The Criterion Collection's release of Alfred Hitchcock's third feature, The Lodger (1927), is actually a stealth double feature of Hitchcock and actor Ivor Novello as it includes their film Downhill (1927) as an extra. The Lodger, considered the first “Hitchcock” film, even by the man himself, tells of a mystery revolving around a serial killer working the streets of London. It has many story and visual elements that populate Hitchcock's filmography. Based on the novel of the same name by Marie Belloc Lowndes, the film opens, a young woman found murdered along the river. She is the seventh golden-haired victim
Results tagged “Criterion Collection”
The Lodger: A Story of the London Fog (Criterion Collection) Blu-ray Review: A Stealth Double Feature
This release allows viewers to see Hitchcock at the early stage of career on his way to becoming a legendary director.
Which ones are you adding to your collection?
The Criterion Collection is releasing six titles in September just in time for back to (film) school. New to the collection are Murray Lerner's Festival; Kelly Reichardt’s Certain Women; Michael Haneke's The Piano Teacher; Jon Nguyen, Rick Barnes, and Olivia Neergaard-Holm's David Lynch: The Art Life; and Orson Welles' Othello. A high-def upgrade is also being provided to Alfred Hitchcock's Rebecca. Read on to learn more about them. Rebecca (#135) out Sept 5 Romance becomes psychodrama in Alfred Hitchcock’s elegantly crafted Rebecca, his first foray into Hollywood filmmaking. A dreamlike adaptation of Daphne du Maurier’s 1938 novel, the film stars
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles Criterion Collection Blu-ray Review: A Masterpiece of Control
Chantal Akerman's 200-minute epic of the mundane flies by like a thriller.
Who’s in the mood for meatloaf with a side of existential dread? OK, I’m only so glib because writing about Chantal Akerman’s landmark Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles is a daunting proposition. This 200-minute masterpiece, which largely takes place within the confines of a middle-aged widow’s modest Brussels apartment, isn’t merely a slow-cinema progenitor, and it’s certainly not anything resembling an endurance test. Any film that runs past three hours, particularly one so resistant to narrative norms, is bound to be called “challenging,” but that label just doesn’t apply here. Jeanne Dielman unfolds like a thriller in
Federico Fellini's fever dream exploration of Rome gets the Criterion Collection treatment, and it's lovely.
In the opening text prior to the start of Roma, we get a detailed explanation of how the original version of Federico Fellini’s movie had scenes that were shortened for international release by him, producer Turi Vasile, and screenwriter Bernardo Zapponi. Some footage never made it past the production documentation phase, and, therefore, has never been seen by the general public. I kind of wish there was a way for us to see everything that Fellini had captured, because Roma is a gorgeous look at Rome and the people living in it during a certain period of time. Fellini doesn’t
New additions for your wishlist.
As summer winds down, the Criterion Collection is releasing five titles in August to give folks an excuse to go inside and beat the heat. New to the collection are are also releasing Michael Curtiz' The Breaking Point, Mike Leigh’s Meantime, and Sacha Guitry's La poison. High-def upgrades are being provided to Ronald Neame's Hopscotch and Alex Cox's Sid & Nancy. Read on to learn more about them. The Breaking Point (#889) out Aug 8 Michael Curtiz brings a master skipper’s hand to the helm of this thriller, Hollywood’s second crack at Ernest Hemingway’s To Have and Have Not. John
One of the great filmmakers of the 20th century fills his domestic comedy with wistfulness, charm...and fart jokes.
Comedy doesn't tend to get the respect of drama in movie writing. Like horror, its effectiveness depends on whether or not the audience laughs - it demands, when done right, an immediate physical response. It's hard to write oneself out of having laughed at a comedy a writer doesn't want to enjoy for whatever reason, or to write oneself into praising a comedy that didn't raise a yuck. Dramas have more stuff for writers to write about, and writers are the ones who make the lists of what's important in cinema and what isn't. I've seen reviews of 1959's Good
Buena Vista Social Club Criterion Collection Blu-ray Review: Cuban Musicians Get the Recognition They Deserve
A landmark and infectious documentary about the joy of Cuban music and the great individuals who brought it to life.
When it comes to music, there are many styles and cultures: Mexican, Spanish, Portugese, etc. However, Cuban music seems to be for only certain tastes, and even sadder, the singular individuals who created it have become virtually forgotten. Thankfully, Wim Wenders' 1999 influential documentary, Buena Vista Social Club, gives new life to these all-but-ancient musical talents and gives the recognition they extremely deserve. It is also a documentary of how music, in general, can be a lifelong desire and reason for living. Wenders' camera and the legendary Ry Cooper, along with his son Joachim, travel to Cuba to find and
Sweet, sexy, and hilarious food for thought.
Some of the best films about food not only include food itself, but the reasons why it is essential, especially when it comes to culture, love, and satisfaction. Films about food can be entertaining, delectable, and hypnotic, such as Babette's Feast (1987), Big Night (1996), and Like Water For Chocolate (1994). However, as great as those films still are, I think Juzo Itami's 1985 classic, Tampopo, outshines them all. It is an endearing, sensual, and tasty 114-minute experience at the movies. Although the film is centered on the titular character Tampopo (Nobuko Miyamoto), it is really a series of vignettes
How many are you gonna pick up?
To help with summer-vacation budgets, the Criterion Collection is only releasing four titles in July. Roberto Rossellini's War Trilogy (Rome Open City, Paisan, and Germany Year Zero) gets a high-def upgrade. In addition, they are also releasing Robert Bresson's L’argent, Andrei Tarkovsky’s Stalker, and Albert Brooks' Lost in America. Read on to learn more about them. Roberto Rossellini’s War Trilogy (#500) out July 11 Roberto Rossellini is one of the most influential filmmakers of all time. And it was with his trilogy of films made during and after World War II—Rome Open City, Paisan, and Germany Year Zero—that he left
Pedro Almodóvar's career-defining, groundbreaking dark screwball comedy gets the Criterion treatment ‒ and is just as awesome as you'd expect it to be.
There are few films which can combine failed romances, hysteria, spiked gazpacho, the fine art of voiceover acting, and get fully away with it. And, truly, Pedro Almodóvar is only one filmmaker in the world who could pull such a feat off, which he does flawlessly in his breakout hit, Mujeres al borde de un ataque de nervios. Effectively managing to mix the classic Hollywood screwball comedy with the esoteric humanity of Jean Cocteau and the artistic stylings of Alfred Hitchcock, Almodóvar's acclaimed, award-winning tour de farce returns to delight once more as part of the Criterion Collection ‒ and
Charlotte Rampling does extraordinary work in the third feature from British filmmaker Andrew Haigh.
The camera never strays far from Charlotte Rampling in Andrew Haigh’s 45 Years, and for good reason. In this elegant, if slightly hermetic, study of the suddenly visible fissures in a long-tenured marriage, Rampling’s extraordinarily expressive face traverses all the emotion that’s sublimated in Haigh’s script, an adaptation of David Constantine’s whisper of a short story. Rampling stars as Kate Mercer, who’s planning a 45th anniversary party for her and her husband, Geoff (Tom Courtenay), when he receives a major piece of news about an old girlfriend. At first, the revelation pokes at the seeming sturdiness of their quiet life
A visceral and eye-opening docudrama of sheer true-life horror.
In this day and age, politics have become a horror show, meaning that corruption and savagery usually comes first, and humanity in dead last. We have to deal with it on a everday basis; it tears up apart, and it continues to divide us, sometimes with really dire consequences. Director Felipe Cazals' chilling 1976 masterwork, Canoa: A Shameful Memory, shows us why. The film depicts, in docu-style, the horrifying event/incident that took place in the village of San Miguel Canoa during the year of 1968, where an innocent group of five university students were attacked and lynched by many of
Cameraperson tells the story of one filmmaker through the dozens of movies she's shot.
Sometimes when I can’t sleep, I’ll lie in bed at night and think about all the different houses and apartments I’ve lived in. I’ll mentally walk through each room, picturing what it looked like and describing them as if to a friend. Sometimes the rooms are very clear to me - I can picture it as if I'm there. Sometimes they are more fuzzy and I have to think really hard about what they looked like. Sometimes I can’t remember them at all. There is one house I briefly lived in on Grand Lake whose guest bedrooms are a mystery
A moving glimpse into one filmmaker's personal journey and a thoughtful examination of what it means to train a camera on the world.
Cinema Sentries has teamed up with the Criterion Collection to award two lucky readers Cameraperson on Blu-ray . For those wanting to learn more, the official synopsis reads: A boxing match in Brooklyn; life in postwar Bosnia and Herzegovina; the daily routine of a Nigerian midwife; an intimate family moment at home with the director: Kirsten Johnson weaves these scenes and others into her film Cameraperson, a tapestry of footage captured over her twenty-five-year career as a documentary cinematographer. Through a series of episodic juxtapositions, Johnson explores the relationships between image makers and their subjects, the tension between the objectivity
See what's in store for May.
May begins with the Criterion Collection giving high-def upgrades to Chantal Akerman's Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles and Yasujiro Ozu's Good Morning. In addition, they are putting out releasing four new titles. They are Orson Welles' Othello, Jacques Audiard's Dheepan, Terry Zwigoff’s Ghost World and Martin Scorsese’s World Cinema Project No. 2, which includes Insiang, Mysterious Object at Noon, Revenge, Limite, Law of the Border, and Taipei Story. Read on to learn more about them. Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (#484) out May 9 A singular work in film history, Chantal Akerman’s Jeanne Dielman,
A soulful and illuminating document of the human experience.
When it comes to human honesty, there is no better genre of film stronger than the documentary. In a time where special effects, explosions, CGI, and even 3D basically dominate the box office, it is very refreshing to know that some movies would rather deal with reality and what the world is really like. Director Kirsten Johnson's fascinating 2016 film, Cameraperson, shows us what being human truly means to be. In this brilliant snapshot, or series of tableux, Johnson captures in real time, stories of people, places, and things. Whether it is a young boxer in his first match in
What life is about: music, food, movies.
April sees the release of four new titles from the Criterion Collection. They are Wim Wenders' Buena Vista Social Club, George Stevens’ Woman of the Year, Juzo Itami's Tampopo, and Francis Ford Coppola’s Rumble Fish. And on April 11, Jacques Demy's The Umbrellas of Cherbourg and The Young Girls of Rochefort get new stand-alone editions. Read on to learn more about them. The Umbrellas of Cherbourg (#716) out Apr 11 An angelically beautiful Catherine Deneuve was launched into stardom by this glorious musical heart-tugger from Jacques Demy. She plays an umbrella-shop owner’s delicate daughter, glowing with first love for a
Laurie Anderson's essay film sees her moving comfortably between abstractions and personal revelations.
Can a film permeated with thoughts on death be playful? Can it be uplifting? Can it be equally cerebral and emotional, its two sides not merely coexisting but helping to inform the other? Can a film in which a person is almost wholly absent tell us innumerable amounts about the filmmaker’s relationship with that figure? In Heart of a Dog, the wondrous second feature film from multidisciplinary artist Laurie Anderson, the answer to all of the above is a resounding "yes." A deeply personal essay film narrated by Anderson in the kind of bemused monotone that features in spoken-word pieces
A look at new additions to the collection.
As Spring comes, so do five movies from Criterion in March with all-new additions to the collection. They are Andrew Haigh's 45 Years, Felipe Cazals' Canoa: A Shameful Memory, John Waters' Multiple Maniacs, Hal Ashby's Being There, and Michelangelo Antonioni’s Blow-Up. Read on to learn more about them. 45 Years (#861) out Mar 7 In this exquisitely calibrated film by Andrew Haigh, Charlotte Rampling and Tom Courtenay perform a subtly off-kilter pas de deux as Kate and Geoff, an English couple who, on the eve of an anniversary celebration, find their long marriage shaken by the arrival of a letter
Chanbara film series is aided by the screenwriting of the manga series creator, Kazuo Koike.
As the shogun executioner, Ogami Itto has a comfortable gig until he falls from grace and endures the death of his beloved wife. Facing almost certain death at the hands of his enemies, the dreaded Yagyu clan, he’s forced to flee and gives his toddler son a choice: die at his hand or join him in a life of hardship on the “demon road”. With no home, no money, and no seeming future, the father becomes an assassin for hire and stays on the move, pushing his son around the countryside in a rickety cart from one misadventure to the