Words like “genius” or “literally” are tossed around a lot these days, to the point that they’ve lost most of their meaning and impact. Fans and critics are quick to label anyone with talent a genius and judging by comments on social media, the words “literally” and “figuratively” share the same definition. So while I’m a bit hesitant to use those words to describe a legend like Ray Harryhausen, I literally have no other options. And while I’m at it, I’ll throw in the term “one of a kind” as well, because he literally was - most of his work
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A trip through time, celebrating not only the work of a brilliant creator, but the history of cinema promotion.
A comprehensive, lavishly illustrated overview of the reviled, but ever popular, slasher-movie genre.
Before the late '90s-early 2000s revival of horror as a mainstream money maker (thanks largely to Scream and the new slasher boom which followed), there were four big modern boogeymen of horror: Freddy, Jason, Michael Myers, and, to a lesser extent, Leatherface. Sure, other monsters came and went, and had whole series playing out on direct to video, but those four guys all got theatrical releases. They had mainstream patina: hell, two of them got TV shows. It's one of the oddities of the horror genre that it's the villains, not the heroes, who make the series. Halloween is not
It's fun to see further adventures of the Original crew, particularly because Byrne understands the characters.
As stated in my previous reviews of this book series, John Byrne and IDW Publishing are presenting the lost missions of the Original Series Enterprise crew in the form of photonovels. That format uses photographs instead of drawings like the Star Trek Fotonovels of the late '70s. Byrne manipulates images of characters and backgrounds from the TV show combined with new material such as dialogue in word balloons, narration, and photos of actors playing new characters and bodies of old ones. Volume 7 collects issues #18-20. During a routine resupply in the Polymax system in "What Pain It Is to
Throughout Volume 24, Gould continues to deliver adventures filled with thrills, laughs, and action.
As the Library of American Comics and IDW Publishing continue to collect The Complete Dick Tracy by Chester Gould, Volume 24 presents the dailies and Sunday strips from July 3, 1967 through to April 2, 1969. The book has an introductory essay by consulting editor Max Allan Collins, "Is All This Moon Stuff Worth It?" about the state of the strip at the time. It concludes with contributing editor Jeff Kersten's "Hard as Hell - Act Two" about Gould and provides interesting annotations. The book opens with Dick Tracy and Diet Smith hot on the trail of the bearded duo
A fascinating look at the series that is sure to be held in high esteem by fans.
Starting with the Original Series, the Star Trek franchise has had a long involvement in the publishing world, including James Blish's adaptations of episodes, original novels published by Bantam Books and Pocket Books, and reference books such as Bjo Trimble's Star Trek Concordance and Joseph Schnaubelt Franz's Star Fleet Technical Manual. Star Trek: Lost Scenes by David Tilotta & Curt McAloney from Titan Books is a fascinating look at the series that is sure to be held in high esteem by fans. The authors explain in their Introduction that the book “is a photographic compendium of the discarded bonus material,”
The characters and community continue to evolve along with the skill in which the story is told.
In 1978, after publishing a handful of humorous parenting books, Lynn Johnston was asked by Universal Press Syndicate if she’d be interested in working on a daily comic strip. She signed a contract and the rest, as they so often say, is history. Thirty years later, Johnston retired from For Better or For Worse, leaving behind a rich tradition of exquisitely hilarious storytelling through sequential art. As the title of the strip suggests, For Better or For Worse dealt with a great deal of family joy as well as strife over the course of those three decades, all of it
The final chapter in this inventive science fiction strip faced a lot of changes.
Star Hawks was a science fiction/fantasy daily newspaper comic strip that ran from 1977 to 1981. It tried to ride the coattails of movies like Star Wars and Star Trek, capturing their popularity and moving it to the daily papers. It was creatively drawn by Gil Kane and contained many a swashbuckling, alien-fighting, action-packed story. However, it always struggled to find an audience and once Star Wars and Star Trek moved into the daily papers themselves, it never stood a chance. Popular strips at this time were carried in hundreds of newspapers while Star Hawks could count the number of
It's wonderful to experience the strips as readers did over 50 years ago and see the artistry on display.
As mentioned in reviews of the previous volumes in the series, Walt Disney's Treasury of Classic Tales was a Sunday strip that featured 129 stories, running from July 13, 1952 until February 15, 1987. The Library of American Comics is republishing them and the 14 stories in Volume Three, which are collected in a book for the first time, include adaptations of films, both live-action and animated. Written by Frank A. Reilly and drawn by Jesse March, except where noted, they are: Darby O'Gill and the Little People (May 3, 1959-August 30, 1959) Third Man on the Mountain (September 6,
A compelling alien tale that fits the established mold while keeping you guessing to the very end.
How much you come away from a story loving or loathing a character is a testament to how well they are written or portrayed. In just about any Alien story that involves Weyland-Yutani corporate sleaze, the disdain felt for those people is usually stronger than we feel toward the aliens themselves. The horrific violence and dehumanization by the banana-headed, sci-fi monsters manages to consistently pale in comparison to what human beings do to one another in the interest of personal greed or glory. Such is the case in Alex White's Alien: The Cold Forge, a story set shortly after the
The latest volume of Superman dailies tackles the end of World War II and beyond.
Superman’s adventures have been written about for 80 years now — a remarkable number for any character. He has been the subject of comic books, radio dramas, television shows, animated series, movies, and newspaper strips. The newspaper strips, which ran from 1939 to 1966 and saw the character witnessing an astonishing amount of social change in the United States, have become some of the rarest Superman collectibles. In an attempt to rectify this, DC Comics has partnered with the Library of American Comics and IDW to reprint these classic tales in lovingly assembled volumes, the latest of which is Superman:
This collection serves as a very good origin story, setting the stage for future adventures.
In the Star Trek franchise, there is a parallel universe dubbed the "Mirror Universe" where the evil Terran Empire, which rules through terror, stands in place of the United Federation of Planets. Its first appearance was in the Original Series episode "Mirror, Mirror," when a transporter malfunction during an ion storm causes the landing party of Captain Kirk, Dr. McCoy, Scotty, and Uhura to switch places with their counterparts. It was a very compelling episode and the Mirror Universe has been revisited in different TV series and assorted non-canonical Trek media. IDW's Star Trek: The Next Generation: Mirror Broken collects
A beautifully designed book that discusses Alfred Hitcock's tumultuous relationships with his leading ladies.
While talking to fellow filmmaker Francois Truffaut, director Alfred Hitchcock noted that he made his films with women in mind. He felt that women were the ones generally going to the movies and that when they brought a man along, it was still the women who made the decisions of which film to see. He certainly spent a lot of time fussing over his leading ladies. He was very much involved in not only choosing the right actress for the part but in choosing what clothes they should wear, hairstyles they should have, and every other aspect of how they’d
Caniff continues to work at the top of his game.
The Library of American Comics continues publishing the adventures of Milton Caniff's Steve Canyon with Volume 8, which presents the newspaper comic strips of 1961 and '62, the 14th and 15th year of the strip's 41-year run. The premise remains the same as Air Force Colonel Steve Canyon travels the globe conducting official and unofficial missions. Also remaining the same is Caniff's outstanding artwork. Steve's first assignment in this collection is set in England where some of the locals aren't too happy about the installation of a North American air defense radar station, especially when their sheep start dying. In
They are fun adventures that don't require one to be well versed in the movies or other media of the franchise.
In IDW/The Library of Amercian Comics' on-going presentation of the Star Wars newspaper comics, Volume 2 presents eight stories that ran from October 6, 1980 through to September July 25, 1982. The Empire Strikes Back had been released in May 1980, but none of the events had any impact on the stories because the first, an adaptation of Brian Daley's novel Han Solo at Star's End, is set before the events of Star Wars, and the remaining stories are set between Star Wars and Empire. Adapted by Archie Goodwin, who wrote all the other stories in this colllection, and drawn
Book Review: The Pride of the Yankees: Lou Gehrig, Gary Cooper, and the Making of a Classic by Richard Sandomir
A well-researched book that gives you the nuts and bolts of how one of the first major movie biopics was made.
Field of Dreams, The Natural, and Bull Durham may be the first movies that come to mind when you think of baseball, but the first classic baseball film, The Pride of the Yankees, was made in 1942. The story of Yankees’ great Lou Gehrig, who played in 2,130 consecutive games until he developed - and later died of - amyotrophic lateral sclerosis (ALS), starred Gary Cooper, Teresa Wright, and Walter Brennan, and is considered the first blockbuster sports movie. The climax of the movie is Cooper’s reenactment of Gehrig’s “Luckiest Man in the World” speech before his retirement, which is
Li'l Abner and Daisy Mae tie the knot in this latest volume of Li'l Abner comic strips.
Al Capp’s Li’l Abner had the kind of success most comic strips only dream of. Running for 43 years, it captured the heart of pop culture long before the Marvel movies and big-screen blockbusters we have today. The strip introduced the idea of Sadie Hawkins Day into the lexicon, where in a role reversal, young ladies asked young men out for dates. Not a big deal now, but it was a major deal in the 1930s when Capp brought it into his strip. The strip turned Capp into a celebrity, with Capp presenting Kitty Pankey the title of “Sweetest Face
Welcome these stories into your Star Trek library.
As stated in my previous reviews of this book series, "John Byrne and IDW Publishing are presenting the lost missions of the Original Series Enterprise crew in the form of photonovels. That format uses photographs instead of drawings like the Star Trek Fotonovels of the late '70s. Byrne manipulates images of characters and backgrounds from the [TV show] combined with new material such as dialogue [in word balloons], narration, and photos of actors playing new characters and bodies of old ones." Volume 6 collects issues #15-17. “The Traveler” finds the Enterprise crew boarding a ship that's bigger on the inside,
No matter your political affiliation, there are plenty of great stories to read about the former president and First Lady and their love of the movies.
During their eight years in office, Ronald Reagan and his wife, Nancy, watched a total of 363 movies during their weekends at Camp David. Not only were they the big box-office hits of that time (1980-1988), but they also consisted of the classics before that era, as well as what Ronald Reagan referred to as the “golden oldies,” which were the films in which he starred. In Movie Nights with the Reagans, Mark Weinberg, a former spokesperson, adviser, and speechwriter to President Reagan, focuses primarily on the films of the 1980s that made the biggest impressions on the couple and
Book Review: Superman: The Atomic Age Sundays, Volume 3 (1956-1959): A Wonderful Time Capsule for Fans of the Man of Steel
Thirteen classic Superman tales, all collected in one volume.
When it comes to comic book heroes, Superman remains one of, if not the biggest pillars in the industry. With a remarkable history going back 80 years and with a graded copy of Action Comics #1 selling for $3 million plus, Superman is arguably the gold standard by which all other heroes are measured. Like many heroes, Superman has appeared in comic books, but also in Sunday newspaper strips. While this may not be as common now, it was very common in the 1950s. With comic values for older hero books becoming more and more out of reach and original
A giant collection of art from the man who showed us what the future looked like.
If you’re a fan of science fiction films, there’s a pretty good chance you’re a fan of Syd Mead. Even if you don’t know him by name, it would be almost impossible to avoid his work. And even if you somehow managed to miss films like Aliens, Blade Runner, Star Trek: The Motion Picture, Elysium or Tron, it’s safe to say that you are familiar with something or someone that borrowed a bit from Mead’s style. The man has played a pivotal role in shaping cinema’s vision of the future for nearly 40 years and his fingerprints can be seen
Those who prefer their Dick Tracy Earthbound will be pleased as will anyone who enjoys crime stories filled with sex and violence.
As the Library of American Comics and IDW Publishing continue to collect The Complete Dick Tracy by Chester Gould, Volume 23 presents the dailies and Sunday strips from December 27, 1965 through to July 2, 1967. The book has an introductory essay by consulting editor Max Allan Collins, "Now Back to Our Story," about the strips collected. It concludes with contributing editor Jeff Kersten's "Hard as Hell - Act One" about matters relating to Gould and the strip during this time period offering references to allusions Gould makes to the JFK's assassination and Washington Post publisher Phillip Graham's divorce. He
Awe-inspiring and just regular inspiring too. And a whole lot of fun.
We can all agree that Captain Underpants: The First Epic Movie was pretty sweet, right? It was cute, it was charming, it had a good message about friendship and being kind, and it was basically just a bunch of fart jokes for little kids. And isn’t that what life is all about? No, not fart jokes, but little kids. Laughter. Friendship. If the sound of a child’s laughter doesn’t warm your heart and put a smile on your face, I’m sorry, but there’s just something wrong with you. And nothing makes a child laugh harder than a good fart joke.
Expanded and updated with 35,000 words of new material, this edition is likely to be the last, until a number of the inevitable posthumous releases dictates another.
"Complete" is an accurate description of this astoundingly thorough encyclopedia of Bowie's work. The book naturally opens with "The Songs from A to Z," starting with "Abdulmajid," an instrumental by Bowie and Brian Eno that appeared as a bonus track for a "Heroes" reissue in the early '90s as well as All Saints: Collected Instrumentals 1977-1999. Over the next 300-plus pages, readers are presented in-depth details about greatest hits, covers, and deep cuts, through to "Zion," a "rambling six-minute demo from 1973 which has also appeared on bootlegs under the various titles 'Aladdin Vein', ' Love Aladdin Vein', and '
Reminiscent of a million things but totally unique - I've never seen anything quite like it!
I’ve never seen anything quite like Gil Kane and Ron Goulart’s Star Hawks. And yeah, I know we geeks are prone to hyperbole; we like to rant and rave online about how mind-blowingly transcendent the stuff we love is and we like to say that things we don’t like somehow travelled through time to assault our childhood. It’s all pretty ridiculous, but it seems like Geek Hyperbole is part and parcel with internet nerdery, doesn’t it? So much so, that you probably didn’t bat an eye when I capitalized it! So yeah, we who fly on the geeky side of
All the beauty of the movie, with none of the shortcomings.
I don’t know you, but I’m going to make a bold assumption about the type of person you are. You probably got pretty excited when you first saw that trailer for Luc Besson’s live action adaptation of Valerian, didn’t you? I make that assumption based on the fact that you’re reading a review of a book of art from the film and the fact that I, the reviewer of said book of art from the film, also got pretty excited when I first saw that trailer. Like, really excited. While only vaguely familiar with the comics by Jean-Claude Mezieres and
A delightful gift to readers from Disney and the Library of American Comics.
Considering how beloved Disney characters and Christmas are by children, it was surprising to learn in Alberto Becattini's introductory essay "Merry Christmas, Disney Style" that they weren't paired together in newspapers strips until "Peter Pan's Christmas Story" debuted in November 28, 1960 after managing editor / administrator of Disney's Comic Strip Department Frank Reilly pitched the idea to distributor Kings Features Syndicate. The annual "Disney Christmas Story" ran 27 times, concluding with "Snow White's Sinister Christmas Gift" in 1987. Rebranded in 1992 as the "Disney Holiday Story," these strips were tied into the films of the Disney Renaissance, ranging from
It's not to often something comes along that makes Star Wars better, but this book does just that.
The Star Wars universe is defined by conflict. Whether it’s the internal struggle of a young Jedi finding his way in the world while dealing with some pretty heavy family baggage or a ragtag group of rogues trying to pass along some top secret plans, there’s always a lot of fighting going on in these stories. With Star Wars: On the Front Lines, author Daniel Wallace offers fans a unique perspective on eleven pivotal battles from the Star Wars chronology. Starting with the Battle of Naboo and taking us all the way through the attack on Starkiller Base, Wallace uses
As nice as this book looks, it still looks like the Justice League movie.
Let’s get this out of the way right here at the beginning: I haven’t seen Justice League. Nor do I particularly want to see Justice League. Despite being a lifelong fan of comic books and superheroes, I’m not quite sold on Warner Brothers' vision for the DC characters (with the exception of Wonder Woman, which was absolutely stunning), and it’s nearly impossible to avoid, or remain unaffected by the flurry of bad press the film has gotten from the often unfair online media prior to its release. But none of those reasons speak to why I remain uninterested in the
Contains only one Silly Symphonies adaptation, but plenty of other Disney magic.
The Silly Symphonies comic strip started as a venue for adaptations of Disney’s long-running series of animated shorts, but by the time of the Sunday color strips presented in this collection, the title was far less indicative of its contents. While the artistic merits remained high, the strips only adapted one animated short, The Ugly Duckling, while devoting the rest of the space to Pluto one-offs, a lengthy adaptation of Pinocchio, and ongoing original adventures of Little Hiawatha. As such, the brand name doesn’t really match the strips, but the contents are still decidedly Disney and completely entertaining. The collection
The artwork is the real stand out.
While Disney had previously run newspaper comic strips before it, their Treasury of Classic Tales was a Sunday strip that featured 129 stories, running from July 13, 1952 until February 15, 1987. The Library of American Comics is republishing them and the 13 stories in Volume Two, which are collected in a book for the first time, include adaptations of films, both animated and live-action, and original stories. Animation historian Michael Barrier provides Introductions for the book and for each strip. Written by Frank A. Reilly and drawn by Jesse March, except where noted, they are: The Legends of Davy