what you might think having watched dozens of films and television series about the mafia, Rome was not controlled by the mob in the early 1970s. There were many small groups, or batteries as they were called, which committed low-level crimes, but no larger organization controlling it all. Romanzo Criminale, the Italian TV series that was a huge hit in its homeland and now makes its way to American home video via Kino Lorber, takes a fictionalized look at the real Magliana Gang that took control of Rome and ruled it for most of the '70s and '80s.
This week brings us a gangster flick from Ben Affleck, a disgusting one from John Waters, singing animals, and much more.
I’m a sucker for gangster stories. There is something utterly fascinating about people who push aside all of society's rules and take what they want for themselves. Gangsters are often not the smartest, strongest, or the best but rather they are the most willing to use violence for their own means. Most of us avoid trouble whenever we can so when someone comes along willing to openly commit violence the vast majority of people shirk away. Those who don’t get a beating. In real life, I find that sort of thing appealing, but on film it's really interesting. Dennis Lehane
A beautiful, loving tribute to the magic of movies.
Every year during the Oscars, my social media feed fills up with jokes about how often they are going to talk about how movies are magic. Every year the answer is “a lot.” You could make a drinking game of it. In the same way, awards shows, Hollywood in general and, honestly, cinema the world over, love movies about the movies. It can get a bit self-congratulatory as its basically people who make movies making a movie about how wonderful movies are. Yet, as a cinenephile, as a man who loves watching movies I kind of love it. Movies are
Cool things this week include Howl's Moving Castle, Snotgirl, the Hulk, and more.
It seems like every time I write one of these I’m making excuses. Someone in my family was sick, or I was busy at work, or I was sick, or I only watched bad movies, or my cat was sick. Sometimes, I’ve had to elicit help from my fellow Sentries. Sometimes, I’ve scoured the Internet the night before posting looking for something, anything cool. Well, this week we were all healthy, work was busy but not tragically so and I consumed lots of really cool things. So let's get started. Planet Hulk I’ve always thought Hulk was an uninteresting character.
One of those films that many people seem to love or hate.
Cinematic portrayals of the homeless tend to be unrealistic if not downright demeaning. When they are not brought out for cheap scares or cheaper laughs, they are all too often seen as depraved degenerates who need a white knight to save them. Or they are unheralded geniuses in need of someone to take their hand and guide them to proper society where they will find great success. Worst of all is when they are seen as the happy poor, noble savages who really have better lives than all of us because they don’t need so much “stuff.” Lovers on the
This week brings us Denzel Washington in a critically praised drama, Will Smith in a critically hated one, a sci-fi adventure with Chris Pratt and much more.
During that ridiculous let's-bring-in-a-tour-bus-full-of-common-folk-to-the-Oscars bit a few weeks ago, host Jimmy Kimmel asked one of the tourists who her favorite actor was. She pointed and simply said “him.” I turned to my wife and said, “It's Denzel Washington.” Of course it was. Everybody loves Denzel Washington. He’s one of the greatest living actors we have. He’s won all the awards. He’s beloved by just about everyone - men, women, African Americans, Caucasians, liberals, and conservatives alike. He happily mixes it up by playing in straight-up action flicks and small dramatic films. Last year, he was in both The Magnificent Seven
Good cast, terrible movie.
A good thriller can be a great many things: exciting, scary, gruesome, erotic, and even funny. The one thing they should never be is boring. Shut In is none of the things on that list, but it is boring. It spends the first hour or so developing characters and setting up its story in such a lazy, hodgepodge way that by the time something even remotely thrilling happens, I’d long since stopped caring enough to be scared. Mary Portman (Naomi Watts), a child psychologist, lives with her invalid son Stephen (Charlie Heaton) in an isolated house in rural Maine. As
Terrifically stylized anime asks deep questions about technology we're still trying to answer today.
In the near future, humans beings augment their bodies with mechanical and computerized parts. You can get hardened shells, robotic arms, infrared vision, and a computerized brain. These computers connect everyone to a vast electronic network. Some people forego human bodies at all and have their souls, or ghosts, connected to completely robotic bodies. Major Motoko Kusangi is one such creature. She works for Public Security Section 9, some kind of intelligence operation for an unnamed, probably Japanese, city. Initially, her team is after a vaguely evil foreign operative who is seeking political asylum but the film drops that plot
This week in cool brings us a Deadpool 2 teaser, Ghost in the Shell, All About Eve, and more.
I’ve been writing this column for a little while now so I’m getting pretty good at making little lists of the cool things I read, watch, and listen to, which makes this a lot easier to write. It's certainly easier than waking up Friday morning only to realize I’ve got a column to write and no memory of what I’ve consumed over the last seven days. Even with the little lists, there are times, like right now, where I look at all the pop culture I’ve engaged with in the last week only to realize I found very little of
The Bette Davis classic gets a run on the big screen thanks to TCM and Fathom Events.
All About Eve was nominated for 14 Academy Awards, a record that has not been beaten to this day (Titanic and La La Land both tied it). It won six Oscars including Best Picture and Best Actor for George Sanders. Today, many critics feel that Bette Davis would have won had Anne Baxter not lobbied so hard to be included in the Best Actress category (instead of Best Supporting Actress), thus splitting the votes between them and causing Judy Holiday to win for Born Yesterday. It is generally considered one of the greatest backstage movies of all time and regularly
This week brings us the best Disney music in a decade, a critically praised biopic, a Criterion drama, a creepy flick from Portugal, and Japanese animation.
I’ve always liked Disney movies. but for the most part I’ve waited until they’ve reached home video (and have gained a favorable critical consensus) before watching them. Well, that’s the way things went until I had a daughter. Now, I pretty much see them in the theater, or at the very least as soon as they come out on Blu-ray, no matter the critical or popular opinion. So it was with Moana. It came out this summer while we were visiting the wife’s family in Kentucky so we took the in-laws along for the ride. I was a little worried
Mexican horror film aims for something high, falls short into extreme violence and sex.
In We Are The Flesh, first-time director Emiliano Rocha Minter gleefully crosses every boundary of good taste and morality he can think of - incest, necrophilia, cannibalism, extremely long close-ups of genitalia. It's a gore-filled, sexually explicit horror show with art-house pretensions that wants you to believe it's saying something meaningful about the state of things in Mexico. In it, two siblings, Lucio (Diego Gamaliel) and Fauna (María Evoli), find there way into an abandoned apartment complex. There they find Mariano (Noé Hernández), a crazed, possibly psychotic, but certainly disturbed man seeking out a solitary existence. He offers them food
Batman, Battlestar Galactica, Bruce Springsteen, and more are all cool things I discovered this week.
It's been a busy week in the Brewster home. Work has been absolutely insane. keeping my days mostly pop-culture free. The wife and I have also been trying to reduce the amount of screen time my daughter gets so we’ve been filling our evenings more with games and craft projects rather than TV shows and movies. Still, I found some cools things to talk about so lets get started. Bruce Springsteen - Passaic, NJ (09/20/78) Bruce Springsteen is a monster in concert. His shows with the famed E-Street Band are legendary for their length and intensity. Springsteen has always understood
Cameraperson tells the story of one filmmaker through the dozens of movies she's shot.
Sometimes when I can’t sleep, I’ll lie in bed at night and think about all the different houses and apartments I’ve lived in. I’ll mentally walk through each room, picturing what it looked like and describing them as if to a friend. Sometimes the rooms are very clear to me - I can picture it as if I'm there. Sometimes they are more fuzzy and I have to think really hard about what they looked like. Sometimes I can’t remember them at all. There is one house I briefly lived in on Grand Lake whose guest bedrooms are a mystery
This week brings us an Oscar upset,
We cut the cord year ago and our cheap antenna doesn’t really work in our new house. We pick up a few channels but not ABC which carried the Oscars last night. I had all but resigned myself to not watching the ceremony this year and in fact wrote out several paragraphs for this article about how I wasn’t going to get to watch. Then my genius wife moved the antennae upstairs to our bedroom TV and got all the channels. I missed the first twenty minutes or so and then another twenty minutes or so in the middle putting
Everyday is a new battle with sickness around here, but there's plenty of cool things to find as well.
I’m starting to sound like a broken record, but once again sickness found its way into the Brewster house this week. I really think it was the remnants of the previous week’s nastiness, but my daughter spent the weekend with a low fever and I spent most of the week feeling completely and utterly exhausted. I was in bed by 9:30 every night like I’ve turned into my parents. Still, some cool things came around and here’s five of them. Grateful Dead: May 1977: Get Shown the Light Barton Hall, Ithaca, NY, May 8, 1977. Those words mean a great
This week brings us another Amy Adams pick, a couple of Criterions, Mel Gibson's return, a Doctor Who Christmas special, and more.
As I sit down to write out why Nocturnal Animals is my pick of this week, I realize I know next to nothing about the film. I know it stars Amy Adams and that it's gotten some critical buzz. I also really like its title. But other than that - nothing. Yet here I am ready to make it my pick. It's not like one of those weeks where there is nothing else coming out either. There’s a Doctor Who Christmas special, an Oscar-nominated Mel Gibson flick, and a couple of wonderful Criterion releases. Yet here I am, picking something
A beautiful collection of historically important comics.
From 1929 to 1939, the Walt Disney company created 75 original animated short films under its Silly Symphonies line. As opposed to the Micky Mouse short films Disney was producing at the same time the Symphonies were designed to be whimsical pieces devoid of continuity or the need to feature regular characters (though several characters quickly stood out and became regulars in the films). In many ways, these shorts were a means by which Disney could experiment with the animation without fear of hurting his brand. The films helped dramatically improve what could be done with animation in terms of
Prince is now available on all streaming services - if that's not cool, I don't know what is.
A great big thanks to Gordon and Shawn for helping out last week. A couple of weeks ago I noted that my family and I had been passing around The Crud for awhile, well last week it turned into full-blown sickness. There’s been a nasty stomach virus being passed around these parts - my daughter got it over the weekend, then I got it, and then my wife. I won’t go into the details except to say it was an awful experience and I was in no shape to write. But now I’m back and healthy and have plenty to
This week brings us Amy Adams' language skills, a new Cinemax show, an Ang Lee Iraq War movie, a PBS Civil War show, and a gay porn crime drama starring James Franco.
My wife is a language nerd. Technically, she’s a master linguist having received her degree from Indiana University many years ago. As such, she has many language-nerd friends. Which means I have many language-nerd friends. Arrival is a film in which Amy Adams plays a linguist who saves the world from an alien invasion using her language-nerd powers. All of those aforementioned friends were terribly excited by this film. I am not a language nerd. I’m not particularly interested in grammatical intricacies as one can easily tell by constant abuse of the rules in these weekly picks. I do however
A magnificent presentations of a wonderful period drama
Upon watching the new 4K restoration of Howards End by the Cohen Film Collection, I come to realize it was my very first time watching a Merchant-Ivory Production. This surprises me as I feel like I know exactly the sort of films they made. Founded in 1961 by producer Ismail Merchant and director James Ivory, the film production company became well known in the '80s and '90s for their beautifully made period films that often adapted literary works set in Edwardian England. Working with modest budget (often adapting books from the likes of Henry James and E.M. Forster that were
This week brings us an Oscar nominee, another release of Dirty Dancing, Trolls, psychedelic horror, and much more.
I first noticed Ruth Negga on Agents of S.H.I.E.L.D. where she played Raina, a villain who was working for the mysterious Centipede Group before becoming a spiky headed Inhuman. She was a striking presence but honestly didn’t make that much of an impression on me. After watching her in Preacher, I realize just how poorly used in S.H.I.E.L.D. as she is magnetic in that show. After watching the first season, I put a mental peg in her name as someone to always watch. It seems I wasn’t the only one as she’s getting all kind of accolades for her performance
Sometimes, even during sickness, one can find cool things.
For the last couple of months, my wife and I have been passing The Crud back and forth between each other. She’ll get sick one week - coughing, sneezing, head full of mucus - then just as she gets better, I’ll get it. We routinely either blame our daughter, who is very likely bringing new germs home from her classmates, or our house and its potential for mold and who knows else what. It's been pretty miserable experience. This week it was my turn. I felt it coming on last Saturday and should have stayed in bed all day Sunday
This week brings us generic action from Tom Cruise, a queen from England, a Nazi love camp, and more.
Tom Cruise, the human, seems like a pretty awful dude. He’s a high-ranking member of a terrible cult/religion that uses brainwashing, blackmail, and mob-like intimidation techniques. He’s publicly made damaging comments about psychiatry, that if taken seriously, could do untold harm to millions of patients who desperately need the medical practice and their prescribed medication. I also don’t think he’s that great of an actor. He gets the job done, sometimes very well, but there’s never been a moment in which I found his performance in any film to be elevated into the level of greatness. Despite all this, I
For its 30th anniversary, Fathom Events put Baby back in the corner for a couple of viewings on the big screen.
I grew up attending the Churches of Christ - a conservative evangelical Christian sect most know for our aversion to instrumental music and, like John Lithgow’s minister in Footloose, our declarations against pre-marital dancing. While watching Dirty Dancing on the big screen for its 30th anniversary care of Fathom Events, my wife turned to me and said, “this is why we couldn’t go to dances.” It's true the film is filled with, as its name suggests, plenty of dirty, sensual, sexy dancing that would put prurient thoughts into the most wholesome of minds. Made on a tiny budget of $5
The classic Disney film gets a new release with a little bit new and a whole lot of old supplementals.
By 1937, Walt Disney Studios had been making animated shorts for over a decade. They’d become very successful but were still seen as a silly kids studio by most of Hollywood. With the smash success of Snow White and the Seven Dwarves that changed. The film made over $8 million dollars in its initial run, garnered lots of critical praise, and won an honorary Oscar. With all that success, Disney quickly moved into making his second full-length animated feature, Pinocchio. Based upon an Italian children’s novel, Pinocchio tells the story of a wooden puppet that is given life by a
South Korean director Park Chan-wook takes a break from his usual shocking ultra violence and makes a magnificently beautiful period drama.
Park Chan-wook is best known for what is now known as his Vengeance Trilogy (Sympathy for Mr. Vengeance, Oldboy and Lady Vengeance), three films that are unrelated in plot but share deep thematic ties and the director’s perchance for extreme violence and a dark, often perverse sense of humor. His latest film, The Handmaiden gives up the violence (mostly) and exchanges it for a lush, tightly plotted period romance (albeit one with some fairly graphic lesbian sex and tentacle porn). Set in Japanese-occupied Korea in the 1930s, the film tells the story of Sook-hee (Kim Tae-ri) a pick-pocket and con
This week I struggled to find five cool things so I brought in a friend.
It has been a long, weird week in the Mat Brewster home, culturally speaking. Work has been busy, keeping me from listening to things as often, or as intently as I might want. Evenings too have been a little weird. I’ve started several movies but for differing reasons have not finished them. Likely I’ll write about at least one of them next week as I do plan to finish them soon. What I did finish, I didn’t like all that much. [*cough* X-Men: Apocalypse *cough*] So what’s a guy to do when he wants to bring forth five cool things
This week brings us a new film from Park Chan-wook, Robert Langdun solving more clues, a story from Jaws coming to life and much more.
There is a scene in Park Chan-wook’s Oldboy that just might be the greatest fight ever put in a movie. It immediately made me a fan of the South Korean director. Oldboy is the middle part of the director’s Vengeance Trilogy (Sympathy for Mr. Vengeance and Lady Vengeance are the other two). All three ensconce themselves in perverse violence that will please even the most hardcore action fan, but that violence is never the point. Chan-Wook uses the unrelenting and incredibly crafted brutality to dig deeper into the soul’s of his characters and ponder man’s insatiable need to destroy. He’s
Give this a read, you numbskulls.
To let you in on a little behind-the-scenes action here at Cinema Sentries, me and boss-man Gordon spent some time tossing around ideas on what to call this new series. The idea for the series sprang from the NPR podcast Pop Culture Happy Hour. At the end of each show, everyone in that week’s panel talks about something from pop culture that’s been making them happy. It's always my favorite segment and I love the concept of finding things both big and small that bring you joy and sharing that with whoever will listen. The idea of doing something similar
This week brings us a girl on a train, a fox and his friends, plus Aaron Paul, Jon Hamm, and many others.
I was never much of a reader growing up. I would read whatever was assigned to me at school but I much preferred to watch TV or play video games than read. I was about 15 when Silence of the Lambs hit theaters. My brother and his then-girlfriend saw it on a date and raved about it. With their nudging, and promises that it wasn’t too graphic, my mother allowed me to see it. I loved it. I must have talked about it nonstop because that Christmas my mother bought me the book. I loved it too and with it
Oh, what a feeling to watch it on the big screen.
On December 28 of last year, at the age of 84 actress Debbie Reynolds died, just one day after her daughter Carrie Fisher passed. In honor of Ms. Reynolds, TCM in conjunction with Fathom Events has brought one of the world’s great musicals, Singing’ in the Rain, back to the big screen. My wife and I were able to go to a screening on Sunday and it was as wonderful as expected. In the early '50s, MGM assigned producer Arthur Freed and writers Betty Comdon and Adolph Green to make a film featuring a bunch of songs the studio already
No matter what the news tells you, there's lots of awesome things happening all around.
It is universally acknowledged that 2016 sucked. The world of entertainment and art lost an unimaginable number of talented creators. Early in the year, we lost Prince and near its end our Princess. Star Wars lost its lovable Droid, the rebooted Star Trek its Chekov. Our favorite TV mom from the '70s passed and soon there after went the best dad of the '80s. Ziggy Stardust fell from Earth and with him Leonard Cohen, too. Professor Snape will never cast a spell again and Willy Wonka’s chocolates are all gone. The list goes on and on. The width and breadth
This week brings us a comedy classic, a classic of the French New Wave, a holistic detective, and much more.
I can’t even remember the first time I saw His Girl Friday. It was high school, probably, or maybe on a trip home from college. I watched it with with my mother I’m pretty sure. Whenever, wherever it was, I immediately loved it. I’ve seen it a good dozen times since then and love it even more now. It gives me great pleasure to show the film off to those who haven’t seen it and watch them discover one of the great comedies of all time. The film stars Cary Grant and Rosalind Russell as two hard-nosed reporters who were
This week brings us a sequel no one was asking for, a trip into outer space, Holocaust deniers getting their day in court, and some girls.
It's difficult now to imagine a time when every movie didn’t have its own social media team. Or when there weren’t dozens of websites dedicated to promoting every single aspect of a film months before it made it to a movie screen. But in 1999, that was very much the case. The World Wide Web had been around for a little while, it was becoming a huge force in our daily lives. It had grown out of its infancy and was now into its adolescence trying to figure out what it was going to be. Movie studios didn’t know what
The Driller Killer plays like a Taxi Driver knock-off whose arthouse ambitions are overcome by its need to fill grindhouse seats.
The Driller Killer is known mostly for being Abel Ferrara’s directorial debut (if one discounts 9 Lives of a Wet Pussy, the hard-core porno he helmed three years prior) and for being one of first films put on England’s notorious Video Nasties list. I first came across it in a bootleg DVD shop in Shanghai. It was one of the few places I’d found in that city that carried art-house, classics, and other oddball films. The title alone had me curious and that scandalous cover featuring a blood-soaked face being punctured by an electric drill made me want to watch
This week brings us Oliver Stone's take on a whistleblower, Ethan Hawke committing violence, teenagers cruising around the country and more
Turn on the news and you are bound to hear any number of stories about computer hacking of some sort. Whether it's Hillary Clinton’s e-mails (and Russia’s potential involvement) or some celebrity having their private photos released publicly, there is no escaping that we live in a world governed by our technological devices and increasingly made vulnerable by them. It used to be easy to write off those who lived in fear of what technology might bring. Back in the '80s, we used to laugh at my grandfather who would rant about how the government was spying on us through
A cross-country road movie that will either be held up as a treatise to the restlessness of youth or tossed off as pointlessly boring.
The space between being a child and an adult - youthfulness - is full of manic energy, enormous emotions, nervous lust, and restlessness. It is a time of experimentation, of being able to let go and run off, of figuring out who we are, who we are going to be. Andrea Arnold’s American Honey captures that moment in life perfectly. First-time actress Sasha Lane plays Star, a lost child who left her meth-addicted mother in Texas to live with a family in Oklahoma and raise their two kids. The mother prefers spending time at the local bar line-dancing and the
I'd been better off not remembering this thing exists.
In 1982, director George Romero teamed with writer Stephen King to make Creepshow, a comedy/horror anthology film designed to wax nostalgic about the old DC and EC horror comics of their youth. It was a surprise hit and remains a classic among horror hounds to this day. Five years later, they made a sequel. Romero took over writing duties (though it was still based on King stories) and Michael Gornick directed. Arrow Video has released a newly restored Blu-ray of the sequel filled with more extras than it deserves. I have very vague memories of seeing the first one on
Terrifically thrilling first half is marred by too many genre cliches in its back end.
A family is brutally murdered inside their home. We follow the local sheriff (Michael McElhatton) through the blood-soaked house down to the basement. There, they discover a beautiful, dead, naked woman half buried in the dirt. She is not a member of the family, she has no identification on her, and no one seems to know who she is. Though it is late, they take her to the Tilden house where Tommy Tilden (Brian Cox), the county coroner, and his son Austin (Emile Hirsch) can perform an autopsy and discover the cause of death. Sheriff says the press will be
This week brings us documentary about an influential book, a true life film about a pilot, some horror films, a remake, and more.
In 1961, François Truffaut sat down in a Hollywood hotel room with Alfred Hitchcock for a week-long chat about Hitchcock’s films. That series of interviews became the landmark book Hitchcock/Truffaut. It came out at a time when American critics dismissed Hitchcock as a genre director, nothing more. He could make a very good suspense picture, but those type of things were beneath people who took cinema seriously as an art form. The French New Wave, led by Truffaut, saw Hitchcock for what he was - a true auteur. That book went a long way to convincing everybody else of that
This week features Tim Burton's latest, Ridley Scott's son, zombies, never-before-seen Star Trek, and more.
My wife and I bought a house a few months back. We are first-time home buyers. It's a bit of a fixer-upper, but we got a good deal on it. I’ve enjoyed making improvements on it. There really is something special about owning your own home. Even mowing the yard isn’t so bad because it's my yard I’m mowing. We live in what I’d call a lower middle-class neighborhood. It's filled with renters, those who have moved up a notch from renting, and first time buyers like us. The neighbors are nice if a little more redneck than I’m used
This week bring us a new Bourne movie, a couple of Criterions, Mad Max in black and white and more.
My wife and I lived in Strasbourg, France for about ten months back in 2004. We sublet a tiny studio apartment from a university student who was spending a year living in England. There was hardly any furniture - a small desk, a coffee table, and a couple of half-broken chairs. She’d taken the bed out as it was only a single. A friend of ours let us borrow a blow-up mattress, but it had a tiny hole in it so as the night crept on we got lower and lower to the floor. After about a week of that,
First-time director Matthew Ross proves he's someone to keep watching.
Michael Shannon is such an intense actor I don’t know that I could ever see him as a romantic lead. Even when he’s whispering sweet nothings, I’d always feel like there was something sinister happening underneath. So it is with Frank & Lola, the new film starring Shannon and Imogen Poots as the titular characters. He’s a respected Las Vegas chef and she’s a fashion designer-hopeful just out of school. First-time director Matthew Ross shows us the beginnings of their relationship in fits and starts. He strings together snippets of scenes, flashing both backwards and forward, giving us snapshots of
A light-hearted romantic comedy with a buoyant Harry Mancini score and Audrey Hepburn at her most chic.
In 1995, the alternative rock band Deep Blue Something released their only hit song, "Breakfast at Tiffany’s”. I was in college at the time in Montgomery, Alabama, and it was all over the city. Playing on the radio, in all the restaurants, and all over the campus. One day, my friend Jenifer and I were singing along to the song and we came to the realization that neither of us had seen the Audrey Hepburn film of the song’s title. We scooted on over to the local video shop and rented up the VHS tape (wow, how anachronistic is that
This week brings us some thrilling horrors, some weird anime, and at least two friendly monsters.
It's strange this writing things that get published on the internet. You never really know who is reading what your wrote, if anyone actually is at all. This afternoon I went to see a Fathom screening of Breakfast at Tiffany's. When I got to the theater, I tweeted about it and shared my location on Facebook. Then later this afternoon, in real life, no fewer than three people asked me how the movie was. That always throws me. It took me a minute to realize how they knew I’d gone to the movies. It makes perfect sense that people I
This week brings us a modern western, and old horror flick, a couple of Criterions, Marlon Brando directing and much more.
I’m much too young to have grown up during the heyday of westerns. As a kid I didn’t like them. They were too old, too old-fashioned for me to take any interest in. When I’d complain about my uncle watching them, he’d laugh and say I really did like westerns I just didn’t know it. Star Wars, he’d explain, was really just a western in outer space, so maybe I should give John Wayne a try. I’d make a face and go play with my Han Solo figure. It was Young Guns that turned me around. That 1988 film about
This week's new releases include a forgetful fish, a killer king (or two), several Criterions, and lots of Buster Keaton.
I have lamented numerous times in these pages about how my young daughter has kept me from seeing a great many movies. For years it was inappropriate to take her to the theatre and babysitters were hard to come by. Many movies that I want to watch at home should surely not be viewed with toddlers by my side. Thing is she’s five and a half now. She loves going to the movies. She has a greater attention span so she can watch longer and more complicated plot lines with at least some comprehension. I'm also pretty liberal in what
Wes Craven's second film is decidedly low budget and grim, but it shows the early promise of a true master of horror.
Born in 1939, Wes Craven was raised in a strict Baptist family, attended very conservative religious schools, and received a masters degree in philosophy and writing from Johns Hopkins University. He got his start in filmmaking by directing numerous pornographic films before making his break-out horror classic The Last House on the Left. In the 1980s, he created one of the greatest icons in horror history with Freddy Krueger then subverted the very slasher genre he helped popularize with the Scream franchise, which turned slasher films into a satirical exercise of meta-filmmaking. Both of those film series inject humor into
HBO's limited series takes a hard look at the American criminal justice system.
Sometimes, I think Richard Price should write all of our television. At heart, Price is a novelist. He’s written some of the greatest crime stories of modern times (including Lush Life and Clockers). While his books fall under the crime genre, they are so much more than that. He researches deep into the ways in which cops really work and what life on the street is really like. His novels pry into urban life and shine a light into places most other novels do not dare show. As such, his writing finds a truth so often missing from genre fiction.
This week brings us a blind crime fighter, a killer taxi driver, raunchy sausages, and more.
If The Avengers are all about saving the world from alien annihilation, then the Defenders have far less loftier goals - they protect the dirty neighborhood streets of New York City from thugs and gangsters (and the occasional ninja). Four seasons in (two of Daredevil and one each of Jessica Jones and Luke Cage) and I am totally on board with Marvel’s street level superheroes. With these Netflix series, Marvel is proving yet again that their aim is to take over every possible entertainment venue we have as puny humans. They’ve ruled the comics market for decades and every few
Stylish '80s vampire flick has little bite, but doesn't suck too much.
Legends of vampires are as old as recorded history. There are stories of vampire-like creatures from every corner of the Earth. The modern vampire has its origins in Southern Europe dating from around the early 18th century. Bram Stoker got his idea for Dracula from those parts and it is from him that most of our preconceived notions about vampires come. F.W. Murnau illegally stole Stoker’s story for his landmark 1922 film Nosferatu (Stoker sued for copyright infringement, and won, causing nearly all the prints of Nosferatu to be destroyed. It is only by the grace of the cinematic gods
Mutated mollusks wreak havoc in a small town, and awesomeness on our small screens.
I can’t believe this is about to happen. You are about to read, from me, a positive review for a movie about a bunch of murderous, mutant mollusks. Slugs is a delight. It's well made, funny, gross, and an immensely entertaining movie. I mean it's still a really bad movie, but in the most satisfying of ways. Made in 1988, Slugs follows in the footsteps of all those mutant animal/nature vs. animal flicks that gained popularity in the '70s (which tells you something about the development of this film being made nearly a decade after the genre basically died out).
This week brings us an animated Caped Crusader, a sea of trees, bad moms and more.
As a teenager living in the '80s I developed a great fondness for old '50s, '60s, and '70s television shows. A lot of fledgling cable channels found it valuable (and no doubt cheap) to rerun old shows rather than create original programming. I’d sit every afternoon watching that old stuff. I loved just about all of it from the cheesy shows of the '50s like Donna Reed and Father Knows Best to more urban and socially conscious '70s series such as Good Times and The Jeffersons. It was during these classic TV afternoons that I discovered two of my all-time
This week brings us an enormous gore feast, Norman Lear, Bob Dylan, Viggo Mortensen in the woods, and much more.
Halloween is really sneaking up on me this year. October is normally one of my favorite months of the year as it is the beginning of cooler weather, hot drinks, the smell of burning wood, and beautiful colors. It's also the only month of the year when everybody wants to watch scary movies. I don’t know if it's the warm weather, or the fact that we bought a house and have been spending all our excess time and energy fixing it up or what, but I just haven’t been feeling October this year. We had our annual pumpkin-carving party a
Due to some personal matters, I only stayed at this year's con for a couple of hours, but still had tons of fun.
During this, my third Wizard Con experience I came to realize there is a certain sameness to these things. You get a lot of the same vendors, see a lot of the same cosplayers, listen to a lot of the same celebrities who say a lot of the same things. That’s not necessarily a bad thing and I think there are enough different experiences to be had to keep it interesting, but it is starting to make me wonder if it's worth the cost to attend every year. Or, rather, since I get comped press passes, whether its worth it
The first five films from the comedy legends get a nice Blu-ray set.
When I wrote about watching the original Ghostbusters at a Fathom Event, I talked about how my sense of humor has been refined into a very specific concoction that prefers comedy that comes from a sense of story, flowing naturally from well-written characters. I don’t tend to like being bombarded with jokes when they aren’t grounded in something more realistic. Watching the films in The Marx Brothers Silver Screen Collection really put that theory to the test. Story is completely irrelevant in a Marx Brothers movie. Their films have some semblance of a plot, but it only exists as a
This week brings us a new Woody Allen, lots of old Marx Brothers comedies, a couple of Criterions, an Independence Day sequel nobody really wanted, and much more.
There are a handful of directors that will get me to the theatre sight unseen. Martin Scorsese, The Coen Brothers, Wes Anderson, and a few others make films that I know I want to see even if I know nothing going in. Even if the critical evaluations have been poor. I don’t always love their movies and on occasion I've even come close to outright loathing them, but I am never disappointed in having seen them. Directors with a true vision can be a rare thing in Hollywood, and I’m always ready to see what they can do with it.
A nice set, just in time for the holidays.
That Gregory Peck was one of the greatest film actors to ever exist there is no denying. Had he only appeared as Atticus Finch in To Kill a Mockingbird and never made another movie, he’d still be considered one of the greats (much like Harper Lee is considered a great American author though she never wrote another book - I cannot count Go Set a Watchmen as hers as I don’t believe she ever intended it to be released). Of course, Peck did make other movies including the classics Roman Holiday, The Yearling, Twelve O’Clock High, Cape Fear, and so
This week brings us nuclear mutants, Mel Gibson, Tarzan, the music of Jerry Garcia, lady ghostbusters, and much more.
This weekend I gave away the vast majority of my CD collection. I am a collector of things, especially entertainment media things, so this was a very difficult thing to do. I love physical objects. Books line my walls, my DVD shelves are overflowing, and CDs stack up everywhere. At least they used to. Truth is, most of my CDs have been sitting in boxes for several years because I’ve not had room in my homes to put them anywhere. Truth is, I really haven’t minded. I’ve long since had all my music ripped to my hard drive and I
Densely plotted French spy series hits a new streaming network.
French intelligence officer Guillaume Debailly (Matthieu Kassovitz) has spent six years in Damascus under deep cover. When he left France, he severed all connections to his former life. He could not speak to his old companions, friends, or even his daughter. His only connection to home was his handler whom he spoke with via video chat. He had a completely new identity and had to forge a new life, making new connections, new friends, and new even a lover all the while secretly spying for his home country. At the beginning of The Bureau, Guillaume is, without warning, brought in
This week brings us comic books brought to screens both big and small, an election year purge, lots of TV and more.
In this new Golden Age of Television, it's easy to feel a bit like King Midas where every show you turn to is beautiful. Yet much like the legend, this can be as much of a curse as it is a blessing. There is just too much great TV available and not enough time to watch it. I now not only have a list of shows I want to watch but I now have to keep another list of shows I’ve started, really loved, but have not yet caught up with because I keep getting distracted with all the other
This week brings us sinister models, shark attacks, goofy horror flicks, critically acclaimed Polish films and so much more.
I used to say that the best part of going to the movies was watching the movie trailers before the show started. That wasn’t really true of course (unless the film was bad), but in those days that was about the only place I could find out what movies were coming up. It wasn’t like today where there are a hundred million sites dedicated to giving us every scrap of information about every upcoming movie from here to eternity. Truth be told, I don’t really pay that much attention to those things anyway. My Facebook and Twitter feeds get filled
It's like a b-grade version of Mad Max, but it's still a lot of fun.
The synopsis for Dead-End Drive-In on IMDB reads as follows: “In the near future, a teenage couple is trapped in a drive-in theater which has become a concentration camp for social outcasts. The inmates are treated to drugs, exploitation films, junk food, and new wave music.” That sounds a bit like paradise for me so if that’s the post-apocalyptic future we have to look forward to, sign me up. An opening crawl details the recent economic collapse of every major economy and the violence that ensues. The camera moves through an unnamed Australian city and we see broken windows, burning
Numerous classic Christie stories get a new telling for French television.
The Little Murders of Agatha Christie (Les Petit Meurtres d’Agatha Christie) is a French television series that began in 2009. The MHZ network has picked it up for English-speaking audiences and now the first season is available on DVD in the U.S. The most interesting thing about the series is that while it adapts stories featuring both of Christie’s most famous sleuths (Hercule Poirot and Miss Marple), the main investigators in the show are entirely new inventions. For those of you who are not familiar with Christie’s writing, Poirot is an eccentric Belgian detective who is often hired by Scotland
This week brings us a Disney classic, David Bowie with crazy hair, an early Coen Brothers film, teenaged turtles and more.
Memory is a funny thing. It changes and mutates along the way as we get older. My memory says I was a great fan of the Disney Renaissance of the 1990s, but looking back at those films it seems I really wasn’t. The Little Mermaid kicked things off in 1989. I was 13. I love that film. I think I saw it in theaters upon first release, but honestly, it's become such a part of my cinematic DNA, I can no longer remember the first time I saw it. Beauty and the Beast was released two years later, and I’m
With Snowden, Oliver Stone proves he's still got stories to tell.
Of course Oliver Stone made a movie about Edward Snowden. If the former CIA operative/NSA contractor turned whistleblower/leaker of thousands of documents that prove our government has been spying on its citizens on a massive scale didn’t actually exist, he’s exactly the sort of character a guy like Stone would have invented. Likely, we critics would have complained that he was being too paranoid if he did. This fictionalized biopic is framed by the non-fictional film Citizenfour, which won the Academy Award in 2015 for best documentary feature. Snowden begins with Edward Snowden (Joseph Gordon-Levitt) meeting with Citizenfour’s director Laura
A wonderful tale of love and loss at the Kabuki theater.
Kiku (Shotaro Hanyagi) is the adopted son of Kabuki royalty in Tokyo. As the presumed heir to this theatrical throne, he is constantly lavished with acclaim. The mouths that herald his praises come with two faces and out of the other, they spit ridicule. Even Kiku’s father-in-law cannot bring himself to tell him how poorly he acts. Late one night, he walks with Otoku (Kakuko Mori), nursemaid to Kiku’s brother's son, who finally tells him the truth - he stinks! Instead of lashing out in anger, Kiku’s is filled with gratitude that someone is finally willing to speak to him
This week brings us a special anniversary, a ghost story sequel, a comic book nerd's dream come true, and lots of classic films getting nice upgrades.
I can’t remember when I first saw Aliens. It was definitely the plural and not the singular (it would be years later than I’d finally sit down with the original Ridley Scott film). I vaguely remember seeing it with my cousins. I certainly discussed it with them and we quoted it regularly. But the details fade. My strongest memory of the actual film is the scene in which two of the marines are caught in a tunnel and one decides to take out as many aliens as she can by letting them come in close and exploding a grenade. As
Mysterious characters, beautiful scenery, loads of intrigue, The Night Manager has everything you want in a spy story.
I made the mistake of watching Mission: Impossible - Rogue Nation just before I started The Night Manager. I really rather enjoyed Mission: Impossible; it's probably my favorite of the series in fact. It's a non-stop ride of thrills and magnificent set-pieces. No, the mistake wasn’t watching another Mission: Impossible film, it was the juxtaposition between that and The Night Manager that was difficult to adjust to. Calling The Night Manager slow would be an affront to snails. Its intentional languid, methodical pacing creeps across the screen. I do not in anyway mean this as a critique but coming off
Female Prisoner Scorpion: The Complete Collection Blu-ray Review: These Aint Your Father's Women-in-Prison Films
A terrific collection of some really wonderful genre films is maligned by less than stellar video quality.
Leave it to the Japanese to perfect the Women-in-Prison subgenre. First time director Shunya Itō took all of the sleazy elements of the genre - rampant nudity, rape, gratuitous violence, and lesbianism - and turned it into real cinema. Female Prisoner 701: Scorpion and its sequel Female Prisoner Scorpion: Jailhouse 41 aren’t just good examples of the genre but honest-to-god great movies. The subsequent sequels (Female Prisoner Scorpion: Beast Stable and Female Prisoner Scorpion: #701’s Grudge Song don’t fare quite as well but there are still some really nice moments in each. Arrow Video has recently combined the four films
This week brings us a World War II film from Carol Reed, Bryan Cranston as a president, Salma Hayek in an Italian fairy tale, and George Clooney's charm.
My wife and I have never, nor will we ever make a freebie list - a list of five celebrities whom we can sleep with without the other getting upset over it - but if we did, George Clooney would be at the top of hers. Hell, he’d be pretty close to the top of mine, and I don’t begin to even swing that way. But he’s just so damn handsome and he just bathes in charm, and push come to shove, I don’t think I’d be able to help myself. He’s one of my all-time favorite movie stars, which
Watching my daughter fall in love with these characters as I did when I was a child is well worth the price of admission.
I was maybe eight years old when The NeverEnding Story came to movie theaters. It immediately became my favorite movie ever. I developed my first crush, screen or otherwise, on Tami Stronach and her portrayal of The Childlike Empress. I thought she was so beautiful and exotic that she lingered in my prepubescent mind for months after seeing her. I thought she was the most amazing thing I’d ever seen. Watching it now, I realize that part of this love I felt for her comes from the character. At the end of the film, she speaks to Bastian (Barret Oliver),
This week brings us a Disney remake, a couple of Orson Welles' Criterion releases, a hotel manager, and more.
I suppose it's not all that strange that in this world of constant remakes, reboots, prequels, sequels and cinematic universes that Disney would be reimagining their classic animated catalog as (more or less) live-action films. No that seems perfectly normal to me. What is sort-of amazing to my mind is just how many terrific people they are getting to perform in them, and in the case of The Jungle Book, just how rather good the final product is. This new version of The Jungle Book was directed by Jon Favreau and stars Bill Murray, Ben Kingsley, Idris Elba, Lupita Nyong’o,
Who knew a comedy about a cannibalistic serial killer could be this unfunny?
I used to have a roommate named Bobby. He was a nice guy, but not very culturally sophisticated. He was the kind of guy who, even though we were working 10-hour shifts and there was a 45-minute commute to and from the job would come home and immediately spend an hour at the gym. He was the kind of guy who, after a night at the club, would see a cute girl on her way out, roll down his window, and ask, “Are you hot or not?” He was the kind of guy who was attractive enough to make that
This week brings us the return of the Evil Dead, more zombies, the devil living in L.A., and much more.
I turned 18 in 1994. So though I consider myself a child of the '80s, it was really the early '90s that informed who I am culturally. I have a great fondness for much of the TV, movies, and music that came from the '80s but when I really break it down, it was that period from 1990 to 1994 that I began to take the culture’s artistic mediums seriously. I may reach a nostalgic sort of glee when I hear Tiffany sing “I Think We’re Alone Now” or I catch Gremlins running amok, but its not until I hear
This week brings us fan films, angry birds, murders by appliances, Elvis, and more.
Movies were a huge part of my childhood. I have all sorts of fond memories of going to the cinema and watching them on TV. My parents were early adopters to the Beta and VHS home-movie formats and nearly every weekend we’d wind up at the rental place finding something to watch. As a teenager, I thought my parents were completely lame and I didn’t get along with them most of the time, but I still went with them to the movies regularly. It was the one way in which we could enjoy each others company. But I never went
Not enough crime, too little passion, far too much Anthony Perkins with a giant vibrator.
Crimes of Passion is a psychosexual drama from Ken Russell (Tommy, Altered States). It works best when you think of it as a moral satire but mostly it's just a hot (but not that kind of hot) mess. Kathleen Turner’s performance would be considered brave if it were not so over the top that it veers into the ridiculous. She plays Joanna Crane, a respected fashion designer who lives a double life as prostitute China Blue, who fulfills various men’s kinkiest desires. John Laughlin plays Bobby Grady, an investigator stuck in a sexless marriage, who is asked to spy on
This week brings us time travel, holograms, superheroes, and more.
The assassination of John F. Kennedy in 1963 looms large in our American identity. Hell, it looms over my own identity and I wasn’t born until 13 years later. The 1960s as a whole were greatly influential upon our culture. It gave us the Beatles, the Stones, Dr. Strangelove, Lawrence of Arabia, hippies, free love, Woodstock, Altamont, the Civil Rights Movement and the murder of a President. In the years since that decade died, countless amount of words have been written, documentaries filmed, and art created praising those ten years as monumental. Sometimes, it feels like that from the very
Take that, Game of Thrones.
Were you to only catch certain scenes of The Knick - such as when a patient has the top of his skull removed, his brain exposed while Dr. Thackery (Clive Owen) prods it with electricity as well dressed, bespectacled old men watch in bemusement - then you might think it is a horror anthology rather than the beautifully shot, carefully crafted, highly original hospital drama that it is. Set in the early 1900s at a fictional Manhattan hospital, The Knick details the lives of the surgeons, nurses, administrators, and sundry workers as they attempt to save lives, keep the hospital
Who knew a show about beautiful people having sex could struggle so much with keeping our attention?
Steven Soderbergh is one of the more interesting directors of the last thirty years. Starting in 1989 with Sex, Lies and Videotape he not only proved himself one of the more inventive directors of that year but helped launch the Independent Film movement of the 1990s. Since then he’s made films in genres as diverse as period dramas (King of the Hill), crime capers (Out of Sight), science fiction (Solaris), action (Haywire) plus many more. He shifts back and forth from big budget, crowd-pleasers like the Oceans films and Erin Brokovich to more idiosyncratic independent films like Full Frontal and
This week brings us a huge collection of African-American films, several revenge style flicks, Pocahontas. and much more.
I consider myself an amateur cinephile. By which I mean I take films seriously - I watch with a critical eye, I attempt to understand the artistry and craftsmanship of cinema, and I do my best to dig into the history of the medium. But I also have a life, a job, a family, and not nearly the time I need to dedicate myself full-time to watching movies. This means there are large gaps in both genre and history of movies that I’ve never seen. There is a very long list of movies I really ought to watch before I
Three movies from the 1960s show the Japanese made more than just deeply felt dramas and samurai flicks.
The Nikkatsu Corporation was formed in 1912 when several smaller production companies and theatre chains consolidated. They had some success in those years, but struggled in the early post war era. By the 1950s, they hit their stride, producing hundreds of movies in every conceivable genre that drew in the youth crowd by the truckload weekend after weekend. Arrow Video has been mining the Nikkatsu vaults during this “Golden Era” for a number of excellent video releases. Much like the Hollywood system of this era, Nikkatsu began contracting its directors and stars locking them into multi-film deals which created something
This week brings us O.J., Elvis meeting Nixon, three films from Criterion, and much more.
In the summer of 1994, I was 18, had just graduated high school, and was doing my best to have "The Best Summer Ever" while college loomed just over my shoulder. I was looking forward to that experience, but I had signed on to University in Alabama - a good 800 miles away from my home in Oklahoma - so I was a little nervous about leaving everything I knew for something new. At the same time, the entire world became obsessed with a football player turned actor and the lurid murder of his wife and her friend. Somehow, I
An exploitation flick with a message.
Quentin Tarantino once called director Jack Hill the “Howard Hawks of exploitation filmmaking.” I don’t know that I’d go quite that far but certainly Hill made some of the most memorable films in the genre. Working with minuscule budgets and, shall we politely say colorful plots, Hill still put our a fairly large number of very well-made and quite enjoyable films. One of the more interesting things to me is how, though working in the various exploitation genres, Hill still managed to make somewhat thoughtful films that dealt with racism, sexism, and other cultural ills. Certainly he’s still being exploitive,
This week brings us a green room, a carnival of souls, passionate crimes and much more.
Last week I wrote about buying a house and noted that we would be moving in on Tuesday. We did exactly that and then moved right back out. The very evening we moved in the wife and I both took showers. Upon exiting, I noted that the tub was very slow to drain. An hour or so later my wife asked me if I had made a mess getting out of the tub as the towel I had put down was sopping wet. Further investigation noted large amounts of water filling in around the toilet. Our lines were clogged and
This week brings us some Italian horror, Studio Ghibli animation, a '90s indie, some sorority babes, and much more.
The wife and I recently bought a house. It's the first time we’ve ever done that. We talked about it for years but had never been stable enough in our jobs or location that we felt it was possible. When we moved back to my hometown a couple of years ago, we started talking about it seriously. A little over a year ago we started looking. Got pre-approved from the bank, connected with a realtor, and visited every house within our price range within a 50-mile radius. Turns out it's really quite difficult to choose a place that you are
Fairly uninteresting neo-noir pumped up by a really interesting central conceit.
Two men, half brothers, meet at a bus station and ride back to one of their houses. They have only recently just met, at their father’s funeral, and decide to spend the weekend together getting to know one other. One of them, Vincent Towers (Michael Harris), is obviously rich - he drives a nice car, wears an expensive suit, and lives in a house that makes the word “fancy” feel small and embarrassed. The other, Clay Arlington (Dennis Haysbert), is obviously poor - he arrives by bus, comes from a tiny desert town, and dresses in jeans and an old,
The Killer Tomatoes are back and this time it's personal.
We have Jim Henson to thank for this. During Muppets Take Manhattan, there was a fantasy sequence in which Miss Piggy fantasized about growing up with Kermit. In it, we see baby versions of Rowlf, Fozzie, Scooter, and Gonzo. This inspired Henson to create The Muppet Babies animated series for CBS (and inspired that odd-ball late '80s to early '90s genre of making baby/little kid versions of already popular adult characters). During the third season in an episode entitled “The Weirdo Zone,” the babies try to get in touch with their inner weirdness in order to understand Gonzo. Fozzie Bear
This week brings us a nuclear comedy, killer tomatoes, a special effects wizard and much more.
If you’ve watched a movie with any sort of special-effects-laden creature in the last century, you’ve watched a film influenced by Ray Harryhausen. Inspired by watching King Kong (1933), Harryhausen went on to pioneer the use of stop motion effects and created what he called Dynamation in which he super imposed his stop-motion effects onto a previously shot scene, enabling real life actors to interact with his puppets. His films often fall into the science-fiction/fantasy gutter of the 1960s era, and I’ve honestly not seen the majority of them, but just seeing clips of those effects is jaw-dropping. Knowing that
Grab some chocolate (and a bag of popcorn) and strap yourself in for this delightful movie playing once again on the big screen.
As any cinephile with children can tell you, it's a challenge deciding what movies are appropriate for them to watch. There is violence to consider, plus language, sex, moral lessons, and a whole host of things to ruminate over before letting your wee one’s little brain get bombarded with stimulating images. Honestly, I tend to lean towards letting my daughter watch just about anything she wants as I truly believe young minds are able to digest and work through a whole lot more than we give them credit for. I rarely put this to the test though, as she’s just
This week brings us a bunch of Shakespearean adaptations, a fun-looking sci-fi thriller, a Norwegian disaster flick, and the award for worst titled film to ever get my pick.
I hope someone was fired over this. Knight of Cups is a terrible name for a film. Terrence Malick has a difficult enough time selling his films to an audience in the first place so there is no need to give it the worst title possible. I mean, I’m rooting for the guy. I’ve loved the films of his that I’ve seen and I want him to make many more, but even I totally cringed at this title and stayed away from it in the theatre. It doesn’t help that his movies are becoming more and more experimental. Knight of
Criterion does a masterful job of bringing an early sound picture to live.
Life has not gone well for Maurice Legrand (Michel Simon). He works as a cashier for a hosiery company and is generally despised by his colleagues. In an opening scene, they openly mock and scorn him for being a wet blanket and for having to run home to his wife instead of going out on the town with them. The wife, too, rather deplores Maurice and spends nearly every moment of her time on screen berating him. The only pleasure the poor fellow gets from life is painting and even that is spat upon by his wife who declares he
Sometimes the behind-the-scenes stories are more interesting than the actual films.
Roger Corman’s name is synonymous with low-budget, independently financed b-pictures. He’s produced over 400 films in his career, most of which come with titles like Sharktopus vs. Pteracuda or Voyage to the Planet of Prehistoric Women. They almost always made money because he knows the basics of filmmaking and he has his finger on the pulse of what's going to sell. He also gave a great many A-list directors and actors their start in the business including folks like James Cameron, Francis Ford Coppola, Martin Scorsese, and Jack Nicholson. A famous bit of spurious trivia says that he filmed Little
This week brings us new X-Files, a couple of sequels, a couple of Criterions, a young Jesus, and much more.
For one reason or another, I never got into The X-Files when it first ran. Truth be known, I’m not even sure how aware I was of its existence. Surely I’d seen some adverts for it, but I didn’t know anybody who watched it and it just wasn’t part of my cultural consciousness. Late in my college career, this would be around 1997-98, some friends dropped in for a weekend and they were fans so we watched that week’s episode. I was not impressed. The effects looked cheap, the monsters were silly, and I was completely lost in terms of
Who you gonna call?
From the moment it was announced that they were remaking Ghostbusters with women as the leads, the Internet lost its collective minds. Thousands of people have gone insane with hatred towards a movie they’ve not yet seen. As with any passionate internet wave, the backlash was as intense as it was inevitable. Cries of sexism came fast and furious as if anyone who wasn’t completely in love with the idea of this reboot hated all women. Now of course, if you spend any amount of time on the various internet boards in which this film is discussed, you’ll find a
Excellent French series gets better and better with each season.
A French Village is a French television series set in the fictional, Nazi-occupied town of Villeneuve in the Eastern part of France. The series details how various aspects of French society dealt with the occupation. From collaborators who followed German orders directly to the resistance and every space in-between, it is a fascinating, if fictional, look inside one of the darkest periods of French history. Each season roughly takes place over the course of a single year. Season Three is set in 1942. For those of you who need a history refresher, this is the year when the “Jewish Problem”
This week brings us the Coen Brothers playing with old Hollywood, U2 performing live in Paris, Michael Bay exploding things in Benghazi, and more.
The Coen Brothers last took on Hollywood in 1991 with Barton Fink. That movie was a dark, cynical, symbolic look at the motion-picture business (and a whole lot of other things) that was rather relentless in its black comedy. Their newest Hail, Caesar! is a much breezier, lighter (if no less brilliant) affair that indicates, perhaps, a brighter view of Hollywood. Or maybe it's just the Coens being zany again. The plot (what little there is) follows Eddie Mannix (Josh Brolin) as he oversees various projects for Capitol Pictures and mostly “fixes” a multitude of problems created by the stars
This week brings us three films from Wim Wenders, a human tornado, a city of women, a blood bath and much more.
I’ve seen exactly one Wim Wenders film (Until the End of the World - I think - or it could have been Faraway, So Close. It was definitely a U2 song title, and I don’t remember any angels so I’m pretty sure it was Until the End of the World). Obviously, I don’t remember much of the film, but I do remember not liking it. Or rather I liked the first part of the film, which felt like (and had the run time of) a full movie, but then it just kept going and became a different film entirely. By
Arrow Video creates another fantastic set featuring two Italian giallo films.
Emilio Miraglia rose through the ranks of Italian cinema in the early '60s, making his bones as an assistant director on over 15 films before taking the reins as director. After a couple of mostly forgotten action flicks and a heist picture, he made two well regarded (at least among genre fans) giallos before turning to the Spaghetti Western genre. He directed six films between 1967 and 1972 and then completely disappeared from cinema all together. It's the giallos he is remembered for and Arrow Video has put the pair together in another of their fantastic, limited edition releases. A
This week brings us a couple of Italian horrors, Jesus, a midwife, and Scott Baio using magic to look up girls skirts.
I have somewhat eclectic cinematic tastes. I’m just as thrilled to see classic American films like Casablanca or To Kill a Mockingbird as I am modern blockbusters such as the Marvel movies or the new Star Wars. I can sit contemplatively through even the densest Bergman or Godard arthouse films and fist pump at creative kills in an '80s slasher flick or the sadomasochistic weirdness that is Takashi Miike movies. As such, I am perpetually feeling guilty about not watching one sort of film or another. If I start watching a bunch of big budget, smashy-smashy, exploding movies, then I
Obscure Japanese films from the 1960s get an excellent release.
In May of 1968, Japan's oldest movie studio, Nikkatsu, released a little Yakuza drama called Outlaw Gangster VIP. It proved rather popular and profitable, and so they released a remarkable five sequels to it in just under two years. It is rather understandable then that these films get a little repetitive plot-wise. Testy Watari plays Goro Fujisawa, a Yakuza warrior who has (rightfully) earned the nickname Goro the Assassin but has grown tired of the gangster lifestyle and hypocritical honor codes. In each film he tries to escape the gangs to live a normal life, meets a girl (always played
This week bring us an acclaimed horror, some women in prison, a dirty grandpa and much more.
Last Friday was the 13th of May, my brother’s birthday, but more importantly a traditional day of horror. Normally, I’d watch the slasher series with the hockey-masked killer, but my family was having none of that. Instead, we watched one of the newest incarnations of Scooby-Doo (which strangely features a lot of heart-throbbing between the characters - yuck,) an episode of Buffy the Vampire Slayer, and part of The Mummy Returns. There wasn’t enough gore-filled stabbing in either of those for my taste, but one has to deal with all sorts of compromises when one has a family. What this
A new take on the Scottish Play is visually stunning, but skips a few too many of the Bard's words.
Directors of both stage and screen love fiddling with the settings, periods, and sometimes even the words of William Shakespeare. His plays have been transplanted from Shakespeare’s own 16th Century to modern times and every period in between. The play's settings regularly gets moved around to suit the director’s whims and his words have been translated and modified time and time again. This speaks to how well his dramas speak to every person in every age. It also says something about how director’s attempt to mold great works under their own visions. In one of the features on the Blu-ray
This week brings us an R-rated superhero, a classic Bogart, a miniseries take on Tolstoy, and much more.
For the foreseeable future, it is a blockbuster world and we’re just living in it. Marvel has been churning out massive, gigantic, skyscraper busting mega-hits since 2008 and they show no sign of slowing down anytime soon. With the huge success of The Force Awakens, the Star Wars universe will be joining in with at least a couple of lightsaber flicks every year. Then you’ve got Michael Bay, those furiously fast folks, and a horde of others all who will ensure that pretty much anytime you go to your local megaplex you will be seeing a film that contains no
Come sleep around with the sleepover bandits.
Even if you didn’t know Bandits was made in 2001, you’d automatically know it was made in the late '90s to early oughts. There’s just something about the film that screams that time period. It’s not so much the period aspect of it - the clothes, cars, etc - but rather I think it stems from both Billy Bob Thornton and Bruce Willis having the lead roles in a Barry Levinson film. Those two actors have had long, storied careers and certainly have made plenty of films since Bandits, but there’s a certain something about those years that pits them
This week brings us invasions, counterculture icons, Holocaust survivors, and a fancy mop.
Twenty years ago, I was a sophomore in college. That was the first summer where I didn’t go home for break and instead stayed at school and got a few more credits. I went to a small, private university and it was absolutely dead in the summer. Almost everybody took off, leaving only a hundred of us or so staying on campus. We formed a strange bond, those of us that stayed, hanging out though we weren’t really friends in the normal school months. My roommate stayed too and we mostly just hung out watching TV when we weren’t in
Natalie Portman more than holds her own as the star, but it's Joel Edgerton that really shines.
Plagued by production difficulties, it's a wonder Jane Got a Gun ever saw the light of day. In 2011, the film made the Black List, an annual listing of popular unproduced screenplays. By May of 2012, Natalie Portman had signed on to star in the film alongside Michael Fassbender with Lynne Ramsey to direct. By the next year, Fassbender was out due to scheduling conflicts and Jude Law was in. Then Ramsey quit over artistic conflicts and out went her cinematographer with her. And Jude Law. Bradley Cooper came and went just as fast. Eventually they did make the film
A far cry from David Lean's big epics, but sometimes small is just as beautiful.
Christ, David Lean knew how to compose a shot. I swear you could take all of his movies, put them in a pile, shuffle them up, and no matter what scene came up, you could make a stunning poster out of the image. We tend to think of his later, grand pictures like The Bridge on the River Kwai, Lawrence of Arabia, and Doctor Zhivago when we think about David Lean’s stunning images, but Brief Encounter proves he could create something epic out of little things as well. Filmed in 1945 in the final vestiges of the European stage of
This week brings us two movies about the Holocaust, three films from Criterion, Natalie Portman with a gun, a Christmas horror story, and more.
The Holocaust has been milked and bilked of every possible dramatic meaning for decades on screens both big and small. One would think you couldn’t possible find another way to tell its story. Apparently one would be wrong. Son of Saul tells the story of a Hungarian member of the Sonderkommando - Jewish concentration camp prisoners forced to help with disposing of their comrades' corpses or be killed themselves. I’d heard of these people before, and imagined how horrible that experience must have been, but this is the first time I’ve heard of it being presented dramatically. A fresh story
An odd-ball action/horror hybrid that will surely scratch that bad '80s flick itch.
Oh the '80s! Was there a better decade for watching bad movies? The advent of home video not only meant you could watch bad movies from the comfort of your own home, but it also ushered in the era of direct-to-video productions and thousands of more bad movies coming out every year. The action and horror genres probably got the biggest boost as you could make those films on the cheap and genre fans would eat them up without necessarily caring if the production quality was all that good. Cashing in on this concept, director Nico Masorakis smashed the two
You'll believe he coulda been a contender when you see it on the big screen.
Director Elia Kazan named names. He at first refused to testify before the House Committee on Un-American Activities but when push came to shove, he gave them the names of eight people who had been Communists. Though it angered a great many in the more liberal Hollywood circles, it saved his career. He was not blacklisted and went on to make a great many more wonderful films including On the Waterfront. That film was his own personal statement as to why he testified. It's hard to watch the film today without that baggage seeping through. Harder still is to watch
Two Italian giallos get the Arrow treatment.
After the success of his first film as a director, Forbidden Photos of a Lady Above Suspicion, Luciano Ercoli directed two more giallos before moving on to other genres. These two films, Death Walks on High Heels, and Death Walks at Midnight have been lovingly restored and upgraded by Arrow Video into a very nice boxed set. Besides sharing similar titles, Ercoli also used the same actress, Nieves Navarro - here going by the stage name Susan Scott (his then girlfriend, later turned wife) as the lead in both films as well as using the same writer, similar themes, and
This week brings us Leonardo DiCaprio getting torture porned, Maggie Smith living in a van, Julia Louis-Dreyfus playing politics, and much more.
If you relentlessly abuse your no-name actors, then your film gets called torture porn, but if you treat Leonardo DiCaprio in the same manner, then you win Oscars. Or something. There’s a lot of nonsense politics involved in the Academy Awards and with critical evaluations of genres, and just general movie watchng. Just read the message boards on IMDB on any given film and you’ll see nothing but nonsense. Personally, I can dig a little low-brow torture porn alongside my high-minded films where big named stars get mauled viciously by bears. The Revenant certainly does abuse Leonardo DiCaprio over and
All the gore (and humor) you want from the franchise.
Brian Yuzna’s sequel to the cult classic Re-Animator is the very definition of a film that is not for everyone. For your humble reviewer, it was about the point when the re-animated dismembered fingers, which have been attached to an eyeball, escape the lab and are accidentally squished by the police lieutenant that I knew Bride of Re-Animator was a film totally for me. Bride strips the original of its - well I don’t want to say import as Re-Animator isn’t much more than a hilariously gory zombie romp - so let's say artistic meaning and gleefully reproduces its blood-splattered