In July, Criterion plans on releasing five new titles. The first is Dietrich & von Sternberg in Hollywood, a six-movie collection featuring work by Josef von Sternberg and actress Marlene Dietrich. That will be followed by Ron Shelton’s Bull Durham; King Hu's Dragon Inn; Steven Soderbergh's sex, lies, and videotape; and Michael Powell and Emeric Pressburger’s A Matter of Life and Death. Read on to learn more about them. Dietrich & von Sternberg in Hollywood (#930) out July 3 Tasked by studio executives with finding the next great screen siren, visionary Hollywood director Josef von Sternberg joined forces with rising
Results tagged “Criterion Collection”
These Criterion titles might affect your summer-vacation budget.
Fassbinder's mythic performance fuels this vicious depiction of West German's social malaise.
When the legendary Rainer Werner Fassbinder died in 1982 at the age of 37, he really did leave behind an amazing body of work. He lived a hard life of drinking and drugs, but that didn't stop him from making films about human fragility and emotion. Also, he didn't just direct films. He also acted in many of them. His boorish, devil-may-care persona began with his 1969 feature debut, Love is Colder than Death, but it didn't reach its apotheosis until one year later in director Volker Schlondorff's controversial 1970 adaptation of Bertolt Brecht's 1918 debut play, BAAL. Fassbinder brilliantly
School might get out, but you don't need to stop learning about movies.
In June, Criterion plans on releasing four new titles and a high-definition upgrade. Joining the collection are Lino Brocka's Manila in the Claws of Light, John Waters' Female Trouble, Víctor Erice's El Sur, and Michael Moore's Bowling for Columbine. Getting an upgrade is Ingmar Bergman’s The Virgin Spring. Read on to learn more about them. Manila in the Claws of Light (#926) out June 12 Lino Brocka broke through to international acclaim with this candid portrait of 1970s Manila, the second film in the director’s turn to more serious-minded filmmaking after building a career on mainstream films he described as
French director Louis Malle launched his award-winning career with this spellbinding crime thriller.
Louis Malle’s directorial debut is notable for numerous reasons. He was only 24 years old at the time, fresh off a three-year stint working at sea with famed oceanographer Jacques Cousteau where he only had to “direct fish”, as he was frequently fond of recounting. He had no real pull in the film industry, and yet was able to land the already established actress Jeanne Moreau to star, as well as jazz titan Miles Davis to contribute a totally improvised score. His best accomplishment: the resulting film is a resounding success, largely thanks to his sure-handed direction of its mesmerizing
Kon Ichikawa's remake of a '30s movie dresses a stagey plot in innovative cinematic stylings.
Yukinojo, the kabuki female impersonator who gets the titular vengeance in Kon Ichikawa's An Actor's Revenge (1963), is a tough sell for a cinematic character. Heavily made up both onstage and off, never once dropping his female gestures and high-pitched voice, Kazuo Hasegawa's performance is definitely deeply committed. This, which according to the title card early in the film was his 300th film performance, is also a remake of a popular film from the '30s, also starring Kazuo Hasegawa. A Kazuo Hasegawa in his early 20s playing a female impersonator so mesmerizing that the most beautiful woman in Edo (Tokyo
A movie star reflects on his life and the compromises he made to get there.
Arindam Mukherjee (Uttam Kumar), an enormously famous movie star, boards an overnight train from Calcutta to Delhi to receive a national award. There, he meets an interesting cast of characters including Aditi Sengupta (Sharmila Tagore), a young journalist who edits a modern women’s magazine. She is contemptuous towards egotistical movie stars like him, but decides to secretly interview him as an expose to draw in readers. She wanders over to him in the dining car pretending to want an autograph for her niece and because she’s pretty and the journey is long, he begins talking to her freely. Over the
It's an amusing adventure filled with Terry Gilliam's humor and sensibilities that showcases his directorial aesthetic.
After co-directing Monty Python and the Holy Grail, Terry Gilliam returned to the Dark Ages for his first solo outing, Jabberwocky, a fantasy tale inspired by Lewis Carroll's poem of the same name. It's an amusing adventure filled with Gilliam's humor and sensibilities that showcases his directorial aesthetic. Those expecting a sequel to the Python's madcap comedy classic will be disappointed, like many of the characters who live in the world of Jabberwocky. A deadly monster roams the forest as the audience and a fox hunter (Terry Jones) find out in the opening scene. Dennis (Michael Palin), not Holy Grail's
Pabst's 1931 mine disaster film is swiftly paced, beautifully shot, and a heartfelt plea for comradeship between nations.
It's difficult to separate Kameradschaft from its historical context. Released in 1931, this story of cooperation between French and Germans in a mining disaster on the border came out just two years before the Nazis gained electoral power in Germany. It was a time of street fighting and political instability, and apparently not a time when German audiences wanted to see a heartfelt plea for international community (according to the Luc Sante essay that accompanies this Criterion Collection release, it played to empty houses on release). Director G.W. Pabst's film was a cry in the dark, unheard and unheeded. So,
A harrowing, if slightly polished, depiction of the sheer horrors of war.
When depicting war, no other medium can do it as mercilessly as film. War movies can be as dire and depressing as real-life war, especially when showing the emotional and physical toll that can inflict on soldiers. There are those as savage as Kubrick's Full Metal Jacket, Oliver Stone's Platoon, and Elem Klimov's very disturbing Come and See. Then there are those as highly emotional as Terrence Malick's The Thin Red Line and Spielberg's Saving Private Ryan. However, director G.W. Pabst's 1930 early sound film, Westfront 1918, is a mixture of both. The film centers on four infantrymen: Karl (Gustav
No fooling. Here's what's coming.
In April, Criterion plans on releasing five titles, including a new entry in the Eclipse Series. New to the collection are Leo McCarey's The Awful Truth, Sergei Parajanov’s The Color of Pomegranates, Jim Jarmusch's Dead Man, and Sofia Coppola's The Virgin Suicides, and Eclipse Series 46: Ingrid Bergman’s Swedish Years. Read on to learn more about them. Eclipse Series 46: Ingrid Bergman’s Swedish Years out Apr 10 Ingrid Bergman appeared in ten films in her native Sweden before the age of twenty-five, and while that work tends to be overshadowed by her time in Hollywood, it showcases the actor summoning
Criterion's new edition of the classic '80s film is packed with hours of fascinating bonus features.
While The Breakfast Club is justifiably revered as a classic teen film, primarily due to the involvement of masterful writer/director John Hughes, its insightful approach to teen angst makes it just as timely today as it was the ‘80s. Hughes understood more than any of his contemporaries that teens aren’t just stereotypical comic fodder, they’re universally relatable when treated as complex characters. In Criterion’s expansive new Blu-ray release, hours of bonus features delve into the production details and legacy of this important work. The setup of the film is so simple that it seems more like a play. Five high
An important look at unchecked power, racism, nativism, and violence though the eyes of a dictator.
General Idi Amin Dada: A Self-Portrait is the 1974 documentary film by Barbet Schroeder. Schroeder, who is known for such films as Bar Fly and Single White Female, began his filmmaking career making documneteries. In 1974, Schroeder struck a deal with a television network who was making one-hour shows about heads of state around the world. The network agreed to let him make his film first and in return give them enough footage from the shoot to turn it into a one-hour show. Schroeder and his crew traveled to Uganda to document the notorius Amin who had been in power
Desert Hearts is a groundbreaking yet underrated romantic gem for the history books.
I never wanted Desert Hearts to end. I didn’t want to leave behind the breathtaking scenery of the desert and I definitely wanted to see more of the chemistry between the two leads. Desert Hearts is an intimate yet flawless gem that captures forbidden love that is apolitical yet groundbreaking during its time of release because it was the first film about a same-sex relationship between two women that isn’t tragic. While LGBTQ+ films that have a political agenda are meant to be told, Desert Hearts is proof that those aren’t the only stories that should be told. Based on
Film lovers can find plentu of options for Valentine's Day
February finds Criterion delivering another six titles. New to the collection are George A. Romero's Night of the Living Dead, Satyajit Ray's The Hero, Kon Ichikawa's An Actor’s Revenge and Tony Richardson's Tom Jones. Getting an HD upgrade are Loius Malle's Elevator to the Gallows and Jonathan Demme's The Silence of the Lambs. Read on to learn more about them. Elevator to the Gallows (#335) out Feb 6 For his feature debut, twenty-four-year-old Louis Malle brought together a mesmerizing performance by Jeanne Moreau, evocative cinematography by Henri Decaë, and a now legendary jazz score by Miles Davis. Taking place over
Documenting the Newport Folk Festival at the height of the folk revival, Festival is a feast for music fans.
In the early part of the 20th Century, various folklorists, including John Lomax, wandered about the country documenting the songs of the people - folk music. They sought out cowboys and prisoners, former slaves and sharecroppers, and recorded them. In 1952, Harry Smith compiled his favorite songs from these recordings and created The Anthology of American Folk Music. This album reached the ears of folks like Woody Guthrie and Pete Seeger who recorded some of those songs and started the Great American Folk Revival which hit its peak in the early 1960s. In 1959, music promoter George Wein, who’d had
The film excels at creepy atmosphere, but the included source novel is the more entertaining story.
Although Vampyr was released way back in 1932, it isn’t the first vampire film, as it was released after the better-known Nosferatu and Dracula. It does have a fascinating production story though, perhaps more interesting than the film itself. The film was co-written and directed by Danish filmmaker Carl Theodor Dreyer, but due to the nearly non-existent Danish film industry he produced the film in France in German, French, and English languages. All audio was dubbed after filming, but Dreyer filmed all dialogue scenes with his actors speaking in each of the three languages so that their mouth movements would
A quiet, but powerful mediation on the Western crossroads and the women who inhabit them.
When it comes to filmmaking, from the past to the present, it is always men at the forefront. However, and rightly so, women have been very important and essential to cinematic storytelling. And then there is the matter of American independent cinema, which has been quite the match for female filmmakers, and director Kelly Reichardt is one of the most astute and easily influential of the "Female New Wave." With her 2016 miracle of a movie, Certain Women, she continues to make it crystal clear that her unique approach to craft and substance sublimely haunts film. Adapted from three short
A must own for any fans of David Lynch.
I remember my first encounter with a David Lynch film was in 2004 during my Introduction to Film class at Butte Community College in Oroville, CA. As part of the curriculum, we were required to watch Lynch’s debut film, Eraserhead, of which I wasn’t aware until then. I remember being disturbed by the movie, and a lot of my classmates walked out shortly after the film had started. I stayed, and I ended up falling for this odd film, even though I had trouble eating chicken afterward because of one particular scene. I swore I wouldn’t watch the film again,
This week's new releases include a new season of The Flash, an old Hitchock plus Scarlet Johansson getting raunchy, and Pablo Escobar being bad.
The more films I watch by Alfred Hitchock the more I’m convinced of his genius. He might have called himself the Master of Suspense but really he was the true master of pure cinema. He used all the tools of his trade - lighting, music, editing, etc. to tell his stories as only can be told in the movies. Francis of Assisi is supposed to have once said “Preach Jesus, and if necessary use words.” I don’t know how Hitch felt about Jesus but he made great movies and only used dialogue when necessary. I first watched Rebecca at a
It's hard to care about Sid and Nancy when they care so little about themselves and those around them.
Director/co-writer Alex Cox's Sid & Nancy tells the story of the short, tragic love affair between Sex Pistols' bassist Sid Vicious and Nancy Spungen. Gary Oldman and Chloe Webb deliver fantastic performances, but unfortunately the characters are so selfish and self destructive, it's hard to care about them when they care so little about themselves and those around them. Opening with Nancy's dead body being removed from New York City's Chelsea Hotel and Sid charged with her murder by the NYPD, the film flashes back to about a year earlier in the UK. Sid has recently gotten the job as