Protocol tells the story of Sunny (Goldie Hawn, playing a variation of her simple-minded persona that ingratiated her to many since she appeared on Laugh-In), a Washington D.C. cocktail waitress, whose actions leads to notoriety and a job with the U.S. State Department. The movie has moments where it seems like it wants to be a satire of politics and the media, but its critiques are blunted to allow Hawn to stand out as a comedienne. Sunny is struggling to get by. She has an unreliable car, is not happy with her job where some patrons think the bar also
Results tagged “Warner Archive”
For fans who like Goldie being Goldie, she takes part in mildly amusing antics.
James Garner finds himself right in the middle of a dirty Nazi trick in this taut WWII thriller from the Warner Archive Collection.
Imagine waking up one day, only to discover five years have passed and your memory isn't what it used to be. No, it's not another melodrama about people suffering from Alzheimer's. Rather, that is the heart of a nifty Nazi conspiracy in George Seaton's 1964 World War II thriller 36 Hours. Here, the late great James Garner stars as an American intelligence officer who ‒ after attending a top-secret briefing about the forthcoming Invasion of Normandy ‒ heads off to Lisbon to meet an informant. Alas, he doesn't make it that far. Kidnapped by Der Führer's men, our hero instead
The Warner Archive Collection wrangles up a classic western comedy starring two of filmdom's greatest cowboys.
The Rounders is the sort of film that made a bigger impression on the public than anyone had anticipated. Originally released on the tail end of a double feature ‒ a spot generally reserved for movies nobody expected much from ‒ the 1965 cowboy comedy starring the unbeatable pairing of western icons Glenn Ford and Henry Fonda garnered enough attention to launch a prequel TV series starring Ron Hayes and Patrick Wayne. But whereas the television version was doomed to failure (as was just about any project starring Ron Hayes or Patrick Wayne), this adaptation of Max Evans' 1960 novel
The Warner Archive Collection releases Blake Edwards' bitingly funny stab at Hollywood, featuring his famous wife's only nude scene.
For a film director, there surely can be no greater blow to the ego than to have your work re-edited without your consent. In fact, studio interference has had dire consequences in the allegedly "magical" world of motion pictures, resulting in vastly talented filmmakers being reduced to little more than mystical scapegoats when things don't go the way the people who screwed everything up had hoped for (also see: Politics). There have even been unforgivably unfortunate moments in Tinseltown history where directors have committed suicide after things didn't quite work out in the favor of the businessmen who thought they
The Warner Archive's Blu-ray delivers quality video and good audio.
Auto enthusiast and writer Brock Yates conceived the Cannonball Baker Sea-To-Shining-Sea Memorial Trophy Dash, an unsanctioned cross country race. He tried to turn the idea into a movie, which he did with The Cannonball Run (1981) but a few films beat him to release, including The Gumball Rally, which has been given a Blu-ray release from the Warner Archive Collection. Bored candy executive Steve Bannon (Michael Sarrazin) sets in motion The Gumball Rally, an illegal 2,900-mile race that starts in Manhattan, New York and ends in Long Beach, CA, which he won the previous year. There are 11 different vehicles
And just like that it's the end of Saturday and the Con starts to wind down.
Superheroes crossing over into each other's comics to take on villains and occasionally fight each other was usually a thrill for readers. Clearly those running the major comic-book film franchises understand the appeal as it's happening more often regardless what character's movie it is. Following their lead, Sentries Shawn Bourdo and Gordon S. Miller are teaming together again for this post. Gordon S. Miller's picks: 1. WARNER ARCHIVE'S MONSTERS FROM HELL (11:30am - 12:30pm, Room 5AB) - Representatives from Warner Archive Collection (WAC), Trailers From Hell and Famous Monsters of Filmland unite to talk about monster/dinosaur films and upcoming Blu-ray
The soundtrack is definitely the highlight of the film
Vision Quest is a movie that I have always been surprised that I haven’t seen, considering there were not many coming-of-age movies from the 1980s that I missed. The only thing I really knew about it going in, other than it starred Matthew Modine, was that it was Madonna’s first movie appearance and featured her hit “Crazy for You”. Lowden Swain (Matthew Modine) is a wrestler who has decided that in his senior year of high school he needs to compete against the state champion from their biggest rival. In order to do that, he must drop two weight classes.
The Blu-ray's video shines as bright as the film's two lead actors.
Sam Peckinpah's second film, Ride the High Country, is a captivating Western about two old gunslingers who reunite for a dangerous job. With limited resources and futures, their relationship is tested, as is each man's character, along the journey. Former marshal Steven Judd (Joel McCrea) is hired by a bank to transport gold from the mining town of Coarse Gold. Six miners have been killed trying to make the trip, but he needs the work. Steve runs into his old deputy Gil Westrum (Randolph Scott), who is working as a hustler with a young man named Heck Longtree (Ron Starr),
The Warner Archive Collection travels through time and space to bring us one of cinema's first ‒ and strangely optimistic ‒ views of a post-apocalyptic future.
While the notion of living in a world ravaged by nuclear war may be a regular staple in motion pictures today, it was just as much of a newfangled concept in the 1950s as was the very thought of a post-apocalyptic society itself. Of course, when it's an era where the basic "science" behind surviving an atomic blast suggested hiding under your school desk would do the trick, you have to expect a fair bit of silliness from the few movies that dared to tackle the subject. Certainly, Edward Bernds' World Without End ‒ a lavish Technicolor CinemaScope production from
One of the most amusingly bad drive-in monster movies ever conceived receives a beautiful new HD transfer from the Warner Archive Collection.
What can you say about a monster movie featuring a walking, stalking, murderous tree on a wooden rampage? In the instance of From Hell It Came, you can say a whole heck of a lot just by saying very little. In fact, the most commonly referenced review of the movie was a six-word piece which read nothing more than "And to Hell it can go!" But ne'er fear, kiddies ‒ From Hell It Came has managed to uproot itself and terrorize unsuspecting filmgoers once again. This time, however, bad movie aficionados 'round the world will be able to fully immerse
The Warner Archive Collection dusts off an odd comic rarity with Ida Lupino and an epic battle of dirty looks between Jack Oakie and Billy Gilbert.
If the Academy ever opted to include a category for the goofiest faces made on film, RKO's 1937 production of Fight for Your Lady would have to win one of the first posthumous awards. One of three movies director Benjamin Stoloff made with a young unknown actress by the name of Ida Lupino (a few years away from becoming the film noir femme fatale and pioneering producer/director she is best remembered for today), this charming little lighthearted ditty from yesteryear finds John Boles (the third wheel of James Whale's love triangle in 1931's Frankenstein) as a famous singer with a
A shockingly subdued Rod Steiger stars in this Italian-made WWI dramedy from Pasquale Festa Campanile.
From a screenwriting perspective, Pasquale Festa Campanile was a fairly active fellow. Beginning in the 1950s, Campanile would go on to pen nearly 60 motion pictures, including a heap of melodramas and sex comedies, most notably the Senta Berger guilty pleasure When Women Had Tails. During the early '60s, he would collaborate with both Elio Petri and Luchiano Visconti on The Assassin (1961) and The Leopard (1963). He was also the fellow responsible for writing and directing the gritty cult 1977 thriller Hitch-Hike with Franco Nero and the late David Hess, proving the late Italian filmmaker knew how to choose
Ken Russell's hallucinogenic homage to Busby Berkeley is just that ‒ and the Warner Archive has made it even trippier via a beautiful (and uncut) restoration.
While musicals aren't my prefered form of motion picture entertainment, I did, in fact, see many a song-and-dance flick during my youth. That said, with the exception of the glamourous Fred Astaire and Ginger Rogers classics of the 1930s (all of those movies which just happened to feature a musical number don't qualify in my less-than-established but nevertheless somewhat experienced opinion), most of my interaction with musicals tended to be of a decidedly off-kilter variety. In fact, I can't even count how many times I have seen Phantom of the Paradise, The Rocky Horror Picture Show, Pink Floyd: The Wall,
The Warner Archive raises the curtains on a movie that would be both Francis Ford Coppola's first studio film and Fred Astaire's last complete musical.
As the end of the 1960s rolled around, bringing with them the many changes some people are still having a difficult time wrapping their ideologies around, the timeless tradition of the standard movie musical began to make a much-needed alteration as well. One such example was 1968's Finian's Rainbow. Directed by a young novice named Francis Ford Coppola, this big-screen version of E.Y. Harburg and Fred Saidy's stage success features many of the elements the '60s are so well remembered for ‒ namely, civil rights and stinkin' hippies. It's pretty hip to the times, even if it is slightly bewildering
The kooky, slightly kinky '70s sci-fi horror hybrid featuring the talents of the late Fritz Weaver and Robert Vaughn receives a beautiful makeover from the Warner Archive.
Released just a few months before Star Wars and Close Encounters of the Third Kind would become science fiction movies to end all science fiction movies, Donald Cammell's 1977 horror hybrid Demon Seed really isn't the easiest movie in the world to fathom. Not without some combination of drugs or alcohol, at least. Based on an early story by Dean Koontz, the tale finds Fritz Weaver ‒ no stranger to either genre ‒ as a computer genius who builds the supercomputer to end all supercomputers. Little does he know, however, that his latest, greatest invention may actually turn out to
Two classic features from the one and only Joan Crawford return to DVD thanks to the Warner Archive Collection.
While previously released to DVD by Warner Bros. Home Entertainment, a number of Joan Crawford classics had fallen into that unfavorable "Out of Print" status movie collectors so hate to see. Fortunately, a total of six Crawford vehicles ‒ Dancing Lady, Sadie McKee, Strange Cargo, A Woman's Face, Flamingo Road, and Torch Song (the latter five of which comprised the bulk of The Joan Crawford Collection, Vol. 2 from 2008) ‒ have re-emerged from moratorium thanks to the Warner Archive Collection, two of which are reviewed here. In A Woman's Face, a 1941 thriller from director George Cukor, we not
Like a trusty katana, the Warner Archive Collection whips out this neglected, gritty, emotional '70s cult classic with much grace and dignity.
What can you say about a Japanese-American co-production from the director of Three Days of the Condor as written by the beautifully dark minds who penned Chinatown, Taxi Driver, and Kiss of the Spider Woman? Well, if said film also happens to star the great Robert Mitchum alongside Japanese icon Ken Takakura, and features an eclectic funky score by Dave Grusin, then the one and only official answer to that query is a heartfelt "Plenty!" ‒ as Sidney Pollack's 1974 cult classic The Yakuza should prove to even the most jaded classic movie buff beyond a shadow of a doubt.
The irreplaceable Judy Holliday teams with the one and only Dean Martin for a musical extravaganza which has received a dynamic makeover from the Warner Archive.
The history of the American musical is indeed a fascinating one, particularly once the genre was introduced to the ever-changing world of the 1960s. Far removed from filmed vaudeville acts and Broadway show adaptations from the dawn of the Sound Era in the late '20s, the once-harmless naïvety of the movie musical of yesteryear was about to be shown the door by an increasingly cynical society which would soon be surrounded by great shifts in both cultural and political trends. And the beginning of those changes are quite noticeable in the classic 1960 musical Bells Are Ringing, which is now
The Warner Archive Collection shows off two showcases of animators Ray Harryhausen and Jim Danforth in these splendid catalog releases.
Decades before civilized man would figure out new and inventive ways to suck the life out of that good ol' fashioned movie magic previous generations grew up looking up to, a species of gifted animators roamed the great halls of special effects studios near and far. Out of all the long-leggedy beasties, none were as revered and respected as the Hausenusharrius Rayus ‒ better known as Ray Harryhausen to us laymen ‒ whose magnificence and might effectively crowned him King of the Stop-Motion Animators. And it is with one of his tales that we begin this peek at two recent
The Warner Archive Collection unleashes 16 more lost novelty acts from the days of vaudeville and burlesque shows.
After nearly five years since the last installment in the intermittent series, the Warner Archive Collection has assembled another amazing assortment of forgotten, filmed novelty acts with Vitaphone Varieties, Volume Three: 1928-1929. Back in the mid 1920s, just a short few years before the various pioneers in the motion picture industry dreamt up a reliable way to record and print sound on to film, the folks at Warner Bros. and First National figured out a different method of providing sound to moving images: a mechanically synced-up record player. And though it may seem completely archaic and downright hipster today, the