Press release: Following the success of the Spirited Away and Princess Mononoke cinema events, GKIDS, the acclaimed distributor of multiple Academy Award-nominated animated features, and Fathom Events, the leading distributor of event cinema, are proud to announce a partnership to bring the biggest series of anime titles to U.S audiences throughout 2017. The series features Studio Ghibli’s revered animated classics, a selection of GKIDS new release titles and an ongoing animated short film mini-festival. The 2017 partnership kicks off with the iconic My Neighbor Totoro, from Hayao Miyazaki and Studio Ghibli, on Sunday, June 25 and Monday, June 26. Totoro
Results tagged “Japanese Cinema”
The series features six of Studio Ghibli’s revered animated classics offering both dubbed and subtitled versions.
Arrow Video busts Kinji Fukasaku's gritty, offbeat crime drama out of the Toei vaults.
A full quarter of a century before he would stun filmgoers around the world with Battle Royale in 2000, the late Kinji Fukasaku was already blowing his own established cinematic perimeters out of alignment with violent and gritty crime dramas. Certainly, 1975's Kenkei tai soshiki bōryoku ‒ which shall be known henceforth by its international English moniker, Cops vs Thugs ‒ is no exception. It is, however, quite a bit different than the many similarly-themed yakuza flicks of the time, inasmuch as its main protagonist is a cop this time around; one who has learned an effective (though highly questionable)
A vintage Yakuza story by Fukasaku in his prime about the corrupt links between cops and gangs.
Of the spate of Japanese movies that infiltrated the American consciousness at the beginning of the 21st century, when the industry was in a sadly short-lived renaissance, most, like The Ring and The Grudge were by relatively young filmmakers. One, however, was the surprise swan song of a septuagenarian who had been making movies all his life: Battle Royale, directed by Kinji Fukasaku. That's the movie where naughty schoolkids are sent to an island to do televised battle to the death. It was also the last film that Fukasaku would make (he died in the middle of directing the sequel,
A bizarre genre mashup gives plenty of '70s exploitation awesomeness, but very little werewolf.
I’ve said it before, and I’ll say it on a continuous loop until it stops being true: we live in a golden age of home-video releases - a veritable utopia for film nerds and collectors. It seems like every other week a new company pops up willing to release high-class editions of seemingly every film in every genre imaginable. Here at Cinema Sentries, our hearts just gush at the amazing bounty made available every Tuesday. Let us turn our thoughts over to one of our very favorite production companies - Arrow Video. They consistently do top-shelf releases of some of
Like a trusty katana, the Warner Archive Collection whips out this neglected, gritty, emotional '70s cult classic with much grace and dignity.
What can you say about a Japanese-American co-production from the director of Three Days of the Condor as written by the beautifully dark minds who penned Chinatown, Taxi Driver, and Kiss of the Spider Woman? Well, if said film also happens to star the great Robert Mitchum alongside Japanese icon Ken Takakura, and features an eclectic funky score by Dave Grusin, then the one and only official answer to that query is a heartfelt "Plenty!" ‒ as Sidney Pollack's 1974 cult classic The Yakuza should prove to even the most jaded classic movie buff beyond a shadow of a doubt.
One of the great filmmakers of the 20th century fills his domestic comedy with wistfulness, charm...and fart jokes.
Comedy doesn't tend to get the respect of drama in movie writing. Like horror, its effectiveness depends on whether or not the audience laughs - it demands, when done right, an immediate physical response. It's hard to write oneself out of having laughed at a comedy a writer doesn't want to enjoy for whatever reason, or to write oneself into praising a comedy that didn't raise a yuck. Dramas have more stuff for writers to write about, and writers are the ones who make the lists of what's important in cinema and what isn't. I've seen reviews of 1959's Good
Thematic trilogy from a Japanese master, these three films are designed to be as beautiful, and baffling, as possible.
Some movies offer formal challenges as part of their appeal. They might have sequences of the narrative where the viewer doesn't know exactly what's going on or in what sequences they're shown. They might have elliptical stories that really require an interpretation rather than just unfolding the narrative directly for the viewer, like a David Lynch film. Or they might have a different way of showing images on screen that is unconventional. Entire film movements are built around recognizing the "rules" by which films are made, and then subverting or even ignoring them. And then there's Kiju Yoshida's Japanese New
Yakuza blow up the world, and that's just first film of this loose trilogy starring Show Aikawa and Riki Takeuchi.
The opening six minutes of Dead or Alive, one of the first films of Takashi Miike to get international attention, are some of the most energetic, aggressive, and propulsive filmmaking of the '90s (or, hell, of any era.) Several characters are introduced and plots are put into motion, interwoven with quick cuts of various people engaged in various debaucheries: stealing drugs, sex in bathrooms, stripping, a man doing a six-foot line of cocaine off an enormous ramp, and a man shoveling in bowl after bowl of ramen (which then memorably gets blown out of his stomach in a shotgun blast).
Informative, engaging overview of the actor's life and work, both with Akira Kurosawa and beyond.
Toshiro Mifune is one of the most dynamic actors who's ever played on the big screen. He was an animal presence that made it difficult to look away. Even in one of Akira Kurosawa's more staid productions, the stagy and fairly drab The Lower Depths, comes to life when his character comes on screen for an unfortunate few times. In combination with Akira Kurosawa, he made one of the definitive actor/director teams who shaped the future of Japanese cinema, helping to bring it to international attention for the first time in 1950’s Rashomon. Mifune: The Last Samurai, a feature-length documentary
Sweet, sexy, and hilarious food for thought.
Some of the best films about food not only include food itself, but the reasons why it is essential, especially when it comes to culture, love, and satisfaction. Films about food can be entertaining, delectable, and hypnotic, such as Babette's Feast (1987), Big Night (1996), and Like Water For Chocolate (1994). However, as great as those films still are, I think Juzo Itami's 1985 classic, Tampopo, outshines them all. It is an endearing, sensual, and tasty 114-minute experience at the movies. Although the film is centered on the titular character Tampopo (Nobuko Miyamoto), it is really a series of vignettes
Six globetrotting adventures and dramas make their HD home video debuts, including a Sonny Chiba disaster flick and that missing title from you Ray Harryhausen collection.
Although statistics and insurance companies tend to inform us most accidents occur within only a few miles of our own places of residence ‒ sometimes mostly within their very confines themselves ‒ storytellers and filmmaking industries prefer to place protagonists into plights far from home. And there is perhaps no greater assortment of variable cinematic journeys than this particular lot from Twilight Time, which range from being perfectly cordial to posing downright perilous situations for their passengers. You know, the very sort of tales that keep audiences glued to cinema seats ‒ be it from euphoric glee or sheer suspense.
Terrifically stylized anime asks deep questions about technology we're still trying to answer today.
In the near future, humans beings augment their bodies with mechanical and computerized parts. You can get hardened shells, robotic arms, infrared vision, and a computerized brain. These computers connect everyone to a vast electronic network. Some people forego human bodies at all and have their souls, or ghosts, connected to completely robotic bodies. Major Motoko Kusangi is one such creature. She works for Public Security Section 9, some kind of intelligence operation for an unnamed, probably Japanese, city. Initially, her team is after a vaguely evil foreign operative who is seeking political asylum but the film drops that plot
In these three films about criminal outsiders, Takashi Miike tones down his frenetic style demonstrating a commitment to craft.
Takashi Miike is the Japanese director who will, seemingly, film anything. And anything does not just mean he'll put the ugliest or craziest images on screen, but he will try literally anything. Hyperbolic nastiness, vicious violence, creepy sex including necrophilia? Yes. A madwoman chopping off a man's foot with piano-wire to teach him a lesson? Sure. A children's fantasy film with talking umbrellas? Why not? Or, in the so-called Black Society Trilogy, three (relatively) restrained movies about the difficulty of being an outsider, even in the outsider society of organized crime, where the need for family both sustains and destroys
On director Hayao Miyazaki's birthday, GKIDS and Fathom Events present the Japanese animated feature.
Press release: Princess Mononoke, the classic animated film from groundbreaking writer/director Hayao Miyazaki and the legendary Studio Ghibli, returns to movie theaters for two nights only for a dual celebration of the beloved historical fantasy’s 20th anniversary and Miyazaki’s birthday. Hailed in 1997 by Roger Ebert as "a great achievement and a wonderful experience, and one of the best films of the year," Princess Mononoke: 20th Anniversary comes to U.S. cinemas, subtitled on Thursday, January 5, 2017 at 7:00 p.m. and English-dubbed on Monday, January 9, at 7:00 p.m. (all local times), presented by Fathom Events, in partnership with GKIDS.
The rerelease of the Miyazaki classic just breathes on the big screen.
The people at Fathom Events are the ones that bring me out to Rifftrax events a few times a year. They're also responsible for bringing some of my most favorite classic films back to theaters like Rear Window, From Here To Eternity, Jaws, and Animal House. The most recent release brings back a more recent film from the brilliant talent, Hayao Miyazaki's 2001 film Spirited Away. I have been a huge fan of this film since its release and ones like these are perfect because few people saw it in theaters when it was released. This has been the highest-grossing
Chanbara film series is aided by the screenwriting of the manga series creator, Kazuo Koike.
As the shogun executioner, Ogami Itto has a comfortable gig until he falls from grace and endures the death of his beloved wife. Facing almost certain death at the hands of his enemies, the dreaded Yagyu clan, he’s forced to flee and gives his toddler son a choice: die at his hand or join him in a life of hardship on the “demon road”. With no home, no money, and no seeming future, the father becomes an assassin for hire and stays on the move, pushing his son around the countryside in a rickety cart from one misadventure to the
A straightforward biography that reveals little more than the story of the man's life.
Award-winning filmmaker Steven Okazak's documentary tells the story of Japanese actor Toshiro Mifune, who together with director Akira Kurosawa became worldwide sensations because of their work together on 16 films, from Drunken Angel (1948) to Red Beard (1965). Narrator Reeves says they were "some of the greatest movies ever made...Together, they influenced filmmaking and popular culture around the world." Their partnership was such an integral part of their lives, it's not a surprise it's an integral part of this documentary as well. Because film was such an important part of what he became, the story of Mifune: The Last Samurai
In U.S. movie theaters on Sunday, December 4 at 12:00 p.m. (dubbed in English) and Monday, December 5, at 7:00 p.m. (English language subtitles).
Press release: Enter an enchanted world of witches, dragons and spirits in Spirited Away, director Hayao Miyazaki’s, critically-acclaimed story that became a worldwide phenomenon, cementing Studio Ghibli’s legacy as one of the foremost animation studios in the world. Spirited Away: 15th Anniversary celebrates the anniversary of the Academy Award-winning animated film and the legendary Studio Ghibli. Fathom Events, in partnership with GKIDS, the acclaimed distributor of multiple Academy Award-nominated animated features, is set to bring this special event to U.S. movie theaters for two days only on Sunday, December 4 at 12:00 p.m. (dubbed in English) and Monday, December 5,
A wonderful tale of love and loss at the Kabuki theater.
Kiku (Shotaro Hanyagi) is the adopted son of Kabuki royalty in Tokyo. As the presumed heir to this theatrical throne, he is constantly lavished with acclaim. The mouths that herald his praises come with two faces and out of the other, they spit ridicule. Even Kiku’s father-in-law cannot bring himself to tell him how poorly he acts. Late one night, he walks with Otoku (Kakuko Mori), nursemaid to Kiku’s brother's son, who finally tells him the truth - he stinks! Instead of lashing out in anger, Kiku’s is filled with gratitude that someone is finally willing to speak to him
"A larger than life monster like Godzilla has to be experienced on the big screen."
Press release: The iconic science-fiction monster Godzilla makes land fall in the U.S. and Canada this October with the North American theatrical release of Shin Godzilla from Toho Company, Ltd—and you can score your tickets now! Fans have been clamoring for news of the film’s theatrical dates ever since Funimation Films made its surprise acquisition announcement in July at San Diego Comic Con 2016. The company revealed that Shin Godzilla will roar into theaters for a limited engagement October 11 - 18, screening in more than 440 theaters across the U.S. and Canada. Tickets for Shin Godzilla are now available