In which The Walking Dead finale is the Cleveland Browns. Shawn: I'm not going to lie - I'm just going to put out some observations and let you tie them all together with an amazing conclusion to this piece. I'm still processing some of the events and what they mean for the long term story of the show. How It's Gotta Be. Carl has to die. Not that he had to die before the episode started but they've painted themselves into that corner now. If you save him, then every time someone got barely scratched on the arm or leg
Results tagged “Horror”
"This show is the 2017-18 Green Bay Packer season, but it is headed to a much darker place." - Kim
VCI Entertainment goes retro with two imperfect releases for two equally flawed horror flicks.
VCI Entertainment is no stranger to the world of home video. In fact, it's (quite possibly) the only label in the US to have survived all of these years without a parental company in the active motion picture business (Universal, Paramount, et al). And while their current library of classic films and forgotten flicks is anything less than impressive, certain "niche" enthusiasts such as myself will always associate the outfit with cult movies. This Fall, VCI has returned to its roots (replete with retro logo) by releasing several cult classics to Blu-ray. Both originally gracing flickering silver screens in 1977,
"This episode brings us one step closer to ending the agony of this two-day-long half-season." - Shawn
In which Kim and Shawn determine what they would rather do than watch next week's episode. Kim: Well, now they’ve done it. They wrote a show that was complete bullshit without one single redeeming quality. Not a one. I don’t even know where to start voicing my displeasure. And so, right now I will happily present to you a list of things I would rather do next Sunday than spend 90 minutes of my time watching complete bullshit. I would rather pull out my old craft bag and try to work on the blanket I’ve been trying to crochet for
The Warner Archive Collection re-releases two of Steve Martin's best films, this time in glorious High-Definition.
From his early days as a collaborator on The Smothers Brothers Comedy Hour, Steve Martin's unique brand of humor has always left an impression. Even on people who have never been able to tune in to his sense of comedy, such as my father and just about every critic who saw The Jerk upon its initial release. Fortunately, time has always been on Mr. Martin's side. Well, maybe so not so much in the case of those Pink Panther remakes, but his original classics have maintained their popularity over the years, especially these two new Warner Archive Blu-ray issues. Originally
"Why do I still watch this show?" - Kim
In which Shawn and Kim ask "Why back after?" Shawn: What did you get for Thanksgiving? AMC was kind enough to give us a turkey. And I have a few thoughts. 1.) Rosita kicks ass. The best part of the episode was finally seeing Michonne and Rosita get to do something. The season has had some of the worst flow for side characters. Michonne is a major character and other than glimpses of her, I don't remember her contributing anything to this season. So we get to see Rosita and Michonne team up to raise some hell. And lo and
This season, Santa is bringing more than just presents and good cheer.
As usual, the horror genre gets a very bad rap, where many people and critics consider it to be the ugly stepchild of Film. This is none more apparent than the slasher history of the 1980s, where after the huge phenomenon of 1978's Halloween, there were variant degrees of success. Probably the most pivotal year in the '80s was 1984, where the big three were A Nightmare on Elm Street, Friday the 13: The Final Chapter, and director Charles E. Sellier, Jr's notorious Christmas slasher Silent Night, Deadly Night, which caused such a stir that it was denounced by parents
"I didn’t completely hate the episode, but I didn’t really care for it either." - Kim
In which Kim and Shawn aren't scared and kinda annoyed. Kim: Well, we got Negan back. Apparently, everyone did. Thank God for you, Negan. Whatever. I didn’t completely hate the episode, but I didn’t really care for it either. No, instead I liked snippets of it. Snippets that could have been far more interesting than they turned out to be. The rest? Complete garbage. Favorite moments: 1.) Daryl vs. Rick: This is not the first throw-down we’ve witnessed this season between comrades. It was, by far, the most intriguing though. Please note when I say "intriguing," I don’t mean I
Garagehouse Pictures ups the ante of awesomeness by bringing us a fresh HD print of a classic cult Italian horror flick.
There aren't a whole heck of a lot of film directors who are brave enough to remake their own work (short films notwithstanding). In fact, I can only think of four off the top of my head. At the top of that very short list are A-list contenders Alfred Hitchcock (The Man Who Knew Too Much) and Cecil B. DeMille (The Ten Commandments). The quality of motion pictures change drastically, however, come the final two entries, which consists of two cult filmmakers: Dick Maas (whose remade his bizarre killer elevator film The Lift years later as Down, both of which
"I ain't nothing. I'm just some guy."
Shawn: I'm not your King. I'm not your Majesty. I ain't nothing. I'm just some guy." - Ezekiel I'm always fascinated by the episodes that focus mostly on the arc of a single character. It's a challenge on a show that has at any given point about 15-25 main characters. I think that it's been a mixed bag in the past. There's a challenge to give us an in-depth look at character and not bring the whole show to a grinding halt. It worked with T-Dog but it was pretty annoying when it was Morgan because it felt like an
The Killing of a Sacred Deer is unsure of its genre identity which makes it an exciting watch.
When The Killing Of A Sacred Deer first starts, we get a glimpse of a beating heart being operated on with an ominous choir singing in the background. Right then and there, it becomes evident that the film will be a particular kind of experience. While Sacred Deer is a film with a traditional linear narrative, for the most part, it is more of an experience. It is an experimental nightmare that dares you to enter and piece the puzzle together. While you’re watching, you’re trying to figure out what kind of film you’re even seeing which makes The Killing
"I’m struggling with the show. I will openly admit that." - Kim
In which Kim and Shawn debate a character that hasn't even appeared in two episodes. Kim: Episode #3 is done. I had hopes after last week that we’d pick up some interesting stories, get moving, and find a new way for Rick to mess up a decent living situation (which is what happens every time they get comfortable somewhere). I know Negan is an integral part of the comics, and therefore the show, but I’m going to share an unpopular opinion here. Ready? I am already done with him. The story arc involving him is old and played out. I
"You have to admit this episode was exactly what we asked for." - Kim
In which Shawn and Kim get what they asked for, but not everyone is happy about it. Shawn: How are we only two episodes in and it feels like that episode was just a repeat of parts of the last year of shows. Remember oldey timey Rick from the future? Well don't worry about that because it doesn't matter this week. I vaguely remember this Negan character. Seems like he was pretty important to the story they were telling. Wasn't he stuck in a trailer with Gabriel? Must not be too important because the writers felt like we'd be interested
The Warner Archive Collection unveils a gorgeous new uncut transfer of John Landis' star-studded horror/action/comedy.
Where An American Werewolf in London and From Dusk Till Dawn points on a map, John Landis' 1992 vampire horror/action/comedy Innocent Blood would probably be somewhere in-between in terms of its ability to both shock and delight. Set in the magical land of Pittsburgh, the film finds La Femme Nikita beauty Anne Parillaud as Marie, a less-stereotypical (and frequently nude) vampire with a heart. Deeming it an immortal sin to feast upon the innocent, Marie prefers to sink her fangs into the worst society has to offer. Namely, those of the criminal underworld. (Whereas today, she'd likely be draining swamps.)
Though not nearly as unnerving as its predecessor, Creep 2 carves new avenues in its look into the mind of a polite serial killer.
In 2014, director Patrick Brice helmed Creep, a localized found-footage horror movie about two men who meet through an ad. The film opened up questions about gay panic and the nature of the found-footage film, but overall remains an incredibly unsettling horror film with some of the most awkward comedy you'll see. Brice and star Mark Duplass had already intended to turn Creep into a trilogy, and so it is with the release of Creep 2. Though lacking in the cartoony terror of its predecessor, Creep 2 illustrates how the simple switch of a protagonist's gender can unleash a whole
"This was one of the most artsy-fartsy episodes I’ve ever seen on this show." - Kim
In which Kim and Shawn discuss the type of pants one might wear while watching this zombie show. Kim: “I hope you are wearing your shitting pants!” I’ve spent the past 24 hours trying to figure out how to get across my true feelings about this episode. Several things happened. Several things didn’t. I got laid at the end of the night, so at least that worked out as planned, but I digress. An interesting note about my anticipation of the season opener: I did not have a countdown. I was not suffering any type of withdrawals. There was no,
Synapse Films turns up the heat on one of early '90s most underrated horror movies.
Crafted during that curious cusp separating the '80s and '90s, Popcorn initially failed to "pop" with audiences when it first hit theaters in early 1991. In the years that have followed, however, the film has gone on to become a highly-acclaimed cult classic amongst horror film fans. And that is a particularly great feat, considering the production was plagued with many difficulties, including ‒ most notably ‒ the replacement of its director and lead star. Originally intended to be another collaboration between Porky's creator Bob Clark and Cat People (1982) writer Alan Ormsby (who had created several creepy horror classics
The Warner Archive Collection proudly delivers this amazing horror/sci-fi/action/comedy hybrid starring young Kyle MacLachlan.
The epitome of everything that made '80s cinema everlastingly fantastic, Jack Shoulder's cult classic The Hidden is a rare hybrid of horror, sci-fi, action, and comedy. Set in the ghostly shadow of Los Angeles' past, the 1987 film focuses on a parasitical alien lifeform from the infinity beyond with a local affinity for fast sports cars, deadly assault weapons, more money than it needs (since it doesn't actually need any), loud rock music, and a lot of power over others. Yes, there's one of them there allegories present in that particular synopsis; one which not only becomes all the more
Blue Underground opens the doors to Dick Maas' epically strange tale of a killer elevator, as well as his poorly-timed Americanized remake.
"Take the stairs! Take the stairs! For God's sake, take the stairs!!" Elevators are the worst, aren't they? I mean, you sit there, waiting for a soulless metal box to drop ‒ or ascend ‒ only to have to stuff yourselves in with various groups of strangers whose various odors you'd rather not have to breathe in. But what happens when that metal box suddenly develops a soul, but remains utterly cold and heartless? That was the sorta-kinda premise behind one of Dutch filmmaker Dick Maas' greatest successes, 1983's De Lift. A surprise hit around the world (it even wound
Synapse Films releases Il Maestro's bizarre cult classic in three different forms, including the rare U.S. "Creepers" cut.
One of Dario Argento's most eclectic contributions to the European horror movie boom of the 1980s, Phenomena is something like an Italian cinematic variation of paella with just a dash of LSD to enhance the flavor. Equal parts giallo, horror, and a lot of other interesting juicy bits of meat, the very strange story finds young Jennifer Connelly as Jennifer Corvino, daughter of an (unseen) American movie star. Sent to a prestigious Swiss boarding school whilst daddy dearest is off shooting a flick in the Philippines (presumably with Bruno Mattei), Jennifer soon discovers she has picked a rather cumbersome time
An idiosyncratic semi-slasher that barely got a theatrical release is finally on home video, uncut and restored.
Achieving notoriety in the early '80s (at least across the pond) for being one of the Video Nasties, films legally challenged and sometimes prohibited from exhibition in the U.K., the American-made The Slayer is a slasher movie that does not quite want to be one. For certain, it has the overall structure of one: four people (two couples) go out to an isolated vacation spot, have personal tension, and then one by one are slaughtered in graphic ways. The murderer is a mystery, the deaths are gruesome and elaborate, with special make-up effects by an industry veteran. There's a final