Despite having seen the trailer for the film at the cinema prior to its release, it wasn't until I saw the teaser/standee artwork for the WWII/POW movie Unbroken that it stood out to me. And that was because once I saw a man standing with his back to us, holding a heavy wood beam over his head, a golden-colored and familiar-looking font spelling out the name of the film, I instantly thought of Rocky Balboa. I had every reason to, too, as the promotional artwork damn near plagiarized the cover of the more popular 2006 Sylvester Stallone sequel. When
Recently in Blu-ray
Angelina Jolie brings us an all too run-of-the-mill biography of WWII POW Louis Zamperini.
Making me believe in big, bold musicals once again.
When choosing Into the Woods as my pick of the week, I noted that I’m not as big of a theatre geek as I once imagined. Sometimes I get bored in the theatre and I’m finally in a place where I can not only admit that, but also be perfectly okay with it as well. I came to Rob Marshall’s movie version of Stephen Sondheim’s much-beloved musical with a lot of hopefulness, but also a touch of trepidation. What if I didn’t like it, or worse, what if I didn’t get it? I’m able to now say I’m not the
A kitchen sink of Japanese genre elements from Japanese exploitation expert Teruo Ishii.
Blind Woman's Curse, directed by Teruo Ishii and due out on Blu-ray on April 21 from Arrow Video, is a fine example of the kind of leeway that was allowed in Japanese studio films. As long as the movie had enough elements that looked like it belonged to a genre, Japanese exploitation movies of the '60s and '70s would go to surprising artistic places, and most often with extremely professional technical results. This movie, on the surface a mix of a Yakuza story about a female boss of an early 20th century Japanese gang and a ghost story with a
Ridley Scott falls far from the grace of God and anyone who has ever worshipped either of the two.
According to His faithful flock and their respective independently-produced movies, God is not dead. The concept of the Hollywood biblical epic, on the other hand, is a critically endangered species. The days of lavish productions loaded with dazzling special effects and all-star casts of white folk playing Egyptians performing in big-budget productions interlaced with a strong belief in the Christian theology throughout are long gone, having been replaced by low-budget, poorly acted, and usually mind-numbing films produced by people who are either just exploiting the faithful (see: Left Behind), or who are a few hundred thousand Hebrewites short of an
John Wayne tries to tame Maureen O'Hara.
Made by his own Batjac Productions, John Wayne stars as the titular McLintock! in a variation of Shakespeare's Taming of the Shrew with Maureen O'Hara, the fourth time they shared the silver screen together. Set in the Old West, G.W. (named after the country's first President) McLintock is a major cattle rancher in the Oklahoma Territory and his estranged wife Katherine (O'Hara) returns to town after two years, wanting a divorce and custody of their daughter Rebecca (Stefanie Powers), herself returning from school with a suitor in tow, Matt Douglas, Jr. (Jerry Van Dyke). However, G.W., who never wanted her
It’s great to add this final chapter to the collection.
After previously working together in various configurations at university and on such television shows like The Frost Report and Do Not Adjust Your Set, (the late) Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin formed what is arguably the funniest and most influential comedy troupe ever. Known as Monty Python, they came together to create the legendary TV series Monty Python's Flying Circus, which debuted October 5, 1969 on the BBC. Their humor was a great mix of high brow and low brow, both of which are typified in the "Summarize Proust Competition" where each
A beguiling, wonderful film about first love and infatuation.
There have been many coming-of-age movies, such as The Yearling (1946), The 400 Blows (1959), To Kill a Mockingbird (1962), Breaking Away (1979), The Breakfast Club (1985), Stand By Me (1986), and Dazed and Confused (1993), that have made a really big impression on me, in terms of accurately depicting the trials and tribulations with growing up, peer pressure and parental dysfunction, and buddling love. And speaking of buddling love, Daniel Ribeiro's 2014 charmer The Way He Looks (Hoje Eu Quero Voltar Sozinho) gets it absolutely right. It takes the premise of newfound love and takes it to such new
Universal re-releases John Hughes' quintessential teen dramedy just in time for a two-night theatrical re-offering.
One of the few filmmakers who made movies about teenagers while actually having an understanding about the awkward, spotty-faced years of adolescence itself, John Hughes' second film as writer and director (and his first as a producer) is one that has successfully managed to withstand the test of time. Indeed, it is probably the quintessential American motion picture to center on high school students (from the '80s or otherwise) who are coming to grips with themselves, peer groups, and the pressures allotted to and from both. With a minimal budget, single location setting, and nothing but character development to offer,
The movie that left its mark on the annals of exploitation advertising history inaugurates Arrow Video's new North American label.
Nothing delights me more than seeing a new cult video label emerge in the USA. After the collapse of the (global) economy nearly a decade ago, a number of niche companies who specialized in movies I grew up only reading about or drooling over the lurid VHS labels of in mom and pop video stores as a kid disappeared. Many of them were on a winning streak at the time, too, which makes it all the more regrettable. Since then, several outfits have surfaced - with some becoming hugely popular, while others were literally the home video equivalent of a
"Sometimes, life doesn't go the way you planned." - Hiro
When the Walt Disney Company bought Marvel Entertainment in 2009, there was much speculation about what would be the first Disney animated film to spring forth from the pages of Marvel Comics. The annoucement that it would be Big Hero 6, a Japanese superhero team from the late '90s that appeared in only a few books and is so obsure that not even Marvel.com has an entry for them, many questioned the choice. But after earning over half a billion at the box office worldwide and the Oscar for Best Animated Feature, it looks like the the folks at Disney
The ultra-violent cult classic from a very ambitious cabaret entertainer returns to entertain and shock once more.
It is sometimes interesting - well, to me, that is - how many of the articles I request or wind up for review can often be "connected" to one another like a really outrageous game of Six Degrees of Separation. Not too terribly far back, I found myself diving into the Warner Archive Collection re-releases of the Dean Martin & Jerry Lewis Collections. Just last week, I was viewing Twilight Time's new Blu-ray issue of Roger Corman's neglected Prohibition Era gangster picture, The St. Valentine's Day Massacre. Believe it or not, there's more than one common denominator at play between
While there are some laughs, it suffers like many sequels do from not being as good as the original and covering similar ground.
It's no surprise that the directing team of Bobby and Peter Farrelly would write, produce, and direct The Three Stooges, the 2012 modern-day update with new actors playing Moe, Larry, and Curly. The Stooges' brand of dim-witted lunacy and aggressive slapstick is seen throughout the Farrelly Brothers' work, including their feature-film debut, Dumb and Dumber. Starring Jim Carrey and Jeff Daniels as Lloyd Christmas and Harry Dunne, who are perfectly described by the film's title, Dumb and Dumber was a smash hit, turning a $17 million budget into $247 million at the box office. It led to an animated series
The Woody Allen film that even Woody Allen likes gets the High-Def treatment.
Though some people out there would just assume never hear his name ever again, there is ultimately no denying the contributions Woody Allen has made to the worlds of both comedy and cinema alike since he first starting writing gags for television in the late 1950s. Since then, he has directed 50 (count 'em, fifty) projects in addition to writing, producing, and/or starring in several dozen others. Heck, some of the classic comedians who would become the filmmaker's inspirations growing up did not have such a filmic output (even when combined in some instances). But it wasn't just the witty
The movie that almost put gangsters films back on the map returns for another round (of ammunition).
While movies like Sam Peckinpah's The Wild Bunch and Arthur Penn's Bonnie and Clyde generally get the most credit for being the movies that really introduced gritty onscreen violence into the movies (the former was released just months after the MPAA rating system was introduced in 1968), they weren't the first to do so. Not by a long shot. In fact, copious amounts of blood were being spilled by Herschell Gordon Lewis in his outrageous horror movies that made a real killing at drive-ins for jaded teen and rural audiences during the early '60s. The occasional big-budget Cinemascope war film
Yasujiro Ozu left us with one final masterpiece in An Autumn Afternoon, a culmination of many of his favorite themes.
Before he died of cancer on his 60th birthday in 1963, Yasujiro Ozu left us with one final masterpiece in An Autumn Afternoon, a culmination of many of his favorite themes. The twilight work of many filmmakers often lends itself better to footnotes than introductions, but the remarkably consistent Ozu has a career filled with potential jumping-off points, and his last film is also an excellent first one for Ozu neophytes. I should know — An Autumn Afternoon was my gateway into Ozu’s exquisite cinematic worlds. Frequent collaborator Chishu Ryu stars as Shuhei Hirayama, a widower who comes to accept
Yes, it's "Still a better love story than Twilight" time.
If someone would have told me three years ago that I would be repeating myself, well, I probably would have believed them. Indeed, when I initially sat down to work on a review for Twilight Time's 30th Anniversary Edition of the 1985 vampire horror classic, Fright Night, I nearly found myself writing the exact same words I had jotted down for my original article for the company's initial release of the film. Not wanting to repeat myself - and with little else to say on the title, I must sadly confess - I figured, since I greedily ignored my editor's
As big a tearjerker as I have ever seen, but my tears are from having spent four hours of my life watching it.
One thing is certain, Nicholas Sparks is the king of romance. Guys, if you are rolling your eyes, you should be. Sparks writes the most manipulative and frankly ludicrous plots I have ever seen. And to continue my crass generalizations, chicks eat this stuff up like candy. The author of such weepers as Message in a Bottle (1999) and The Notebook (2004) is back with The Best of Me (2014). With the new Blu-ray “Tears of Joy” edition, we actually get two movies for the price of one. The disc includes both the theatrical version (1:57) and the "Tears of
Hot Tub Time Machine (Unrated) Blu-ray Review: Round up Your Friends and Your Favorite Adult Beverages
Sure to become a cult classic among the “let’s get wasted and laugh our asses off” set.
Hot Tub Time Machine is rated R for sexual content, nudity, drug use, and pervasive language, which are pluses in the right company when done right, and director Steve Pink and his team most certainly do it right. While certainly not a movie for everyone to be sure, HTTM is wildly over-the-top, filled with so much raunchy silliness (or silly raunchiness) it is sure to become a cult classic among the “let’s get wasted and laugh our asses off” set. After Lou (Rob Corddry) ends up in the hospital, he is reunited with former friends Nick (Craig Robinson) and Adam
A great edition in the series, with lots of the usual fun that Ian McShane's Lovejoy brings.
In the second season of Lovejoy, the last time we saw the irascible but ever-charming antiques dealer played by Ian McShane, he was swindling (for a good cause, naturally) crooked antiques dealer Harry Catapodis (Brian Blessed) in order to help out a Japanese businessman (Mako) and a lovely widow Victoria (Joanna Lumley) who had both been cheated by Harry. Lovejoy Series 3, recently released on DVD by Acorn Media, picks up a year later, after Lovejoy has been taking a holiday in Spain, where he has enjoyed (and spent) all the proceeds from that last big deal. He returns home
Twilight Time gives the controversial Phoolan Devi biography an upgrade. But is that really a good thing?
As sad as this may sound to you, my earliest memories of childhood revolve around watching movies. My parents, for whatever reason, decided to take my three-year-old self to a showing of Alien when it was making its initial rounds in theaters back in '79. Eddie Parker's sorry-looking monster in Abbott and Costello Meet the Mummy stands out prominently in my singular image visual databank due to a very early encounter with late night television. I had carte blanche from my guardians to rent virtually anything I wanted to at the local video stores (barring X-rated films, of course, which
Alexander and the Terrible, Horrible, No Good, Very Bad Day Blu-Ray Review: Embraces Optimism over Snarky Fantasy
Beloved children's classic from the 1970s finally gets its turn on the big screen.
Where have all the family films gone? Movies that cross genres and give every generation of kinfolk a little bit of the film-going experience they’re asking for. I’m talking action and adventure coupled with romance and fart jokes and out-dated references sailing clear over kids' heads and into the deep, nostalgic recesses of parental minds dragged yet again to the theatre for something dull and overexposed. What passes for family fare these days are often dark and brooding films, like Into the Woods, or crass excursions into the juvenile, think Sponge-Bob Square Pants, movies whose adult elements are laced with
Disney at its best.
Disney's 101 Dalmatians is narrated by Pongo (Rod Taylor), an adult male Dalmatian, and starts cleverly with him introducing us to his human pet, Roger. Both are bachelors and Pongo is trying to find them suitable mates. He spots a lovely female Dalmatian, Perdita (Cate Bauer), and her pet, Anita, walking in the park. He manages to orchestrate a meeting and both couples are married soon after. Fast-forward several months and Perdita is now about to give birth to puppies. This brings Cruella De Vil (voiced fabulously by Betty Lou Gerson), a long-time friend of Anita’s, into the picture. One
Universal's unofficially official entry to their forthcoming monster series reboot actually has a bit of bite to it.
Since that fateful day back in the late 1890s when Bram Stoker first introduced the world to Count Dracula, the vampiric vessel of villainy has grown to become one of filmdom's most frequently filmed (or even referenced) characters. In fact, he has been around for so long, that it's hard to imagine a world without him! And despite the fact that he has been killed off time and time again, he has always managed to return in usually unrelated films or franchises. In some instances, he re-emerged under a new name, such as Nosferatu, Alucard, Leighos, Drake, or Orlok (the
Aging author/playwright Israel Horovitz finally makes his feature film directorial debut. But is he too late in doing so?
In this great big muddled world of ours, we seem to be divided into large groups of individuals. On the one side, you have picky people who will dispiritingly say that you cannot teach an old dog a brand new trick. And then there are those seemingly rare factions of folks who will encouragingly state that it is never too late to learn. My Old Lady, the indie feature from 2014 starring Kevin Kline, Kristin Scott Thomas, and Maggie Smith, seems to fall somewhere in the middle of that. For here, author/playwright Israel Horovitz (creator of both Author! Author! and
François Truffaut's homage to Hitchcock makes a stunning Blu-ray debut from Twilight Time.
While it is frequently reiterated that we are unable to take it with us, it should be noted that we do manage to take some of it along into the next life. No, I'm not attempting to wax some fruity spiritualism on you here (that's a job for those weird people handing out pamphlets in parking lots to tackle), I'm actually referring to things such as fashion and entertainment. As each craze fades out, it carries a little bit with it over into the new (usually worse) fad. In the world of music, we witnessed punk music (the real kind,
This adaptation of Lawrence Block's alcoholic detective series is true to the character, maybe to a fault.
Looking at the trailer for A Walk Among The Tombstones, one would be forgiven for assuming it is a Liam Neeson movie. That is, about man with a particular set of skills. Terrorists (or just murderers, here) being killed. Action mayhem, a hero who will stop at nothing. But this movie, an adaptation of Lawrence Block's novel, the tenth in his series featuring recovering alcoholic and recovering police detective Matt Scudder, is by no means an action movie. It involves no revenge (at least not for the main character). It involves no obession. Central to Scudder's character in his work
Producer John Aglialoro completes his quixotic quest to adapt Ayn Rand's epic novel to the screen.
The final act of this unlikely trilogy spotlights a strong-willed individual who ignores public opinion and forges ahead with his own vision. That’s John Galt, the messianic character of the work, but also John Aglialoro, the financier behind the entire endeavor. Operating far outside of the studio system and critical approval, Aglialoro here completes the daunting task of bringing author Ayn Rand’s magnum opus to the screen. That in itself is a measure of success, albeit the only success the film is likely to experience. If you’ve been following along with the prior installments (Part I and Part II), it
Quite possibly the only movie in history to partly focus on cycling and not suck in the process.
Following the near collapse of the American film industry somewhere between the end of the '60s and the beginning of the '70s - a semi-catastrophe brought on (mostly) thanks to lavishly over-budget and egotistical studio productions, a war in Vietnam, and something the history books refer to as the "Hippie Movement" - the few folks who were still going to the picture show seemed to demand more realism. That, or the once lavish budgets that used to be handed out to filmmakers at the drop of a hat, and which were now being frequently slashed by some now very nervous
Twilight Time continues its legacy of giving a damn about Woody Allen's classic, truly good movies.
As a reasonably mature adult male who has been involved in an unending war with depression and mood swings since he was but a wee lad, I know how easy it is to seek solace from the cinema. To find a sense of purpose within the imaginary realms as designed by far-greater dreamers. I have danced the same steps as timeless American icons Fred Astaire and Gene Kelly. I have romantically wooed the jaw-dropping charms of international B movie actresses like Barbara Bouchet and Margaret Lee. Espionage? Exploration? Elimination? I've done it all just by becoming immersed in a movie,
Blake Edwards and Peter Sellers team up for a subversive, slightly racist classic.
We open on a desert film set, the high-strung director—played with ‘look at me, Ma’ gusto by eternal character actor Herb Ellis—appears over budget and out of time in constructing his latest, Gunga-Din style epic. There’s elaborate sets and high priced explosives, an expanse of extras to coordinate and Hrundi V. Bakshi, a bumbling Indian character actor hot off the Bollywood Express. He’s here to goof it all up, infuriating the extras until they turn their guns on him on like a prop armored firing squad. Bakshi manages to make it through the shoot, pun intended, until the last day