Metropolis. M. The Dr. Mabuse series. There are so many reasons to love Fritz Lang's early, German-language films, all of which helped define the German Expressionist movement. Following Lang's fleeing of Nazi Germany in the early '30s, the Austrian-German-born filmmaker put his expertise use of light and shadows to become a pioneer in the world of film noir ‒ helming such classics as Ministry of Fear and Scarlet Street, as well as the iconic 1953 masterpiece, The Big Heat. Even as his 20-year-plus Hollywood career began to wrap up in the late '50s, Lang's filmic contributions were as marvelously dark
Results tagged “Warner Archive”
Fritz Lang's final two American films ‒ both starring Dana Andrews ‒ get the much-deserved Warner Archive Collection treatment.
The Warner Archive Collection clears the runway for this neglected Rankin-Bass animated fantasy.
Even to contemporary animation fans caught up in the neverending sea of anime, the Rankin-Bass brand is both familiar and holy. Best-known to the majority of the masses as the company which produced two of the most iconic perennial holiday treats ever made ‒ Rudolph, the Red-Nosed Reindeer and Frosty the Snowman ‒ Jules Bass and Arthur Rankin, Jr.'s love for family-friendly fantasies stretched beyond the borders of commercialized Christmases. In fact, they were the fellers responsible for the original animated versions of J.R.R. Tolkien's The Hobbit and Return of the King in the late '70s and early '80s ‒
The Warner Archive Collection revs up the gas for Jeff Burr's controversial buzzer.
Bridging the gap between pure psychological horror with a touch of humor and gore into something polarly opposite isn't an easy task. And there is no better example of that in the realm of scary movies than New Line Cinema's maligned 1990 slasher sequel, Leatherface: The Texas Chainsaw Massacre III. Though technically an '80s flick, Jeff Burr's 1990 contribution to the famous film franchise ‒ which still exists today via an occasional, unnecessary reboot every couple of years ‒ became an instant target for fans and foes alike. Several years before, the Cannon Group released Tobe Hooper's The Texas Chainsaw
The Warner Archive Collection brings us two excellent transfers of two contrasting tales starring the great Paul Newman.
Lew Harper is back on the case ‒ twice over ‒ in these two new Blu-ray releases from the Warner Archive Collection. Adapted from Ross Macdonald's literary adventures of Lew Archer (because who in their right mind could take a character named Archer seriously, especially now?), 1966's Harper brings us a misadventure of a modern-day Southern Californian private investigator. Seemingly inspired by every classic detective from books to film alike ‒ and every bit as cynical, to boot ‒ the role was brought to magnificent life on-screen by the one and only Paul Newman (The Hustler). Nine years later, Newman
The Warner Archive Collection brings us a beautiful restoration of Rosalind Russell's original great aunt.
Beginning as a best-selling novel by Patrick Dennis in 1955, Auntie Mame became a Broadway success starring the one and only Rosalind Russell a few years later. As was customary with just about every (even minor) stage triumph in those days, a film version wasn't too far behind. Released to theaters at the tail end of 1958, Warner Bros.' Auntie Mame became the highest-grossing film of 1959. While that may not seem like much of an accomplishment at first glance, it should be noted the films it vanquished at the box office included North by Northwest, Ben-Hur, Anatomy of a
Michael J. Fox goes country in this early '90s rom-com now available on BD from the Warner Archive Collection.
Doc Hollywood was exactly the sort of early '90s filmfare I recall going to see every weekend at the local cinema in the small hick town I grew up in. In fact, I actually did see Doc Hollywood when the nearby theater of my teen-aged youth, where nary another soul was in attendance, leading me to (falsely) concur the movie must not have made a big splash at the box office. In reality, the film was something of a box office hit, but due to prolonged exposed to something called "aging", very little of that remained in my memory banks.
Alan Ladd leaves his heart in San Francisco in this glorious re-discovery from the Warner Archive Collection.
Made back when one could still refer to San Francisco as "Frisco" and not catch hell for it, Frank Tuttle's Hell on Frisco Bay is one of several film (noir) adaptations based on the literary work of William P. McGivern (The Big Heat). Filmed (partly) on location in and around California's iconic Bay Area city, the vehicle finds Alan Ladd as a hardened, disgraced former police detective recently released from San Quentin after serving time for a bogus murder charge. As if starting over wasn't a cumbersome ordeal to begin with, contending with the fact everyone on both sides of
The Warner Archive and Twilight Time give us some old song and dance routines, available in High-Definition (and in one case, widescreen) for the first time.
You know the feeling. You're sitting there, minding your own business, enjoying the sights and sounds of a classic motion picture. Suddenly, the gears seem to shift: orchestral accompaniment appears out of nowhere as characters begin to step in pace with one another, speaking in lyrical rhymes before breaking out in full-out song and dance routines. "Oh God, they're singing!," you cry out, realizing you have been sucked in once more by a movie musical. But don't worry, I won't judge ye. In fact, after witnessing all of the toe-tapping antics found in these three titles ‒ all of which
The Warner Archive Collection raises the roof on Joe Pesci's flop.
Epitomizing just about every bad decision made by the world of domestic entertainment in the early '90s to its fullest extent ‒ be it the questionable tastes in fashion and music or the peculiar, career-killing choice to cast movie tough guys in family-friendly comedies ‒ The Super stars the Joe Pesci no one really wanted to see. Cast as the vehemently loathsome spoiled jerk son of a racist ol' New York City real estate magnate (gee, I wonder who served as inspiration for that?), Pesci is at his squirmiest, scene-chewing best here as Louie Kritski ‒ the slumlord of a
The Warner Archive Collection cordially invites you to attend the premiere of Rachel Ward's slasher movie debut in High-Definition.
One of several kajillion slasher movies manufactured in the early '80s alone, the American-made Night School sports an oddly Canadian aura about it throughout ‒ from the British director (Ken Hughes, Chitty Chitty Bang Bang, The Internecine Project) and starlet Rachel Ward (in her film debut) to the vaguely familiar, mostly nocturnal urban New England location photography by Scanners cinematographer Mark Irwin, right down to the finale which honors the horror sub-genre's giallo roots. When viewed in this erroneous light, Night School feels like some sort of underrated cult classic. Amusing enough, however, if you stare directly into the big
A preview of another seven panels you might find me at WonderCon.
WonderCon 2018 gets underway on Friday March 23. The programming slate has been announced on their website, and these are the panels you will likely find me, though my schedule is not set in stone and there are no guarantees at a convention unless you are part of the panel. World Premiere of Batman Ninja10:15am - 12:15pmArena Witness the Dark Knight as you've never seen him before at the first public screening of the highly anticipated anime film. Batman Ninja takes a journey across the ages as Gorilla Grodd's time displacement machine transports many of Batman's worst enemies to feudal
The Warner Archive Collection digs up another wartime relic with a nice cast of cult favorites.
Battle Cry's cast is enough to send shivers up the spine of any classic B-movie enthusiast from sheer excitement. The film itself, on the other hand, may cause one to shudder from entirely different reasons. For, despite the impressive gathering of actors who would later gain fame (or perhaps, infamy) from appearing in some of the greatest cult movies of all time (as well as a heap of television work), there simply isn't enough to keep the average viewer's attention throughout the bulk of this equally bulky World War II drama. And, frankly, that says an awful lot ‒ especially
Formerly lost at sea, the original 100-min cut of this classic sails in to home video thanks to the Warner Archive.
The discovery of any classic film in its original uncut form brings with it an opportunity to rejoice. Recently, the Warner Archive Collection uncovered an uncut 35mm nitrate print of Michael Curtiz's classic 1941 film adaptation of Jack London's The Sea Wolf. Buried away for decades in the Museum of Modern Art's storage facility in New York, the unveiling of such a print was a significant find ‒ as the film had only been available in a heavily-shortened version since its first theatrical re-release in 1947. Naturally, much like the WAC's recent re-discovery of the three-hour TV cut of Richard
While the drawn-out car chases through the streets of San Francisco are entertaining and interesting to watch, the rest of the film is rather unwatchable.
In San Francisco, two cops Freebie (James Caan) and Bean (Alan Arkin) have spent more than a year trying to find some evidence on Red Meyers (Jack Kruschen), the biggest syndicate boss in the city. Having been reduced to digging through the man’s trash in hopes of finding some clues, they stumble upon some incriminating documents that weren’t shredded. Rushing to get a warrant so they can search his home and business, they find that they can’t get one right away and will have to wait through the weekend. Normally, that wouldn’t be a huge inconvenience, but they discover that
The brilliant mockumentary from Christopher Guest and Co. gets a beautiful new High-Definition transfer from the Warner Archive Collection.
Before he gave us his unique looks at dog shows and folk groups, This Is Spinal Tap co-creator and star Christopher Guest formed his first "solo" mockumentary turned his eyes towards the stage for this hilarious mockumentary revolving around one very memorable community theater presentation by way of Samuel Beckett's immortal play Waiting for Godot. Set in the fictional small town of Blaine, Missouri, 1996's Waiting for Guffman finds Guest as an ambiguously gay theater director from New York named Corky St. Clair. Clad in some of the worst fashion violations ever conceived, Corky takes on the helming of "Red,
The Warner Archive Collection gives the campy U.S./Japanese cult classic a stellar new HD transfer.
Apart from the occasional World War II movie, there haven't been terribly many instances in film history wherein the US and Japan collaborated on something together. When they did, the results tended to vary, ranging from epic successes such as Tora! Tora! Tora! to movies almost as disastrous as WWII itself. And it is there, on the latter list of atrocities, that you will find a barely moving motion picture; one which has been sitting ‒ quite comfortably, at that ‒ in the same illustrious spot for several decades. An unofficial sequel to the mid '60s Gamma One quadrilogy from
The Warner Archive Collection rescues two neglected classics with Gene Hackman, including his one and only pairing with Al Pacino.
One of the most difficult acts to follow from 20th Century film history, the great Gene Hackman returns to astonish classic filmgoers (and maybe a few Millennials curious as to why everyone else shakes their head over the mere mention of Welcome to Mooseport or Heartbreakers) in two recent Blu-ray releases from the Warner Archive Collection. Night Moves (1975, Warner Bros.) The inimitable Mr. Hackman ‒ at the height of his career as a leading man here ‒ stars in this gripping neo-noir from director Arthur Penn (Bonnie and Clyde, The Chase). One of several thrillers written for the silver
The Warner Archive Collection puts an awful lot of effort into an awful Ray Bradbury adaptation.
In 1951, genre novelist (and all-around legendary icon) Ray Bradbury published The Illustrated Man ‒ a collection of eighteen short stories based around a former carnival sideshow freak whose body is covered in an assortment of mysterious tattoos which come to animated life as they relay bizarre tales hailing from different corners of time and space. Were that not already a recipe for box-office poison, the people behind Warner Bros./Seven Arts' 1969 feature adaptation of the same name threw out more than just five-sixths of Bradbury's tales: they also threw out all of the coherency. There is also a very
The WAC has more early '30s fun to offer, featuring young Loretta Young, Joan Blondell, leading man Edward Everett Horton, and a pre-wheelchair Lionel Barrymore.
While the days of their Forbidden Hollywood sets may be behind us now, the folks at the Warner Archive Collection have nevertheless kept their promise we would see more Pre-Code rarities released to DVD. In recent months, the Warner Archive has unleashed several forgotten ditties from the vaults to MOD discs, all of which feature the classic same risqué elements, lovely lassies, and ambiguously fey men of the era whom we have grown to admire in the decades that have since passed. Among the talent included in these individually released titles are the likes of Alice White, Edward Everett Horton,
John Patrick Shanley's quirky fantastical romance hits Blu waves with a stellar transfer from the Warner Archive Collection.
After his Academy Award-winning screenplay for 1987's Moonstruck, playwright John Patrick Shanley launched into the '90s by taking the world into a different corner of comedy altogether. It was the first time Shanley directed a film ‒ something he wouldn't do again until crafting his own stage work for the screen in 2008 ‒ but it would go on to become a genuine American cult classic. A fairytale romance perfect for pairing with The Princess Bride, Joe Versus the Volcano was also the first time filmgoers were treated to the award-winning chemistry of Tom Hanks and Meg Ryan, who would