In San Francisco, two cops Freebie (James Caan) and Bean (Alan Arkin) have spent more than a year trying to find some evidence on Red Meyers (Jack Kruschen), the biggest syndicate boss in the city. Having been reduced to digging through the man’s trash in hopes of finding some clues, they stumble upon some incriminating documents that weren’t shredded. Rushing to get a warrant so they can search his home and business, they find that they can’t get one right away and will have to wait through the weekend. Normally, that wouldn’t be a huge inconvenience, but they discover that
Results tagged “Warner Archive”
While the drawn-out car chases through the streets of San Francisco are entertaining and interesting to watch, the rest of the film is rather unwatchable.
The brilliant mockumentary from Christopher Guest and Co. gets a beautiful new High-Definition transfer from the Warner Archive Collection.
Before he gave us his unique looks at dog shows and folk groups, This Is Spinal Tap co-creator and star Christopher Guest formed his first "solo" mockumentary turned his eyes towards the stage for this hilarious mockumentary revolving around one very memorable community theater presentation by way of Samuel Beckett's immortal play Waiting for Godot. Set in the fictional small town of Blaine, Missouri, 1996's Waiting for Guffman finds Guest as an ambiguously gay theater director from New York named Corky St. Clair. Clad in some of the worst fashion violations ever conceived, Corky takes on the helming of "Red,
The Warner Archive Collection gives the campy U.S./Japanese cult classic a stellar new HD transfer.
Apart from the occasional World War II movie, there haven't been terribly many instances in film history wherein the US and Japan collaborated on something together. When they did, the results tended to vary, ranging from epic successes such as Tora! Tora! Tora! to movies almost as disastrous as WWII itself. And it is there, on the latter list of atrocities, that you will find a barely moving motion picture; one which has been sitting ‒ quite comfortably, at that ‒ in the same illustrious spot for several decades. An unofficial sequel to the mid '60s Gamma One quadrilogy from
The Warner Archive Collection rescues two neglected classics with Gene Hackman, including his one and only pairing with Al Pacino.
One of the most difficult acts to follow from 20th Century film history, the great Gene Hackman returns to astonish classic filmgoers (and maybe a few Millennials curious as to why everyone else shakes their head over the mere mention of Welcome to Mooseport or Heartbreakers) in two recent Blu-ray releases from the Warner Archive Collection. Night Moves (1975, Warner Bros.) The inimitable Mr. Hackman ‒ at the height of his career as a leading man here ‒ stars in this gripping neo-noir from director Arthur Penn (Bonnie and Clyde, The Chase). One of several thrillers written for the silver
The Warner Archive Collection puts an awful lot of effort into an awful Ray Bradbury adaptation.
In 1951, genre novelist (and all-around legendary icon) Ray Bradbury published The Illustrated Man ‒ a collection of eighteen short stories based around a former carnival sideshow freak whose body is covered in an assortment of mysterious tattoos which come to animated life as they relay bizarre tales hailing from different corners of time and space. Were that not already a recipe for box-office poison, the people behind Warner Bros./Seven Arts' 1969 feature adaptation of the same name threw out more than just five-sixths of Bradbury's tales: they also threw out all of the coherency. There is also a very
The WAC has more early '30s fun to offer, featuring young Loretta Young, Joan Blondell, leading man Edward Everett Horton, and a pre-wheelchair Lionel Barrymore.
While the days of their Forbidden Hollywood sets may be behind us now, the folks at the Warner Archive Collection have nevertheless kept their promise we would see more Pre-Code rarities released to DVD. In recent months, the Warner Archive has unleashed several forgotten ditties from the vaults to MOD discs, all of which feature the classic same risqué elements, lovely lassies, and ambiguously fey men of the era whom we have grown to admire in the decades that have since passed. Among the talent included in these individually released titles are the likes of Alice White, Edward Everett Horton,
John Patrick Shanley's quirky fantastical romance hits Blu waves with a stellar transfer from the Warner Archive Collection.
After his Academy Award-winning screenplay for 1987's Moonstruck, playwright John Patrick Shanley launched into the '90s by taking the world into a different corner of comedy altogether. It was the first time Shanley directed a film ‒ something he wouldn't do again until crafting his own stage work for the screen in 2008 ‒ but it would go on to become a genuine American cult classic. A fairytale romance perfect for pairing with The Princess Bride, Joe Versus the Volcano was also the first time filmgoers were treated to the award-winning chemistry of Tom Hanks and Meg Ryan, who would
Twilight Time and the Warner Archive present us with a gunslingin' good time.
The ageless allure of life in the Old West is just as timely as ever with these six classics, now available on Blu-ray courtesy the efforts of Twilight Time and the Warner Archive Collection. Boasting many common themes (including a few connections between home media distributors!) and ranging from early cinematic 3D productions to the earliest revisionist westerns by genre rule-breaker Sam Peckinpah, there's an awful lot of reason to shoot up the joint over here. Gun Fury 3D (1953, Twilight Time, Limited Edition of 3,000) One of several movies conceived and released during the early '50s 3D phenomenon (and
The Warner Archive Collection revs its engines up for one of the greatest cross-country race flicks to hail from the '70s.
It never fails to amuse me how many road/race flicks spawned from the same decade now synonymous with "gas shortage." Similarly, those very motion pictures never fail to delight. And now, thanks to the ever-diligent efforts of the Warner Archive Collection, one of the first films to capitalize on Brock Yates' Cannonball Baker Sea-to-Shining-Sea Memorial Trophy Dash ‒ which Yates himself would cash-in on a few years later with The Cannonball Run, after Burt Reynolds already had in Smokey and the Bandit ‒ has hit Blu-ray for home media enthusiasts who love seeing vintage (and very expensive) automobiles darting across
The Warner Archive Collection re-releases two of Steve Martin's best films, this time in glorious High-Definition.
From his early days as a collaborator on The Smothers Brothers Comedy Hour, Steve Martin's unique brand of humor has always left an impression. Even on people who have never been able to tune in to his sense of comedy, such as my father and just about every critic who saw The Jerk upon its initial release. Fortunately, time has always been on Mr. Martin's side. Well, maybe so not so much in the case of those Pink Panther remakes, but his original classics have maintained their popularity over the years, especially these two new Warner Archive Blu-ray issues. Originally
Look out, world ‒ because James Caan and Alan Arkin are on the loose again, thanks to the Warner Archive Collection.
A classic example of "How can something so wrong feel so right?", Richard (The Stunt Man) Rush's classic 1974 action-comedy starring James Caan and Alan Arkin is a delightful politically-incorrect romp through the streets of San Francisco. The granddaddy of the buddy cop genre most of us have grown to despise today, Freebie and the Bean focuses on the outrageous antics of two rogue SFPD detectives, whom we only ever know by their eponymous nicknames: Caan plays the openly corrupt "Freebie," while Arkin ‒ an actor of Jewish heritage, mind you ‒ plays a Mexican-American everyone calls "Bean." And who
The Warner Archive Collection soars with this rare, three-hour TV cut of Richard Donner's superhero classic.
Of all the variable incarnations of motion pictures that exist within the world, there is perhaps none more elusive than the legendary TV version. This holds particularly true in the instance of films made before television censors officially threw up their arms and said "We give up" after Dennis Franz's flabby backside first appeared on late night television airings. Prior to that, many theatrical outings underwent sometimes drastic re-edits before they could be shown to the still-sensitive primetime audiences of the late '70s and early '80s. One good example is the near-legendary network-added prologue to Sergio Leone's A Fistful of
From classic psychological thrillers to obscure westerns, these WAC releases are worth betting money on.
In keeping with their tradition of debuting and re-issuing timeless and forgotten classics alike, the Warner Archive Collection has recently brought forth four titles from its vaults. Among this quartet is the classic psychological thriller Undercurrent, and three new-to-DVD rarities: Full Confession, which may very well be the darkest "religious" film I have ever seen; the fascinating western noir Cow Country; and ‒ branching out from the cowboy motif ‒ the long lost '50s family-friendly adventure, The Lion and the Horse. Undercurrent (1946) By and far the most recognized title in the mix, Vincente Minnelli's Undercurrent (also known as You
It's a lot of fun, and sometimes that's all you want, or need, from a movie.
When you have a lengthy and acclaimed filmography like Tom Hanks, some films are going to fall through the cracks. That has certainly been the case of 1990's Joe Versus the Volcano. Even among early-career comedies, this is a movie that gets overlooked. People remember Splash. They remember Big even if it is just to make jokes about the fact the movie features a grown woman having a sexual relationship with a child in a man's body. You rarely hear about Joe Versus the Volcano. That's a mistake, because it is the best of the early-period Hanks comedies. In fact,
For its fans, Warner Archive has created a satisfying high-definition presentation with interesting extras about the movie and its director.
In between The Wild Bunch and Straw Dogs, two films that exemplified his work as a director, Sam Peckinpah made The Ballad of Cable Hogue, a lighthearted Western that has an interesting premise about a man noticing the inevitable change of the American West. Unfortunately, it suffers from a story that takes too long to develop and characters that don't connect with the audience. Bowen (Strother Martin) and Taggart (LQ Jones) strand former partner Cable Hogue (Jason Robards) in the Arizona desert. Cable goes without water for four days, but eventually stumbles upon a water hole. Though scoffed at by
The Warner Archive Collection unveils a gorgeous new uncut transfer of John Landis' star-studded horror/action/comedy.
Where An American Werewolf in London and From Dusk Till Dawn points on a map, John Landis' 1992 vampire horror/action/comedy Innocent Blood would probably be somewhere in-between in terms of its ability to both shock and delight. Set in the magical land of Pittsburgh, the film finds La Femme Nikita beauty Anne Parillaud as Marie, a less-stereotypical (and frequently nude) vampire with a heart. Deeming it an immortal sin to feast upon the innocent, Marie prefers to sink her fangs into the worst society has to offer. Namely, those of the criminal underworld. (Whereas today, she'd likely be draining swamps.)
The Warner Archive Collection proudly delivers this amazing horror/sci-fi/action/comedy hybrid starring young Kyle MacLachlan.
The epitome of everything that made '80s cinema everlastingly fantastic, Jack Shoulder's cult classic The Hidden is a rare hybrid of horror, sci-fi, action, and comedy. Set in the ghostly shadow of Los Angeles' past, the 1987 film focuses on a parasitical alien lifeform from the infinity beyond with a local affinity for fast sports cars, deadly assault weapons, more money than it needs (since it doesn't actually need any), loud rock music, and a lot of power over others. Yes, there's one of them there allegories present in that particular synopsis; one which not only becomes all the more
John Wayne runs ashore with Commies, Nazis, Lauren Bacall, and Lana Turner in two seafaring melodramas from the Warner Archive.
Following in the wake of the Warner Archive Collection's 2016 debuts of John Wayne's They Were Expendable and She Wore a Yellow Ribbon, the WAC has assembled another two-fisted encounter with The Duke himself. This time, however, we are treated to two of Wayne's more unusual endeavors, Blood Alley and The Sea Chase, both of which were released in 1955 to less than triumphant box office debuts. And it's pretty darn easy to see why neither movie became the must-see hit of the year, too. Ironically, the trouble with each title is our larger-than-life star himself. Far removed from the
Sidney Lumet's stunning drama, featuring a standout performance by an Oscar-nominated River Phoenix, hits BD from the Warner Archive.
While I may not be able to recall every single feature I have ever seen in a moviehouse (and, believe me, there have been many), Sidney Lumet's 1988 drama Running on Empty has always managed to stand out in my mind for some reason, despite the fact that I really don't remember much of the movie itself. And yet, at the same time, I found myself saying "Oh yeah, this happens" an awful lot upon my recent second viewing of the film, nearly 30 years after seeing it on the big screen in '88. I suppose the film must have
John Frankenheimer's political paranoia thriller ‒ featuring a script by Rod Serling ‒ receives a beautiful makeover from the Warner Archive.
The looming threat of nuclear war. A less-than-favorable US President sporting the lowest approval on record in a heap of trouble concerning Russia. No, it's not something ripped straight from today's news; rather, it's the setting for Seven Days in May ‒ a tense 1964 political thriller from Ronin director John Frankenheimer and Twilight Zone creator Rod Serling. Released theatrically by Paramount Pictures just two years after the director's previous offering, The Manchurian Candidate, Seven Days in May reunites Frankenheimer with one of his best-known on-screen collaborators, the great Burt Lancaster (Birdman of Alcatraz). Set in an early Cold War-era