I never wanted Desert Hearts to end. I didn’t want to leave behind the breathtaking scenery of the desert and I definitely wanted to see more of the chemistry between the two leads. Desert Hearts is an intimate yet flawless gem that captures forbidden love that is apolitical yet groundbreaking during its time of release because it was the first film about a same-sex relationship between two women that isn’t tragic. While LGBTQ+ films that have a political agenda are meant to be told, Desert Hearts is proof that those aren’t the only stories that should be told. Based on
Results tagged “Criterion Collection”
Desert Hearts is a groundbreaking yet underrated romantic gem for the history books.
Film lovers can find plentu of options for Valentine's Day
February finds Criterion delivering another six titles. New to the collection are George A. Romero's Night of the Living Dead, Satyajit Ray's The Hero, Kon Ichikawa's An Actor’s Revenge and Tony Richardson's Tom Jones. Getting an HD upgrade are Loius Malle's Elevator to the Gallows and Jonathan Demme's The Silence of the Lambs. Read on to learn more about them. Elevator to the Gallows (#335) out Feb 6 For his feature debut, twenty-four-year-old Louis Malle brought together a mesmerizing performance by Jeanne Moreau, evocative cinematography by Henri Decaë, and a now legendary jazz score by Miles Davis. Taking place over
Documenting the Newport Folk Festival at the height of the folk revival, Festival is a feast for music fans.
In the early part of the 20th Century, various folklorists, including John Lomax, wandered about the country documenting the songs of the people - folk music. They sought out cowboys and prisoners, former slaves and sharecroppers, and recorded them. In 1952, Harry Smith compiled his favorite songs from these recordings and created The Anthology of American Folk Music. This album reached the ears of folks like Woody Guthrie and Pete Seeger who recorded some of those songs and started the Great American Folk Revival which hit its peak in the early 1960s. In 1959, music promoter George Wein, who’d had
The film excels at creepy atmosphere, but the included source novel is the more entertaining story.
Although Vampyr was released way back in 1932, it isn’t the first vampire film, as it was released after the better-known Nosferatu and Dracula. It does have a fascinating production story though, perhaps more interesting than the film itself. The film was co-written and directed by Danish filmmaker Carl Theodor Dreyer, but due to the nearly non-existent Danish film industry he produced the film in France in German, French, and English languages. All audio was dubbed after filming, but Dreyer filmed all dialogue scenes with his actors speaking in each of the three languages so that their mouth movements would
A quiet, but powerful mediation on the Western crossroads and the women who inhabit them.
When it comes to filmmaking, from the past to the present, it is always men at the forefront. However, and rightly so, women have been very important and essential to cinematic storytelling. And then there is the matter of American independent cinema, which has been quite the match for female filmmakers, and director Kelly Reichardt is one of the most astute and easily influential of the "Female New Wave." With her 2016 miracle of a movie, Certain Women, she continues to make it crystal clear that her unique approach to craft and substance sublimely haunts film. Adapted from three short
A must own for any fans of David Lynch.
I remember my first encounter with a David Lynch film was in 2004 during my Introduction to Film class at Butte Community College in Oroville, CA. As part of the curriculum, we were required to watch Lynch’s debut film, Eraserhead, of which I wasn’t aware until then. I remember being disturbed by the movie, and a lot of my classmates walked out shortly after the film had started. I stayed, and I ended up falling for this odd film, even though I had trouble eating chicken afterward because of one particular scene. I swore I wouldn’t watch the film again,
This week's new releases include a new season of The Flash, an old Hitchock plus Scarlet Johansson getting raunchy, and Pablo Escobar being bad.
The more films I watch by Alfred Hitchock the more I’m convinced of his genius. He might have called himself the Master of Suspense but really he was the true master of pure cinema. He used all the tools of his trade - lighting, music, editing, etc. to tell his stories as only can be told in the movies. Francis of Assisi is supposed to have once said “Preach Jesus, and if necessary use words.” I don’t know how Hitch felt about Jesus but he made great movies and only used dialogue when necessary. I first watched Rebecca at a
It's hard to care about Sid and Nancy when they care so little about themselves and those around them.
Director/co-writer Alex Cox's Sid & Nancy tells the story of the short, tragic love affair between Sex Pistols' bassist Sid Vicious and Nancy Spungen. Gary Oldman and Chloe Webb deliver fantastic performances, but unfortunately the characters are so selfish and self destructive, it's hard to care about them when they care so little about themselves and those around them. Opening with Nancy's dead body being removed from New York City's Chelsea Hotel and Sid charged with her murder by the NYPD, the film flashes back to about a year earlier in the UK. Sid has recently gotten the job as
A captivating Cold War political thriller that resonates stronger today than it has in years.
Based on Richard Condon's novel of the same name, John Frankenheimer's The Manchurian Candidate is a captivating Cold War political thriller about enemies of the United States trying to takeover the country from the inside, an idea that resonates stronger today than it has in years due to allegations regarding the election of President Trump. Opening in Korea 1952 during the war, a group of U.S. soldiers get into a battle where Raymond Shaw (Laurence Harvey) earns the Medal of Honor. His stepfather is U.S. Senator John Iselin (James Gregory), an anti-Communist fighter who claims the government is infiltrated with
The Lodger: A Story of the London Fog (Criterion Collection) Blu-ray Review: A Stealth Double Feature
This release allows viewers to see Hitchcock at the early stage of career on his way to becoming a legendary director.
The Criterion Collection's release of Alfred Hitchcock's third feature, The Lodger (1927), is actually a stealth double feature of Hitchcock and actor Ivor Novello as it includes their film Downhill (1927) as an extra. The Lodger, considered the first “Hitchcock” film, even by the man himself, tells of a mystery revolving around a serial killer working the streets of London. It has many story and visual elements that populate Hitchcock's filmography. Based on the novel of the same name by Marie Belloc Lowndes, the film opens, a young woman found murdered along the river. She is the seventh golden-haired victim
Which ones are you adding to your collection?
The Criterion Collection is releasing six titles in September just in time for back to (film) school. New to the collection are Murray Lerner's Festival; Kelly Reichardt’s Certain Women; Michael Haneke's The Piano Teacher; Jon Nguyen, Rick Barnes, and Olivia Neergaard-Holm's David Lynch: The Art Life; and Orson Welles' Othello. A high-def upgrade is also being provided to Alfred Hitchcock's Rebecca. Read on to learn more about them. Rebecca (#135) out Sept 5 Romance becomes psychodrama in Alfred Hitchcock’s elegantly crafted Rebecca, his first foray into Hollywood filmmaking. A dreamlike adaptation of Daphne du Maurier’s 1938 novel, the film stars
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles Criterion Collection Blu-ray Review: A Masterpiece of Control
Chantal Akerman's 200-minute epic of the mundane flies by like a thriller.
Who’s in the mood for meatloaf with a side of existential dread? OK, I’m only so glib because writing about Chantal Akerman’s landmark Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles is a daunting proposition. This 200-minute masterpiece, which largely takes place within the confines of a middle-aged widow’s modest Brussels apartment, isn’t merely a slow-cinema progenitor, and it’s certainly not anything resembling an endurance test. Any film that runs past three hours, particularly one so resistant to narrative norms, is bound to be called “challenging,” but that label just doesn’t apply here. Jeanne Dielman unfolds like a thriller in
Federico Fellini's fever dream exploration of Rome gets the Criterion Collection treatment, and it's lovely.
In the opening text prior to the start of Roma, we get a detailed explanation of how the original version of Federico Fellini’s movie had scenes that were shortened for international release by him, producer Turi Vasile, and screenwriter Bernardo Zapponi. Some footage never made it past the production documentation phase, and, therefore, has never been seen by the general public. I kind of wish there was a way for us to see everything that Fellini had captured, because Roma is a gorgeous look at Rome and the people living in it during a certain period of time. Fellini doesn’t
New additions for your wishlist.
As summer winds down, the Criterion Collection is releasing five titles in August to give folks an excuse to go inside and beat the heat. New to the collection are are also releasing Michael Curtiz' The Breaking Point, Mike Leigh’s Meantime, and Sacha Guitry's La poison. High-def upgrades are being provided to Ronald Neame's Hopscotch and Alex Cox's Sid & Nancy. Read on to learn more about them. The Breaking Point (#889) out Aug 8 Michael Curtiz brings a master skipper’s hand to the helm of this thriller, Hollywood’s second crack at Ernest Hemingway’s To Have and Have Not. John
One of the great filmmakers of the 20th century fills his domestic comedy with wistfulness, charm...and fart jokes.
Comedy doesn't tend to get the respect of drama in movie writing. Like horror, its effectiveness depends on whether or not the audience laughs - it demands, when done right, an immediate physical response. It's hard to write oneself out of having laughed at a comedy a writer doesn't want to enjoy for whatever reason, or to write oneself into praising a comedy that didn't raise a yuck. Dramas have more stuff for writers to write about, and writers are the ones who make the lists of what's important in cinema and what isn't. I've seen reviews of 1959's Good
Buena Vista Social Club Criterion Collection Blu-ray Review: Cuban Musicians Get the Recognition They Deserve
A landmark and infectious documentary about the joy of Cuban music and the great individuals who brought it to life.
When it comes to music, there are many styles and cultures: Mexican, Spanish, Portugese, etc. However, Cuban music seems to be for only certain tastes, and even sadder, the singular individuals who created it have become virtually forgotten. Thankfully, Wim Wenders' 1999 influential documentary, Buena Vista Social Club, gives new life to these all-but-ancient musical talents and gives the recognition they extremely deserve. It is also a documentary of how music, in general, can be a lifelong desire and reason for living. Wenders' camera and the legendary Ry Cooper, along with his son Joachim, travel to Cuba to find and
Sweet, sexy, and hilarious food for thought.
Some of the best films about food not only include food itself, but the reasons why it is essential, especially when it comes to culture, love, and satisfaction. Films about food can be entertaining, delectable, and hypnotic, such as Babette's Feast (1987), Big Night (1996), and Like Water For Chocolate (1994). However, as great as those films still are, I think Juzo Itami's 1985 classic, Tampopo, outshines them all. It is an endearing, sensual, and tasty 114-minute experience at the movies. Although the film is centered on the titular character Tampopo (Nobuko Miyamoto), it is really a series of vignettes
How many are you gonna pick up?
To help with summer-vacation budgets, the Criterion Collection is only releasing four titles in July. Roberto Rossellini's War Trilogy (Rome Open City, Paisan, and Germany Year Zero) gets a high-def upgrade. In addition, they are also releasing Robert Bresson's L’argent, Andrei Tarkovsky’s Stalker, and Albert Brooks' Lost in America. Read on to learn more about them. Roberto Rossellini’s War Trilogy (#500) out July 11 Roberto Rossellini is one of the most influential filmmakers of all time. And it was with his trilogy of films made during and after World War II—Rome Open City, Paisan, and Germany Year Zero—that he left
Pedro Almodóvar's career-defining, groundbreaking dark screwball comedy gets the Criterion treatment ‒ and is just as awesome as you'd expect it to be.
There are few films which can combine failed romances, hysteria, spiked gazpacho, the fine art of voiceover acting, and get fully away with it. And, truly, Pedro Almodóvar is only one filmmaker in the world who could pull such a feat off, which he does flawlessly in his breakout hit, Mujeres al borde de un ataque de nervios. Effectively managing to mix the classic Hollywood screwball comedy with the esoteric humanity of Jean Cocteau and the artistic stylings of Alfred Hitchcock, Almodóvar's acclaimed, award-winning tour de farce returns to delight once more as part of the Criterion Collection ‒ and
Charlotte Rampling does extraordinary work in the third feature from British filmmaker Andrew Haigh.
The camera never strays far from Charlotte Rampling in Andrew Haigh’s 45 Years, and for good reason. In this elegant, if slightly hermetic, study of the suddenly visible fissures in a long-tenured marriage, Rampling’s extraordinarily expressive face traverses all the emotion that’s sublimated in Haigh’s script, an adaptation of David Constantine’s whisper of a short story. Rampling stars as Kate Mercer, who’s planning a 45th anniversary party for her and her husband, Geoff (Tom Courtenay), when he receives a major piece of news about an old girlfriend. At first, the revelation pokes at the seeming sturdiness of their quiet life