On a rainy afternoon here in Southern California, I had a chance to talk to Missy Suicide, founder of SuicideGirls.com. SuicideGirls is the online community that was started over thirteen years ago as a way to celebrate alternative forms of beauty while embracing pin-up aesthetics. The interview is an easy conversation as we chat about the current SuicideGirls Blackheart Burlesque tour. I tell Missy I am excited to hear about the SG burlesque show since I hosted a burlesque show for two years. Missy’s sweet and supportive response makes it easy to understand why so many women have trusted her
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I talk with Missy Suicide of SuicideGirls.com to talk about the SuicideGirls Blackheart Burlesque show.
Todd Ford is a web developer by day and a film fanatic by night. He has been writing film reviews and articles for various publications since 1994 and is a curator for the Cinema 100 Film Society of Bismarck, North Dakota. See You in the Dark presents a selection of his reviews from the past two decades and reveals where his passion for film has taken him during that time. Can you give a little bio to introduce yourself to readers? I grew up in Southern California to parents who had little interest in the arts and were frankly terrified
Nelson also covers the joys of Jon Voight, how hard it is to watch movies out of riff mode, and whether he thinks time is a flat circle.
If I interview Bill Corbett, I'll have talked to all three members of the Rifftrax crew! Maybe that sounds like bragging on my part, but these guys are the coolest trio on the planet, responsible for creating hilarious "riffs" on your favorite (and films whose favoritism you refuse to acknowledge) films via their site, Rifftrax. After a hugely successful Kickstarter campaign, and the presentation of Roland Emmerich's Godzilla on the big screen (which was reviewed by Mark Buckingham), the trio are back with a Halloween treat: performing a live Riff on Anaconda! I sat down with Mike Nelson to
"I just couldn't figure out how the U.S. government could have imprisoned Mr. Sulu as a five-year-old."
The new documentary To Be Takei looks at the fascinating past and exciting present of the one and only Mr. Sulu, George Takei. Cinema Sentries’ Adam Blair caught up with the documentary’s director Jennifer M. Kroot, who revealed the intricacies involved in getting an interview with Takei nemesis William Shatner, and how Takei’s relationship with husband Brad Altman unexpectedly became an important element in the finished film, which is being released in select cities, VOD platforms and on iTunes August 22. How did you get involved with this project? I was always a Star Trek fan, but I didn’t really
Director Richard Linklater and stars Ethan Hawke, Patricia Arquette, and Ellar Coltrane on creating an "epic of minutia."
That Boyhood, Richard Linklater’s “epic of minutia,” had an unconventional production schedule is something of an understatement. For an even dozen years, the cast and crew met once a year to chronicle both the aging and maturing (two distinct and separate processes) of Mason (Ellar Coltrane), his sister Samantha (played by the director’s daughter Lorelei Linklater), and their parents Olivia and Mason Sr. (Patricia Arquette and Ethan Hawke). What for some less fearless actors and filmmakers would have been a quixotically crazy commitment has produced a unique film, not without its flaws, that effectively plays with audience expectations about plot,
Documentarian Dave LaMattina and puppeteer Caroll Spinney talk about their collaboration.
I Am Big Bird: The Caroll Spinney Story sits comfortably at number one on my Best Movies of 2014 list. Whether it stays at number one depends on the rest of the year, but it'll be hard for another movie to play on my emotions, and better yet, my nostalgia, than this. I was fortunate to spend a few minutes talking to I Am Big Bird's co-director Dave LaMattina, and Big Bird himself, Caroll Spinney, about the documentary, the moments that made them go "wow," and Disney dunking their characters. In the end, these two left me laughing and almost
After watching the phenomenal documentary, CinemAbility, I was excited to sit down and talk to the movie’s director, Jenni Gold about her time as a Hollywood director and her amazing work. I’m wont to performing formal interviews, especially fearing I’ll run out of questions, but while talking to Jenni I found myself deferring the questions and having an amazing conversation with her about disability, movies, and everything in between.Our conversation started with me gushing about the documentary and discussing the merits of wheelchair use with Jenni. Take note, they have as many advantages as disadvantages. The thing I loved the
MST3K star Kevin Murphy talks Rifftrax's Night of the Living Dead live show!
Audiences may be unfamiliar with actor Kevin Murphy’s face, but if you’re a fan of Mystery Science Theater 3000 you can’t forget his voice in the character of the wisecracking robot, Tom Servo. After MST3K ended its run in 1999, the trio of alums Murphy, Michael J. Nelson, and Bill Corbett started Rifftrax. Rifftrax’s goal is simply “We don’t make movies…we make movies funnier,” and they do! Any movie is up for lampooning, and they’ve tapped into a market with old fans of MST3K continuing to love their shtick, and new fans enjoying their skewering of popular fare. In honor
"As a director, [Smith] speaks to the issues that interest me in a way that interests me."
In 1997, Chasing Amy, the third film from writer-director Kevin Smith hit theaters. I had seen his first film Clerks and liked it, but Chasing Amy was different. It was a film that addressed how it felt to be a Gen X-er in the dating world. It showed us that the rules in dating were not so cut and dry anymore. Chasing Amy was a film that felt both very personal and very universal at the same time. It got me even more excited about film and made me a life-long fan of Kevin Smith. Across the country on the
An interview with Anita Coulter about TR!CKSTER and the art of setting up shop.
With Comic-Con only days away from its takeover of the wonderfully accommodating city of San Diego, fans of all makes and models are talking, tweeting, and posting their excitement for the event. With the con having grown to proportions over the past several years that no one could have predicted, this now-cyclical round of excitement is also followed by the now-cyclical observations wondering what place (if any) the comics of the convention's namesake hold at the spectacle. There's no question that attendance is in overdrive more and more, every year. People stood in line last year during the wee hours