Metropolis. M. The Dr. Mabuse series. There are so many reasons to love Fritz Lang's early, German-language films, all of which helped define the German Expressionist movement. Following Lang's fleeing of Nazi Germany in the early '30s, the Austrian-German-born filmmaker put his expertise use of light and shadows to become a pioneer in the world of film noir ‒ helming such classics as Ministry of Fear and Scarlet Street, as well as the iconic 1953 masterpiece, The Big Heat. Even as his 20-year-plus Hollywood career began to wrap up in the late '50s, Lang's filmic contributions were as marvelously dark
Results tagged “Bluray”
Fritz Lang's final two American films ‒ both starring Dana Andrews ‒ get the much-deserved Warner Archive Collection treatment.
From screwball spoofs to serious dramas, this quintet of features from the one and only comedian/filmmaker offers a variety of stylings.
Whether you are a collector, purist, enthusiast, or just someone who is trying to get through the work day, there is nothing as gratifying as being able to mark something off of a checklist. And every time Twilight Time issues a classic Woody Allen film on Blu-ray, it gives his fans a chance to experience something just as gratifying. Fortunately for all parties involved, Allen's extensive (and still-expanding, as he has rarely skipped a year without making a movie since 1965) library can come that much closer to being "complete" thanks to Twilight Time's regular releases of the filmmaker's work,
The Warner Archive Collection clears the runway for this neglected Rankin-Bass animated fantasy.
Even to contemporary animation fans caught up in the neverending sea of anime, the Rankin-Bass brand is both familiar and holy. Best-known to the majority of the masses as the company which produced two of the most iconic perennial holiday treats ever made ‒ Rudolph, the Red-Nosed Reindeer and Frosty the Snowman ‒ Jules Bass and Arthur Rankin, Jr.'s love for family-friendly fantasies stretched beyond the borders of commercialized Christmases. In fact, they were the fellers responsible for the original animated versions of J.R.R. Tolkien's The Hobbit and Return of the King in the late '70s and early '80s ‒
The Warner Archive Collection revs up the gas for Jeff Burr's controversial buzzer.
Bridging the gap between pure psychological horror with a touch of humor and gore into something polarly opposite isn't an easy task. And there is no better example of that in the realm of scary movies than New Line Cinema's maligned 1990 slasher sequel, Leatherface: The Texas Chainsaw Massacre III. Though technically an '80s flick, Jeff Burr's 1990 contribution to the famous film franchise ‒ which still exists today via an occasional, unnecessary reboot every couple of years ‒ became an instant target for fans and foes alike. Several years before, the Cannon Group released Tobe Hooper's The Texas Chainsaw
The Warner Archive Collection brings us two excellent transfers of two contrasting tales starring the great Paul Newman.
Lew Harper is back on the case ‒ twice over ‒ in these two new Blu-ray releases from the Warner Archive Collection. Adapted from Ross Macdonald's literary adventures of Lew Archer (because who in their right mind could take a character named Archer seriously, especially now?), 1966's Harper brings us a misadventure of a modern-day Southern Californian private investigator. Seemingly inspired by every classic detective from books to film alike ‒ and every bit as cynical, to boot ‒ the role was brought to magnificent life on-screen by the one and only Paul Newman (The Hustler). Nine years later, Newman
Kino Lorber Studio Classics unburies Paul Henreid's butchered, noir-esque tale with Ralph Meeker and Janice Rule.
Misunderstood in its own time, forgotten in the next, Paul (Casablanca) Henreid's thriller A Woman's Devotion never had an opportunity to deliver its message to audiences when first released in 1956. Instead, the Republic Pictures production was ushered onto screens with a decidedly deceptive ad campaign cashing-in on the film's leads ‒ Ralph Meeker and Janice Rule ‒ who had recent appeared in a successful stage adaptation of the classic melodrama, Picnic. Needless to say, it wasn't the best method to promote a minor film noir-esque title concerning a World War II veteran with a really bad case of Post-Traumatic
The folks at Kino Lorber Studio Classics do a real Grade-A job with one really B-Grade 3D movie.
Made during that glorious 3D movie boom of the early '50s, Monogram Pictures' The Maze is cinematic evidence that filmmakers would try just about anything to hop on the three-dimensional bus. The final film in which the legendary William Cameron Menzies (The Whip Hand, Invaders from Mars, Gone with the Wind) served as both director and production designer, The Maze stars another icon of '50s sci-fi and horror films ‒ the great Richard Carlson ‒ as an accent-less Scotsman who goes from a high-profile social feller with a loving fiancée to being a reclusive oddball after his equally eremitic uncle
After an marred first release, VCI's second check-in to this Horror Hotel with Christopher Lee checks out.
Revisiting a classic horror movie you loved as a kid after you've aged a bit can always be a tricky thing to do. It had been at least 20 years since I last cast eyes on The City of the Dead, which I initially discovered via a fuzzy ol' Public Domain VHS copy in the early '90s. Needless to say, when it came time to see the movie again after all that time, I was rather worried that the experience would not be the same. Fortunately, just like the eponymous village itself, time has done very little to age the
Robert Bloch and Freddie Francis' unique, offbeat thriller finally hits home video thanks to Kino Lorber Studio Classics.
If you ever wondered what might happen if Columbo had been born in England, you needn't look any further than the 1966 Amicus production of The Psychopath. A joint effort between American author/screenwriter Robert Bloch and Britain's famed director/cinematographer Freddie Francis, the rampant success of Bloch's Psycho obviously paved the way for this tale of murder, revenge, and creepy dolls. One of several titles unfairly unavailable on home video for entirely too long, this almost-forgotten thriller from England's other horror studio ‒ Amicus Productions ‒ has finally found its way to Blu-ray and DVD from Kino Lorber Studio Classics. After
John Ashley and Pam Grier highlight this hilariously cheesy slice of Filipino rip-off cinema.
When fans of sleazy exploitation movies get together to discuss their favorite contributions to bad filmmaking from the Philippines, Eddie Romero's name is rarely left out. In fact, the late B-movie guru from the same country that brought us national treasures like the films of Weng Weng is undoubtedly one of the "best" known directors to hail from the country, thanks to a series of mind-numbing mad scientist flicks from the late '60s and early '70s informally referred to as the Blood Island movies. Following the conclusion of the aforementioned series, the late Mr. Romero found himself cranking out a
Fassbinder's mythic performance fuels this vicious depiction of West German's social malaise.
When the legendary Rainer Werner Fassbinder died in 1982 at the age of 37, he really did leave behind an amazing body of work. He lived a hard life of drinking and drugs, but that didn't stop him from making films about human fragility and emotion. Also, he didn't just direct films. He also acted in many of them. His boorish, devil-may-care persona began with his 1969 feature debut, Love is Colder than Death, but it didn't reach its apotheosis until one year later in director Volker Schlondorff's controversial 1970 adaptation of Bertolt Brecht's 1918 debut play, BAAL. Fassbinder brilliantly
Mill Creek pounds out a few more nail-biters from Britain's famed house of horror.
Precisely a year-and-a-half to the day since their first two double feature releases, Mill Creek has returned to the House of Hammer once more for another hefty dose of classic '60s thrills and chills, Britannia-style. This time around, there's a heavy focus on some of the less-remembered (but nevertheless, good) titles from the famed studio, many of which were previously seen on DVD by Sony under various Icons of... sets. The first double feature offering from Mill Creek opens with 1963's Maniac. Back in the glorious analog days, trying to find a copy of this one usually resulted in a
The Warner Archive Collection brings us a beautiful restoration of Rosalind Russell's original great aunt.
Beginning as a best-selling novel by Patrick Dennis in 1955, Auntie Mame became a Broadway success starring the one and only Rosalind Russell a few years later. As was customary with just about every (even minor) stage triumph in those days, a film version wasn't too far behind. Released to theaters at the tail end of 1958, Warner Bros.' Auntie Mame became the highest-grossing film of 1959. While that may not seem like much of an accomplishment at first glance, it should be noted the films it vanquished at the box office included North by Northwest, Ben-Hur, Anatomy of a
The only thing more beautiful than the last 12 minutes of this Synapse Films restoration are the first 86.
Best described as a surrealistic fairytale nightmare come to life, Dario Argento's Suspiria has been leaving its mark on audiences and filmmakers alike since its debut in 1977. Truly, it's hard not to become immersed in its breathtaking (sometimes literally) visuals, stunning cinematography, or that wild and pounding soundtrack by Goblin. And now, thanks to a drop-dead gorgeous new 4K transfer by Synapse Films, Argento's amazing masterpiece almost feels like an entirely new feature. Equal parts horror, giallo, and fantasy, Suspiria finds cult favorite star Jessica Harper (Phantom of the Paradise, Shock Treatment, Inserts) as an American ballet student named
Pop Cinema releases two cool SWV double features, albeit in compressed, condensed form.
There's an unofficial saying pertaining to the world of adult-oriented filmmaking which goes something along the lines of "If you can think it, someone has already filmed it." Various horrors which shall undoubtedly spew forth from your subconscious once you've thought long and hard about that notwithstanding, there is that occasional moment in time wherein you witness something you had actually wanted to see. For years, I had imagined a scenario involving a man and woman in a post-apocalyptic setting whose first meeting is interrupted by a kung fu fight to the finish with roaming bandits. You can imagine the
Kino Lorber Studio Classics re-releases the awkward, awful remake starring doughy Gérard Depardieu and jailbait Katherine Heigl.
The amazing world of French cinema is unquestionably a unique artform unto itself. So it the remaking of French features for American audiences, for that matter. Alas, the latter skill is something very few people have ever been able to master, and has mostly ever resulted in a heap of bad '90s movies floated into theaters under one Disney distribution label or another. Which brings me to My Father the Hero ‒ Disney's lamentable 1994 attempt at remaking the 1991 French comedy, Mon père, ce héros ‒ as helmed by director Steve Miner (Wild Hearts Can't Be Broken) for release
Michael J. Fox goes country in this early '90s rom-com now available on BD from the Warner Archive Collection.
Doc Hollywood was exactly the sort of early '90s filmfare I recall going to see every weekend at the local cinema in the small hick town I grew up in. In fact, I actually did see Doc Hollywood when the nearby theater of my teen-aged youth, where nary another soul was in attendance, leading me to (falsely) concur the movie must not have made a big splash at the box office. In reality, the film was something of a box office hit, but due to prolonged exposed to something called "aging", very little of that remained in my memory banks.
Arrow Video releases an oft-ignored ‒ but nevertheless, awesome ‒ thriller guaranteed to get under your skin.
If the Southern regional horror film movement of the '70s ever came anywhere close to making a giallo, there's a darn good chance 1977's Scalpel would be it. That said, the surgical roots of this delightfully twisted psychological thriller from John Grissmer ‒ the very same screenwriter/director who would later (ahem) "grace" us with the cult, late '80s slasher guilty pleasure Blood Rage ‒ go much deeper. Taking its cue from Georges Franju's face game-changing 1960 masterpiece Les yeux sans visage ‒ better known to English-speaking audiences (and certain Billy Idol fans) as Eyes Without a Face ‒ Scalpel's "Southern
Alan Ladd leaves his heart in San Francisco in this glorious re-discovery from the Warner Archive Collection.
Made back when one could still refer to San Francisco as "Frisco" and not catch hell for it, Frank Tuttle's Hell on Frisco Bay is one of several film (noir) adaptations based on the literary work of William P. McGivern (The Big Heat). Filmed (partly) on location in and around California's iconic Bay Area city, the vehicle finds Alan Ladd as a hardened, disgraced former police detective recently released from San Quentin after serving time for a bogus murder charge. As if starting over wasn't a cumbersome ordeal to begin with, contending with the fact everyone on both sides of
The Warner Archive and Twilight Time give us some old song and dance routines, available in High-Definition (and in one case, widescreen) for the first time.
You know the feeling. You're sitting there, minding your own business, enjoying the sights and sounds of a classic motion picture. Suddenly, the gears seem to shift: orchestral accompaniment appears out of nowhere as characters begin to step in pace with one another, speaking in lyrical rhymes before breaking out in full-out song and dance routines. "Oh God, they're singing!," you cry out, realizing you have been sucked in once more by a movie musical. But don't worry, I won't judge ye. In fact, after witnessing all of the toe-tapping antics found in these three titles ‒ all of which