Even if you're the type of person who generally loathes (or at least has trouble sitting through) musicals, you might actually find something to like about MGM's 1955 flop It's Always Fair Weather. For starters, It's Always Fair Weather marked the end of that strange era where larger-than-life movie musicals roamed the nation, thereby sparing many a poor sap (or sapette) any further misfortune of being dragged into an auditorium to see people sing and dance their blues away. But whereas that was the remedy in other (successful) musicals, It's Always Fair Weather proudly stood out from other song-and-dance titles
Results tagged “Warner Archive”
The Warner Archive Collection proudly presents something anyone can sing and dance to: a Cynical Musical from the otherwise sunny 1950s.
Neil Simon's Oscar-winning precursor to the contemporary rom-com receives a warm welcome from the Warner Archive Collection.
If nothing else, Neil Simon's award-winning 1977 precursor to the contemporary rom-com, The Goodbye Girl is of a certain cinematically historical significance, inasmuch as it was one of a few films written by Neil Simon that didn't start out as a Broadway play. Granted, in the years since this multiple-Oscar winner first premiered, however, The Goodbye Girl has not only garnered a musical Broadway makeover, but it has also received the dubious honor of getting its own lackluster TV remake ‒ something that, sadly, has happened far too many times with Neil Simon tales (just ask anyone who had the
The Warner Archive Collection shows us its dark side with two more gems from the fabulous world of film noir.
While history's greatest philosophers wise men may have brought forth many a pertinent question as to the purpose and situation of the human race, it was a total wise-ass the history books have unapologetically miscredited as a guy named Murphy who really seemed to hit the nail on the head with the phrase "Anything that can go wrong, will." In fact, Murphy's Law is one of the few philosophies which can be applied into storytelling without fear of alienating an audience, because if there's one thing any adult who has ever had to work for a living can tell you,
The motion picture that single-handedly brought about the fall of the Hays Code receives a fearless restoration from the Warner Archive Collection.
Sixteen years after Elizabeth Taylor transcended from child actress into a full-fledged "adult" in Father of the Bride ‒ wherein, it should be noted, she entered her first of eight failed marriages ‒ the still-famous actress showed us just how big of a girl she could be. In every respect. For here, in 1966's motion picture landmark, Who's Afraid of Virginia Woolf?, we see a 32-year-old Liz donning more than a little stage padding as she stars alongside her most "popular" husband, Richard Burton, as Martha: an obnoxious, alcoholic, middle-aged shrew whose outward vulgarity is only complimented by the infinite
The original classic receives a makeover to die for thanks to the Warner Archive Collection.
Let's take a brief gander at marriage, folks. While many of us are keen to issue a timeless, fool proof slice of advice when it comes to matrimony ‒ that of "Don't do it, it's not worth it" ‒ the fact is those darn kids never listen to us. Just ask Spencer Tracy's Stanley T. Banks in the three-time Oscar-nominated, AFI-approved 1950 classic, Father of the Bride. Though the trendsetting favorite is one of the few instances where a Steve Martin remake garnered critical praise (yes, we're still upset over that Pink Panther reboot), the original film possesses its own
The Warner Archive Collection presents the home video debut of this legendary box office failure featuring a young Ian McKellen.
Sprawling epics were all the rage in the 1950s, with fantastical biblical yarns and timeless tales of undefeatable conquerors popping up in theaters near and far, usually presented to eager audiences via the modern miracle of of CinemaScope and stereo sound. And yet, long after American filmgoers had had their fill of wildly inaccurate and often preposterous cinematic blockbusters which damn near bankrupted Hollywood's biggest studios, the Brits decided it was their turn to rewrite history and produce a large-scale saga which people would avoid in droves. Thus, Alfred the Great ‒ the UK's 1969 throwback to the great epics
The Warner Archive Collection dusts off one of the sappiest, nerve-wracking, Depression-era family melodramas ever made. Enjoy.
While I am always eager to point out how wretched contemporary filmmaking seems to have become, I can never dismiss the notion that bad movies have been getting cranked out by Hollywood since the beginning. In fact, as the type of feller who appreciates that certain kind of maligned movie manufacturing (see: just about any of my articles), I don't mind discovering a previously unseen Tinseltown atrocity from yesteryear in the least bit. That is, until I stumble across something as wretched as When a Feller Needs a Friend, of course. That's when I feel like gnawing my own arm
From forgotten comedy duos to early travelogues to matinee cowboy pictures, the WAC has just a bit of everything for classic film collectors.
In this time where people will often sit and binge-watch an entire television series, half of the population gleefully engages in such sittings regularly, while the other half will sit and wonder why the term "binge-watch" was added to the dictionary, especially since there was already a perfectly good word selected for marathon viewings in the first place: "marathon." But no matter what side of the vernacular you're on, there truly is nothing quite like being able to sit down and get a good proper feel for a particular performer or series. Thankfully, even film history's lesser-remembered talents continue to
Debbie Reynolds, Doris Day, and Julie Andrews highlight a trio of amazing rom-coms from more enjoyable, innocent times.
Romantic comedies may have been a dime a dozen back in the '50s, but ‒ as any good numismatist knows ‒ a mint condition dime from the 1950s is worth much more than a pretty penny today. And the Warner Archive has been quite busy of late bringing a venerable assortment of shiny motion pictures classics to Blu-ray for future generations to marvel over, including a grand musical from the '50s, an amazing throwback to the musical from the '80s, and another '50s flick starring one of the era's most beloved musical starlets. In the latter instance, I speak of
For those of you who think they know Dick, the WAC salutes you.
Anyone who has seen a single Hollywood adaptation of a classic (or even contemporary) work of literature knows full well how much Tinseltown can change even the most simple of premises. Sometimes, liberties are taken in the scriptwriting and/or filmmaking processes because of budgetary restraints or per the request of certain thespians who probably never had a very good grip on the subject matter to begin with. In other instances, time-honored tales are completely rewritten in the bold attempt at making them seem "fresh" ‒ a move which usually culminates in widely distributed box office debuts that would fare far
Nicholas Meyer's quirky sci-fi classic ‒ wherein Jack the Ripper and H.G. Wells travel through time ‒ gets a much-needed makeover from the Warner Archive Collection.
Imagine, if you will, Jack the Ripper ‒ having just committed his final murder in Victorian London ‒ hopping into a time machine built by H.G. Wells and venturing forth to modern-day (1979) San Francisco, leaving the latter famous figure no choice but to follow him. It's the sort of premise to a motion picture which definitely falls under the category of "something completely different" ‒ so much so, one might theorize the entire concept had been taken from an unfilmed Monty Python sketch. After the success of writer/director Nicholas Meyer's previous movie mashup ‒ the combination of Sherlock Holmes
The Warner Archive Collection dusts off filmdom's oddest pod people Invasion yet.
Imagine a science fiction parable ‒ one for Communism, paranoia, conformity, or whatever ‒ where, should you fall asleep, you will be replaced by an unemotional clone grown from a pod. Sound familiar? Well, of course it does: we've been seeing such shenanigans on-screen since the mid '50s, when the first official adaptation of Jack Finney's The Body Snatchers hit theaters and sent chills up our spines. Since then, we have witnessed a number of bad imitations and three big-screen remakes ‒ the last of which, 2007's big-budgeted dud The Invasion starring Nicole Kidman and Daniel Craig, failed to garner
The Warner Archive Collection brings us both a legendary man and a man of legend in these two High-Def offerings.
Some things simply go well together, hands down. Things like chocolate and peanut butter, Burt and Loni, and ‒ of course ‒ the fine art of combining totally true stories with complete and utter bullshit. And apart from politics and people on social media who should not be permitted to access the Internet, there is no great force behind blending fact with fiction than Hollywood. And for those of you who can't handle a little truth without a bit of falsehoods being thrown into the fray, these two "true stories" ‒ recently released to Blu-ray from the Warner Archive Collection
Two of the most famous John Ford/John Wayne collaborations make their HD home video debut courtesy the Warner Archive Collection.
While both names carry around their own amount of (significant) weight, it's almost hard to imagine a John Ford movie without John "The Duke" Wayne ‒ and vice versa. Thankfully, the Warner Archive Collection has been gracious enough to help fans of both classic motion picture greats fill two voids in their High-Definition libraries with new Blu-ray releases of two of their best-known collaborations, They Were Expendable and She Wore a Yellow Ribbon. Both films showcase The Duke doing what he did best ‒ giving 'em hell ‒ but is in the first of these individually released titles, MGM's They
One of the pulp world's first heroes makes for one of film world's worst zeroes.
Lately, Dwayne "The Rock" Johnson has been threatening all of mankind by announcing he is slated to star in one remake after another, including a short-lived, fleeting fantasy of a new version of Big Trouble in Little China and ‒ more recently ‒ the reboot of a footnote in the revised American Superhero book, the Doc Savage franchise. And though no such crimes have been perpetrated as of this writing, I almost think a re-envisioning of Doc Savage is in order. Not necessarily because I would support it (I wouldn't), but because it couldn't possibly be any worse than the
Sean Connery ascends, George Hamilton pretends, and Don Siegel defends in this trio from the WAC.
It is oft said one must reach the top in order to succeed, and this trio of minor motion pictures from Hollywood's past can serve as a painful reminder of how much of a fall you're in for should you slip up somewhere along the line. And both of those terrible analogies certainly come into play in the 1982 Warner Bros. drama, Five Days, One Summer, for it quite literally has to do with mountain climbing. But before you get your hopes up, this is not the sort of exciting cinematic fare like you might find in The Eiger Sanction.
Yeah, a quartet of individual titles starring classic Hollywood's perennial tough guy make their DVD debuts, see?
Compared to the infinite number of indistinguishable pretty boys popping up in one forgettable flick after another today, there could only have been one Edward G. Robinson. Hailing from a time in Tinseltown when tough guys could be larger-than-life no matter how short and squatty they may have been, Robinson's noticeable lack of height (or a handsome mug) may have prevented him from landing more romantic, nice guy roles, but his natural grumpy-looking demeanor soon found him shooting up the ladder of success in 1931 when he landed the lead in the crime drama classic Little Caesar. This pivotal role
The Warner Archive Collection encourages you to buy war bonds ‒ and these old World War II propaganda flicks, too!
Every time the Warner Archive Collection unearths another wartime propaganda movie, I have to wonder if Hollywood didn't make an entire feature-length drama for every war bond sold during the duration of America's involvement in World War II alone. But of course, I'm also glad to see rarities such as these two drastically different flicks being made available, and neither In Our Time or Marine Raiders will prove to be disappointing. Well, not unless you're easily offended, that is. Truth be told, the latter offering of this WWII-some from 1944 may drop a jaw or two with its less than
From a magnificent assembling of classic horror of the '30s, to the various sorts of silliness the whole of the '90s had to offer, these four releases will have you screaming.
While the Warner Archive mostly brings us new and previously unreleased goodies to DVD, they also bring us the odd re-release of titles which have become out of print. Or possibly new and improved versions of old catalog releases which were unfortunate enough to have been pressed to disc when DVD was still new. This lot falls under both categories, sporting two new widescreen offerings of titles which were only ever seen in early (read: unmastered) releases, as well as the reawakening of two cult gems, the first of which has been on many a classic horror movie lover's wish
The Warner Archive Collection slips us a couple of Mickeys (with plenty of Wood) in these two rarely-seen gems.
The late Mickey Rooney made a sizeable impact on classic cinema, leaving behind a list of motion picture and television appearances tallying well over 300. With a résumé like that, it may be quite some time before all titles are present and accounted for on home video (and even then, it's unlikely we'll see everything). Nevertheless, the Warner Archive Collection and it's many Mickey Rooney fans working there have been doing their best to fill in the gaps to their abilities. Two recent releases from the WAC marked the home video debuts of MGM's Stablemates and Lord Jeff, both released