In case you've ever found yourself quoting the fairly famous words of The Dude whenever a song by The Eagles comes on, you'll be happy to know you can get your Creedence Clearwater Revival fill ‒ and then some ‒ in Karel Reisz' gloomy 1978 adult drama, Who'll Stop the Rain. In fact, I think it's safe to say someone overseeing the post-production of this gritty adaptation of Robert Stone's novel Dog Soldiers (not to be confused with the 2002 British werewolf horror film of the same name) was quite the fan of CCR since one-third of the soundtrack is
Results tagged “Drama”
Director Karel Reisz lends a lot of Creedence to this grim and gloomy tale of Dog Soldiers running amok, recently released to Blu-ray from Twilight Time.
The line between film noir and technicolor melodrama is finely drawn in the sand, as this must-see Twilight Time offering proves.
While the title may have been used several hundred times over since then, 1953's Inferno is a rare, one-of-a-kind contribution to the film noir genre. And that's mostly because it was filmed in both Technicolor and 3D. Maintaining a delicate balance between noir and melodrama (because that's what happens when you shoot noir in color), this scorching flick from English filmmaker Roy Ward Baker (who would later helm the highly rated Titanic classic A Night to Remember as well as several iconic Hammer horror titles) also sports the unusual distinction of being a survival adventure atop of it all. With
Arrow Video revives John Frankenheimer's criminally neglected late '90s gritty crime thriller via a beautiful, all-new 4K scan.
At one point or another amidst whatever we may have selected (or been selected) for our respective careers, we will fall from grace. Even if you're a great filmmaker like John Frankenheimer. In his heyday, the late director (who passed from this world in 2002, shortly after his final contribution to cinema ‒ an HBO docu-drama ‒ premiered) had crafted several groundbreaking films, from the highly fictionalized (but nevertheless well-made) biopic Birdman of Alcatraz, the must-see WWII locomotive heist classic The Train, as well as one of my personal favorites, the 1962 paranoiac conspiracy Cold War thriller, The Manchurian Candidate.
Japanese director Kore-Eda continues career-long streak of touching, humorous and very human dramas.
The premise sounds like a high-concept, wacky comedy: down on his luck novelist and sometimes private detective follows around his ex-wife to keep tabs on her new boyfriend, while his aging mother engineers a scheme to get the two back together, for the sake of the couple's son. The lead actor even looks the part for broad physical comedy: at 6’2”, Hiroshi Abe literally stands out in any crowd in Japan. But After the Storm was written and directed by Hirokazu Kore-Eda, Japan’s latter day master of the quietly powerful drama. His style is about observing small moments and interactions,
James Garner finds himself right in the middle of a dirty Nazi trick in this taut WWII thriller from the Warner Archive Collection.
Imagine waking up one day, only to discover five years have passed and your memory isn't what it used to be. No, it's not another melodrama about people suffering from Alzheimer's. Rather, that is the heart of a nifty Nazi conspiracy in George Seaton's 1964 World War II thriller 36 Hours. Here, the late great James Garner stars as an American intelligence officer who ‒ after attending a top-secret briefing about the forthcoming Invasion of Normandy ‒ heads off to Lisbon to meet an informant. Alas, he doesn't make it that far. Kidnapped by Der Führer's men, our hero instead
Arrow Academy releases Joseph H. Lewis' wonderful western/film noir hybrid, which features Sterling Hayden as a Swedish sailor who brings a whaling harpoon to a gunfight.
Though he mostly helmed B-grade crime dramas, Saturday matinee western oaters, and early entries in what would eventually become a part of The Bowery Boys legacy, director Joseph H. Lewis nevertheless made several notable contributions to the world of film noir. One such title was 1950's Gun Crazy, which writer Dalton Trumbo was forced to employ a front for due to the fact he had been blacklisted by the McCarthy Era witch hunts. Appropriately, the writer and director would pair once more in 1958 for Lewis' final theatrical film: a nifty little B-grade western film noir sporting a parallel or
Four classics ranging from comedic capers to World War II musicals to soul-stirring Woody Allen dramas make their HD home video debut.
Luck. Timing. Fate. Coincidence. Good or bad, they're all on display here in this quartet of catalog classics now available on Blu-ray from Twilight Time, beginning with a once-timeless expression which the essential oil and mustache wax-obsessed entrepreneurial youth of today could do with a reminder of: You'll Never Get Rich. Granted, times have changed just slightly since this black-and-white wartime musical comedy first premiered in 1941 ‒ beginning with the more than immediately noticeable observation that they just don't make black-and-white wartime musical comedies anymore for some reason. Featuring songs by the legendary Cole Porter himself, You'll Never Get
The Warner Archive Collection releases Blake Edwards' bitingly funny stab at Hollywood, featuring his famous wife's only nude scene.
For a film director, there surely can be no greater blow to the ego than to have your work re-edited without your consent. In fact, studio interference has had dire consequences in the allegedly "magical" world of motion pictures, resulting in vastly talented filmmakers being reduced to little more than mystical scapegoats when things don't go the way the people who screwed everything up had hoped for (also see: Politics). There have even been unforgivably unfortunate moments in Tinseltown history where directors have committed suicide after things didn't quite work out in the favor of the businessmen who thought they
A most unique mystery/black comedy from Georges Franju receives a long-overdue opportunity to shine in the US thanks to Arrow Academy.
To the trained eye of an advanced mystery movie sleuth, spotting the writing team of Pierre Boileau and Thomas Narcejac as the authors of the film you're about to experience is a darn good indication you're in for a treat. Sure enough, Georges Franju's 1961's mystery, Pleins feux sur l'assassin ‒ which shall be referred to henceforth by its English title, Spotlight on a Murderer ‒ is such a treat. While it may have only been the third feature film for the late visionary filmmaker, Spotlight on a Murderer should serve as an inarguable example of just how far one
Four classic titles ranging from suffocating small town drama to the wonderful world of corporate corruption highlight this must-see wave of new Blu-ray releases.
Even if you're just now joining us here on Planet Earth, there's a fair chance you've already heard someone utter that annoying catchphrase people who post nothing but inspirational memes on their Facebook page tend to use: "Go big or go home." In all honesty, however, there is absolutely nothing wrong with heading off someplace other than one's former place of residence if things don't go as "big" as you had hoped. Indeed, the protagonists of this quartet of Twilight Time releases certainly have no intention of returning home in the unlikely event of failure. But then, with an assortment
A shockingly subdued Rod Steiger stars in this Italian-made WWI dramedy from Pasquale Festa Campanile.
From a screenwriting perspective, Pasquale Festa Campanile was a fairly active fellow. Beginning in the 1950s, Campanile would go on to pen nearly 60 motion pictures, including a heap of melodramas and sex comedies, most notably the Senta Berger guilty pleasure When Women Had Tails. During the early '60s, he would collaborate with both Elio Petri and Luchiano Visconti on The Assassin (1961) and The Leopard (1963). He was also the fellow responsible for writing and directing the gritty cult 1977 thriller Hitch-Hike with Franco Nero and the late David Hess, proving the late Italian filmmaker knew how to choose
Two classic features from the one and only Joan Crawford return to DVD thanks to the Warner Archive Collection.
While previously released to DVD by Warner Bros. Home Entertainment, a number of Joan Crawford classics had fallen into that unfavorable "Out of Print" status movie collectors so hate to see. Fortunately, a total of six Crawford vehicles ‒ Dancing Lady, Sadie McKee, Strange Cargo, A Woman's Face, Flamingo Road, and Torch Song (the latter five of which comprised the bulk of The Joan Crawford Collection, Vol. 2 from 2008) ‒ have re-emerged from moratorium thanks to the Warner Archive Collection, two of which are reviewed here. In A Woman's Face, a 1941 thriller from director George Cukor, we not
Kino Lorber unleashes two of the greatest works from legendary Silent Film heartthrob Rudolph Valentino.
One of the civilized world's first heartthrobs and cultural icons returns in two of his most famous works, now available on Blu-ray for the first time from the folks at Kino Lorber. Although the sands [terribly pun possibly intentional] of time may have obliterated the name of Rudolph Valentino from the limited lexicons of today's youth (especially his full name at birth: Rodolfo Alfonso Raffaello Pierre Filibert Guglielmi di Valentina d'Antonguella!), the impression the Silent Era film legend left behind ‒ as well as the universal vogue his raw sex appeal launched ‒ are the sort of things which shall
Twilight Time brings us two remarkable, unforgettable, trend-setting thrillers from yesteryear in two equally beautifully transfers.
Kiss of Death (1947) One of the most quintessential titles to ever emerge from the annals of film noir, Henry Hathaway's Kiss of Death still packs quite a punch today, long after a bastardized 1995 remake from the same studio left many with a foul aftertaste. Here, however, the flavor from the fatal lips administering the eponymous smooch is both robust and plentiful. This is particularly true whenever the movie's most famous character ‒ a giggling psychopathic killer sporting the time-honored moniker of Tommy Udo, as played in a groundbreaking debut by a young Richard Widmark ‒ livens up the
Love it or hate it, Arrow Academy has unveiled an undeniably beautiful box set for one of Luchino Visconti's final films.
I would only be slightly remiss were I to openly admit history was never my strongest subject in school. Truth be told, when I wasn't having assorted slurs shouted at me in the hallways or eluding those who wanted to stuff me in a locker, I was safe in my room at home watching movies most people had forgotten about. And the truly beautiful part about those otherwise terrible years was my ability to sit through even the longest, most boring film known to man and still be able to focus on it. Sadly, enduring great strides of monotony is
Elio Petri's forgotten, strange, and very dark satire makes a long-overdue debut in the US from the newly launched Arrow Academy.
The first feature film from Property Is No Longer a Theft director Elio Petri, The Assassin (L'assassino) is an interesting, early test run for the filmmaker's later (and better known) 1970 hit Investigation of a Citizen Above Suspicion by way of Franz Kafka's The Trial. Albeit a very Elio Petri fashion, of course. Interestingly, some Italo movie aficionados around the globe see The Assassin as something of a proto-giallo, as many elements would later become staples in the gialli movement. It also, coincidentally enough, features a character similar to legendary TV detective Columbo, a year after the character first appeared
Twilight Time unveils the HD debuts of two distinctly different dramas featuring Mary Beth Hurt.
Interiors (1978) As anyone who has ever straddled a bicycle, slipped into something made out of lamé, or walked into a brothel full well knows, there's a first time for everything. In the case of Interiors, we witness comedian/filmmaker Woody Allen's first uncompromising move into the world of motion picture drama. Following his unparalleled triumph at the Academy Awards the following year with the Oscar-winning Annie Hall ‒ something die-hard Star Wars fans still haven't forgiven him for ‒ the Woodster decided it was time to tell a different kind of story: one that didn't have to rely on elements
Vindictive villains, stereoscopic Stooges, speculative spouses, heroic horsemen, and illiterate inventors highlight this quartet of New-to-Blu releases.
At one point or another, every one of us falls under the jurisdiction of being that which they once called the "odd man out." Maybe you're that unathletic movie nerd who finds himself amidst a group of people talking about sports. Or you're the jock who can't seem to communicate with all of the people talking about a popular television series you've never heard of. I'm sure you get the idea ‒ as do the various protagonists of this batch of Blu-ray releases from Twilight Time, which features a wide array of odd men who are a bit out of
The Warner Archive paroles a corny prison yarn featuring Shemp Howard and the voice of Jiminy Cricket as inmates.
Despite the slightly uplifting title, RKO's Millionaires in Prison is exactly the sort of thing you'd expect to happen today were the system ‒ which, as we all know, knows better ‒ to incarcerate a deserving fraudster or two: a lighthearted romp where no one gets hurt. This wouldn't necessarily a bad thing if the film was intended to be a comedy. Alas, Millionaires in Prison appears as if it is supposed to be taken seriously ‒ something which becomes all the more difficult to fathom when you stop to consider the film was directed by a man who mostly
Six globetrotting adventures and dramas make their HD home video debuts, including a Sonny Chiba disaster flick and that missing title from you Ray Harryhausen collection.
Although statistics and insurance companies tend to inform us most accidents occur within only a few miles of our own places of residence ‒ sometimes mostly within their very confines themselves ‒ storytellers and filmmaking industries prefer to place protagonists into plights far from home. And there is perhaps no greater assortment of variable cinematic journeys than this particular lot from Twilight Time, which range from being perfectly cordial to posing downright perilous situations for their passengers. You know, the very sort of tales that keep audiences glued to cinema seats ‒ be it from euphoric glee or sheer suspense.