While history's greatest philosophers wise men may have brought forth many a pertinent question as to the purpose and situation of the human race, it was a total wise-ass the history books have unapologetically miscredited as a guy named Murphy who really seemed to hit the nail on the head with the phrase "Anything that can go wrong, will." In fact, Murphy's Law is one of the few philosophies which can be applied into storytelling without fear of alienating an audience, because if there's one thing any adult who has ever had to work for a living can tell you,
Results tagged “Classic”
The Warner Archive Collection shows us its dark side with two more gems from the fabulous world of film noir.
The motion picture that single-handedly brought about the fall of the Hays Code receives a fearless restoration from the Warner Archive Collection.
Sixteen years after Elizabeth Taylor transcended from child actress into a full-fledged "adult" in Father of the Bride ‒ wherein, it should be noted, she entered her first of eight failed marriages ‒ the still-famous actress showed us just how big of a girl she could be. In every respect. For here, in 1966's motion picture landmark, Who's Afraid of Virginia Woolf?, we see a 32-year-old Liz donning more than a little stage padding as she stars alongside her most "popular" husband, Richard Burton, as Martha: an obnoxious, alcoholic, middle-aged shrew whose outward vulgarity is only complimented by the infinite
The original classic receives a makeover to die for thanks to the Warner Archive Collection.
Let's take a brief gander at marriage, folks. While many of us are keen to issue a timeless, fool proof slice of advice when it comes to matrimony ‒ that of "Don't do it, it's not worth it" ‒ the fact is those darn kids never listen to us. Just ask Spencer Tracy's Stanley T. Banks in the three-time Oscar-nominated, AFI-approved 1950 classic, Father of the Bride. Though the trendsetting favorite is one of the few instances where a Steve Martin remake garnered critical praise (yes, we're still upset over that Pink Panther reboot), the original film possesses its own
The Warner Archive Collection presents the home video debut of this legendary box office failure featuring a young Ian McKellen.
Sprawling epics were all the rage in the 1950s, with fantastical biblical yarns and timeless tales of undefeatable conquerors popping up in theaters near and far, usually presented to eager audiences via the modern miracle of of CinemaScope and stereo sound. And yet, long after American filmgoers had had their fill of wildly inaccurate and often preposterous cinematic blockbusters which damn near bankrupted Hollywood's biggest studios, the Brits decided it was their turn to rewrite history and produce a large-scale saga which people would avoid in droves. Thus, Alfred the Great ‒ the UK's 1969 throwback to the great epics
The Warner Archive Collection dusts off one of the sappiest, nerve-wracking, Depression-era family melodramas ever made. Enjoy.
While I am always eager to point out how wretched contemporary filmmaking seems to have become, I can never dismiss the notion that bad movies have been getting cranked out by Hollywood since the beginning. In fact, as the type of feller who appreciates that certain kind of maligned movie manufacturing (see: just about any of my articles), I don't mind discovering a previously unseen Tinseltown atrocity from yesteryear in the least bit. That is, until I stumble across something as wretched as When a Feller Needs a Friend, of course. That's when I feel like gnawing my own arm
From forgotten comedy duos to early travelogues to matinee cowboy pictures, the WAC has just a bit of everything for classic film collectors.
In this time where people will often sit and binge-watch an entire television series, half of the population gleefully engages in such sittings regularly, while the other half will sit and wonder why the term "binge-watch" was added to the dictionary, especially since there was already a perfectly good word selected for marathon viewings in the first place: "marathon." But no matter what side of the vernacular you're on, there truly is nothing quite like being able to sit down and get a good proper feel for a particular performer or series. Thankfully, even film history's lesser-remembered talents continue to
For those of you who think they know Dick, the WAC salutes you.
Anyone who has seen a single Hollywood adaptation of a classic (or even contemporary) work of literature knows full well how much Tinseltown can change even the most simple of premises. Sometimes, liberties are taken in the scriptwriting and/or filmmaking processes because of budgetary restraints or per the request of certain thespians who probably never had a very good grip on the subject matter to begin with. In other instances, time-honored tales are completely rewritten in the bold attempt at making them seem "fresh" ‒ a move which usually culminates in widely distributed box office debuts that would fare far
Alpha Video compiles a selection of creepy shorts guaranteed to leave your mattress well soiled.
A longstanding idiom states "'Tis better to give than to receive" ‒ and that theory definitely holds true with Alpha Video's nightmarish gathering of vintage Christmas shorts, newly compiled and released to DVD-R. From live-action horror to unsettling animation and even bed-wetting puppet play, Strange and Unusual Christmas Films is quite possibly the greatest gift you could give to someone this season, whether they're into the whole holiday thing or not. The assortment of oddities begins with a condensed Castle Films version of the 1945 Czech treat, A Christmas Dream, which actually won an award once upon a time. The
The Warner Archive Collection brings us both a legendary man and a man of legend in these two High-Def offerings.
Some things simply go well together, hands down. Things like chocolate and peanut butter, Burt and Loni, and ‒ of course ‒ the fine art of combining totally true stories with complete and utter bullshit. And apart from politics and people on social media who should not be permitted to access the Internet, there is no great force behind blending fact with fiction than Hollywood. And for those of you who can't handle a little truth without a bit of falsehoods being thrown into the fray, these two "true stories" ‒ recently released to Blu-ray from the Warner Archive Collection
One of the pulp world's first heroes makes for one of film world's worst zeroes.
Lately, Dwayne "The Rock" Johnson has been threatening all of mankind by announcing he is slated to star in one remake after another, including a short-lived, fleeting fantasy of a new version of Big Trouble in Little China and ‒ more recently ‒ the reboot of a footnote in the revised American Superhero book, the Doc Savage franchise. And though no such crimes have been perpetrated as of this writing, I almost think a re-envisioning of Doc Savage is in order. Not necessarily because I would support it (I wouldn't), but because it couldn't possibly be any worse than the
Sean Connery ascends, George Hamilton pretends, and Don Siegel defends in this trio from the WAC.
It is oft said one must reach the top in order to succeed, and this trio of minor motion pictures from Hollywood's past can serve as a painful reminder of how much of a fall you're in for should you slip up somewhere along the line. And both of those terrible analogies certainly come into play in the 1982 Warner Bros. drama, Five Days, One Summer, for it quite literally has to do with mountain climbing. But before you get your hopes up, this is not the sort of exciting cinematic fare like you might find in The Eiger Sanction.
Yeah, a quartet of individual titles starring classic Hollywood's perennial tough guy make their DVD debuts, see?
Compared to the infinite number of indistinguishable pretty boys popping up in one forgettable flick after another today, there could only have been one Edward G. Robinson. Hailing from a time in Tinseltown when tough guys could be larger-than-life no matter how short and squatty they may have been, Robinson's noticeable lack of height (or a handsome mug) may have prevented him from landing more romantic, nice guy roles, but his natural grumpy-looking demeanor soon found him shooting up the ladder of success in 1931 when he landed the lead in the crime drama classic Little Caesar. This pivotal role
The Warner Archive Collection slips us a couple of Mickeys (with plenty of Wood) in these two rarely-seen gems.
The late Mickey Rooney made a sizeable impact on classic cinema, leaving behind a list of motion picture and television appearances tallying well over 300. With a résumé like that, it may be quite some time before all titles are present and accounted for on home video (and even then, it's unlikely we'll see everything). Nevertheless, the Warner Archive Collection and it's many Mickey Rooney fans working there have been doing their best to fill in the gaps to their abilities. Two recent releases from the WAC marked the home video debuts of MGM's Stablemates and Lord Jeff, both released
The outright evil, bloodthirsty cousin of 'The Creature from the Black Lagoon' makes its long-awaited splash to home video courtesy a beautiful HD release by Olive Films.
Generally, motion pictures which owe their entire existence to the success of an entirely different (and more popular) feature have very little to offer the overall history of cinema itself other than its ‒ sometimes blatant ‒ connection to its source of inspiration. It's even harder to have an affect on the world of film when your movie happens to be an obvious "rip-off" of a horror film, especially if it was made during a time when horror movies provided audiences little more than an excuse for teenagers to make out at the drive-in. Or terrorize the really small, impressionable
The Warner Archive Collection unveils its final 'Forbidden Hollywood' set with a fine gathering of controversial and naughty gems from the pre-Code days.
It has been a full ten years since the first Forbidden Hollywood collection wandered into our lives courtesy the Turner Classic Movie Archives. Since then, the multiple film/disc series has moved over to the Warner Archive Collection for distribution, and has given viewers around the world a chance to see a few forgotten ditties that wound up becoming buried by the sands of time. And while it is with a heavy heart that I report this latest installment in the franchise ‒ Forbidden Hollywood, Volume 10 ‒ is to be the final chapter in this series, I am pleased to
Ever wonder what might have happened had James Bond been born an American and started out in World War II? The Warner Archive Collection may have the answer.
The late great production designer Ken Adam left behind a legacy which no mere mortal could ever live up to. The immaculate lairs he designed and constructed for Stanley Kubrick's Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb as well as several monumentally iconic James Bond movies ‒ whether they were in outer space, underwater, or inside of a dormant volcano ‒ have since gone on to astonish and inspire, with plenty of room left over for parody to boot. But shortly before the German-born award winner started designing his first 007 set on Dr.
The Warner Archive Collection uncovers a fun little flick about reeling in one big Commie plot.
There are many ways a film can become outdated. Our increasingly advancing world of technological wonders has made countless science fiction films archaic. Obsessions with keeping fit have resulted in reanimated individuals with rigor mortis able to run in zombie movies. Shifting political and economic winds have turned allies into enemies in stories of war. But of all the things which date a motion picture, none has the ability to alienate quite as much as employing a current trend or popular saying in a feature. Mullets may have been "in" at one fashionably challenged point in time (see: hipsters) ‒
Samuel Goldwyn's one and only film noir is also the bleakest irreligious religious movies in history.
Prolific filmmaker Samuel Goldwyn left this world in 1974 to start issuing malapropisms in the world beyond, he had personally produced no less than 139 films, to say nothing of the motion pictures he had distributed, presented, or even lent his assistance to for other filmmakers around the world. And yet, with titles such as Wuthering Heights, The Best Years of Our Lives, and These Three under his belt, Mr. Goldwyn only ever made one film noir. And just like many of his other successes, the seldom-seen 1950 noir Edge of Doom, has the distinction of being one of the
The Warner Archive Collection outs Lillian Hellman's first filmic adaptation of a once-controversial play.
Even before the Hays Office began enforcing the content of motion pictures in 1934, certain things just weren't permitted to be said aloud in public. One such topic was that of homosexuality (the more things change, the more they stay the same, eh?), which was completely illegal to mention in public when playwright/screenwriter/activist Lillian Hellman's play The Children's Hour first debuted on Broadway in 1934. Due to the critical success of the stageplay, however, local authorities in New York City decided to be lax regarding their own law (again, some things never really change, do they?). Alas, the story's subject
Two forgotten mysteries, each with their own dark histories, get definitive makeovers in these must-have releases from Flicker Alley.
There is nothing quite so overwhelming as being utterly unable to control one's situation. Despite all of our best efforts, we remain powerless to stop the unseen forces of time and fate. All over the planet, archaeologists have discovered the remains of vast cities and civilizations which have either been buried away by the sands of time or destroyed by cruel acts of fate. For those of us who like to refer to ourselves as film buffs, similar disasters and overall bad bits of luck have obscured many a motion picture. And while the ultimate uncovering of a previously lost