We live in an age where everyone can record anything and with a good wifi connection, be seen by everyone. There is this strange urge to post everything we do in hopes it will get more "like"s and more followers because that has become our currency today. It no longer matters how much money you make or what your career is. It's how many Facebook friends and Twitter followers you have. Why do we feel that it's important to post everything that we do? I think it's mainly because we are scared of being forgotten. We only have a short
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The concept is fascinating, but it would have worked better in the late '90s than it does here.
Severin Films unburies one of the most notorious titles from the Italian zombie apocalypse of the '80s, fully restored and just as empty-headed as ever.
There really isn't a movie like Burial Ground. My first encounter with this notorious Italian gut-muncher from 1981 probably occurred a good seven years after the film first hit home video in the US, by which time the movie had already become a regular dust collector in rental stores across the nation. And one of the reasons why this was so is attributable to the fine craftsmanship which can be seen in every single frame of the picture: it stinks. Good God, how this movie stinks! But of course, when you're a teen-aged boy with nothing short of an addiction
The first five films from the comedy legends get a nice Blu-ray set.
When I wrote about watching the original Ghostbusters at a Fathom Event, I talked about how my sense of humor has been refined into a very specific concoction that prefers comedy that comes from a sense of story, flowing naturally from well-written characters. I don’t tend to like being bombarded with jokes when they aren’t grounded in something more realistic. Watching the films in The Marx Brothers Silver Screen Collection really put that theory to the test. Story is completely irrelevant in a Marx Brothers movie. Their films have some semblance of a plot, but it only exists as a
A nice set, just in time for the holidays.
That Gregory Peck was one of the greatest film actors to ever exist there is no denying. Had he only appeared as Atticus Finch in To Kill a Mockingbird and never made another movie, he’d still be considered one of the greats (much like Harper Lee is considered a great American author though she never wrote another book - I cannot count Go Set a Watchmen as hers as I don’t believe she ever intended it to be released). Of course, Peck did make other movies including the classics Roman Holiday, The Yearling, Twelve O’Clock High, Cape Fear, and so
A hilarious movie that delivers laugh after laugh.
After a series of unfortunate events at important family events, Mike (Adam Devine) and Dave’s (Zac Efron) parents (Stephen Root and Stephanie Faracy), along with their sister Jeanie (Sugar Lyn Beard) and her fiancé Eric (Sam Richardson), hold and intervention to convince Mike and Dave that they cannot attend Jeanie’s destination wedding, stag. The group gives the brother’s an ultimatum that they either bring dates to the wedding or stay home. And not only do they need to bring dates, but the dates need to be nice girls. Since Mike and Dave love their sister so much, they agree to
This remastered 1986 performance reveals the singer/songwriter's allegiance to the rhythm and blues tradition.
As the title of a 1994 box set declared, the Who proved themselves as masters of “maximum R&B.” That phrase accurately describes Pete Townshend’s Deep End: Face the Face, a CD/DVD that captures a 1986 TV performance of selections from Townshend’s 1985 album White City: A Novel as well as solo and Who tracks. Featuring an unusually giddy Townshend leading a band including Pink Floyd’s Dave Gilmour, it demonstrates the singer/songwriter’s charisma as a solo artist. Filmed for the German TV series Rockpalast at MIDEM in Cannes on January 29, 1986, the performance includes tracks from White City as well
The Warner Archive Collection slips us a couple of Mickeys (with plenty of Wood) in these two rarely-seen gems.
The late Mickey Rooney made a sizeable impact on classic cinema, leaving behind a list of motion picture and television appearances tallying well over 300. With a résumé like that, it may be quite some time before all titles are present and accounted for on home video (and even then, it's unlikely we'll see everything). Nevertheless, the Warner Archive Collection and it's many Mickey Rooney fans working there have been doing their best to fill in the gaps to their abilities. Two recent releases from the WAC marked the home video debuts of MGM's Stablemates and Lord Jeff, both released
The Warner Archive Collection presents some of the final starring roles from one of B western cinema's most charismatic naturals.
Generally, the star of vintage cowboy pictures ‒ or "oaters," as they are commonly referred to as ‒ tended to be a big hulking lunk of a feller who was quicker with his fists and side irons than he was with his grey matter. And I say that referring to the actual actor, not the character he would portray. In the case of George O'Brien, however, there was something more than a big dumb oaf: a personality. The son of a San Francisco police officer set out for Hollywood at an early age to be a cameraman, only to find
The late Wes Craven's gritty 1977 all-time cult classic gets a stellar upgrade courtesy of Arrow.
When legendary horror master Wes Craven passed away last year, it really shocked the world. Here was a man whose storytelling gifts knew no bounds. He didn't make your typical horror movies; every film he made had something truly relevant to say about the flaws and the dark, nasty side of society. Whether it was his very controversial and rather crude Last House on the Left (1972); his ultimate horror classic of the 1980s, A Nightmare on Elm Street (1984), that changed the face of horror for that decade; or his groundbreaking 1996 spoof Scream, which also redefined horror for
"Overall, I give this a reserved thumbs up." - Shawn
In which T&A revisit the Arrow series and see where we stand to start the new season. Shawn: It's been awhile since you read our thoughts on the CW's DC Universe of shows. Truthfully, I was so disappointed through the whole Season Four of Arrow that I wasn't sure I was going to start the show back up for this current season. I was disinterested in the show from the initial episode of that season and only hate watched it because I was much more interested in the Universe as a whole. I've really enjoyed a majority of the past
This forgotten gem from the Warner Archive Collection offers just the facts, and more than a little strange movie history.
Best known by today's various subcultures for bringing us that which is often cited as the best Star Wars film of the entire expanding film universe (The Empire Strikes Back, in case you missed that one), the late Irvin Kershner (The Return of a Man Called Horse, The Flim-Flam Man) started out directing episodes of another nature ‒ television shows completely forgotten by history ‒ before landing his first big screen gig with Stakeout on Dope Street. No doubt inspired by another television series (and one which has withstood the test of time), Dragnet, this late '50s crime drama from
Another one of the late Jess Franco's many bad movies has made its way to Blu-ray. And I have caught up on a lot of sleep. Coincidence?
Prior to his departure from this world in early 2013, the late Jesús Franco had left an impressive looking resume behind in which his services as a film director totaled over 200. This did not include his work as a screenwriter, producer, composer, editor, cinematographer, or any of the other jobs Franco often handled himself for productions belonging to either he or another. Put simply: Franco kept himself very busy, right up until the end. His work has become the subject of many obsessed individuals around the world, and the bulk of his career has been printed in at least
Densely plotted French spy series hits a new streaming network.
French intelligence officer Guillaume Debailly (Matthieu Kassovitz) has spent six years in Damascus under deep cover. When he left France, he severed all connections to his former life. He could not speak to his old companions, friends, or even his daughter. His only connection to home was his handler whom he spoke with via video chat. He had a completely new identity and had to forge a new life, making new connections, new friends, and new even a lover all the while secretly spying for his home country. At the beginning of The Bureau, Guillaume is, without warning, brought in
I hope anyone that watches it will gain a little more of an appreciation for this beautiful amazing country.
People often tell me when my Canadian side is showing. This is a huge compliment as everyone seems to think of Canadians as the nicest people. Being Canadian delightfully tries to educate the world on the misconceptions about Canada, such as why Canadians are always saying sorry, while highlighting all of the things that do make the country great. Calgary native Rob Cohen decided it was time to answer some questions about his beloved homeland after moving to Hollywood to be a writer and seeing how uninformed people were on Canada. He starts his adventure in Nova Scotia and traveled
One of horror filmdom's most enjoyable atrocities rises up from the sewers once more in a stellar new HD transfer from Arrow Video.
As a feller who spent entirely too much of his teenaged years in the horror sections of local video stores, there were two things I learned to keep a watchful eye out for when it came to satisfying my never-ending urge to keep myself amused. One item the look out for was any horror movie which proudly sported the subtitle "The Movie" ‒ something anyone who had the misfortune of seeing Mexican trash cinema maestro René Cardona Jr's Beaks: The Movie undoubtedly also made a mental note of. The other thing wasn't one I mastered immediately, however, for there was
From pubescent tweens and nightmarish games to pornographers and people who love to shoot things up, there's an awful lot of foul play afoot here.
Despite all of society's best attempts at grooming us to be normal, well-behaved, completely functional human beings, there are just some people who, as Linda Ronstadt once repeatedly declared, are no good. And this wave of releases from Twilight Time ‒ initially unleashed unto collectors in June ‒ certainly highlights many peculiar elements from various walks of life, who all seem to fit the bill(s) for party poopers, poor sports, sorry losers, and bad romances. We begin with one of the grandest party poopers of all, Frankie Addams: a socially inept and unfetteringly awkward twelve-year-old tomboy in the Deep South,
A surprisingly clever '80s movie with lots of "bite."
Usually, horror comedies are a one-in-a-million, meaning that some work (the Evil Dead trilogy, Slither), and others don't (976-Evil, Vampires Suck), but fortunately for Richard Wenk's 1986 underrated romp Vamp, the horror and comedy actually mix very well, while adding a little satire that helps elevate the film to cult-like status. With esteemed actors like Chris Makepeace, Robert Rustler, and Dedee Pfeiffer, and amazing make-up/special effects by four-time Oscar-winner Greg Cannon, this film can surely add itself to the pantheon of great comic horror. Makepeace and Rustler play Keith and AJ, two Los Angeles college roommates and best friends who
What's worth reading in October?
Feel that chill in the air? It's time to grab a mug of tea and curl up with a good book. Here are a few worth checking out. Thirty-Eight Witnesses: The Kitty Genovese Case by A.M. Rosenthal Fifty-two years has passed since Catherine Genovese was viciously murdered as 38 witnesses heard her cries for help, and did nothing. Originally published in the wake of the Genovese murder, New York Times editor A.M. Rosenthal's landmark text on the case is being republished in light of the recent documentary on the subject (boasting the same name). Rosenthal died in 2006 but in
I gotta tell ya, it's a real treat that this set has been released.
Time Life, in association with Bob Hope Enterprises, have released Thanks for the Memories: The Bob Hope Specials, an impressive six-disc set featuring 13 TV specials from five different decades with a galaxy's worth of stars. Eight of the specials are complete shows while the other five are compilations, resulting in some repeated material. The jokes and sketches can be a bit stale and unfunny at times. Hope's monologues especially suffer from this regardless of how much canned laughter is added. His material is also very topical so young viewers might not get the references to people like Hubert Humphrey
Fun and colorful, just like the TV show.
This year marks the 50th anniversary of Batman, the TV show based on the popular comic book character. Batman is the best of all the Batman properties. Adam West is the best Batman. The movie starring him is the best Batman movie. Part of what makes the show so good is that it's a humorous take on Batman. It's campy and fun and a real funny parody of superhero entertainment from decades before such a parody was necessary. Now, Rian Hughes and Y.Y. Flurch have combined for the book Batman: Facts and Stats from the Classic TV Show. The book
Any true Beach Boys fan will eventually own this. It’s a must.
When the discussion of the greatest album of all times breaks out a party, many people will chime in, some people will walk away, and at least one guy will ask, “what’s an album?” Inevitably, The Beach Boys' Pet Sounds will be brought up in the discussion. If it’s not, you’re at the wrong party. With Pet Sounds celebrating its 50th anniversary this year, it seems appropriate that Eagle Rock Entertainment would release the definitive authorized story of the album on September 23rd as part of its Classic Albums collection on Blu-ray and DVD. Containing an additional 30 minutes of
Book Review: The Amazing Spider-Man: The Ultimate Newspaper Comics Collection Vol. 3, 1981-1982 by Stan Lee, Larry Lieber, and Fred Kida
Stan Lee contributes his most original stories to date, aided by great incoming artist Fred Kida.
After taking over the art duties from comic strip originating artist John Romita Sr., Stan Lee’s brother Larry Lieber continued his run for a little over a year before passing the baton to Fred Kida. Lieber’s concluding months open this latest volume, but Kida contributed the lion’s share of the art presented here. While I wasn’t particularly impressed with Lieber’s subpar art in the prior volume, he settled into his role and contributed solid if unspectacular line work for this volume. I had no familiarity with Kida prior to this book, so expected very little and was pleasantly surprised by
A rarely seen Peanuts special deserves your attention as it turns 50.
Disclaimer: Warner Bros. Home Entertainment provided Cinema Sentries with a free copy of the DVD reviewed in this post. The opinions shared are those solely of the writer. As a fan of all things Peanuts, I am always interested to see the repackaging of older specials. This early October release from Warner Bros is a great addition for fans of the more popular specials. The DVD release of Charlie Brown's All Stars! comes with an additional Peanuts special call A Charlie Brown Celebration. It's been a long time since I saw this program and I was anxious to see how
Mira Nair's touching tribute to women the world over.
Disney's banked on sports films for the last decads, relying on stories of athletic prowess anchored by men. Their latest foray into the inspirational drama praises intellectual altheticism anchored by women; Queen of Katwe looks to slip undetected by audiences this week due to a hackneyed, and unexplainable, series of limited releases by the studio. Unfortunately, this threatens to bury one of the brightest, warmest and all-around best acted films of the year! Phiona Mutesi (Madina Nalwanga) is a young Ugandan struggling to make ends meet for her put-upon mother (Lupita Nyong'o) and siblings. The one joy in Phiona's life
A brilliantly bizarre and slightly kinky farewell from Fassbinder.
Rainer Werner Fassbinder remains one of the greatest directors in the history of cinema. The way he filmed actors, especially women and their characters' emotions, was incredible. His close-ups revealed the inner torments of his characters' existences. However, he wasn't just a legendary director; he was also a gifted actor, albeit unorthodox one at that. Director Wolf Gremm's 1982 long-lost cyberpunk thriller Kamikaze '89 showed how much Fassbinder actually knew the skills of an actor. Unforunately, this was his final acting role before his untimely death from a drug overdose, which ended what could have been a very promising acting
Gene Wilder, Gilda Radner, and a dragged-out Dom DeLuise star in one frighteningly unfunny feature.
I was perhaps all of ten years old when I first saw a trailer advertising the Gene Wilder/Gilda Radner comedy Haunted Honeymoon. It was in the (singular) local movie house of the small(minded) town I grew up in, and I recall being more confused by it than intrigued. Why was Dom DeLuise dressed as a woman? And, most importantly of all, why wasn't anyone laughing at the preview ‒ my easily amused ten-year-old self included? The immediate theory my preadolescent brain formed was, based on the evidence at hand (i.e. the startlingly unfunny trailer and the lack of a reaction
The Criterion Collection releases the best camp melodrama out there!
America was a bit of a mess in the 1960s, not just on the national stage but at the local cineplex as well. By the time the decade was over, the Hollywood studio system as audiences knew it was dead - killed by a man who could “talk to the animals” of all things. But Hollywood limped to the finish line with the tortured tale of three lovely ladies and their struggles with fame and addiction in Valley of the Dolls. Dolls, as campy then as it is now, receives a shot of respectability this week with its premiere on
An American Werewolf in London (Full Moon Edition) Blu-ray Review: Its Cult-classic Status Is Certainly Warranted
Required by law to state "You'll howl with laughter."
After a string of comedic box-office successes (Kentucky Fried Movie, National Lampoon’s Animal House, and The Blues Brothers), director John Landis had the clout to pick his next project. He veered away from comedy to a screenplay he first worked on in 1969 while a production assistant on Kelly’s Heroes in Yugoslavia. An American Werewolf in London was Landis’ take on the Wolfman. David (David Naughton) and Jack (Griffin Dunne) are backpacking their way through Europe. The film opens with them traversing through the moors of Northern England, but all Jack can think of is hooking up with a woman
Celebrate Art House Theater Day with Cowboy, Indian, and Horse.
In a world that seems to be growing increasingly insane, it's wonderful to have some controlled lunacy that is Stéphane Aubier and Vincent Patar’s A Town Called Panic, which features that antics of toy figures Cowboy and Indian, brought to life in stop-motion animation. As part of Art House Theater Day on September 24, two new specials will be showing in select theaters along with the Panic shorts, "Lisa & Jan" and "Cow-Hulk." In "The Christmas Log," Cowboy and Indian's horseplay on Christmas Eve ends up potentially ruining the dinner their roommate Horse has planned. Horse is so angry he
From the unconditional (or unwanted) affection of one's parental unit, to the ever-classic pursuit of maximum financial units, these five flicks have more to offer than just a nude Ornella Muti (although that's just fine on its own!).
At one point or another in life, we have experienced the passion, turmoil, and frustration that comes from not being able to possess something ‒ sometimes, anything ‒ we wanted more than life itself. For some, it is a material obsession; the desire to acquire great wealth to control others with, or to even take charge of an individual. For others, it is simply the allure of being able to step out of the proverbial limelight for once and lead what they perceive to be a life of normality. And it is in this marvelous line-up of May 2016 releases