Metropolis. M. The Dr. Mabuse series. There are so many reasons to love Fritz Lang's early, German-language films, all of which helped define the German Expressionist movement. Following Lang's fleeing of Nazi Germany in the early '30s, the Austrian-German-born filmmaker put his expertise use of light and shadows to become a pioneer in the world of film noir ‒ helming such classics as Ministry of Fear and Scarlet Street, as well as the iconic 1953 masterpiece, The Big Heat. Even as his 20-year-plus Hollywood career began to wrap up in the late '50s, Lang's filmic contributions were as marvelously dark
Results tagged “Drama”
Fritz Lang's final two American films ‒ both starring Dana Andrews ‒ get the much-deserved Warner Archive Collection treatment.
From screwball spoofs to serious dramas, this quintet of features from the one and only comedian/filmmaker offers a variety of stylings.
Whether you are a collector, purist, enthusiast, or just someone who is trying to get through the work day, there is nothing as gratifying as being able to mark something off of a checklist. And every time Twilight Time issues a classic Woody Allen film on Blu-ray, it gives his fans a chance to experience something just as gratifying. Fortunately for all parties involved, Allen's extensive (and still-expanding, as he has rarely skipped a year without making a movie since 1965) library can come that much closer to being "complete" thanks to Twilight Time's regular releases of the filmmaker's work,
Despite the efforts of its cast, especially leading actress Antonella Costa, Dry Martina still succumbs to its complicated storytelling.
In the opening scene of Dry Martina, our main character is performing at a concert and about midway through her performance, she immediately takes off her wig and steps out of the stage. The minute she stops performing, we see her turn into a different, more troubled person. That small moment is an indication of what Dry Martina is about. It is a character study about a woman on the verge of self-destruction that is successfully anchored by its leading actress even though the film itself is rather, shall I say, slightly dry. Martina (Antonella Costa) is a former pop
Cargo puts a refreshing spin on the zombie genre and is anchored by a career-best Martin Freeman performance.
When it comes to films depicting the zombie apocalypse, we see the same repetitive formula: Survivors must fight for their lives against the undead and try not to get infected. The latest entry in the zombie film genre, Cargo, demonstrates that same formula but puts a whole new spin on it. Yolanda Ramke, who wrote and co-directed the film with Ben Howling, has crafted a story about fatherhood set against the backdrop of a zombie apocalypse and it is packed with both horror and heart. Cargo follows the story of Andy (Martin Freeman) and Kay (Susie Porter), an Australian couple
The Warner Archive Collection brings us two excellent transfers of two contrasting tales starring the great Paul Newman.
Lew Harper is back on the case ‒ twice over ‒ in these two new Blu-ray releases from the Warner Archive Collection. Adapted from Ross Macdonald's literary adventures of Lew Archer (because who in their right mind could take a character named Archer seriously, especially now?), 1966's Harper brings us a misadventure of a modern-day Southern Californian private investigator. Seemingly inspired by every classic detective from books to film alike ‒ and every bit as cynical, to boot ‒ the role was brought to magnificent life on-screen by the one and only Paul Newman (The Hustler). Nine years later, Newman
Kino Lorber Studio Classics unburies Paul Henreid's butchered, noir-esque tale with Ralph Meeker and Janice Rule.
Misunderstood in its own time, forgotten in the next, Paul (Casablanca) Henreid's thriller A Woman's Devotion never had an opportunity to deliver its message to audiences when first released in 1956. Instead, the Republic Pictures production was ushered onto screens with a decidedly deceptive ad campaign cashing-in on the film's leads ‒ Ralph Meeker and Janice Rule ‒ who had recent appeared in a successful stage adaptation of the classic melodrama, Picnic. Needless to say, it wasn't the best method to promote a minor film noir-esque title concerning a World War II veteran with a really bad case of Post-Traumatic
She talked about bringing the authentic relationship between the two main characters to life, the filmmaking aesthetics, and the backstory behind the screenplay as well.
Abortion is a topic that feels as if it is rarely discussed on film. We’ve seen films about failing marriages and pregnancies before. But it is rare to get a film that depicts certain complications of pregnancy that some couples face. However, 20 Weeks dares to touch on the hot-button topic of abortion and it does so in a nonjudgmental manner. Anna Margaret Hollyman and Amir Arisan play Maya and Ronan, a couple that is faced with the difficult decision of whether or not to abort their unborn child when they discover that he has a severe birth defect. The
The Warner Archive Collection brings us a beautiful restoration of Rosalind Russell's original great aunt.
Beginning as a best-selling novel by Patrick Dennis in 1955, Auntie Mame became a Broadway success starring the one and only Rosalind Russell a few years later. As was customary with just about every (even minor) stage triumph in those days, a film version wasn't too far behind. Released to theaters at the tail end of 1958, Warner Bros.' Auntie Mame became the highest-grossing film of 1959. While that may not seem like much of an accomplishment at first glance, it should be noted the films it vanquished at the box office included North by Northwest, Ben-Hur, Anatomy of a
Michael J. Fox goes country in this early '90s rom-com now available on BD from the Warner Archive Collection.
Doc Hollywood was exactly the sort of early '90s filmfare I recall going to see every weekend at the local cinema in the small hick town I grew up in. In fact, I actually did see Doc Hollywood when the nearby theater of my teen-aged youth, where nary another soul was in attendance, leading me to (falsely) concur the movie must not have made a big splash at the box office. In reality, the film was something of a box office hit, but due to prolonged exposed to something called "aging", very little of that remained in my memory banks.
Alan Ladd leaves his heart in San Francisco in this glorious re-discovery from the Warner Archive Collection.
Made back when one could still refer to San Francisco as "Frisco" and not catch hell for it, Frank Tuttle's Hell on Frisco Bay is one of several film (noir) adaptations based on the literary work of William P. McGivern (The Big Heat). Filmed (partly) on location in and around California's iconic Bay Area city, the vehicle finds Alan Ladd as a hardened, disgraced former police detective recently released from San Quentin after serving time for a bogus murder charge. As if starting over wasn't a cumbersome ordeal to begin with, contending with the fact everyone on both sides of
The Warner Archive and Twilight Time give us some old song and dance routines, available in High-Definition (and in one case, widescreen) for the first time.
You know the feeling. You're sitting there, minding your own business, enjoying the sights and sounds of a classic motion picture. Suddenly, the gears seem to shift: orchestral accompaniment appears out of nowhere as characters begin to step in pace with one another, speaking in lyrical rhymes before breaking out in full-out song and dance routines. "Oh God, they're singing!," you cry out, realizing you have been sucked in once more by a movie musical. But don't worry, I won't judge ye. In fact, after witnessing all of the toe-tapping antics found in these three titles ‒ all of which
Formerly lost at sea, the original 100-min cut of this classic sails in to home video thanks to the Warner Archive.
The discovery of any classic film in its original uncut form brings with it an opportunity to rejoice. Recently, the Warner Archive Collection uncovered an uncut 35mm nitrate print of Michael Curtiz's classic 1941 film adaptation of Jack London's The Sea Wolf. Buried away for decades in the Museum of Modern Art's storage facility in New York, the unveiling of such a print was a significant find ‒ as the film had only been available in a heavily-shortened version since its first theatrical re-release in 1947. Naturally, much like the WAC's recent re-discovery of the three-hour TV cut of Richard
All is fair (great, in fact!) in love, war, and on the road in this trio of classics from Twilight Time.
American and Japanese. Remakes and originals. Love and war. Though they may all appear to be starkly different on the outside, this trio of Twilight Time releases from (or at least filmed in) Japan evinces we're only human on the inside. The Emperor in August (2015, Shochiku Company) Remaking a classic historical war film is never an easy task. Especially when the story focuses on internal political strife as opposed to the always bankable sight of what SCTV's Farm Film Report would likely refer to as "stuff gettin' blowed up real good." It's an ever harder chore to pull off
Kino Lorber brings us Stanley Kramer's first directorial effort starring Olivia de Havilland, Robert Mitchum, and Frank Sinatra.
Any movie which conjures up the mental image of a motorcycle bound Lon Chaney Jr. going out in a drunken blaze of glory certainly deserves a special place in history. However, when that same movie also happens to star Olivia de Havilland, Robert Mitchum, and Frank Sinatra ‒ along with a first-rate supporting cast including Gloria Grahame, Broderick Crawford, Lee Marvin, Harry Morgan, and the aforementioned Mr. Chaney ‒ its significance in the world of film increases substantially. Now toss in the superb production values and social commentary filmmaker Stanley Kramer was (and still is) so well known for, and
With everything from original production materials to a bonus feature Ed allegedly worked on, this AGFA/SWV BD is packin' a lot of Wood.
The list of filmmakers best known for helming the worst movies ever made is a long and varied one. In fact, it grows more and more with each passing year. But even as contemporary contenders and waning wannabes vie for some sort of misplaced honor (or misattributed attention) in the awkward world of unintentionally terrible motion pictures, one name still manages to frequently take the lead: that of amateur auteur Edward D. Wood, Jr. Since Wood's untimely passing in December 1978, his delightfully delirious titles ‒ including the early (if totally bizarre) LGBT drama Glen or Glenda? and the sci-fi/horror
Twilight Time unsheathes an enjoyable Hammer Films outing with ex-Sinbad Kerwin Mathews and a smoothly sinister Christopher Lee.
Your friends might argue a pirate movie won't float without water. Or an actual pirate ship. Heck, even an award-winning 2005 pornographic cash-in of Disney's Pirates of the Carribean had a boat, for porn's sake! But then again, so did Renny Harlin's Cutthroat Island and Roman Polanski's Pirates ‒ a pair of box office failures regularly cited as two of the worst pirate films ever made today. And, while forcing your friends to watch those two flicks may provide an easy win to such a foreseeable argument. Ultimately, however, the best way to succeed in winning a disagreement over whether
Young Robert Wagner sinks to new depths ‒ literally ‒ in this early CinemaScope effort, now available in a beautiful, uncut, widescreen HD transfer from Twilight Time.
The advent of CinemaScope in the 1950s brought with it many changes to Hollywood. Sadly, in the case of 20th Century Fox's 1953 Technicolor adventure film Beneath the 12-Mile Reef ‒ the third movie to be filmed in the studio's lavish new way of luring moviegoers back in theaters ‒ director Robert D. Webb seemingly forgot to include enough subject material to fill up the width of the widened screen. The story ‒ a pivoting, bore-a-minute tale pitting sponge divers against fishermen ‒ finds young Robert Wagner as the son of aged Mexican-American actor Gilbert Roland. Naturally, they're cast as
Twilight Time foils foes with a splendid classic Hollywood adventure tale starring Tyrone Power.
Even at 141 minutes in length, Henry King's lavish big-budgeted adaptation of Samuel Shellabarger's 1945 novel Captain from Castile only covers the first half of its source material. Not that that's a bad thing, mind you ‒ the 1947 swashbuckler epic from 20th Century Fox still captures the grace and beauty of classic historical adventures. It also serves as a great reminder of how outrageously preposterous Hollywood's old-school casting agents could get back then, as evidenced by co-star Lee J. Cobb (The Exorcist, Lawman) as a roaming adventurer named Juan García. One wonders if it didn't inspire Russell Mulcahy's casting
Twilight Time heats things up with Martin Ritt's Southern Gothic tale starring Paul Newman, Joanne Woodward, Tony Franciosa, and an inarticulate Orson Welles.
Though the notion of someone ‒ anyone ‒ being labeled as a "barn burner" in this day and age may give you an inkling as to how outdated The Long, Hot Summer may be, the various tawdry emotions and tempers depicted in this mish-mash of several William Faulkner works sprinkled with a dash of Tennessee Williams is just as fresh as ever. Especially to anyone who may have lived in a small town. Beating Cat on a Hot Tin Roof to screens by just five months, The Long, Hot Summer finds acting legend Paul Newman as a vaguely regular rogue
The Warner Archive Collection rescues two neglected classics with Gene Hackman, including his one and only pairing with Al Pacino.
One of the most difficult acts to follow from 20th Century film history, the great Gene Hackman returns to astonish classic filmgoers (and maybe a few Millennials curious as to why everyone else shakes their head over the mere mention of Welcome to Mooseport or Heartbreakers) in two recent Blu-ray releases from the Warner Archive Collection. Night Moves (1975, Warner Bros.) The inimitable Mr. Hackman ‒ at the height of his career as a leading man here ‒ stars in this gripping neo-noir from director Arthur Penn (Bonnie and Clyde, The Chase). One of several thrillers written for the silver