As soon as the opening credits of Bunny Lake is Missing fade in following the perfunctory Columbia lady logo, it's obvious that this is an Otto (Anatomy of a Murder) Preminger film. A hand reaches up onto the completely black screen, ripping pieces of the darkness away to show us just enough for the incredible iconic work of Saul Bass to reveal the men and women responsible for this magnificent work of cinematic art. Likewise, director Preminger only shows us fractions of the light throughout this psychological thriller revolving around a missing child in London during the revolutionary mid '60s
Recently in Blu-ray
The only film to ever have employed a couple of Zombies as a Greek chorus hits High-Def courtesy Twilight Time.
Frank Capra's romantic comedy classic shines in new Criterion release.
It’s hard to imagine now, but there was a time in cinematic history when romantic comedies were extremely rare. That all started to change, for better or worse, with the 1934 release of this Frank Capra gem. The film went on to sweep the five major Oscar categories, netting statues for stars Clark Gable, Claudette Colbert, director Capra, and screenwriter Robert Riskin, cementing its status as a Hollywood classic. That classic is now 80 years old and was showing its age, so its recent meticulous restoration and new release on Blu-ray offers a completely refreshed take on the film. Colbert
Dive into a wet and wild ride to the bottom of the world's oceans.
I watched Deepsea Challenge 3D a few nights ago (though decidedly in 2D as I lack the necessary equipment for that elusive third dimension), but it wasn't until last night that I really developed an appreciation for what James Cameron endured to make this piece of work. He crammed himself into a steel sphere only a few feet in diameter and plummeted to the bottom of the deepest parts of the ocean for the sake of curiosity and scientific discovery. What could I have possibly done to compare to this task? I crammed myself into the tiny space under my
The Warner Archive presents the second of three strikes for Jack Webb's failed franchise.
Way back during those far-off days of the very early 1990s (he said in jest), I found myself - along with my peers - choosing an assignment for English from a number of eclectic books our teacher had on-hand. And while my report of The Communist Manifesto, wherein I commented Karl Marx was of no relation to Groucho, Harpo, Chico or Zeppo, was a deliberately dumb affair, it could not compare to the smirking delight that set over my face when the morons on the other side of the room - the "cool, popular" kids, if you will - decided
Twilight Time brings us a much-needed High-Def release of the Burt Lancaster/John Frankenheimer classic.
November 2014 could truly be one of the most auspiciously underestimated months in the history of home video releases. One of two significantly incredible reasons for my assessment owes to a recent Warner release that many of us never, ever thought we would see, Batman: The Complete Television Series - which not only made it to video in a form other than our terrible VHS recordings from TV, but on Blu-ray even. The second reason this month deserves an asterisk in the annals of history is warranted by the High-Def home video debut of another fellow named after a small
Turn it on (again) and play it loud.
Available for the first time as a stand-alone DVD and on Blu-ray, Genesis: Three Sides Live was initially released on Betamax and VHS in 1982 as a companion piece to the live album of the same name. The film shows the band (vocals/drums Phil Collins, keyboards Tony Banks, guitar/bass Mike Rutherford with support from touring members guitar/bass Daryl Stuermer and drums Chester Thompson) on their 1981 North American tour promoting their eleventh album, Abacab. The concert performances are taken from two New York shows, primarily from Nassau Coliseum, Long Island, on November 29, 1981 with two ("Me & Sarah Jane"
The final season for the animated Clone Wars series makes its way to Blu-ray.
When the animated series Star Wars: The Clone Wars was cancelled after its fifth season, fans wondered what was to become of the episodes already in the can for season six. Thirteen episodes of the originally intended 22 were produced and were eventually made available on the German TV Network, Super RTL, and, later, Netflix in America and Canada. Now those episodes are available with bonus content on Blu-ray as Star Wars: The Clone Wars: The Lost Missions. The season leads off with “The Unknown” and finds Republic forces batting a battle droid army aboard a planet-circling space station. A
Joan Crawford takes the wheel in a classic thriller that has received a startling new HD release from the Warner Archive.
It's always the same. One minute, you're wandering aimlessly down the surprisingly empty streets of Los Angeles, searching for a man, mistaking every other stranger you meet for said individual, startling hard-working American folks by meandering into coffee shops and acting strange. The next minute, they're hauling your ass into the psychiatric ward. Well, maybe that's not a common occurrence for you, but I'm sure I have come closer to being in the exact same predicament Joan Crawford finds herself in at the beginning of her 1947 starring role Possessed than most other people who have would freely admit to.
James Cagney gets born of the fourth of July for the Warner Archive's dynamic HD release of the already exceptional George M. Cohan biopic.
Generally, as I have pointed out in a previous article, biographical motion pictures are something of specialty items - usually commissioned, produced and released in order to cash-in on the death of a celebrity. But in the instance of 1942's Yankee Doodle Dandy, we have a biopic that is a whole different affair altogether. Although the subject of the picture itself, the iconic patriotic American Broadway composer/playwright/performer George M. Cohan - conceived and brought to the attention of studio executives by the man himself (!) - was still alive at the time the film was made, he did not fall
From lite BDSM affairs of the late '60s to bloody splatter flicks of the mid '80s, here's a little bit of everything from one of cinema's most inimitably imitative industries.
The bulk of Italian cinema is generally recognized by the average American viewer as little more than a number of classic neorealism features. Maybe a mafia movie made by a US filmmaker of Italian descent. And the occasional film by that guy who paved the way for a classic Tom Cruise interview by going berserk and climbing over (and atop) seats at the Oscars that one time. But for the cult/trash film enthusiast, Italy is perhaps the best known supplier of gory guilty pleasures, sinfully sultry sleazefests, and some of the most rockin' (or at least completely funky and groovy)
Planes: Fire & Rescue may be a spin-off from Cars but it lacks the Pixar magic.
Planes: Fire & Rescue is the second of three movies planned for the Planes trilogy which is a spin-off from Pixar's Cars. After becoming a success on the racing circuit, Dusty Crophopper (voiced by Dane Cook) is getting ready for his biggest race to date. During a flight, his gear box gives out and he is told that it cannot be replaced. Not understanding his own limits, Dusty ends up causing damage to a local business and gets pushed in the world of Aerial Firefighting where he learns that being a real hero means checking your ego at the door.
What we project onto our relationships can become a reality.
Films about couples on the brink of losing their relationship are nothing new. We go to the theater to see if they will make it out alive and stay together because we hope in turn our own relationships will make it out alive. But if you are looking for a film to reinvigorate your relationship with your signifigant other, The One I Love is not that film. The One I Love starts as a film about Ethan (Mark Duplass) and Sophie (Elizabeth Moss), a couple trying to save what is left of their marriage after Ethan has an affair. Their
A nostalgic family film that wants to remind you of classic '80s adventure movies, but instead made me chuck things at my TV.
I recently wrote about how I’ve become obsessed with the idea of watching all the old movies I loved as a kid with my own child. There is something really wonderful about the sharing of films that meant a great deal to yourself as you grew up with your own offspring as they grow older. Along with this, I’ve began to wonder what new films my daughter will love. What films will she take with her to college and get all nostalgia-eyed with her suite mates and girlfriends? What will be her Karate Kid? Her Gremlins? At three, she’s really
Not as good as its cast might imply.
Good People treads the rather well worn theme of greed making good people turn bad, greed specifically in this case being money. The story starts out with a drug deal double-cross gone bad, and the double-crosser turns up dead of an overdose a couple days later in his London flat. When the landlords Tom (James Franco) and Anna (Kate Hudson) venture into their tenant's apartment to ask him to turn down his blaring television, they find the corpse as well as about 300,000 pounds in cash. Unlike the tiresome Come Morning, Good People is slightly more deserving of being compared
Intelligent, thought-provoking sci-fi drama with winning performances and production design.
Chris Evans struck box-office gold with his latest Captain America film this year, but his other recent comic book film is equally entertaining. Based on an obscure French graphic novel, Snowpiercer imagines a post-apocalyptic world that has frozen over, trapping all human survivors on a huge train on a perpetual voyage around the world. Much like Speed, if their transport drops below a certain speed, they’ll all die, but in this case it’s due to the extreme cold outside rather than any explosives. The train has a rigid class system, with the poor huddled masses in the rear and the
Equestria Girls proves that friendship and music really is magic.
In fall of 2013, the world was introduced to My Little Pony Equestria Girls, an alternate reality in which the four-legged friends from Canterlot were re-imagined as teenage girls. At first glance, it seemed like little more than a cash grab - a way for the popular characters to horn in turf previously occupied by the likes of Barbie and Monster High. And maybe it was; after all, My Little Pony: Friendship is Magic is little more than a series of 22-minute commercials for a toy line, right? Except that it isn't. Any parent who watches the show with their
Hollywood has been remaking movies for nearly as long as its been making them. It does seem that the last few years, going back as far as maybe a decade, that the movie machine has been churning out remakes at a faster and faster speed. As subset of the remakes are prequels and reimaginings, which I seem to be seeing more and more as the days roll on. More recently we’ve got the post-Wicked retellings of old stories from the villains point of view. This has been popular in fiction for awhile coming on fast ever since Wicked, Gregory Maguire’s
Mark Ruffalo and Keira Knightley trapped in a sappy, predictable music industry backstager from the maker of Once.
When a movie is as cliché-ridden and predictable as Begin Again, it’s often difficult to identify which is more to blame, the screenplay or the direction. In this case, John Carney, who also performed similar chores for the 2006 movie musical Once, has made it easy; he’s again responsible for both. This 2013 tale of middle-aged redemption, artistic striving and music industry backstage story stars two talented, likeable actors, Mark Ruffalo and Keira Knightley. He’s Dan, a down-and-out former record label exec, nearly broke, divorced and estranged from his teenage daughter Violet (Hailee Steinfeld). She’s Gretta, a talented but unheralded
Twilight Time's new Blu-ray release is most assuredly the best possible way to experience this underrated gem.
With a story focusing on a journalist, a photographer, and a revolution, Twilight Time's release of Roger Spottiswoode's 1983 drama Under Fire sounds like a title that should have been released with their September 2014 line-up - as it would have made a great pairing with Oliver Stone's Salvador. But while both movies are based on actual events involving members of the news media becoming involved in a dangerous rebellion between indigenous oppressed folk and corrupt politicians, Spottiswoode's elegantly crafted 1983 film graciously succeeds in rising above just about everything Stone bombarded his viewers with three years later. Plus, not
While using teenage main characters could have led to a series best suited for children, the realistic characters and smartly plotted stories make it accessible for all.
Created by Brandon Vietti and Greg Weisman, Young Justice is a DC Comics animated series that aired for two seasons on Cartoon Network from 2011 to 2013. Not based on the comic series of the same name, the show presented the adventures of a team of young heroes (Don't call them "sidekicks"!) set its own distinct universe separate from the other DC Comics TV series. While using teenage main characters could have led to a series best suited for children, the realistic characters and smartly plotted stories make Young Justice accessible for all. As the Justice League goes off on
Martin Sheen is in trouble, for he does not practice Santería. Nor does he have a crystal ball, for that matter.
Today's younger generation of photoplay viewers probably only recognizes actor Martin Sheen as the father of Charlie and/or "the guy who starred in that one Vietnam movie with the boat and the napalm". An even smaller demographic will be able to go a step further on that front and classify him as the brother of cult B movie actor Joe Estevez. (Emilio never gets mentioned, and rightfully so.) In fact, it's almost hard to believe now that there was once a time that Marty was something of a formidable name on a movie marquee before he started to appear in
Universal unveils the HD debuts of four of the iconic director's works in this eight-film set.
With the fourth quarter upon us and the holiday season that comes with it closing in at an ever-alarming speed, it's the perfect time once again for studios to assemble various collections for established home video collectors and newbies alike. But whereas some sets will shamelessly repackage the same movies that have been released individually over the years, enclosing them in a shiny new shell for those whose are easily distracted by such things, others actually make their new releases of older catalogue titles worthwhile by including an assortment of movies that are actually new to the format in question.
That smudged printing on Jeff Bridges and Kiefer Sutherland's résumés can be seen in a much clearer light now.
Once upon a time, I received a copy of an Italian-made English-language movie that had been dubbed into Italian before somebody who obviously did not learn the King's language as their primary form of verbal communication next created English subtitles translated from the Italian translation. There was also an instance in photoplay history where an adaptation of Shakespeare was produced for German television; the Bard's original work transcribed into the local Germanic tongue, only to wind up dubbed back into English - from the German conversion, nonetheless - for a subsequent (and probably poorly-received) television airing in the United States
Owen Wilson and Zach Galifianakas blow smoke for emotional growth in Matthew Weiner's feature-film debut.
Both charming and overwrought by a cadre of undeveloped plotlines and too many man-child clichés, Are You Here really is a genre all its own, habitual pot-smoking middle-aged men and the thoughtful women who love them. Just released on Blu-ray and DVD, it’s an endearing first feature-length film from writer-director Matthew Weiner, the creator and driving force behind Mad Men, which for seven seasons has been an emotional examination of mid-century soullessness, drawing its power from tense silences and character deceits. Are You Here runs eagerly in the other direction with women who demand living in the moment and the
Twilight Time brings vintage horror movie lovers a misaligned tale of reincarnation and possession.
The mark of a new decade brings with it much anticipation of something new. Something special. A particular type of renovation that will outdo the victories and faults of its predecessor, whether it be in the world of fashion, music, and film. And the '70s definitely ushered in a venerable revolution in all three of those departments, from incredible (and somewhat incorrigible) clothing, to that funky music a certain unknown audience member shouted for white boy Rob Parissi to play, and right down to an entirely new era of the moving pictures: creepy kids. Though the concept of a child
Twilight Time delivers a dazzling HD re-release of the cult favorite '80s remake and it's swell, kids!
Though many a motion picture updating replete with a bit of blood founds its way into theaters during the '60s and '70s, it truly wasn't until the 1980s rolled around when things really started to change in the field of horror remakes. Mainly, these reworkings occasionally boasted not only a vastly reimagined storyline, but usually included an impressive array of special effects ranging from optical to make-up. Sadly, these things have been replaced by CGI and - worse - an endless supply of dulled-down, MPAA-friendly lifelessness in the countless array of contemporary moving picture letdowns that befall us today. A
Luca's intuitive yet iconoclastic approach to crime-solving is a lot of fun to watch, but it is the romance of Luca and Lara that is sure to keep viewers interested and involved.
MHz has recently released the second season of the Italian crime/comedy series Inspector Manara 2. Fans of the first season will be sure to enjoy the further adventures of the title character, Luca Manara, played by the charming and handsome Guido Caprino. In the first season, a reluctant Luca had been transferred to a sleepy little Tuscan seaside town, where he soon, unexpectedly, found himself busy chasing down clues to countless murders and other associated crimes. He was helped in his endeavors by the lovely Inspector Lara Rubino (Roberta Giarrusso), a former fellow student from their days at the police
The film that made you rue the day Los Lobos first started saturating radio airplay returns in High-Definition.
For my money, biographical motion pictures are often comparable to those certain speciality stores in strip malls only a small reserve of individuals really go to. Cartridge World. Yankee Candle. The As Seen On TV Store. You know the type of retail outlet I refer to. You even drive past them on a regular basis, occasionally taking the liberty of briefly peeking through their windows to see if there's actually anything interesting in there, whether or not they truly do have customers or are just cleverly disguised another drug front, or if the employees of the outfit are having crazy
A failure upon its release, this epic adventure makes a beautiful HD comeback via the Warner Archive Collection.
When Blake Edwards departed from this world in late 2010, he left behind a lasting and versatile legacy of contributions to cinema. From the hard-hitting drama of Days of Wine and Roses (a serious look at alcoholism made during the early '60s, when civilized man enjoyed a steak and martini for breakfast), to a couple of noted musicals with his wife Julie Andrews (Darling Lili and Victor/Victoria), and even the odd thriller like the underrated Experiment in Terror (which Twilight Time was kind enough to issue on Blu-ray in early 2013), Edwards tried his hand at many different types of
Sleeping Beauty (1959) Diamond Edition Blu-ray Review: Same Great HD Presentation, but Less Features
A brilliant restoration of a now Disney classic.
In terms of film classics, there is always a Disney film in that pantheon, but unfortunately Sleeping Beauty (1959) isn't the first title that you would choose when naming Disney's greatest films, but nonetheless, it is one of the last great, hand-drawn animated films, regardless of what you really think of it. It is hard to think of a film, especially for kids that has had such a huge effect on how they see fairy tales. Although the story is pretty common, and kind of a letdown in terms of the essence of the fairy-tale princess, it's still pretty impressive