As one of the great national cinemas, the Japanese movie industry has invented whole cloth many genres and excelled in many non-native filmic conventions… except arguably the Western-style horror movie. Until the late '90s, when The Ring brought out a rather short-lived craze of ghost stories (usually with a long black-haired ghost, which is cribbed from Japanese folk-lore), Japanese example of horror were rather sparse, and rather different than Western films. In the West some of the acknowledged greatest movies of the silent era are horror films. There are several distinct studio and national traditions: Universal horror creatures, the '50s
Results tagged “Horror”
Three Japanese movies directed by Michio Yamamoto that involve Western-style vampires, with style, atmosphere, and some decent sprays of blood.
The film itself is a twisted experience that had me quivering by the time the credits rolled.
It’s hard to know how exactly to describe Hereditary as a film. On one hand, it’s a dark descent into a person’s damaged psyche. On the other hand, it’s an enigmatic supernatural thriller that serves an allegory for the “demons” we inherit from our family. The film itself is a twisted experience that had me quivering by the time the credits rolled. But one thing about Hereditary that is perfectly describable is the brilliance of Toni Collette’s leading performance. Collette gives what is perhaps the best performance in a horror film in recent memory. One that will potentially join the
Garland follows up his impressive directorial debut on Ex Machina with another unsettling sci-fi tale.
Annihilation gained notoriety during its U.S. theatrical release earlier this year when it was revealed that Paramount had decided to skip theatrical release in many other major worldwide markets, instead sending the film directly to Netflix. While this was widely viewed as a vote of no confidence in the film, the finished project proves that it has nothing to do with the film’s quality and everything to do with market dynamics. Screenwriter/director Alex Garland’s cerebral take on horror sci fi simply doesn’t fit into the Hollywood blockbuster formula, so while Paramount’s bottom line may have been protected by their unusual
John Landis' campy homage to classic monster movies surfaces in High-Definition for a limited time from Turbine Media Group.
The first feature film of cult filmmaker John Landis (An American Werewolf in London, Innocent Blood) Schlock serves as a exemplary reminder we all have to start somewhere. Shot over the course of 12 days on a measly $60,000 budget in one of the many suburbs of Los Angeles, Schlock is a campy homage to horror and science fiction movies of the past, as seen through the eyes of one very eager 21-year-old filmmaker. A small community is besieged by a wave of baffling, unsolved murders, committed by an entity whom authorities and the media alike have dubbed "The Banana
Killer Klowns From Outer Space Blu-ray Review: Because Killer Klowns Not From Outer Space Simply Wouldn't Sell
Thirty years later, I still get excited by how absurd it is.
Cream pies that melt the flesh off a person. Balloon animal hunting dogs. Locust popcorn. Cotton candy cocoons. Monster marionettes. A circus tent spaceship. Ludicrous inflatable balloon boobs. Killer Klowns From Outer Space is as creative as it is ridiculous. It's not a parody or a satire and everyone in the film takes the events very seriously, making it that much funnier. Mike (Grant Cramer) and Debbie (Suzanne Snyder) are visiting a remote make-out spot when they see what appears to be a shooting star passing nearby overhead. They chase after it and find a circus tent oddly erected in
The best version yet of an influential classic.
In 1968, George A. Romero made a name for himself and essentially created the zombie genre with Night of the Living Dead. The dead rose from the grave to attack the living, an event whose origin is, at best, speculated upon by the time the credits roll. Five years later in 1973, Romero gave us The Crazies, in which we knew almost immediately what the cause of the madness was, but were less sure how to avoid, diagnose, treat, or save anyone from it. The film opens with two children, a brother trying to scare his sister by unscrewing light
Cargo puts a refreshing spin on the zombie genre and is anchored by a career-best Martin Freeman performance.
When it comes to films depicting the zombie apocalypse, we see the same repetitive formula: Survivors must fight for their lives against the undead and try not to get infected. The latest entry in the zombie film genre, Cargo, demonstrates that same formula but puts a whole new spin on it. Yolanda Ramke, who wrote and co-directed the film with Ben Howling, has crafted a story about fatherhood set against the backdrop of a zombie apocalypse and it is packed with both horror and heart. Cargo follows the story of Andy (Martin Freeman) and Kay (Susie Porter), an Australian couple
Frank Henenlotter's feature debut comes on a ridiculously stuffed Blu-ray, a must for any fan.
My conscience tells me I have to recommend this release, because it is a superb home video version of Basket Case, with an absolutely comprehensive set of bonus features, impeccable video and soundtrack (mono and thankfully not upconverted into fake surround) and something that should thrill any fan of the movie or series. But the entire aesthetic of Basket Case rebels against the archival perfection of a Blu-ray release. This is the sort of movie that should be seen in a seedy little theater where you'd never use your credit card. It has '70s (or, more accurately, early '80s) New
The Warner Archive Collection revs up the gas for Jeff Burr's controversial buzzer.
Bridging the gap between pure psychological horror with a touch of humor and gore into something polarly opposite isn't an easy task. And there is no better example of that in the realm of scary movies than New Line Cinema's maligned 1990 slasher sequel, Leatherface: The Texas Chainsaw Massacre III. Though technically an '80s flick, Jeff Burr's 1990 contribution to the famous film franchise ‒ which still exists today via an occasional, unnecessary reboot every couple of years ‒ became an instant target for fans and foes alike. Several years before, the Cannon Group released Tobe Hooper's The Texas Chainsaw
Take a ride on the nightmare merry-go-round with Arrow Video’s excellent restoration of the Chiodo brothers’ cult classic.
During the 1990s, my father and I had an annual tradition on or near Halloween. Whenever Killer Klowns from Outer Space came on the television, we would stop whatever we were doing and watch it. We didn’t have cable back then, and my parents still don’t to this day. Oddly enough, we also never owned the movie on VHS or DVD. But one of the local stations (CBS, I believe) would air it each year as Halloween drew closer. I think it was always being shown during the middle of the day on a weekend, when the network had no
Not quite what you've come to expect from a Fathom Event, but was still worth attending.
The Walking Dead (TWD) has been a ratings juggernaut for the last eight seasons. While it has declined some over time, it still finishes near the top every year. And with this success, AMC network continues to add to the franchise. First, it was an after show called The Talking Dead where host Chris Hardwick discusses with various cast members and fans about the episode that just premiered. Then, there was Fear The Walking Dead (FTWD), which is a show set in the same universe that follows another group of survivors. Along with these variations on a theme, the premieres
"This may be the shark just waiting to be jumped." - Shawn
In which The Walking Dead sees the wrath of Kim and Shawn. Kim: It's over, and by "it's," I mean The Walking Dead series. And by over, I mean for the season as well as the "war" on the show. I certainly have thoughts on it and you bet your sweet ass I’m going to share them. This will go down in history as the absolute worst season finale in all of The Walking Dead history. Like everything else they have done this season, what should have been an amazing and incredible end to this chapter was just some bullshit
The folks at Kino Lorber Studio Classics do a real Grade-A job with one really B-Grade 3D movie.
Made during that glorious 3D movie boom of the early '50s, Monogram Pictures' The Maze is cinematic evidence that filmmakers would try just about anything to hop on the three-dimensional bus. The final film in which the legendary William Cameron Menzies (The Whip Hand, Invaders from Mars, Gone with the Wind) served as both director and production designer, The Maze stars another icon of '50s sci-fi and horror films ‒ the great Richard Carlson ‒ as an accent-less Scotsman who goes from a high-profile social feller with a loving fiancée to being a reclusive oddball after his equally eremitic uncle
After an marred first release, VCI's second check-in to this Horror Hotel with Christopher Lee checks out.
Revisiting a classic horror movie you loved as a kid after you've aged a bit can always be a tricky thing to do. It had been at least 20 years since I last cast eyes on The City of the Dead, which I initially discovered via a fuzzy ol' Public Domain VHS copy in the early '90s. Needless to say, when it came time to see the movie again after all that time, I was rather worried that the experience would not be the same. Fortunately, just like the eponymous village itself, time has done very little to age the
Robert Bloch and Freddie Francis' unique, offbeat thriller finally hits home video thanks to Kino Lorber Studio Classics.
If you ever wondered what might happen if Columbo had been born in England, you needn't look any further than the 1966 Amicus production of The Psychopath. A joint effort between American author/screenwriter Robert Bloch and Britain's famed director/cinematographer Freddie Francis, the rampant success of Bloch's Psycho obviously paved the way for this tale of murder, revenge, and creepy dolls. One of several titles unfairly unavailable on home video for entirely too long, this almost-forgotten thriller from England's other horror studio ‒ Amicus Productions ‒ has finally found its way to Blu-ray and DVD from Kino Lorber Studio Classics. After
John Ashley and Pam Grier highlight this hilariously cheesy slice of Filipino rip-off cinema.
When fans of sleazy exploitation movies get together to discuss their favorite contributions to bad filmmaking from the Philippines, Eddie Romero's name is rarely left out. In fact, the late B-movie guru from the same country that brought us national treasures like the films of Weng Weng is undoubtedly one of the "best" known directors to hail from the country, thanks to a series of mind-numbing mad scientist flicks from the late '60s and early '70s informally referred to as the Blood Island movies. Following the conclusion of the aforementioned series, the late Mr. Romero found himself cranking out a
"Let me fill you in on what happened in this episode: absolutely nothing nearly as exciting as it should have been." - Kim
In which Kim and Shawn ruminate on the penultimate episode. Kim: Well, here we are. This was the penultimate episode of the season. According to Merriam-Webster, the word ultimate itself comes from the Latin word for “last, final, or farthest.” The pen- part of penultimate is simply the Latin prefix that means “almost,” so the word literally means “almost last.” There’s also the word penult (pronounced PEE-nult), which means “the next-to-last member of a series,” or “the next to last syllable of a word.” In the word presentation, for example, the accent or stress is on the penult. Another related
Mill Creek pounds out a few more nail-biters from Britain's famed house of horror.
Precisely a year-and-a-half to the day since their first two double feature releases, Mill Creek has returned to the House of Hammer once more for another hefty dose of classic '60s thrills and chills, Britannia-style. This time around, there's a heavy focus on some of the less-remembered (but nevertheless, good) titles from the famed studio, many of which were previously seen on DVD by Sony under various Icons of... sets. The first double feature offering from Mill Creek opens with 1963's Maniac. Back in the glorious analog days, trying to find a copy of this one usually resulted in a
A Quiet Place is a simplistic yet masterful gem that is destined to become a modern horror classic.
Even though just saying the title now gives me chills, I will not stay silent on how amazing A Quiet Place is. Actor-turned-director John Krasinski takes a film with an intriguing, minimalist premise and executes it with precision while directing a masterclass acting ensemble in the process. Unsettling at every single turn and gripping from the first frame to last, A Quiet Place seems destined to become a modern day horror classic. A Quiet Place is set in a post-apocalyptic Earth that has been taken over by alien creatures who will hunt down anyone who makes sounds of any kind.
The only thing more beautiful than the last 12 minutes of this Synapse Films restoration are the first 86.
Best described as a surrealistic fairytale nightmare come to life, Dario Argento's Suspiria has been leaving its mark on audiences and filmmakers alike since its debut in 1977. Truly, it's hard not to become immersed in its breathtaking (sometimes literally) visuals, stunning cinematography, or that wild and pounding soundtrack by Goblin. And now, thanks to a drop-dead gorgeous new 4K transfer by Synapse Films, Argento's amazing masterpiece almost feels like an entirely new feature. Equal parts horror, giallo, and fantasy, Suspiria finds cult favorite star Jessica Harper (Phantom of the Paradise, Shock Treatment, Inserts) as an American ballet student named