In the middle of October 2014, Olivia de Havilland found herself having outlived her frequent, iconic on-screen romantic interest from motion pictures of the '30s and '40s, one Mr. Errol Flynn, by five-and-a-half decades. Oddly enough, despite the fact that she retired from the film industry nearly thirty years after her famous leading hero passed away in 1959, Ms. de Havilland nevertheless managed to tally up the same amount of acting roles for film and television as he did. And yet, despite a relatively brief legacy in Hollywood - a career that waned in the '50s due to motherhood and
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Olivia de Havilland encounters the plights and perils of a gold rush, a wartime rush, and rushed productions in a trio of forgotten films.
A nostalgic family film that wants to remind you of classic '80s adventure movies, but instead made me chuck things at my TV.
I recently wrote about how I’ve become obsessed with the idea of watching all the old movies I loved as a kid with my own child. There is something really wonderful about the sharing of films that meant a great deal to yourself as you grew up with your own offspring as they grow older. Along with this, I’ve began to wonder what new films my daughter will love. What films will she take with her to college and get all nostalgia-eyed with her suite mates and girlfriends? What will be her Karate Kid? Her Gremlins? At three, she’s really
Not as good as its cast might imply.
Good People treads the rather well worn theme of greed making good people turn bad, greed specifically in this case being money. The story starts out with a drug deal double-cross gone bad, and the double-crosser turns up dead of an overdose a couple days later in his London flat. When the landlords Tom (James Franco) and Anna (Kate Hudson) venture into their tenant's apartment to ask him to turn down his blaring television, they find the corpse as well as about 300,000 pounds in cash. Unlike the tiresome Come Morning, Good People is slightly more deserving of being compared
Intelligent, thought-provoking sci-fi drama with winning performances and production design.
Chris Evans struck box-office gold with his latest Captain America film this year, but his other recent comic book film is equally entertaining. Based on an obscure French graphic novel, Snowpiercer imagines a post-apocalyptic world that has frozen over, trapping all human survivors on a huge train on a perpetual voyage around the world. Much like Speed, if their transport drops below a certain speed, they’ll all die, but in this case it’s due to the extreme cold outside rather than any explosives. The train has a rigid class system, with the poor huddled masses in the rear and the
Looking For Johnny: The Legend of Johnny Thunders DVD Review: Even in Death, He Still Slings Six-strings
Spanish filmmaker Danny Garcia unravels the mysterious sadness of a guitar god.
The Murder City Devils, one of the great outsider rock bands of the past two decades, once sang “Took a city like New Orleans to kill a man like Johnny Thunders / A man who died with a guitar in his hands.” It’s the city as beast slaying Thunders, The New York Dolls' guitarist and former Heartbreakers' front man who even in death still slings six-strings. Named after its subject, the song’s as tough as Thunders whose music couldn’t be pried from his cold dead hands. Solidifying the man’s mythos as he drifts off into death they scream, “And the
Hollywood has been remaking movies for nearly as long as its been making them. It does seem that the last few years, going back as far as maybe a decade, that the movie machine has been churning out remakes at a faster and faster speed. As subset of the remakes are prequels and reimaginings, which I seem to be seeing more and more as the days roll on. More recently we’ve got the post-Wicked retellings of old stories from the villains point of view. This has been popular in fiction for awhile coming on fast ever since Wicked, Gregory Maguire’s
Harry Potter trades his magic wand for a devil's pitchfork in a horror movie providing scares and chuckles before turning loony-cartoony
Daniel Radcliffe just can’t seem to get away from the supernatural. Harry, er, Daniel’s latest dabble into the occult is the horror/mystery/comedy Horns. He’s quite good in it, and there’s a fair amount of suspense and dark, disturbing humor on display. Unfortunately, near its wind-up the movie takes a wrong turn into an effects-heavy, symbol-laden, comic-book-style battle between Good and Eeeeeeevil. Radcliffe plays Ig Perrish, a young man accused of brutally murdering his wonderful, beautiful, pure-hearted girlfriend Merrin. Everyone in town believes he killed her, particularly since it happened the same night that she very publicly dumped him. (The seemingly
The Warner Archive presents vintage film enthusiasts with one of the few surviving films of actress Billie Dove.
An early "all-talking" drama developed for audiences before the Hays Office sucked all the life out of the business, One Night at Susie's not only gives us a grand glimpse at an infant Hollywood taking its first steps, but is one of the few films starring Billie Dove to have survived over the years. A highly adored actress of both the stage and the screen, Dove made several dozen movies in the Silent Era, retiring from the business shortly after the Sound Era came to be. Sadly, most of her legacy was erased from history by a studio fire, so
They don't make 'em like this anymore. And an entire nation - if not universe - can sleep soundly with that assurance.
Considering the seemingly-infinite amount of musicals Hollywood once proudly cranked out once the members of the industry figured out how to add sound to motion pictures, it's somewhat difficult to imagine that there was a time wherein the very public such items were manufactured for rolled their eyes in discontent at the thought of seeing yet another film with singing and dancing. After all, they could just go see a Broadway play if they wanted to see that type of tripe. And yet the suits in Tinseltown insisted on making musicals; often shooting movie picture adaptations of the same Broadway
Robert Mitchum and Arthur Kennedy are two wild studs that only Susan Hayward can handle.
While a day at the rodeo is not typically considered to be the most interesting of settings for a motion picture outside of a weird short subject produced by folks in the midwest, there have been a few notable exceptions to shine across the silver screen from time to time. Some of you may cite Eight Seconds with former teen heartthrob Luke Perry to have been of interest. That said, the obscure '80s music lover in me will always assume you're talking about the short-lived Canadian new wave group of the same name whenever you mention said movie - for,
OK, so Randolph Scott, Bret Maverick, and The Green Hornet walk into a bar dressed as Quakers...
Towards the end of his prolific career as one of Hollywood's favorite cowboy stars, Randolph Scott was prone to signing on for the occasional odd outing in pictures. Just five years before changing his clean-cut good guy image in Sam Peckinpah's Ride the High Country, wherein the actor subsequently retired from the industry altogether, Scott found himself in a modest, somewhat offbeat Warner Bros. production entitled Shoot-Out at Medicine Bend. Though it would prove to be the final collaboration Warner Bros. had with Mr. Scott, it also highlighted several performers at the beginning of their own careers: James Garner and
The Warner Archive brings us the home video debut of an odd, early Euro western prototype.
As the middle of the 1960s approached, American cinema bid two of its mightiest moneymakers a small, barely-audible adieu. First and foremost was the genre of classic western film, which had been done so many times since the motion picture industry had established its firm roots in Hollywood that studio executives eventually had to come up with box office ploys such as CinemaScope in order to keep audiences coming in instead of tuning in to watch Rawhide at home on the TV set. The second was that of CinemaScope itself; a procedure that every other studio had taken to copying
Twilight Time's new Blu-ray release is most assuredly the best possible way to experience this underrated gem.
With a story focusing on a journalist, a photographer, and a revolution, Twilight Time's release of Roger Spottiswoode's 1983 drama Under Fire sounds like a title that should have been released with their September 2014 line-up - as it would have made a great pairing with Oliver Stone's Salvador. But while both movies are based on actual events involving members of the news media becoming involved in a dangerous rebellion between indigenous oppressed folk and corrupt politicians, Spottiswoode's elegantly crafted 1983 film graciously succeeds in rising above just about everything Stone bombarded his viewers with three years later. Plus, not
The story of entertainment manager, Shep Gordon, who does business a little differently.
Most stories you hear about managers in the entertainment business are tales of cutthroat men and women who only care about money. The people they represent are only a means to that money, and if it isn’t about money, they aren’t interested. But Supermensch: The Legend of Shep Gordon is not such a story. Director Mike Myers (yes, that Mike Myers) documents the life of this accidental Hollywood insider whose career as a manager was based on compassion and not greed. Through historical footage, interviews with Shep’s clients (who he considers family), and fun reenactments, Myers has put together an
Viggo Mortensen, Kirsten Dunst, and Oscar Isaac in an entertaining tangle of greed, lust, and guilt from Patricia Highsmith.
Patricia Highsmith’s novels have been the basis for one of Hitchcock’s greatest movies, the 1951 Strangers on a Train, as well as the endearingly nasty thriller The Talented Mr. Ripley (1999, directed by Anthony Minghella). While The Two Faces of January is nowhere near as compelling as those films, it’s still worth a look for anyone who values the pleasures of suspense and the vicarious lure of lust and larceny. It’s also an opportunity to see three somewhat underrated actors take on the kind of tough, nuanced roles that don’t win awards but that stick in your mind well after
Those lovable stinkin' hippies return in a compressed, single-disc/three-feature release for those of you on the cheap.
Two years ago, Lionsgate Home Entertainment unveiled the first of a popular cinematic trilogy from not only another time, but for an entirely different kind of viewer altogether. 1975's The Adventures of the Wilderness Family offered up a unique form of motion picture escapism for moviegoers who had helped to bring the increasingly-overpopulated and polluted world to where it currently was. The tale told of the Robinsons, a family of four - father Skip, mother Pat, sister Jenny, and brother Toby - who decided their final tweet to civilization was to be "#OverIt", and promptly set out to live in
The Warner Archive brings us six rare pre-Code shorts featuring The Three Stooges, including a previously thought-to-be-lost short rediscovered in 2013.
The early filmic legacy of The Three Stooges - or the comedy troupe of Howard, Fine, and Howard, as they were sometimes known - is quite the bittersweet affair when viewed and compared to the later output the iconic team has since gone down in history for. Beginning via several different incarnations as stooges for vaudevillian Ted Healy (wherein the word "stooge" was used to define someone who played an audience member until called up onto stage), the antics of the leader and his outrageous flunkies became prime moving picture material fodder when representatives of an infant film industry started
Martin Sheen is in trouble, for he does not practice Santería. Nor does he have a crystal ball, for that matter.
Today's younger generation of photoplay viewers probably only recognizes actor Martin Sheen as the father of Charlie and/or "the guy who starred in that one Vietnam movie with the boat and the napalm". An even smaller demographic will be able to go a step further on that front and classify him as the brother of cult B movie actor Joe Estevez. (Emilio never gets mentioned, and rightfully so.) In fact, it's almost hard to believe now that there was once a time that Marty was something of a formidable name on a movie marquee before he started to appear in
Universal unveils the HD debuts of four of the iconic director's works in this eight-film set.
With the fourth quarter upon us and the holiday season that comes with it closing in at an ever-alarming speed, it's the perfect time once again for studios to assemble various collections for established home video collectors and newbies alike. But whereas some sets will shamelessly repackage the same movies that have been released individually over the years, enclosing them in a shiny new shell for those whose are easily distracted by such things, others actually make their new releases of older catalogue titles worthwhile by including an assortment of movies that are actually new to the format in question.
That smudged printing on Jeff Bridges and Kiefer Sutherland's résumés can be seen in a much clearer light now.
Once upon a time, I received a copy of an Italian-made English-language movie that had been dubbed into Italian before somebody who obviously did not learn the King's language as their primary form of verbal communication next created English subtitles translated from the Italian translation. There was also an instance in photoplay history where an adaptation of Shakespeare was produced for German television; the Bard's original work transcribed into the local Germanic tongue, only to wind up dubbed back into English - from the German conversion, nonetheless - for a subsequent (and probably poorly-received) television airing in the United States
The Warner Archive re-releases a highly enjoyable epic of a box office bomb from 1938.
As anyone who was taught in grade school about what a great benefactor Christopher Columbus was to the Natives on the New World has since gone on to discover, the telling of history is not always about the facts. And while a bit of whitewashing is absolutely unacceptable when it comes to one's education, taking such liberties generally makes a big screen motion picture more favorable to people whose only purpose is to be entertained. Ironically, the very same audience who drooled over Samuel Goldwyn's 1939 adaptation of Wuthering Heights - a film that stayed heavily from its own source
Owen Wilson and Zach Galifianakas blow smoke for emotional growth in Matthew Weiner's feature-film debut.
Both charming and overwrought by a cadre of undeveloped plotlines and too many man-child clichés, Are You Here really is a genre all its own, habitual pot-smoking middle-aged men and the thoughtful women who love them. Just released on Blu-ray and DVD, it’s an endearing first feature-length film from writer-director Matthew Weiner, the creator and driving force behind Mad Men, which for seven seasons has been an emotional examination of mid-century soullessness, drawing its power from tense silences and character deceits. Are You Here runs eagerly in the other direction with women who demand living in the moment and the
Twilight Time brings vintage horror movie lovers a misaligned tale of reincarnation and possession.
The mark of a new decade brings with it much anticipation of something new. Something special. A particular type of renovation that will outdo the victories and faults of its predecessor, whether it be in the world of fashion, music, and film. And the '70s definitely ushered in a venerable revolution in all three of those departments, from incredible (and somewhat incorrigible) clothing, to that funky music a certain unknown audience member shouted for white boy Rob Parissi to play, and right down to an entirely new era of the moving pictures: creepy kids. Though the concept of a child
Twilight Time delivers a dazzling HD re-release of the cult favorite '80s remake and it's swell, kids!
Though many a motion picture updating replete with a bit of blood founds its way into theaters during the '60s and '70s, it truly wasn't until the 1980s rolled around when things really started to change in the field of horror remakes. Mainly, these reworkings occasionally boasted not only a vastly reimagined storyline, but usually included an impressive array of special effects ranging from optical to make-up. Sadly, these things have been replaced by CGI and - worse - an endless supply of dulled-down, MPAA-friendly lifelessness in the countless array of contemporary moving picture letdowns that befall us today. A
Kristen Stewart finally shows her talent in this thought-provoking drama.
In the thirteen years since the events of September 11th, the "detainees" in Guantanamo and their rights have been hotly debated. Director Peter Sattler tells a story of individuals, where the soldiers are just as helpless to explain the events in the prison as those serving time, many without ever being given due process of the law, hoping to cast light on the gray area in-between with his debut feature film Camp X-Ray. Despite some cumbersome pacing issues, Camp X-Ray is a bittersweet, evocative tale of two people just as burdened and bound by the U.S. military, albeit for different
Many small scenes that work by themselves but when strung together they do not connect even though on paper they should.
Food trucks are in right now. This craze started a few years ago when these mobile restaurants would tweet their location and followers would appear waiting to try the latest fusion creation. They still are in, but less of an ingenious idea as the movie Chef makes you think. Taking high-end cuisine to the streets, John Favreau’s newest film Chef is a feel-good family drama that fails to leave any lasting taste in your mouth. Coming off of directing big-budget films like the Iron Man franchise and acting in roles in Identity Thief and The Wolf of Wall Street, Favreau’s
The film that made you rue the day Los Lobos first started saturating radio airplay returns in High-Definition.
For my money, biographical motion pictures are often comparable to those certain speciality stores in strip malls only a small reserve of individuals really go to. Cartridge World. Yankee Candle. The As Seen On TV Store. You know the type of retail outlet I refer to. You even drive past them on a regular basis, occasionally taking the liberty of briefly peeking through their windows to see if there's actually anything interesting in there, whether or not they truly do have customers or are just cleverly disguised another drug front, or if the employees of the outfit are having crazy
The Prosecution of An American President DVD Review: Former Manson Prosecutor Takes on George W. Bush
The Prosecution of An American President should make you angry, no matter what side of the political fence you are on.
Vincent Bugliosi is best known as the prosecutor of Charles Manson, and for writing the book Helter Skelter (1974) about the trial. Unlike Marcia Clark’s efforts with O.J. Simpson, Bugliosi was successful, and his bestselling book led to an ongoing writing career. Considering his history, he is about the last person I would have expected to present a case against George W. Bush in the new DVD The Prosecution of An American President (2014). Bugliosi’s contention that President Bush waged an illegal war in Iraq is very old ground for the left. While Bush was in office, there was even
A failure upon its release, this epic adventure makes a beautiful HD comeback via the Warner Archive Collection.
When Blake Edwards departed from this world in late 2010, he left behind a lasting and versatile legacy of contributions to cinema. From the hard-hitting drama of Days of Wine and Roses (a serious look at alcoholism made during the early '60s, when civilized man enjoyed a steak and martini for breakfast), to a couple of noted musicals with his wife Julie Andrews (Darling Lili and Victor/Victoria), and even the odd thriller like the underrated Experiment in Terror (which Twilight Time was kind enough to issue on Blu-ray in early 2013), Edwards tried his hand at many different types of
A rarely-seen bad movie becomes even worse thanks to a marred English audio track.
The essence of classic German expressionist cinema - particularly in the field of horror - is something many imitate, but which few can respectfully replicate in the long run. Indeed, director Werner Herzog created his own horror classic in 1979 with Nosferatu the Vampyre, his artistic take on F.W. Murnau's now-iconic silent 1922 masterpiece, Nosferatu, eine Symphonie des Grauens. With the legendary visionary helming and the legendary creepiness and craziness (both onscreen and off) of his certifiably-insane lead actor, the infamous Klaus Kinski - who superbly mimicked the mannerisms of Murnau's mysterious monster (offscreen as well as on), Max Schreck