Only a short time ago, finding a copy of Jag Mundhra's low-budget '80s horror flick Hack-O-Lantern on VHS was similar to discovering the source of The Nile. Granted, said copy would usually be a well-worn one, as the direct-to-video film ‒ which also once bore the title Death Mask before seeing later distribution on home video under the title Halloween Night ‒ was certainly not the sort of moving picture to have made rounds on the retail videocassette market. Rather, Hack-O-Lantern was the sort of schlocky cheesy tripe which could have only hailed from the glorious days of rental pricing;
Results tagged “Horror”
Massacre Video brings us a High-Def release of this cult Satanic Panic '80s horror oddity.
If you love '80s horror or any of the previous Hatchet movies, you owe it to yourself to give Victor Crowley a shot.
If it's been said once, it's been said a thousand times -- don't go into Honey Island Swamp in Louisiana unless you want to die horribly. Victor Crowley will either take you apart or make you wish he had. He will. It's simply gonna happen. A group of misled tourists didn't stand a chance against him in Hatchet. A hunting party and voodoo priest couldn't stop him in Hatchet II. A S.W.A.T. team hardly phased him in Hatchet III. He's been scouring the area around his home for over 50 years now, despite being shot, impaled, blown up, chainsawed in
VCI Entertainment re-releases Steve Barkett's wild, low-budget post-apocalyptic cult classic co-starring the one and only Sid Haig.
Were you to whisper the name "Steve Barkett" to the average moviegoer, a lengthy pause with near-audible chirping crickets in the background may follow. Say Barkett's name to an aficionado of low-budget sci-fi and horror movies from the days when people still shot independent movies on film, however, and you're entirely likely to get a different reaction. From a much more personal perspective, I actually met a former colleague of his at a coffee shop; an encounter which would later result in me inheriting several reels of film from two of Mr. Barkett's films. Well, let me rephrase that slightly
Not the best of horror documentaries, but Christopher Lee more than makes up for its shortcomings.
When it comes to the history of horror, there have been many documentaries tracing the beginning of this rather infamous of film genres, such as Nightmares in Red, White & Blue; Syfy's Masters of Horror, and Bravo's Scariest Movie Moments series. However, 100 Years of Horror, hosted by the late, great Christopher Lee, somehow gets overlooked. This may be a good and bad thing. Considering that the entire series consists of 26 half-hour episodes, narrowing in quality (VHS, mind you), but there is enough information to slighly satifsy the most jaded of horror fanatics. As the back of the DVD
Blue Underground brings the creepy Bob Clark/Alan Ormsby cult classic back to life with a gorgeous new 2K scan.
While W.W. Jacobs may have never been much of a household name either before or after his death in 1943 at the age of 79, the late English author nevertheless left a lasting mark on the world of horror thanks to his 1902 horror story The Monkey's Paw. The quintessential tale carrying the classic "be careful what you wish for" analogy, Jacobs' "immortal" tale would go on to be transformed into a variety of many mediums over the years, beginning with a stage adaptation just one year after the story was first published. But it was the world of film
The Warner Archive Collection gives the campy U.S./Japanese cult classic a stellar new HD transfer.
Apart from the occasional World War II movie, there haven't been terribly many instances in film history wherein the US and Japan collaborated on something together. When they did, the results tended to vary, ranging from epic successes such as Tora! Tora! Tora! to movies almost as disastrous as WWII itself. And it is there, on the latter list of atrocities, that you will find a barely moving motion picture; one which has been sitting ‒ quite comfortably, at that ‒ in the same illustrious spot for several decades. An unofficial sequel to the mid '60s Gamma One quadrilogy from
I'm about as apathetic toward the movie as the characters are about being murdered.
I remember how horror movies that came out when I was growing up had a kind of message -- that if you drink underage or do drugs or have sex out of wedlock, some monster would come out of the woods and turn you inside out. They were intended as cautionary tales and they weren't terribly subtle about it. These days, disturbing cinema sometimes still has a message, but it seems to be less obvious. If you recall, Hans Crippleton earned my ire and admiration all at once for being a spot on parody one of the things I loathe
Garagehouse Pictures unveils its most ambitious compilation ever ‒ and the result is nothing but incredible.
Once more, Garagehouse Pictures has assembled another magnificent gathering of movie trailers for fans of genre flicks to drool over. This time, however, they have put together something entirely (well, partly) different from previous trailer compilation outings: a Blu-ray devoted entirely to television spots for a variety of exploitation movies released to theaters over the course of several decades. Yeah, I know what some of you are thinking, "An entire Blu-ray of nothing but TV spots?" Well, yes, dummy, that's exactly what this is! Sure, it may seem like a rather ambitious project to put together, but you have to
A scarier version of Stand By Me, It offers thrills and chills and more importantly interesting characters to care about.
Andy Muschietti's adaption of Steve King's It tells the first part of the novel's story as a group of misfit teenagers, dubbed “The Losers,” battle against an entity (It) that periodically terrorizes the town of Derry, Maine. Although a horror film, the coming-of-age elements are much more engaging due to the talented cast creating authentic characters. It opens in the fall of 1988 when a young boy named Georgie (Jackson Robert Scott) has a gruesome encounter with Pennywise (Bill Skarsgård) the Dancing Clown, a form It frequently takes in order to taunt its victims before killing them. The film cuts
Scream Factory goes all-out for the minor low-budget college slasher flick with Linda Blair.
One of several dozen slasher movies to find its way to screens during the slasher horror movie boom of the late '70s and early '80s, Tom DeSimone's Hell Night always seems like the one that gets left out in the cold. Granted, there's very little to outwardly discern the 1981 shocker starring The Exorcist's Linda Blair from any other movie of the era featuring a group of annoying college kids being murdered in an isolated setting. (Well, other than the fact that it stars Linda Blair, of course!) In fact, were one to make a check-list of '80s college slasher
"This show is the 2017-18 Green Bay Packer season, but it is headed to a much darker place." - Kim
In which The Walking Dead finale is the Cleveland Browns. Shawn: I'm not going to lie - I'm just going to put out some observations and let you tie them all together with an amazing conclusion to this piece. I'm still processing some of the events and what they mean for the long term story of the show. How It's Gotta Be. Carl has to die. Not that he had to die before the episode started but they've painted themselves into that corner now. If you save him, then every time someone got barely scratched on the arm or leg
VCI Entertainment goes retro with two imperfect releases for two equally flawed horror flicks.
VCI Entertainment is no stranger to the world of home video. In fact, it's (quite possibly) the only label in the US to have survived all of these years without a parental company in the active motion picture business (Universal, Paramount, et al). And while their current library of classic films and forgotten flicks is anything less than impressive, certain "niche" enthusiasts such as myself will always associate the outfit with cult movies. This Fall, VCI has returned to its roots (replete with retro logo) by releasing several cult classics to Blu-ray. Both originally gracing flickering silver screens in 1977,
"This episode brings us one step closer to ending the agony of this two-day-long half-season." - Shawn
In which Kim and Shawn determine what they would rather do than watch next week's episode. Kim: Well, now they’ve done it. They wrote a show that was complete bullshit without one single redeeming quality. Not a one. I don’t even know where to start voicing my displeasure. And so, right now I will happily present to you a list of things I would rather do next Sunday than spend 90 minutes of my time watching complete bullshit. I would rather pull out my old craft bag and try to work on the blanket I’ve been trying to crochet for
The Warner Archive Collection re-releases two of Steve Martin's best films, this time in glorious High-Definition.
From his early days as a collaborator on The Smothers Brothers Comedy Hour, Steve Martin's unique brand of humor has always left an impression. Even on people who have never been able to tune in to his sense of comedy, such as my father and just about every critic who saw The Jerk upon its initial release. Fortunately, time has always been on Mr. Martin's side. Well, maybe so not so much in the case of those Pink Panther remakes, but his original classics have maintained their popularity over the years, especially these two new Warner Archive Blu-ray issues. Originally
"Why do I still watch this show?" - Kim
In which Shawn and Kim ask "Why back after?" Shawn: What did you get for Thanksgiving? AMC was kind enough to give us a turkey. And I have a few thoughts. 1.) Rosita kicks ass. The best part of the episode was finally seeing Michonne and Rosita get to do something. The season has had some of the worst flow for side characters. Michonne is a major character and other than glimpses of her, I don't remember her contributing anything to this season. So we get to see Rosita and Michonne team up to raise some hell. And lo and
This season, Santa is bringing more than just presents and good cheer.
As usual, the horror genre gets a very bad rap, where many people and critics consider it to be the ugly stepchild of Film. This is none more apparent than the slasher history of the 1980s, where after the huge phenomenon of 1978's Halloween, there were variant degrees of success. Probably the most pivotal year in the '80s was 1984, where the big three were A Nightmare on Elm Street, Friday the 13: The Final Chapter, and director Charles E. Sellier, Jr's notorious Christmas slasher Silent Night, Deadly Night, which caused such a stir that it was denounced by parents
"I didn’t completely hate the episode, but I didn’t really care for it either." - Kim
In which Kim and Shawn aren't scared and kinda annoyed. Kim: Well, we got Negan back. Apparently, everyone did. Thank God for you, Negan. Whatever. I didn’t completely hate the episode, but I didn’t really care for it either. No, instead I liked snippets of it. Snippets that could have been far more interesting than they turned out to be. The rest? Complete garbage. Favorite moments: 1.) Daryl vs. Rick: This is not the first throw-down we’ve witnessed this season between comrades. It was, by far, the most intriguing though. Please note when I say "intriguing," I don’t mean I
Garagehouse Pictures ups the ante of awesomeness by bringing us a fresh HD print of a classic cult Italian horror flick.
There aren't a whole heck of a lot of film directors who are brave enough to remake their own work (short films notwithstanding). In fact, I can only think of four off the top of my head. At the top of that very short list are A-list contenders Alfred Hitchcock (The Man Who Knew Too Much) and Cecil B. DeMille (The Ten Commandments). The quality of motion pictures change drastically, however, come the final two entries, which consists of two cult filmmakers: Dick Maas (whose remade his bizarre killer elevator film The Lift years later as Down, both of which
"I ain't nothing. I'm just some guy."
Shawn: I'm not your King. I'm not your Majesty. I ain't nothing. I'm just some guy." - Ezekiel I'm always fascinated by the episodes that focus mostly on the arc of a single character. It's a challenge on a show that has at any given point about 15-25 main characters. I think that it's been a mixed bag in the past. There's a challenge to give us an in-depth look at character and not bring the whole show to a grinding halt. It worked with T-Dog but it was pretty annoying when it was Morgan because it felt like an
The Killing of a Sacred Deer is unsure of its genre identity which makes it an exciting watch.
When The Killing Of A Sacred Deer first starts, we get a glimpse of a beating heart being operated on with an ominous choir singing in the background. Right then and there, it becomes evident that the film will be a particular kind of experience. While Sacred Deer is a film with a traditional linear narrative, for the most part, it is more of an experience. It is an experimental nightmare that dares you to enter and piece the puzzle together. While you’re watching, you’re trying to figure out what kind of film you’re even seeing which makes The Killing