Murray Lerner filmed the performances at the Newport Folk Festival in 1963, ’64, and ’65, and from those concerts created the Academy Award-nominated documentary Festival! One of the musicians who appeared at all three events was Bob Dylan, who went from an up-and-coming folk singer to a “there he went and good riddance” singer according to the reaction of some audience members. Back in 2007, Lerner released a film that focused just on Dylan titled The Other Side of the Mirror: Bob Dylan at the Newport Folk Festival. It serves as a great document of Dylan’s performances, though rather than
Recently in Blu-ray
"I try my best/ to be just like I am/ but everybody wants you/ to be just like them." - "Maggie's Farm"
Smart and slightly cheesy, but you cannot unsee that finale.
Having never seen it, I read the synopsis for 1989's Society and thought, "Yeah, that could be interesting." Then I saw the trailer and started to second guess it. Fortunately, the combination of '80s cheese, atmospheric tension, and a completely insane third act delivered on the promise of the premise. See, Bill Whitney (Billy Warlock) has never quite felt at home with his family or their social circle. He gets weird vibes from his sister Jenny (Patrice Jennings), conformist advice from his psychiatrist, and is always treated as lacking something by his parents. He sometimes catches glimpses of distortions or
Another fine Arrow release of a late-'60s era Japanese exploitation picture.
One of the joys of watching old exploitation movies like Retaliation is that the inexpensive filmmaking meant that a documentary approach had to be used to keep things cheap. Much of the movie is not on standing sets, but in real locations, with very shaky hand-held shots. The action can't be over-choreographed (no time, no money) so the action is stylistically obscured, moving too swiftly and brutally for any of it to be seen clearly. Having things move in and out of frame and be obscured in camera is significantly more arresting, to my mind, than the shaky cam fake-handheld
A film about how grief stalls our lives and how we can learn to get unstuck
Cake is the story of Claire Bennett (Jennifer Aniston), a woman living with chronic pain after a tragic accident. She is in the midst of a divorce from her husband Jason (Chris Messina), addicted to pain pills, and often suicidal. After Nina (Anna Kendrick), a member of her pain support group commits suicide, Claire begins to see her as a drug- and pain-induced hallucination. Although Claire and Nina were not close or involved with one another’s lives, Claire begins to learn what she can about Nina’s life and death. With the help of her housekeeper turned caretaker Silvana (Adriana Barraza),
Twilight Time explores the various space in-between the minds of Jules Verne and H.G. Wells.
Previously at Cinema Sentries, I had touched upon the subject of people bad trips, courtesy of two recent Blu-ray releases from Twilight Time, Roger Donaldson's The Bounty (1984) and Oliver Stone's U Turn (1997). Here, I am continuing that thread, albeit with two adventures of a much more pleasant nature. Like my earlier article, wherein one film was set at sea and the other on land, this cinematic coupling presents viewers with a contrast: that of the exploration of inner-space and the conquest of outer space. Additionally, this pairing of moving pictures presents a similarly dissimilar echoing of science fiction
The Muppet Babies of the DC Universe.
Like much of DC’s animated fare, this series has its share of fans and detractors, but not for the typical reason. It completely avoids the common DC downfall of being too dark, broody and mature by instead swinging much too far in the opposite direction, presenting the candy-coated juvenile shenanigans of a group of heroes who are drawn and frequently act more like grade schoolers than teenagers. It’s more Powerpuff Girls than Batman, but with even less superhero action. I supposed that’s all well and good for the target younger demographic, but it’s not likely a series you’ll be able
Fans of spaghetti westerns and Lee Van Cleef shouldn't experience any anger if they add this to their collection.
Day of Anger on Blu-ray includes the Italian and English dubs of the original I giorni dell'ira and the shorter, international version titled Day of Anger, also known as Gunlaw in the UK. It's a gritty spaghetti western starring Lee Van Cleef as Frank Talby, a tough gunslinger who is both a hero and a villian in this story. Set in Clifton, AZ, where Butch Cassidy was killed by Dan Parker on 7/12/82, a young man named Scott (Giuliano Gemma) is looked down upon and ridiculed by many of the town elders because he's the bastard son of a whore,
Peter Yates' 1973 Crime Drama explores how important, and how expendable, "Friends" can be in Boston's working-class criminal underground.
Released about a year after Coppola's crime epic, The Godfather, The Friends of Eddie Coyle was seen by some critics as a kind of anti-Godfather when it was released. Both films are about the criminal world and how it suffuses the lives of those in it, but while The Godfather had a sepia-toned romanticism, Peter Yates' film, an adaptation of a George V. Higgins novel, has no room for sentimentality, or glamor. There's not much in the way of violence in the movie, either. It's a crime story, and it's about criminals, and while there's bank robberies, home invasions, gun
The two best bad trips you can possibly book this season.
Everyone has that proverbial journey in their lifetime that can only later be described as a bad trip. My second and final visit to the allegedly magical theme park of Disneyland - committed when I was but a mere '90s adolescent, and probably against my will - resulted in a four-hour search for a corndog across the vast, bastard-riddled arena for people who probably should have been sterilized at birth, along with their spoiled rotten offspring. And you might think that a corndog would be an easily obtainable article of "confectionery with added meat of dubious origin" at a place
The '70s Australian eco-horror classic finally gets the treatment it deserves from Synapse Films.
During the the last half of the '90s, I devoted the bulk of my meager existence to the video store I worked at. One day, the owner's wife brought in a lovely terrarium to sit on the large spacious corner of the checkout counter. It sat there for a long time, being admired by the occasional customer, such as an instance when a gentleman commented on its beauty and simplicity. "Yeah," I said, "now throw in a bunch of little humans and watch it go to shit." He nodded in agreement, and for good reason: we're bastards like that. No,
A tale as old as recorded time. The script isn't that fresh, either.
The year 1959. It was a time of luscious, extravagant widescreen productions - fueled by luscious, extravagant budgets beget by big men who were in-turn fueled by luscious, extravagant proportions of booze. As television lured audiences away from the cinemas in large droves, studios made sure to promise them the moon in exchange for their hard-earned money. And, as anyone who has ever been to the moon knows, the best way to deliver it is to not deliver it, and instead remind mankind that God really doesn't want him toying around out there in the vacuum of space like that.
Yep, it's a happy kind of picture, kids. But at least you'll be able to see sultry Valerie Perrine in the buff!
In this day and age, it seems highly laughable that the very sort of individuals we pay to openly laugh at would run afoul with the law for doing what the do best. I refer to stand-up comedians, of course, and not politicians - although, to a less intentional degree, we wind up doing the same with the latter. In fact, it was the very latter who made both the life and career of a comic in the 1960s become particularly troublesome, thus whipping up a tendentious media circus that finally wrapped up a good forty years later with a
DC's latest animated film is a dark but engaging adaptation of Batman's Court of Owls storyline.
The title of DC’s latest animated film is catchy, but it’s also a bait and switch. Sure, Robin briefly toys with the idea of aligning himself against Batman, but he’s not the enemy here. That honor instead goes to Talon, the head assassin of the Court of Owls. The film also serves as a superior sequel to previous entry Son of Batman. If you haven’t kept up on recent Bat history, the Court of Owls was revealed in 2011 in an instant classic comic book run by writer Scott Snyder and artist Greg Capullo. The Court is a secret criminal
The 25th Midsomer Murders set celebrates such events as the birth of Betty Barnaby, and the 100th episode of the series.
Before I begin, let me just say how nice it is to have Midsomer Murders available on the Blu-ray format. Coupled with a high-def television, it is a sumptuous feast for the eyes. The show has been that way for the seventeen seasons it has been on the air, shot in the most beautiful and bucolic areas in Britain, as a backdrop for some very sinister murders. Set 25 is the most recent, and it contains five episodes that originally aired in the 2013-14 season, including the 100th installment. Most television shows record upwards of 20 episodes per season, and
If you avoid certain NFL-oriented video games, does that mean you're Far from the Madden Crowd?
Having never been a very literary-minded lad, I must confess that I did not devote quite as much of my time as a youth to that which was printed. Well, there were those issues of Psychotronic, European Trash Cinema, Filmfax, and, of course, my father's old Playboy and Penthouse magazines. I even buried my nose in the occasional movie reference item, such as several of the late great Phil Hardy's encyclopedias. Needless to say, Phil Hardy was about as close as I ever got to Thomas Hardy when it came to published materials. On film, I had seen the works
Shania: Still the One Live from Vegas captures the complete stage performance of Shania Twain from her two-year residency at the Colosseum at Caesars Palace that ended in December 2014. The 90-minute concert features 25 songs covering her biggest hits, country songs, and crossover favorites. I have always been a big fan of Shania with several of her CDs adorning my shelves but for some reason I've never considered seeing her live. Watching this has me very disappointed about that, especially missing this show in Las Vegas. The concert is visually stunning and would have been even better to experience
An extremely overlooked masterpiece of personal and spiritual redemption.
There have been many films about personal and conflicted crisis of conscience, such as American Beauty (1999), The Apostle (1997), and Magnolia (1999). However, as wonderful as these films are, I think that director Carol Reed's unjustly overlooked masterpiece Odd Man Out, easily outdoes them all, especially because of its subtle and sensitive depiction of ordinary people caught up in a web of troubles. This was one of Reed's breakthrough films, not just for its deft and thrilling storytelling, but it was also one of the first to address the circumstances of terrorism in human terms. It was adapted for
One of 2014's best films hopes to discover new eyes on Blu.
It still stings a bit knowing J.C. Chandor's A Most Violent Year was all but ignored by the Academy last year. After Chandor's win for his screenplay on the equally exemplary Margin Call, it seemed all but expected that the film would nab an award or two. Unfortunately, outside of securing the National Board of Review's distinction as Best Film of the Year, it sailed under the radar. Thankfully, its reputation, blistering performances, and multilayered narrative can be rectified with the fantastic Blu-ray out now. 1981, New York, the "most violent year" in the city's history. Enmeshed within it all
Sidney Poitier's students have a bad reputation. What they need is a little adult education.
By today's standards, the classic movie motif of a determined teacher reaching a group of tough, underprivileged kids in an urban school is hardly anything new. Granted, it isn't commonly seen in cinematic outings as much as it used to be, as evidenced by viral Facebook videos of inner-city youths finding out firsthand the perils of applying a fully functional taser to an article of golden jewelry (or "bling", as I believe they call it). Indeed, were Sidney Poitier's Mark Thackeray - or even Mr. Wizard, for that matter - around in this day and age to teach kids a
Twilight Time brings an early precursor to the blaxploitation subgenre (seriously, it is!) to Blu-ray.
Having essentially gone through the growing up part of my wasted youth engaging in the fine art of bad film, I have encountered many different exploitation genres. Some movies were made solely to sell the element of sex. Others devised to gather a crowd of a different kind of deviants altogether, who flocked in like sheep to see just how gruesome and gory things could get at the drive-in. But of all the notable subgenres that have hailed from the annals of exploitation filmmaking, there is perhaps no greater pleasure - or perhaps guiltier pleasure - to be had than
It is an inspiring, thought-provoking film, with every moment to be savored.
The death of her mom Bobbi (Laura Dern), a divorce from her husband (Thomas Sadoski), and years of self-destructive choices cause Cheryl Strayed (Reese Witherspoon) to rashly decide on a trek from the Mexican border to Canada. The audience sees flashbacks illustrating the painful memories that brought Cheryl to this drastic measure as she encounters people along the way that help her heal. Through the hike, which Strayed wrote about in her best-selling book Wild: From Lost to Found on the Pacific Crest Trail, Cheryl is able to rediscover who she is, shed the past, and learn how to move
The film that takes the expression "Years in the Making" to a whole new level finally gets a chance to be seen by all.
If Massacre Mafia Style was Duke Mitchell's antithesis to Francis Ford Coppola's The Godfather, the late Southern California Italian/American crooning personality's final (known) work, Gone with the Pope could very well be his own flip side to the entire world of filmmaking in general. Massacre Mafia Style was a delirious - and highly enjoyable - assault on the senses, made in the wake of the famous gangster picture, with plenty of oomph and random bits of lunacy thrown in for good measure. Gone with the Pope, on the other hand, is pretty much a feature-length film full of random bits
Errol Morris changes the documentary game in 102 minutes.
Rarely do you watch a film and actually pinpoint where a genre actually changes. You watch Clerks or Pulp Fiction and see where the genre is being moved forward. You can see in Batman and then again in Iron Man where a genre is being reinvigorated. But in 1988, Errol Morris made The Thin Blue Line and the field of documentaries would radically change. I was surprised that it had taken this long for the Criterion Collection to release this important film on Blu-ray. Documentary. The definition for years was simply to "document reality". The popular documentaries were often nature
The characters Errol Morris speaks to in his first two films are living embodiments of the old maxim that truth is stranger than fiction.
“I love the absurd,” says Errol Morris in one of the extras on the new Criterion Collection Blu-ray edition of Gates of Heaven (1978) / Vernon, Florida (1981). These are the first two films from the director of such notable documentaries as The Thin Blue Line (1988), A Brief History of Time (1991), and the Academy Award-winning The Fog of War: Eleven Lesson from the Life of Robert S. McNamara (2003), among others. To call the people he interviews in both of these pictures “absurd” is probably an understatement, but it will do. The characters Morris speaks to are true
Angelina Jolie brings us an all too run-of-the-mill biography of WWII POW Louis Zamperini.
Despite having seen the trailer for the film at the cinema prior to its release, it wasn't until I saw the teaser/standee artwork for the WWII/POW movie Unbroken that it stood out to me. And that was because once I saw a man standing with his back to us, holding a heavy wood beam over his head, a golden-colored and familiar-looking font spelling out the name of the film, I instantly thought of Rocky Balboa. I had every reason to, too, as the promotional artwork damn near plagiarized the cover of the more popular 2006 Sylvester Stallone sequel. When
Making me believe in big, bold musicals once again.
When choosing Into the Woods as my pick of the week, I noted that I’m not as big of a theatre geek as I once imagined. Sometimes I get bored in the theatre and I’m finally in a place where I can not only admit that, but also be perfectly okay with it as well. I came to Rob Marshall’s movie version of Stephen Sondheim’s much-beloved musical with a lot of hopefulness, but also a touch of trepidation. What if I didn’t like it, or worse, what if I didn’t get it? I’m able to now say I’m not the
A kitchen sink of Japanese genre elements from Japanese exploitation expert Teruo Ishii.
Blind Woman's Curse, directed by Teruo Ishii and due out on Blu-ray on April 21 from Arrow Video, is a fine example of the kind of leeway that was allowed in Japanese studio films. As long as the movie had enough elements that looked like it belonged to a genre, Japanese exploitation movies of the '60s and '70s would go to surprising artistic places, and most often with extremely professional technical results. This movie, on the surface a mix of a Yakuza story about a female boss of an early 20th century Japanese gang and a ghost story with a
Ridley Scott falls far from the grace of God and anyone who has ever worshipped either of the two.
According to His faithful flock and their respective independently-produced movies, God is not dead. The concept of the Hollywood biblical epic, on the other hand, is a critically endangered species. The days of lavish productions loaded with dazzling special effects and all-star casts of white folk playing Egyptians performing in big-budget productions interlaced with a strong belief in the Christian theology throughout are long gone, having been replaced by low-budget, poorly acted, and usually mind-numbing films produced by people who are either just exploiting the faithful (see: Left Behind), or who are a few hundred thousand Hebrewites short of an
John Wayne tries to tame Maureen O'Hara.
Made by his own Batjac Productions, John Wayne stars as the titular McLintock! in a variation of Shakespeare's Taming of the Shrew with Maureen O'Hara, the fourth time they shared the silver screen together. Set in the Old West, G.W. (named after the country's first President) McLintock is a major cattle rancher in the Oklahoma Territory and his estranged wife Katherine (O'Hara) returns to town after two years, wanting a divorce and custody of their daughter Rebecca (Stefanie Powers), herself returning from school with a suitor in tow, Matt Douglas, Jr. (Jerry Van Dyke). However, G.W., who never wanted her
It’s great to add this final chapter to the collection.
After previously working together in various configurations at university and on such television shows like The Frost Report and Do Not Adjust Your Set, (the late) Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin formed what is arguably the funniest and most influential comedy troupe ever. Known as Monty Python, they came together to create the legendary TV series Monty Python's Flying Circus, which debuted October 5, 1969 on the BBC. Their humor was a great mix of high brow and low brow, both of which are typified in the "Summarize Proust Competition" where each