One of the hardest things for a filmmaker to do is blend multiple genres together and do it so seamlessly. The balance of tone and mood can drastically shift once it makes its way from one focus to another, and that tends to lead some films on a downward spiral. But the way Bong Joon-ho handles his latest film, Parasite, is so unique. The blending of dark satire and tense drama is masterful. Bong takes a topic with which he’s familiar (class inequality) and turns it into something that is wonderfully helmed and feels like new territory. Parasite tells the
Results tagged “Criterion Collection”
Bong Joon-ho's Oscar-winning drama gets the Criterion treatment.
A film deserving of recognition thanks to a story that could be told in any genre and a great leading performance by Gregory Peck.
Set in the Southwest Territory of the 1880s, a Texan named Jimmy Ringo (Gregory Peck) was known the fastest gun. While this designation has earned him respect, it also causes some to fear him and others to test the legend, a burden that The Gunfighter carries in Henry King's taut western. While en route to Cayenne, Ringo stops off at a saloon. A kid named Eddie (Richard Jaeckel) starts running his mouth. Ringo tries to avoid a confrontation but is forced to kill him. Even though he was in the right, it is suggested he leave town because the kid
Something to look forward to next year.
The Criterion Collection will be releasing four--er, make that six titles to welcome in the new year. New titles are Larisa Shepitko’s The Ascent, Bing Liu’s Minding the Gap, and Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese. Blu-ray upgrades are being given to the three final films by Luis Buñuel collected in a box set: The Discreet Charm of the Bourgeoisie, The Phantom of Liberty, and That Obscure Object of Desire. Read on to learn more about them. Three Films by Luis Buñuel (#102 / #290 / #143) out Jan 5 More than four decades after he
An excellent and truthful depiction of African American life and love that still feels all-too modern.
In the 1970s, the blaxploitation genre of film exploded, and it was usually centered on stories of masculine black men, fighting against 'The Man', where women were always the side pieces or sexual playthings who were just along for the ride. However, there was a gender reversal where strong black women got revenge against the higher powers that be. This all changed with once-blacklisted director John Barry's marvelous Claudine, a remarkable 1974 portrait of society on hard times, which was one of the very first films to depict, with honesty, the way life treated people, especially African Americans, with a
Jean-Luc Godard's violent and unpredictable 1965 road movie comes back to Criterion.
The legendary and unclassifiable filmmaker Jean-Luc Godard is reaching his 90th birthday this year (in just two months from now), and I think that this is a good time to celebrate early by reviewing a film from his past. Although some of the premises of his film are relatively thin, there is enough style, visuality, and of course, politics, to make you forget how unmemorable they actually are. This is the case for his 1965 satirical landmark, Pierrot le Fou, which not only remains one of his most accessible, but also one of the most influential films of the now-bygone
Scorsese guides viewers through little-known gems from around the world.
Legendary writer/director and noted film buff Martin Scorsese established The Film Foundation’s World Cinema Project in 2007 to restore and present classic films from around the world that are little known to U.S. audiences. The latest collection brings together five black-and-white films and one color film that have been painstakingly restored from the best possible elements, a Herculean effort considering their origins in countries with little care for preservation or even outright scorn for cinema. In the case of the film Downpour, the Iranian government purposely destroyed all original elements and known copies of the film, leaving only the director’s
A beautiful film about living in exile and discovering an unknown way of life.
Listed as one of the 1,001 movies you need to see before you die, Christ Stopped at Eboli is a film of which I wasn’t aware prior to the Criterion Collection announcing it being one of the latest releases they were adding to their catalogue. And that’s a miss on my end, because this is a truly mesmerizing achievement. Apparently, this original, 220-minute television version had been hard to come across for some time, and the only option to watch the movie was to go for the 150-minute cut. It’s a good thing I waited to see the movie as
Two pairs to close out the year. Something old, something new.
The Criterion Collection will be releasing these memorable titles to close out a year worth forgetting. New titles are David Cronenberg's Crash and Alejandro Iñárritu's Amores perros. Blu-ray upgrades are being given to Robert Bresson's Mouchette and Symbiopsychotaxiplasm: Two Takes by William Greaves. Read on to learn more about them. Crash (#1059) out Dec 1 For this icily erotic fusion of flesh and machine, David Cronenberg adapted J. G. Ballard’s future-shock novel of the 1970s into one of the most singular and provocative films of the 1990s. A traffic collision involving a disaffected commercial producer, James (James Spader), and an
Claire Denis' 1999 masterpiece of jealousy, erotic/repressed desire, and personal destruction makes it's long-awaited debut to the Criterion Collection.
The great and visionary director Claire Denis is one the greatest cinematic poets of our time. She's a provocative and original filmmaker who has crafted an extraordinary oervue of films that offer richly observed and perfectly tuned portraits of cultural alientation and emotional/physical tension. Whether contemplating a father/daughter relationship (35 Shots of Run), the harmful awakenings of women (White Material, Let the Sunshine In), or erotic body horror (Trouble Every Day), she continues to be a singular voice of not just for female filmmakers, but for cinema as a whole. However, her second film, 1999's Beau Travail, is considered to
Two classics film noirs from Jules Dassin get the Criterion treatment.
There are over 1,000 movies in the Criterion Collection, these are two of them. Jules Dassin has five films thus far in the collection with Brute Force and The Naked City receiving a Blu-ray upgrade this week. Between 1947 and 1950, Dassin made four film noirs, three of which are considered some of the best in the genre. These two are on that list. I came to Jules Dassin via Rififi his classic heist film (also in the Criterion Collection) from 1956. It is one of the greatest robbery films ever put to celluloid. It was made in France and
Jean Renoir's realistic portrayal of migrant workers in the South of France helped influence the French New Wave and Italian Neorealism.
In 1934, acclaimed French director Jean Renoir left the studio in Paris and headed for the countryside in the south of France. There, he hired non-actors and inexperienced ones to shoot Toni, a naturalistic melodrama about immigrants, their work, their lives, and their romances. He used mostly natural lighting and filmed mostly on location. The actors didn't use makeup and spoke in regional dialects. It did poorly at the box office but was beloved by the French New Wave and helped create Italian Neo-Realism (Luchino Visconti, one of that movement's greatest directors, was an assistant on Toni). It is, in
An often funny, manic, and sometimes raunchy document of the continuous discussion of gender politics.
Documentaries, more than any other category of film, successfully (or sometimes unsuccessfully) captures reality at its most uncomfortable means. Whatever the topic is, such as interesting, controversial, and often timely topics on all sides of humanity, you're obviously going to be exposed to different points-of-view, especially in terms of debate. And speaking of debate, the neverending theme of gender politics (whether sexual or otherwise) is always going to come up, at some point. This is the case with Chris Hededus and D.A. Pennebaker's brisk 1979 documentary Town Bloody Hall, which captured for a moment in time, the sometimes toxic elements
A disturbingly relevant thriller that feels eerily modern to today's skewered politics.
In today's uncilivilzed world where humanity comes second (or dead last) to politics and where the police take the law into their own hands and drag people through the mud just because they believe they can, the media sometimes can be the bad guy too and try to smear people for their own gain. Volker Schlondroff and Margarethe von Trotta's exhaustingly searing 1975 thriller The Lost Honor of Katharina Blum, take these elements one step further...closer to reality. It's tale of misued power, individual freedom under fire, and innocent lives lost hasn't dulled its edge one bit. Adapted from a
Cinephiles will be giving thanks this November.
This November, film fans can stuff themselves with these new Criterion Collection offerings. They are Claudia Weill's Girlfriends, Norman Jewison’s Moonstruck, Jim Jarmusch’s Ghost Dog: The Way of the Samurai and Martin Scorsese’s The Irishman, and Essential Fellini, a massive 14-disc Blu-ray set. Read on to learn more about them. Girlfriends (#1055) out Nov 10 When her best friend and roommate abruptly moves out to get married, Susan (Melanie Mayron), trying to become a gallery artist while making ends meet as a bar mitzvah photographer on Manhattan’s Upper West Side, finds herself adrift in both life and love. Could a
Criterion is thrilled to announce Essential Fellini, a fifteen-Blu-ray box set that brings together fourteen of the director’s most imaginative and uncompromising works for the first time.
Press release: One hundred years after his birth, Federico Fellini still stands apart as a giant of the cinema. The Italian maestro is defined by his dualities: the sacred and the profane, the masculine and the feminine, the provincial and the urbane. He began his career working in the slice-of-life poetry of neorealism, and though he soon spun off on his own freewheeling creative axis, he never lost that grounding, evoking his dreams, memories, and obsessions on increasingly grand scales in increasingly grand productions teeming with carnivalesque imagery and flights of phantasmagoric surrealism while maintaining an earthy, embodied connection to
Iranian classic finally gets a Criterion Blu-ray release.
Abbas Kiarostami’s understated film won the prestigious Palme d’Or Award at the 1997 Cannes Film Festival, leading to its initial Criterion DVD release way back in 1999. After being out of print for a number of years, Criterion is finally bringing the film to Blu-ray this week with new cover art and some new special features. While its methodical pace isn’t for everyone, the film’s concept remains intriguing. The film centers on a middle-aged man named Mr. Badii who is shown driving aimlessly around the outskirts of Tehran, taking nearly the first half hour before revealing the plot. He has
Noah Baumbach crafts a searingly intense and sometimes humorous examination of a very broken marriage.
I'm not an expert on marriage, but seeing many films about it, I guess I can at least say that from my viewpoint, it can be quite the emotionally, mentally, and sometimes physically draining journey. There have been many films, including Faces, Kramer vs Kramer, Shoot the Moon, The Squid and the Whale, and most notably, Ingmar Bergman 1973's masterpiece, Scenes from a Marriage, that have put their own distinctive spin on the subject. I think it's safe to say that director Noah Baumbach's marvelous 2019 film, Marriage Story, is destined to join the ranks of highly accurate and piercingly
Which ones will you be buying?
This October, the best houses will be giving out one of the new Criterion Collection releases for Halloween. They are John Berry's Claudine, Henry King’s The Gunfighter, and Bong Joon Ho’s Parasite, along with two films given high-definition upgrades: Jean-Luc Godard's Pierrot le fou and Stephen Frears’s The Hit. Read on to learn more about them. Pierrot le fou (#421) out Oct 6 Dissatisfied in marriage and life, Ferdinand (Jean-Paul Belmondo) takes to the road with the babysitter, his ex-lover Marianne Renoir (Anna Karina), and leaves the bourgeois world behind. Yet this is no normal road trip: the tenth feature
A stealth double feature of Keaton's last two silent films.
Although a talented filmmaker, Buster Keaton wasn't a great business man and his box-office struggles caused him to sign on with Metro-Goldwyn-Mayer. The Cameraman was his first film in his deal with MGM, a decision he's on record as calling "the worst mistake of my life," the title of a chapter from his autobiography, which is included in the accompanying booklet. Although the studio began to exert control over him and his work, he was still able to turn out an amusing picture. Buster is a tintype photographer and falls in love at the sight of Sally (Marceline Day). Upon
A still fresh, unapologetically honest portrait of a woman's reawakening.
As I mentioned in my Pick of the Week recently, the 1970s were a very pivotal time for women. There was the coming of feminism, Gloria Steinem, bras being burned, Mary Tyler Moore, etc. Arguably unlike any other decade, maybe besides the 1980s, women started to have their own say, thoughts, feelings, sexual needs, and boundaries. They didn't let men define them. They were beginning to find themselves. They had careers, children, and independence. They allowed themselves to clip the strings of men and grow their own wings. I think that director Paul Mazursky really took to that seriously with