Following in the wake of the Warner Archive Collection's 2016 debuts of John Wayne's They Were Expendable and She Wore a Yellow Ribbon, the WAC has assembled another two-fisted encounter with The Duke himself. This time, however, we are treated to two of Wayne's more unusual endeavors, Blood Alley and The Sea Chase, both of which were released in 1955 to less than triumphant box office debuts. And it's pretty darn easy to see why neither movie became the must-see hit of the year, too. Ironically, the trouble with each title is our larger-than-life star himself. Far removed from the
Results tagged “Warner Archive”
John Wayne runs ashore with Commies, Nazis, Lauren Bacall, and Lana Turner in two seafaring melodramas from the Warner Archive.
Sidney Lumet's stunning drama, featuring a standout performance by an Oscar-nominated River Phoenix, hits BD from the Warner Archive.
While I may not be able to recall every single feature I have ever seen in a moviehouse (and, believe me, there have been many), Sidney Lumet's 1988 drama Running on Empty has always managed to stand out in my mind for some reason, despite the fact that I really don't remember much of the movie itself. And yet, at the same time, I found myself saying "Oh yeah, this happens" an awful lot upon my recent second viewing of the film, nearly 30 years after seeing it on the big screen in '88. I suppose the film must have
John Frankenheimer's political paranoia thriller ‒ featuring a script by Rod Serling ‒ receives a beautiful makeover from the Warner Archive.
The looming threat of nuclear war. A less-than-favorable US President sporting the lowest approval on record in a heap of trouble concerning Russia. No, it's not something ripped straight from today's news; rather, it's the setting for Seven Days in May ‒ a tense 1964 political thriller from Ronin director John Frankenheimer and Twilight Zone creator Rod Serling. Released theatrically by Paramount Pictures just two years after the director's previous offering, The Manchurian Candidate, Seven Days in May reunites Frankenheimer with one of his best-known on-screen collaborators, the great Burt Lancaster (Birdman of Alcatraz). Set in an early Cold War-era
The Warner Archive unleashes an outrageous black comedy cult classic that covers a lot of desecrated ground.
Whereas motion pictures deliberately constructed to shock and offend people with even the most lenient sense of humor are hardly unusual today, I have to wonder how audiences must have reacted when MGM first premiered The Loved One in 1965. Freely adapted from British author Evelyn Waugh's novel The Loved One: An Anglo-American Tragedy (with shades of Jessica Mitford's The American Way of Death thrown in for good measure) by satirist Terry Southern ‒ who previously co-wrote Dr. Strangelove with Stanley Kubrick ‒ The Loved One could quite possibly be the darkest comedy ever to hail from the '60s. In
The Warner Archive Collection unveils the film that inspired the whole Beach Party Movie genre.
Three years before the marketing genii at American International Pictures first discovered there was gold in the banks beside the sea with what would become the Beach Party series (and the many bad clones that came with it), the folks at MGM were having a little soiree in the sand all to themselves. Much like the later AIP franchise (which, technically, saw its roots in the late '50s via a couple of drag racing flicks), Henry Levin's Where the Boys Are features a group of kids heading off to the beach for a little fun ‒ something that, amazingly enough,
Lawrence Kasdan's powerfully therapeutic film starring William Hurt and an Oscar-winning Geena Davis hits BD thanks to the Warner Archive Collection.
Though he is probably only known to the current generation of stalwart moviegoers as one of the writers of several Indiana Jones and Star Wars pictures, there was a time when the name Lawrence Kasdan was a highly praised by older moviegoers as much as maybe a few younglings craving anything bearing the LucasArts logo might do in forums today. Those of you who may be dangerously close to nearing AARP status now might recall the first-run popularity of one of Kasdan's earliest, important contributions to the film industry, 1983's human drama The Big Chill. In the '70s, as the
The Warner Archive Collection deals us a vintage James Garner/Lee Remick screwball comedy that hits a little too close to reality today.
Given a proper duration of passing time, just about anything that was once considered cool or comical may malform into something wholly other. And there is truly no better example than the hip 1963 screwball comedy The Wheeler Dealers ‒ an early theatrical effort from director Arthur Hiller (The In-Laws) which finds the great James Garner as a shrewd businessman with a big mouth and persona to match. Dressed to the hilt in classic Texan millionaire garb, Garner's Henry Tyroon was the very sort of man whom the very sort of untrustworthy jerks who have ruined America solely in the
Henry Fonda, Maureen O'Hara, and James MacArthur inspire everything from each other to TV shows in this classic family drama from Warner Archive Collection.
Nine years before The Waltons was broadcast across the nation's airwaves for the first time, Henry Fonda was hard at work building the very homestead the aforementioned TV series would later inhabit. Figuratively speaking, that is. And while the names, places, and events depicted in the 1963 Warner Bros. hit Spencer's Mountain differ vastly from the famous television show it would later inspire, there's no denying the simple country worlds depicted in both incarnations stem from the same Earl Hamner, Jr. novel. Set in rural Wyoming somewhere in the first half of the 20th Century, Spencer's Mountain finds one of
For fans who like Goldie being Goldie, she takes part in mildly amusing antics.
Protocol tells the story of Sunny (Goldie Hawn, playing a variation of her simple-minded persona that ingratiated her to many since she appeared on Laugh-In), a Washington D.C. cocktail waitress, whose actions leads to notoriety and a job with the U.S. State Department. The movie has moments where it seems like it wants to be a satire of politics and the media, but its critiques are blunted to allow Hawn to stand out as a comedienne. Sunny is struggling to get by. She has an unreliable car, is not happy with her job where some patrons think the bar also
James Garner finds himself right in the middle of a dirty Nazi trick in this taut WWII thriller from the Warner Archive Collection.
Imagine waking up one day, only to discover five years have passed and your memory isn't what it used to be. No, it's not another melodrama about people suffering from Alzheimer's. Rather, that is the heart of a nifty Nazi conspiracy in George Seaton's 1964 World War II thriller 36 Hours. Here, the late great James Garner stars as an American intelligence officer who ‒ after attending a top-secret briefing about the forthcoming Invasion of Normandy ‒ heads off to Lisbon to meet an informant. Alas, he doesn't make it that far. Kidnapped by Der Führer's men, our hero instead
The Warner Archive Collection wrangles up a classic western comedy starring two of filmdom's greatest cowboys.
The Rounders is the sort of film that made a bigger impression on the public than anyone had anticipated. Originally released on the tail end of a double feature ‒ a spot generally reserved for movies nobody expected much from ‒ the 1965 cowboy comedy starring the unbeatable pairing of western icons Glenn Ford and Henry Fonda garnered enough attention to launch a prequel TV series starring Ron Hayes and Patrick Wayne. But whereas the television version was doomed to failure (as was just about any project starring Ron Hayes or Patrick Wayne), this adaptation of Max Evans' 1960 novel
The Warner Archive Collection releases Blake Edwards' bitingly funny stab at Hollywood, featuring his famous wife's only nude scene.
For a film director, there surely can be no greater blow to the ego than to have your work re-edited without your consent. In fact, studio interference has had dire consequences in the allegedly "magical" world of motion pictures, resulting in vastly talented filmmakers being reduced to little more than mystical scapegoats when things don't go the way the people who screwed everything up had hoped for (also see: Politics). There have even been unforgivably unfortunate moments in Tinseltown history where directors have committed suicide after things didn't quite work out in the favor of the businessmen who thought they
The Warner Archive's Blu-ray delivers quality video and good audio.
Auto enthusiast and writer Brock Yates conceived the Cannonball Baker Sea-To-Shining-Sea Memorial Trophy Dash, an unsanctioned cross country race. He tried to turn the idea into a movie, which he did with The Cannonball Run (1981) but a few films beat him to release, including The Gumball Rally, which has been given a Blu-ray release from the Warner Archive Collection. Bored candy executive Steve Bannon (Michael Sarrazin) sets in motion The Gumball Rally, an illegal 2,900-mile race that starts in Manhattan, New York and ends in Long Beach, CA, which he won the previous year. There are 11 different vehicles
And just like that it's the end of Saturday and the Con starts to wind down.
Superheroes crossing over into each other's comics to take on villains and occasionally fight each other was usually a thrill for readers. Clearly those running the major comic-book film franchises understand the appeal as it's happening more often regardless what character's movie it is. Following their lead, Sentries Shawn Bourdo and Gordon S. Miller are teaming together again for this post. Gordon S. Miller's picks: 1. WARNER ARCHIVE'S MONSTERS FROM HELL (11:30am - 12:30pm, Room 5AB) - Representatives from Warner Archive Collection (WAC), Trailers From Hell and Famous Monsters of Filmland unite to talk about monster/dinosaur films and upcoming Blu-ray
The soundtrack is definitely the highlight of the film
Vision Quest is a movie that I have always been surprised that I haven’t seen, considering there were not many coming-of-age movies from the 1980s that I missed. The only thing I really knew about it going in, other than it starred Matthew Modine, was that it was Madonna’s first movie appearance and featured her hit “Crazy for You”. Lowden Swain (Matthew Modine) is a wrestler who has decided that in his senior year of high school he needs to compete against the state champion from their biggest rival. In order to do that, he must drop two weight classes.
The Blu-ray's video shines as bright as the film's two lead actors.
Sam Peckinpah's second film, Ride the High Country, is a captivating Western about two old gunslingers who reunite for a dangerous job. With limited resources and futures, their relationship is tested, as is each man's character, along the journey. Former marshal Steven Judd (Joel McCrea) is hired by a bank to transport gold from the mining town of Coarse Gold. Six miners have been killed trying to make the trip, but he needs the work. Steve runs into his old deputy Gil Westrum (Randolph Scott), who is working as a hustler with a young man named Heck Longtree (Ron Starr),
The Warner Archive Collection travels through time and space to bring us one of cinema's first ‒ and strangely optimistic ‒ views of a post-apocalyptic future.
While the notion of living in a world ravaged by nuclear war may be a regular staple in motion pictures today, it was just as much of a newfangled concept in the 1950s as was the very thought of a post-apocalyptic society itself. Of course, when it's an era where the basic "science" behind surviving an atomic blast suggested hiding under your school desk would do the trick, you have to expect a fair bit of silliness from the few movies that dared to tackle the subject. Certainly, Edward Bernds' World Without End ‒ a lavish Technicolor CinemaScope production from
One of the most amusingly bad drive-in monster movies ever conceived receives a beautiful new HD transfer from the Warner Archive Collection.
What can you say about a monster movie featuring a walking, stalking, murderous tree on a wooden rampage? In the instance of From Hell It Came, you can say a whole heck of a lot just by saying very little. In fact, the most commonly referenced review of the movie was a six-word piece which read nothing more than "And to Hell it can go!" But ne'er fear, kiddies ‒ From Hell It Came has managed to uproot itself and terrorize unsuspecting filmgoers once again. This time, however, bad movie aficionados 'round the world will be able to fully immerse
The Warner Archive Collection dusts off an odd comic rarity with Ida Lupino and an epic battle of dirty looks between Jack Oakie and Billy Gilbert.
If the Academy ever opted to include a category for the goofiest faces made on film, RKO's 1937 production of Fight for Your Lady would have to win one of the first posthumous awards. One of three movies director Benjamin Stoloff made with a young unknown actress by the name of Ida Lupino (a few years away from becoming the film noir femme fatale and pioneering producer/director she is best remembered for today), this charming little lighthearted ditty from yesteryear finds John Boles (the third wheel of James Whale's love triangle in 1931's Frankenstein) as a famous singer with a
A shockingly subdued Rod Steiger stars in this Italian-made WWI dramedy from Pasquale Festa Campanile.
From a screenwriting perspective, Pasquale Festa Campanile was a fairly active fellow. Beginning in the 1950s, Campanile would go on to pen nearly 60 motion pictures, including a heap of melodramas and sex comedies, most notably the Senta Berger guilty pleasure When Women Had Tails. During the early '60s, he would collaborate with both Elio Petri and Luchiano Visconti on The Assassin (1961) and The Leopard (1963). He was also the fellow responsible for writing and directing the gritty cult 1977 thriller Hitch-Hike with Franco Nero and the late David Hess, proving the late Italian filmmaker knew how to choose